Unveiling the Versatility of Stirrup Covers: A Comprehensive Guide
Stirrup covers, often an overlooked accessory in the equestrian and medical worlds, serve a pivotal role in enhancing comfort, hygiene, and functionality. These unassuming pieces of equipment offer a myriad of benefits, from protecting stirrups and saddles to ensuring a sanitary environment in medical settings. In this comprehensive guide, we delve into the purpose of stirrup covers, their diverse applications, and how to make the most of them.
What is the Purpose of Stirrup Covers?
Stirrup covers primarily serve to safeguard both the rider and the equipment. They shield the stirrups from dust, dirt, and moisture, preserving their quality and extending their lifespan. Moreover, in medical contexts such as examination tables, stirrup covers maintain cleanliness and hygiene, minimizing the risk of cross-contamination and ensuring patient comfort and safety.
How to Use Stirrup Covers?
Using stirrup covers is a simple yet effective process. First, ensure that the stirrups are clean and dry. Then, slide the cover over the stirrup, ensuring a snug fit. Some covers may come with elastic bands or Velcro straps to secure them in place, providing added stability during use. After each use, remove the covers, clean them if necessary, and store them in a dry, ventilated area to prevent mold or mildew growth.
What are Leather Stirrup Covers Called?
Leather stirrup covers are commonly referred to as "leather stirrup protectors" or simply "leather covers." These covers offer durability and a touch of elegance to the riding experience. Crafted from high-quality leather, they not only shield the stirrups but also add a sophisticated aesthetic to the saddle ensemble.
What are the Parts of a Stirrup?
Understanding the anatomy of a stirrup is essential for choosing the right cover and ensuring proper usage. A typical stirrup comprises several components:
1. Tread: The flat portion where the rider places their foot.
2. Footbed: The area where the rider's foot rests, providing support and stability.
3. Branches: The arms of the stirrup that extend from the tread and connect to the stirrup leather.
4. Eye: The loop through which the stirrup leather passes, allowing the stirrup to hang from the saddle.
Familiarizing oneself with these parts facilitates effective maintenance and use of stirrup covers.
Stirrup Covers: English vs. Western
Stirrup covers come in various styles to accommodate different riding disciplines. English stirrup covers are typically sleek and streamlined, designed to fit the slim profile of English-style stirrups. On the other hand, Western stirrup covers may be more robust and embellished, reflecting the rugged aesthetic of Western riding gear.
Stirrup Covers Price and Availability
The price of stirrup covers varies depending on factors such as material, craftsmanship, and brand. Basic fabric covers are generally more affordable, while leather covers command a higher price due to their premium quality. Additionally, specialized medical stirrup covers designed for examination tables may have a different pricing range. Stirrup covers are readily available at equestrian stores, online retailers, and medical supply outlets.
DIY Stirrup Cover Pattern and Making
For those inclined towards creativity and craftsmanship, making stirrup covers can be a rewarding DIY project. To create a stirrup cover, you'll need fabric or leather material, sewing equipment, and a basic understanding of stitching techniques. Numerous online resources offer step-by-step tutorials and patterns for crafting custom stirrup covers tailored to individual preferences and requirements.
Conclusion
Stirrup covers may seem like minor accessories, but their significance cannot be overstated. Whether in the equestrian arena or medical field, these covers play a crucial role in protecting equipment, ensuring hygiene, and enhancing comfort. By understanding their purpose, utilizing them correctly, and exploring the diverse options available, riders and healthcare professionals alike can appreciate the versatility and practicality of stirrup covers in their respective domains.
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NOMINACIONES DE PREMIOS HUGO 11° TEMPORADA 2019-2020
Se dieron a conocer los ternados a los Premios Hugo al Teatro Musical 2019-2020, período del 01/08/2019 hasta el 18/03/2020
La fecha de la ceremonia aún está por confirmarse. Los nominados y las ternas, son:
MEJOR MUSICAL
Hello, Dolly!
Happyland
Kinky Boots
MEJOR MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL
Caníbal
Happening, de todo como en botica
Una noche en el café concert
MEJOR MUSICAL OFF
El arrebato
Hotel Oasis
Las Leguizamo. Epopeya selvático-literaria
Lo que quieren las guachas
Teresita, una vida de mierda
Vida y obra del doctor Lipovetzki
MEJOR DIRECCIÓN GENERAL
Alfredo Arias (Happyland)
Arturo Puig (Hello, Dolly!)
Corina Fiorillo (Caníbal)
Guillermo Cacace (La enamorada)
MEJOR COREOGRAFÍA
Alejandro Ibarra (Teresita, una vida de mierda)
Elizabeth de Chapeaurouge (Hello, Dolly!)
Gustavo Wons (Kinky Boots)
MEJOR DIRECCIÓN MUSICAL
Ángel Mahler (Hello, Dolly!)
Gaspar Scabuzzo (Kinky Boots)
Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)
MEJOR LIBRO DE MUSICAL ARGENTINO
Emiliano Dionisi (El arrebato)
Gonzalo Demaría (Happyland)
Shumi Gauto (Vida y obra del doctor Lipovetski)
MEJORES LETRAS DE MUSICAL ARGENTINO
Caro Setton (24 de septiembre, casi casi primavera)
Clara Canale / Hernán Bustamante (Terapia allá voy)
Emiliano Dionisi / Martín Rodríguez (El arrebato)
Gonzalo Demaría (Happyland)
Julieta Venegas y Santiago Loza (La enamorada)
Marcelo Kotliar (Ana Frank)
MEJOR ADAPTACIÓN Y/O TRADUCCIÓN DE LIBRO Y LETRAS
Fernando Masllorens/Federico González del Pino/Marcelo Kotliar (Hello, Dolly!)
Fernando Masllorens/Federico Gonzalez Del Pino/Marcelo Kotliar (Kinky Boots)
Lucía Mutio (Fun Home)
MEJOR MÚSICA ORIGINAL
Axel Krygier (Happyland)
Carlos Gianni (Hotel Oasis)
Martín Rodríguez (El arrebato)
Matías Ibarra (Teresita, una vida de mierda)
Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)
MEJORES ARREGLOS MUSICALES
Carlos Britez (Caníbal)
Matías Ibarra (Teresita, una vida de mierda)
Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)
MEJOR ACTUACIÓN PROTAGÓNICA MASCULINA
Fernando Dente (Kinky Boots)
Marcos Montes (Happyland)
Martín Bossi (Kinky Boots)
MEJOR ACTUACIÓN PROTAGÓNICA FEMENINA
Alejandra Radano (Happyland)
Laura Silva (Aquí cantó Gardel)
Lucía Galán (Hello, Dolly!)
Sofi Morandi (Kinky Boots)
MEJOR ACTUACIÓN MASCULINA EN MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL
Alejandro Veroutis (Una noche en el café concert)
Julián Pucheta (Happening, de todo como en botica)
Patricio Witis (Happening, de todo como en botica)
Sebastián Holz (Caníbal)
MEJOR ACTUACIÓN FEMENINA EN MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL
Belén Pasqualini (Caníbal)
Dolores Ocampo (Caníbal)
Lucila Gandolfo (Happening, de todo como en botica)
María Rojí (Happening, de todo como en botica)
MEJOR ACTUACIÓN DE REPARTO MASCULINA
Carlos Casella (Happyland)
Gustavo Monje (Kinky Boots)
Nacho Mintz (Kinky Boots)
Sebastián Códega (Tango en Rose)
MEJOR ACTUACIÓN DE REPARTO FEMENINA
Ana Rodríguez (Aquí cantó Gardel)
Ángeles Díaz Colodrero (Hello, Dolly!)
Josefina Scaglione (Happyland)
Laura Azcurra (Hello, Dolly!)
Laura Oliva (¿Quién retiene a quién?)
MEJOR INTERPRETACIÓN MASCULINA EN ENSAMBLE
Christian Giménez (Hello, Dolly!)
Matías Prieto Peccia (Kinky Boots)
Menelik Cambiaso (Kinky Boots)
Nicolás Di Pace (Kinky Boots)
Nicolás Villalba (Kinky Boots)
MEJOR INTERPRETACIÓN FEMENINA EN ENSAMBLE
Cecilia Estévez (Bigtime Jazz)
Eluney Zalazar (Hello, Dolly!)
Laura Montini (Kinky Boots)
Lucre Orlando (Kinky Boots)
Mariel Percossi (Kinky Boots)
Virginia Kaufmann (Hello, Dolly!)
MEJORES ARREGLOS VOCALES
Damián Mahler / Virginia Módica (Hello, Dolly!)
Federico Coates (Border, el musical)
Florencia Carchack (¿Quién retiene a quién?)
Matías Ibarra (Kinky Boots)
MEJOR PRODUCCIÓN INTEGRAL
Ángel Mahler / Leo Cifelli y Asoc. (Hello, Dolly!)
Centro Cultural 25 de Mayo / Aldana Illán / Analía Thiele (Aquí cantó Gardel)
Rimas / Dabope (Kinky Boots)
REVELACIÓN MASCULINA
Agustín Sullivan (Hello, Dolly!)
Luis María Peña Maciel (El arrebato)
Zacarías Fraga (El arrebato)
REVELACIÓN FEMENINA
Albertina Ferrucci (Ana Frank)
Elizabeth González (El arrebato)
Emma Prícolo (Fun Home)
Micaela Racciatti (Las Leguizamo. Epopeya selvático-literaria)
Nahiara Muchico (El arrebato)
MEJOR DISEÑO DE VESTUARIO ORIGINAL
Estela Fagoaga (Hello, Dolly!)
Julio Suárez (Happyland)
Verónica de la Canal / Alejandra Robotti (Kinky Boots)
MEJOR DISEÑO DE ESCENOGRAFÍA ORIGINAL
Emilio Zurita / Adrián Martínez Fausto (Hello, Dolly!)
Jorge Ferrari (Kinky Boots)
Julia Freid (Happyland)
MEJOR DISEÑO DE LUCES ORIGINAL
Gaspar Potocnik (Kinky Boots)
Gonzalo González (Hello, Dolly!)
Paula Fraga (Happylland)
MEJOR DISEÑO DE SONIDO ORIGINAL
Axel Krygier (Happyland)
Gastón Briski (Kinky Boots)
Guillermo Pérez / Eugenio Mellano Lanfranco (Aquí cantó Gardel)
Osvaldo Mahler (Hello, Dolly!)
MEJOR ESPECTÁCULO MUSICAL PARA UN SOLO INTÉRPRETE
24 de septiembre, casi casi primavera (Caro Setton)
Gershwin, el amor está aquí para quedarse (Flavia Vitale)
La enamorada (Julieta Venegas)
Madame Sabo Cabaret (Maximiliano Acavallo)
Turba (Iride Mockert)
MEJOR DIRECCIÓN EN MUSICAL OFF
Alejandro Ibarra (Teresita, una vida de mierda)
Juan Martín Delgado (El arrebato)
Mariano Taccagni (Hotel Oasis)
MEJOR INTERPRETACIÓN MASCULINA EN MUSICAL OFF
Alejandro Vázquez (Hotel Oasis)
Luciano Crispi (Lo que quieren las guachas)
Marcelo Albamonte (Hotel Oasis)
Mariano Magnífico (Teresita, una vida de mierda)
Mariano Taccagni (Hotel Oasis)
Nahuel Adhami (Teresita, una vida de mierda)
Nahuel Quimey Villareal (El arrebato)
MEJOR INTERPRETACIÓN FEMENINA EN MUSICAL OFF
Chechu Vargas (Teresita, una vida de mierda)
Lali Vidal (Hotel Oasis)
Leilén Araudo (Las Leguizamo. Epopeya selvático-literaria)
Shumi Gauto (Vida y obra del doctor Lipovetski)
MEJOR MAQUILLAJE
Eddy Rodríguez (Hello, Dolly!)
Elena Sapino / Matías Nazareno (Kinky Boots)
Melina Roses (Retazos)
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