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#'i can't help it guys' vs 'can i help it guys' choose your fighter
goldenpinof · 1 year
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swearing = caring
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probablyhuntersmom · 8 months
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if that hexsquad each piloted a voltron lion, who do you think would pilot each lion?
Aaah!! An opportunity to answer an ask that is about my two biggest brainrot shows! 😍
I remain here for VLD because of its premise, for what it stood for before Tim Hedrick - the Head of Story - got fucked over and had his show bible thrown out...Also coz Studio Mir~~
When you wanna compare the paladins to Hexsquad it's like, having to look at what element in nature each Lion stands for and also each witch's deepest wish. And how the characters with their traits would match with the traits that the Lions are looking for. And I'll not only be referencing the new paladins, but also their predecessors: including perhaps the only redeemable thing about S8 which were the old paladins' speeches from the astral plane scenes.
And I'm obviously going with the S1 and S2 pilot configurations, not the post-Lion Switch config.
Starting with who will "form the head":
The Black Lion wants her pilot to learn about control and calmness, which is why she could go perfectly with Shiro's main conflict with his PTSD.
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It works very well for Willow for this precise reason:
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She and Shiro also share the habit of not wanting to rely on others to help them with their problems, i.e. wanting to stay strong and put up a constant front of portraying strength. We've seen how both characters behave when having panic attacks. So lol, Willow in this universe wouldn't be using plant magic.
One might think that Yellow is the match for her after hearing her deepest wish:
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And sure she could express the exact same wish if she were a Paladin...but the Black Lion would pick up on what her area of growth is i.e. the goal to be in control isn't a goal to be reached all on your own. The Lions have their requirements, but they are sentient and can telepathically get a read of an individual's unique challenges and darkest fears. Being the Guardian Spirit representing the cosmos and sky, Black can go nicely with Willow's nurtured leadership qualities and her desire for strength and wisdom.
Next, the arms :
Red is definitely for Amity.
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Red is the Lion that wants you to follow your instincts with determination, to defy what's expected or imposed on you if needed. (ah, but I hear you thinking...doesn't this fit Hunter as well? More on this later)
Look at the similarities between her and Keith's arcs:
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Both were not entrusted with the space to explore what they wanted in life (imagine...Iverson *could've* been a parental figure for Keith, but he reflects how the education and foster care systems often are IRL), and were expected to fit into a box: which was to their detriment. They were determined to not let their inner fire be put out.
Bonus that they're also rather seasoned fighters, for their respective ages:
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The Green Lion might choose Gus. Being a user of illusion magic, Gus's arc has the theme of truth vs illusion, and Green wants a pilot who is curious and has a daring intellect. Who better than the little guy who is curious to know all there is about the human realm, who wants to see what is out there beyond the Isles. Green is best for stealth operations and Gus would be a natural at that, he'd be the best tech guy too!
His deepest wish nicely matches the realization that Pidge had after she met the Olkari: about being connected to the universe and to everything in it (that's what the Forest element symbolizes via the whole "network of roots and branches" concept, which also reflects the imagery of the nervous system linked to the brain. Both Pidge and Gus are prodigies/geniuses).
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And having an ambassador role can't really be carried out from the safety and comfort of hiding in your comfort zone of one's insecurity:
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Finally, the legs:
I vote Blue for Luz because her deepest wish:
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goes so well with this exact line from Blaytz, Lance's predecessor (when we finally hear about what the Blue Lion represents):
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Blue is the teamwork lion, kind of the opposite of Green. Easygoing, bold and spontaneous like water. And it's no coincidence that she's the friendliest lion. Luz can befriend anyone because of her extraordinary empathy and I have good reason to suspect this was also the intended arc for Lance...:
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Yellow is the morale lion, sort of the opposite of Red.
BUT! Hunter is very interesting since, at least to me, he embodies both Red and Yellow traits which at first glance are *supposed* to be in conflict with one another (this is a sign that he is magnificently well-written. Sorry Keith and Hunk and everyone in the space show, beyond S3 :'D).
I mean c'mon, look at my two kiddos:
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It's really important to note that Hunter and Amity's deepest wishes are essentially the same. Which is why it's also easy for me to visualize Hunter piloting Red.
But it's kinda unmistakable: the writers wanted us to see that Hunter's strength is his kind, loving heart (Yellow paladin traits).
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His courage and determination (Red paladin traits)
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are only the next priority and exist to make the case for his kind heart, in my opinion. Because he wants to live, not just survive...in order to keep learning and giving and loving, to basically remain in a relationship with the world instead of being in isolation.
It's also a bit eerie that Yellow is the Guardian Spirit of Earth/Land, and well..a certain grimwalker was literally grown out of the earth. Hmm........
And wowzah if you look here:
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it's a contrast to the Golden Guard being Belos's instrument to keep the Isles as divided as possible, under the guise of promoting unity, with Belos even going as far as coining a name like "The Day of Unity"...during which he wanted to carry out a plan of causing even more major division among the people of the Boiling Isles, via literal genocide. Yeah, yikes. Hunter's future in palisman-carving certainly brings unity born out of love, opposing Belos's forces of division born out of fear. Gyrgan is right in what he says above: unity is born from love.
Anyway this sweet child can really feel like both Keith and Hunk combined into one character. Sometimes he recklessly charges ahead, sometimes he's very nervous about a ton of things. He manages to be the pathetic wet cat but also the most huggable warm teddy bear, lmao.
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But if he had been brought up in a healthy and loving home - which is what Hunk had:
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him as Yellow's choice would be crystal clear.
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Thank goodness Hunter DOES end up in this place though, surrounded by the best found family!
PS: Moringmark had a different configuration for who would pilot who, he just based it on matching colour codes haha (link)
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itsclydebitches · 3 years
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Another thing about how rwby views trauma survivors reacting to their abuse or unfortunate background is that it frames the solution to healing is by serving in armed forces. Weiss and Blake joined Beacon to escape their abuser. Ren and Nora joined Beacon after the loss of their families. Winter joined the military to escape Jacques and I'm assuming will become the new Atlas general after Ironwood's death. The Huntsmen Academies are all framed as these safe havens (literally with Mistral) for anyone who can carry a weapon, meanwhile anyone who can't or doesn't want to join, or joins a group outside of the institution is depicted as bad.
To say that this is all muddied would be a huge understatement because even if we put aside the complicated message of, "Overcome your abuse by learning to punch back," at this point the combined huntsmen-military is no longer presented as a means of escape. Rather, between the rewriting of Winter's history – she has apparently been manipulated by Ironwood this whole time rather than choosing the military as a means of escaping her abuser – as well as the military aligned huntsmen – FNKI aren't heroes like RWBYJNOR anymore, willingly protecting their home, they're children who have been forced into this conflict – there's now this major divide between fighters-on-their-own and fighters-as-part-of-the-institution. We could even read this as extending to the huntsmen academies themselves, given that one has fallen, one was destroyed, and the other lost its figurehead. They used to be presented as havens for struggling individuals... now, not so much. The plot's message is not that heroes win by banding together through established structures that were designed to help those coming from bad circumstances (note how aware Ozpin is of these backstories: Qrow's bandit tribe, Blake's White Fang history, looking into Ruby's defense of the store, etc.), but rather you win by rag-tag individuals making decisions based on friendship.
Yet simultaneously, that divide is by no means neat and tidy (since plenty of stories have that latter message). As we've discussed elsewhere, RWBYJNOR is ingrained in these structures despite the story rejecting them. They got their initial training at Beacon (how many fans have argued that they learned enough there? That they're basically full-fledged huntsmen already? So, that school was pretty important, yeah?). They worked with Ironwood for months. They're using the prestige of their licenses to get people to listen to them. They're hijacking military equipment to give the world orders to prepare for an attack. Ruby became a general in all but title in that moment, in the same way that Weiss became the Remnant equivalent of a cop when she tried to arrest her father. Volumes 6-8 suddenly wanted to send an anti-military message without considering the context of their story (what does a military mean in a world where unambiguously evil monsters attack, as opposed to a world where these "monsters" are minorities?) and they failed to separate the heroes from the structures they so passionately reject. You cannot have the group stand in opposition to Ironwood and everything he represents while also encouraging the audience to oohh and ahhh at Jaune whipping out his huntsmen license to lead a group of civilians to safety. The supposed cruelty of the former and supposed heroism of the latter are meant to exist simultaneously, despite the contradiction. We went from the message that huntsmen academies, including Atlas', are a haven from abuse, poverty, etc. but now, suddenly, certain types of escapes are no longer morally sound. So just ignore how many of the heroes took the "wrong" path.
And then on top of all of that we have Rhodes. RWBY is pushing the individualism message hard nowadays – that a group of friends is better than a general and his soldiers just ignore that Ruby is their leader and they all follow her orders – yet it's Rhodes' individuality that is criticized in Cinder's flashback. He, as a single person, tries to take on the complex situation of helping an abused child and he failed. The fandom's reaction to his efforts is pretty telling because most kept falling back on structural solutions: "Why didn't he just call CPS? Why didn't he get her admitted early like Ruby? Why didn't he approach some superior to fix all this?" Most fans seemed to grudgingly acknowledge that kidnapping Cinder and raising this traumatized kid on the road while hunting grimm was... not the best idea, so they turned to the very things they've rejected in Ruby's part of the story: laws that people have to follow, schools with an hierarchy that can serve as support, someone above you whose orders you follow and whose seniority can help you in a tough situation. In Cinder's flashback people wanted Remnant to have structural solutions because, clearly, leaving one flawed man to fix this situation on his own didn't turn out so well. They (and the writers) just don't want Ruby to have to obey those same structures because Ruby is the title hero they've grown to love over eight years. We feel like we know Ruby and we assume that if Ruby is in charge she'd totally make the best decision. But Rhodes? He's a stranger, someone we see for less than ten minutes, so his flaws are far easier to home in on. Few are willing to acknowledge that Ruby is Rhodes on a much larger scale, trying things because she wants to help, but ultimately doing far more harm because she's incredibly inexperienced and is just running on her own, individual ideas, not any of the structures in place that are meant to deal with such crises. Rhodes' "Idk what else to do, so I guess I'll teach a tortured kid how to defend herself and hope for the best" is Ruby's "Idk what else to do, so I guess I'll drop Atlas on Mantle, leave with the Relics, move everyone to Vacuo, and hope for the best." The primary difference is that while Rhodes is punished through his death and the narrative makes it clear that this was the wrong choice (Cinder murders everyone and becomes a villain), whereas Ruby's screwups are continually framed as heroic. And that's because the show can't make up its mind about this structural vs. individual approach. Do huntsmen need to be held responsible for their actions, or do they need complete freedom to do the right thing with the belief that anything that goes wrong was completely out of their hands (Yangs' take)? Well, that depends entirely on which huntsmen we're talking about. RWBY's idea that some people are intrinsically good and others intrinsically bad means that the writing – and the fandom – can demand rogue huntsmen be held accountable while simultaneously cheering the group running away from arrest; curse Clover for following orders while simultaneously gushing over how loyal the group is to Ruby; condemn lies that Ozpin gives while simultaneously justifying the ones Ruby gives, etc. RWBY has no clear message, just the insistence that whatever our heroes does is good. The path they've taken, learning to fight to escape horrific situation is a good thing. The path Rhodes laid out, teaching Cinder to fight to escape a horrific situation, is a bad thing. It comes down to the characters, not the situation.
Finally, yeah, there's a complete lack of acknowledgment that either option – structural or individual – alienates those who don't know how to fight. This is seen most clearly in Whitley who asks why he'd want to be a huntsmen when he can afford an army, yet when armies are painted as unquestionably bad, the story won't admit that this leaves Whitley stranded. He had no way to escape his abuse like Winter and Weiss did. He had no way to defend himself when Weiss shoved a weapon in his face. The story never had to grapple with where it's left characters who can't fight and who shouldn't make the evil choice of relying on soldiers because Whitley unexpectedly got on Weiss' good side and gained her protection. It doesn't matter anymore because Whitley is a Good Guy now who the group will take care of. But if he'd continued to disagree? Gone to his room instead of calling Klein? If, in the future, he does something that annoys his sisters and they decide to ignore him like they did before? Well, Whitley is screwed. In a world besieged by grimm – with attacks growing with each volume – he wanted to rely on an army to help solve these problems. But then that was said to be wrong, the general died, and the army, far as we can tell, was left behind to die as well. So what's left? Rely on the huntsmen. Just hope that there are enough (there aren't), that you get a good one (not a Lionheart, or a Raven, or a Cardin, or a Dudley, or...), and that the good ones care enough to bother protecting you. Even if the story hadn't gone out of its way to show how terribly flawed individual huntsmen are – from Lionheart's devastating betrayal to Qrow teaming up with Tyrian – from a practical perspective it's just not enough. Volume 8 showed without a doubt that in a war like this, one built on a witch's ability to summon endless grimm, an army is necessary. Salem would have been into Atlas in a second without those soldiers holding her forces back. Yang, Jaune, and Ren wouldn't have gotten to the whale without that army. Yet the story never acknowledges this, instead pretending like the few individuals we see – the limited numbers the characters keep admitting are horrendously limited – could have somehow saved the day without that assistance. Everything we're seeing nowadays – which characters can use these institutions to escape abuse, which can lie to help the war, which should rely on structures as opposed to their own ideas and physical power – is a mess of inconsistent, often contradictory messages.
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