#Aleksandar Antonijevic

[dance-world]

Ben Rudisin - The National Ballet of Canada - photo by Aleksandar Antonijevic  

#Ben Rudisin #The National Ballet of Canada #Aleksandar Antonijevic #bailarín #ballerino #dancer #danseur #tänzer #boys of ballet #ballet men #dance #ballet

[alostangel]

Ph. Aleksandar Antonijevic

#Aleksandar Antonijevic #air #dance #male body #male beauty #male photography #art #art photography #photography

[shujubeelamoglia]

Icesis Couture

Canada’s Drag Race

Coronation Eleganza Look

Photography by Aleksandar Antonijevic

#rpdr #drag race #rupaul’s drag race #drag #icesis couture #canada's drag race #drag race canada

[eddy25960]

Ben Rudisin by Aleksandar Antonijevic

[osarothomprince]

Black Style Now

A KALTBLUT exclusive. Photography by Aleksandar Antonijevic. The models are Gloria Matidulu, Damilola Omotayo and Haani Ochalla. Styling by Junior Baptiste. Makeup and hair by Lucas Drigues. Photography Aleksandar Antonijevic http://www.aleksandarantonijevic.ca Instagram @asquaredphoto Stylist Junior Baptiste Instagram @onix.stylist Make up/hair Lucas Drigues Instagram @lucasdriguesmua MODELS:…

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[byneddiedingo]

Janez Vrhovec and Milena Dravic in Man Is Not a Bird (Dusan Makavejev, 1965) Cast: Milena Dravic, Janez Vrhovec, Stolan Arandjelovic, Eva Ras, Boris Dvornik, Roko Cirkovic, Dusan Antonijevic. Screenplay: Dusan Makavejev, Rasa Popov. Cinematography: Aleksandar Petkovic. Production design: Dragoljub Ivkov. Film editing: Ljubica Nesic, Ivanka Vukasovic. Music: Petar Bergamo. At first glance, Dusan Makavejev's first feature, Man Is Not a Bird, isn't much like his savage, surreal WR: Mysteries of the Organism (1971) and Sweet Movie (1974). Its focus on the working class reminded me of some of the other films that came out of Eastern Europe in the 1960s and '70s, such as Milos Forman's Loves of a Blonde (1965), Jiri Menzel's Closely Watched Trains (1966), and Krzysztof Kieslowski's Camera Buff (1979) -- humorous but filled with a strong irony, especially where the heavy-handed communist regime was concerned. The events are set in a place of bleak documentary realism, in this case a gray, sooty mining town -- Makavejev began by shooting a documentary in the mining town of Bor in what's now Serbia, but getting to know the people and their stories led to what we might call meta-documentary, a fictionalized Bor and inhabitants. Somehow, they eke out their lives in a dreary place where the only amusements seem to be a con-man hypnotist and a very shabby circus. The mine and adjacent processing plants are visions out of hell: At one point, musicians arrive for the performance of the "Ode to Joy" choral section of Beethoven's Ninth, and a few of them lose their way to the hall where they're performing and find themselves in the smelting area where a shower of sparks ignites one woman's long dress. But Makavejev never makes the depressing setting and the bleak and sometimes brutal lives of his characters oppressive. There is just enough distancing from these characters that we can see them ironically and find even the brutish, abusive Barbulovic (Stolan Arandjelovic) a satiric figure rather than a realistic one. The pomposity of the bosses in awarding the engineer Jan Rudinski (Janez Vrhovec) a medal and a concert instead of a bonus for finishing his installation of new turbines ahead of schedule is a keen glance as the communist bureaucracy. It's not a particularly likable film, and it clearly has moments where it avoids treading on the censors' sensibilities, but I prefer it to Makavejev's later, more unfettered work.

#Man Is Not a Bird #Dusan Makavejev #Janez Vrhovec #Milena Dravic

[swanlake1998]

adji cissoko photographed for the toronto dance project by aleksandar antonijevic

#adji cissoko #ballet #ballerina #aleksandar antonijevic #adji_cissoko #toronto dance project

[lovelyballetandmore]

Aleksandar Antonijevic | Cylla Von Tiedemann

#aleksandar antonijevic #ballet slippers #tights #pink tights #aleksandar antonijević

[books0977]

Elena Lobsanova and Naoya Ebe in Giselle, National Ballet of Canada, June 2016. © Aleksandar Antonijevic.

A beautiful and intelligent dancer, Lobsanova was in total control of her technique, rendering the choreography with remarkable clarity; the loveliness of her gestures and the buoyancy of her leaps echoed her heroine’s sweet and cheerful personality.

#photograph #ballet #Elena Lobsanova #Naoya Ebe #Giselle #National Ballet of Canada #Aleksandar Antonijevic

[pas-de-duhhh]

Patrick Lavoie photographed by Aleksandar Antonijevic

#Patrick lavoie #aleksandar antonijevic #ballet #Dancer #ballet dancer #ballet boy #ballet boys #ballet men #ballet body #ballerino #ballerinos #male dancer #male ballet dancer

[galina-ulanova]

Jillian Vanstone as Alice, and Aleksandar Antonijevic as the White Rabbit, in Alice's Adventures in Wonderland (National Ballet of Canada, 2011)

#ballet #jillian vanstone #aleksandar antonijevic #national ballet of canada #alice's adventures in wonderland

[dance-world]

Kealan McLaughlin - Estonian National Ballet - photo by Aleksandar Antonijevic - @asquaredphoto

#Kealan McLaughlin #Estonian National Ballet #Aleksandar Antonijevic #bailarín #danseur #dancer #ballerino #tänzer #boys of ballet #ballet men #dance #ballet

[shujubeelamoglia]

Halal Bae

Canada’s Drag Race

Season 3 Promo Look

Photography by Aleksandar Antonijevic

#rpdr #drag race #rupaul’s drag race #drag #halal bae #canada’s drag race s3 #drag race canada s3 #canada's drag race #drag race canada

[gramilano]

Eleonora Abbagnato,Teatro Massimo di Palermo @ Marco Glaviano

There are many, many Italian dancers scattered around companies throughout the world. Some are in the corps de ballet, others are principal dancers, but all continue the tradition that made Italian dancers some of the most famous of all. Even leaving the men aside, we have Pierina Legnani (noted as ‘maybe’ being the first to perform 32 fouetté turns) who was a prima ballerina assoluta at the Mariinsky; Giuseppina Bozzacchi who created the role of Coppélia for the Paris Opera Ballet when she was 16; Fanny Cerrito and Carlotta Grisi (together with Marie Taglioni – herself half Italian – and Lucile Grahn) who created the roles in Perrot’s Pas de Quatre in London; Virginia Zucchi (for whom Petipa created La Esmeralda pas de six), Carlotta Zambelli (the star of the Paris Opera Ballet for three decades), and more recent exports: Fracci, Ferri, Galeazzi, Durante, Savignano, Abbagnato and others who have become principal ballerinas with major international companies.

Eleonora Abbagnato in Puccini by Julien Leste © Rolando Paolo Guerzoni 01

Eleonora Abbagnato in Puccini by Julien Leste © Rolando Paolo Guerzoni

It is Paris Opera Ballet’s Eleonora Abbagnato (also director of the Rome Opera Ballet company) who heads the bill of Daniele Cipriani’s latest starry gala, this time for the 62nd edition of the Festival of Two Worlds in Spoleto, a town which has seen many of the world’s most famous dancers pass through over the last half-century.

The programme, curated by Cipriani, ranges from the great classical repertoire to pieces by important contemporary choreographers, as well as original creations by young Italian dance makers.

Joining Abbagnato in the line-up are Davide Dato, from Biella, who since 2016 has been First Soloist with the Vienna State Ballet (who will dance in George Balanchine’s Tarantella, which the company has in its repertoire); Gabriele Frola, from Aosta, who became principal dancer of the National Ballet of Canada and, at the same time, of the English National Ballet in 2018; and Rachele Buriassi, a soloist at Boston Ballet.

Davide Dato 2017 © Cositore

Rachele Buriassi in Don Quixote © Stuttgarter Ballett

Davide Riccardo

Gabriele Frola © Aleksandar Antonijevic

There is also 18-year-old Davide Riccardo, from Messina, who graduated from the School of American Ballet and, since August 2018, has become the first Italian at the New York City Ballet (and will present Jerome Robbins’s Andantino as a tribute to the NYCB choreographer who also had strong links with Spoleto); as well as six Italian dancers from the Stuttgart Ballet: Fabio Adorisio, Daniele Silingardi, Alessandro Giaquinto, Matteo Miccini, Vittoria Girelli and Elisa Ghisalberti.

Coincidentally, the gala – on Sunday 30 June – coincides exactly with the tenth anniversary of the death of Pina Bausch, and Damiano Ottavio Bigi, who dances with the Tanztheater Wuppertal Pina Bausch in Germany, will present his own creation dedicated to the great choreographer and interpreter.

Contemporary choreographers are represented by Claudio Cangialosi, from the Vlaanderen Opera Ballet, who will dance a piece by Sidi Larbi Cherkaoui, and Sasha Riva and Simone Repele, formerly at John Neumeier´s Hamburg Ballet and now at the Ballet du Grand Théâtre de Genève, will perform a work by Marco Goecke.

Sasha Riva and Simone Repele

Claudio Cangialosi

Sasha Riva and Simone Repele

Damiano Ottavio Bigi

Rachele Buriassi in Jiří Kylián’s Wings of Wax © Rosalie O’Connor

There are also national premieres by young Italian authors whose talent has been acknowledged abroad: Alessandro Giaquinto and Fabio Adorisio, of the Stuttgart Ballet, present two creations, especially for the Spoleto Festival, danced by the six Italian dancers from the same company. Tommaso Beneventi from the Royal Swedish Ballet will dance with Buriassi (together with Giacomo Castellana of the Rome Opera Ballet) in a world premiere by Francesco Ventriglia on the music of Saint-Saëns’ Danse Macabre.

Among the (non-Italian) guest artists who complete the lineup are Nikisha Fogo and Liudmila Konovalova from the Vienna State Opera who will dance the Le Corsaire pas de deux along with the young dancer from La Scala, Mattia Semperboni, who set the stage alight in Milan recently as the slave. There’s also Friedmann Vogel from Stuttgart, Megan LeCrone from the New York City Ballet, Katja Khaniukova from English National Ballet and Nancy Osbaldeston from the Royal Ballet of Flanders.

Not only is there a fancy lineup – and quite unique – but the gala will be performed in the Piazza del Duomo with the stage backdrop being Spoleto’s stunning cathedral.

Nancy Osbaldeston 1

Nancy Osbaldeston 2

Liudmila Konovalova © Fotografia Massimo Danza 01

Liudmila Konovalova © Fotografia Massimo Danza

  Eleonora Abbagnato con le Stelle italiane nel mondo – Sunday 30 June at 21.30.

Some tickets are still available: Festival Di Spoleto – Abbagnato.

Eleonora Abbagnato at Teatro Massimo in Palermo @ Marco Glaviano

Dance in Italy – Spoleto Festival’s Dance Gala with Abbagnato, Vogel, Frola, Dato and many more on 30 June There are many, many Italian dancers scattered around companies throughout the world. Some are in the corps de ballet, others are principal dancers, but all continue the tradition that made Italian dancers some of the most famous of all.

#Carlotta Grisi #Daniele Cipriani #Davide Dato #Eleonora Abbagnato #Francesco Ventriglia #Giuseppina Bozzacchi #Jerome Robbins #Marie Taglioni #Mattia Semperboni #Pina Bausch #Spoleto

[swanlake1998]

keichii hirano photographed for the toronto dance project by aleksandar antonijevic

#keichii hirano #ballet #ballerino #aleksandar antonijevic #asquaredphoto #toronto dance project

[lovelyballetandmore]

Aleksandar Antonijevic

#aleksandar antonijevic