#Asier Mendizabal

[tri-ciclo]

Asier Mendizabal Limbo (Abierto grande), 2016

#Asier Mendizabal #2016

[garadinervi]

Asier Mendizabal, Geodesia y antropometria (vasijas), (collage), 2016 [ProjecteSD, Barcelona. © Asier Mendizabal]. From: A Desire for Archaeology. Perspectives on The Future, Curated by Jean-Marc Prevost, Carré d’Art – Musée d’art contemporain, Nîmes, April 12 – November 11, 2018

#art #collage #pattern #exhibition #asier mendizabal #jean marc prevost #projectesd #carré d’art #2010s

[estherattarmachanek]

@curatedby @galeriemartinjanda curated by Asier Mendizabal / Eröffnung: 09. & 10.09.2022 CURATED BY ASIER MENDIZABAL: REROUTE—REORIENT Eröffnung: 09. & 10.09.2022 | 12–18 Uhr Ausstellung: 09.09.–08.10.2022 von Asier Mendizabal kuratierte Ausstellung Reroute—Reorient mit Werken von Goshka Macuga, Mangelos, Ciprian Muresan, Roman Ondak und Tania Pérez Córdova. Haben wir uns verirrt, sind wir verwirrt oder schockiert, so verspüren wir das Bedürfnis, uns neu zu orientieren. Mit diesem Wort meinen wir die Anpassung an eine neue Situation, die durch eine plötzliche, unvorhersehbare oder unbegreifliche Veränderung entstanden sein kann. Der Begriff, sich neu zu orientieren oder neu auszurichten, bezieht sich natürlich auf eine räumliche Vorstellung. Indem wir eine Hauptrichtung (wie etwa Osten, Norden...) Galerie Martin Janda Eschenbachgasse 11 1010 Wien Austria https://www.instagram.com/p/CiSSbXksnA9/?igshid=NGJjMDIxMWI=

[antronaut]

Asier Mendizabal  A Singular Form 

#Asier Mendizabal #secession #Vienna #2021 #postcards

[alsoellensibley]

Asier Mendizabal

#Asier Mendizabal #Collage #Sculpture

[m-slgd]

A la poesía la llama lengua a la lengua la llama continuidad a la discontinuidad llama ritmo al ritmo lo llama lengua a la lengua poesía a la poesía la llama ritmo al ritmo lo llama continuidad a la discontinuidad llama lengua a la lengua la llama ritmo al ritmo poesía a la discontinuidad la llama poesía a la lengua la llama discontinuidad a la continuidad llama ritmo al ritmo lo llama discontinuidad a la poesía continuidad, 2021

Installation. 8 channel audio, 48’28’’, cutting vinyl. Co-authored with Fran MM Cabeza de Vaca. Graphics & photo: Rubén García-Castro / ANFIVBIA. Produced for Komunikazio-Inkomunikazio, collective exhibition curated by Oier Etxeberriaa. Tabakalera, San Sebastián / Donostia, 5/28-8/29/2021. Artists in the show: Lawrence Abu Hamdan, John Akomfrah, Tarek Atoui, Txomin Badiola, Zbyněk Baladrán, Josu Bilbao, Peter Friedl, Dora García, Höller & Parreno, Kimia Kamvari & Nader Koochaki, Louise Lawler, Erlea Maneros Zabala, Jon Mantzisidor, Asier Mendizabal, Itziar Okariz, Olatz Otalora, María Salgado & Fran MM Cabeza de Vaca, Lisa Tan, Amaia Urra, José Mari Zabala + Artze anaiak, Vicente Ameztoy, Fernand Deligny, Francisco de Goya, Susan Hiller, Pauline Oliveros, Remigio Mendiburu, José Luis Zumeta, Roy Hart...

A la poesía… is part of an investigation into the language acquisition process, a period in which we process tones, rhythms and melodies to establish the forms of phrases and words. The piece recovers the musical experience of growing language in our bodies. A multichannel system presents in space and time a continuous-discontinuous sound that resembles that of a language in the world, but instead of imitating it, it reconstructs and reflashes it based on a small section of the language that, at the same time, seems to contain all of it, in the same way that a poem contains the whole language and, conversely, the whole language contains all the poems. Just as a poem is never fully understood, we do not fully understand each other when we speak; communication is, therefore, an isolated moment within non-communication and, conversely, non-communication is a momentary break from semantic conventions. Infinity, chance and the continuum of verbal experience are brought here by means of the multi-reading by computer engines of buffers that contain recordings of words and phrases chosen based on their appeal and strangeness. The world is made of language, but language, before meaning, is made of vibration. Everything that is heard in this installation is voice. [Read more in spanish] + info: https://www.tabakalera.eus/es/komunikazio-inkomunikazio > press: https://www.diariovasco.com/culturas/exposicion-mikel-laboa-20210528131006-nt.html

#María Salgado & Fran MM Cabeza de Vaca #Komunikazio-inkomunikazio #Oier Etxeberria #Tabakalera #Mikel Laboa #Installation

[doragarciathebook]

POSTCARDS POSTCARDS Se les olvidó etiquetarme #pharmakos Posted @withregram • @projectesd THIS SUMMER, SEND A POSTCARD ProjecteSD is launching an edition of 17 postcards, each an unpublished new image proposed by the following 17 artists: IÑAKI BONILLAS, RAIMOND CHAVES & GILDA MANTILLA, PATRICIA DAUDER, KOENRAAD DEDOBBELEER, HANS-PETER FELDMANN, DORA GARCÍA, ANA JOTTA, GUILLAUME LEBLON, JOCHEN LEMPERT, ASIER MENDIZABAL, MATT MULLICAN, MARC NAGTZAAM, PETER PILLER, XAVIER RIBAS, ALLEN RUPPERSBERG, PIETER VERMEERSCH, CHRISTOPH WEBER The postcards are only offered as a set of 17, Ed. 60 (of which 18 are not for sale). Price: 39 € + postal costs to your location. Free delivery within Spain. Do not wait too long to place an order. Many thanks. #projectesd#mailart#edition#iñakibonillas#peterpiller#anajotta#pietervermeersch#christophweber#asiermendizabal#patriciadauder#jochenlempert#xavierribas#mattmullican#allenruppersberg#marcnagtzaam #koenraaddedobbeleer #gildamantillayraimondchaves #guillaumeleblon https://www.instagram.com/p/CCnq9dSK3mQ/?igshid=tgfxrntem535

#pharmakos #projectesd #mailart #edition #iñakibonillas #peterpiller #anajotta #pietervermeersch #christophweber #asiermendizabal #patriciadauder #jochenlempert #xavierribas #mattmullican #allenruppersberg #marcnagtzaam #koenraaddedobbeleer #gildamantillayraimondchaves #guillaumeleblon

[maitezabaleta]

Asier Mendizabal, Ganar perdiendo centrocentro Madrid

[ellensibley]

Notes, research and drawing preparation for the advanced sculpture workshop. I looked at the work of Miroslaw Balka, Thu-Van Tran, Daniel Gordon, Thomas Houseago, Asier Mendizabal and Rachel Dejoode. I was particularly interested in the play between 2D and 3D which is apparent in a lot of the work. I had a few ideas for sculptures in mind however I was open to making models and drawing up ideas on the day. I also made a number of templates from my existing experiments to speed up the drawing/mapping process. 

Preparing for the workshop in this way meant I was able to jump straight into creating models and maquettes for large sculptures. It also provided me for sculptural ideas which can be completed at home. 

[stillellensibley]

WINNING BY LOSING

Winning by Losing, curated by Catalina Lozano, questions and rethinks the paradigm of progress characteristic of modernity by exploring the dialectical relationship between winning and losing in relation to processes of change over time and that manifests itself in the potential stamps that emerge during their occurance.

On the one hand, it takes up the notion of regressive evolution, that is, the phenomenon by which the evolution of a species is benefited by the loss of a feature acquired in the evolutionary process. On the other, it finds echo in the way in which the sociologist Norbert Elias understood how a series of effective rituals can be petrified, become an end in themselves and naturalized in moments of transition within civilizing processes - modernity, as a permanent state of liminality, would then be an exceptional case study. In both cases, the rudiments of previous forms that were efficient can survive as marks, sometimes ornamental, that often enable the projection of new forms into the future.

Winning by Losing seeks, through contemporary artistic practices and some historical documents, to identify gestures and traces that bear witness to the subversion of certain temporal orders or the superposition of historical marks, critically analyzing contemporary rituals or the ideological naturalization of a supposed normality. The project also pays particular attention to instances in which the notions of evolution are disarmed -mainly in non-Western ways of thinking-, while considering the colonial stamp as the most embedded and efficacious in the contemporary world and, for that reason, the most susceptible to being disturbed.

* Winning by losing. Title taken from Spyros Papapetros On the Animation of the Inorganic: Art, Architecture and the Extension of Life, London and Chicago: University of Chicago Press, 2012.

Artists: Caroline Achaintre, Pauline Boudry y Renate Lorenz, Marcel Broodthaers, Cian Dayrit, Aleksandra Domanović, Juan Downey, Elvira Espejo Ayca, Patricia Esquivias, Sheroanawe Hakihiiwe, Geir Tore Holm, Jochen Lempert, Sean Lynch, Asier Mendizabal, Paper Tiger TV, Xabier Salaberria, Jorge Satorre, Rosemarie Trockel.

Catalina Lozano (Bogotá, 1979) is an independent curator and researcher. She is currently Associate Curator at Museo Jumex in Mexico City. Her research interests and curatorial practice are focused on minor historical narratives that question hegemonic forms of knowledge. Analyzing colonial narratives and deconstructing the modern divide between nature and culture have acted as departure points for many of her curatorial and editorial projects. She was part of the artistic team of the 8th Berlin Biennale (2014). Recent projects include “…there, but empty”, joségarcía ,mx (2017), Lorena Espitia: Unfollow me morning star, Museo de Arte Moderno de Medellín (2017), The Resemblance is All in the Eye of the Beholder, Galería Agustina Ferreyra, San Juan (2016),  Ce qui ne sert pas s’oublie, CAPC Bordeaux (2015), A machine desires instruction as a garden desires discipline, MARCO, Vigo, FRAC Lorraine and Alhóndiga Bilbao (2013-14), Being an Island (with Kasha Bittner), daadgalerie, Berlín (2013). Together with Mathieu K. Abonnenc and Lotte Arndt, she co-edited the book Crawling Doubles: Colonial Collecting and Affects (B42, Paris). Her book The Cure was published by A.C.A. Public (Ireland) in 2018.

Source

[tri-ciclo]

Asier Mendizabal Fire and or Smoke book

#articles #asier mendizabal

[garadinervi]

Asier Mendizabal, Geodesia y antropometria (vasijas), (collage), 2016 [ProjecteSD, Barcelona. © Asier Mendizabal]

#art #collage #pattern #asier mendizabal #projectesd #2010s

[35milimetross]

La Caña Brothers adquiere los derechos para desarrollar ‘Talión’

La serie Talión está basada en la novela de Santiago Díaz

La productora audiovisual La Caña Brothers, anuncia la adquisición de los derechos audiovisuales de Talión, para el desarrollo de una serie de ficción basada en la novela de Santiago Díaz.

Publicado por Editorial Planeta, el libro se ha convertido en una de las sorpresas de la literatura de novela negra de 2018 y tras su éxito en España está preparando su lanzamiento en Francia, Italia, Canada y Reino Unido.

La novela cuenta la historia de Marta Aguilera, una periodista de sucesos que tras recibir que sólo le quedan dos meses de vida, sin nada que perder ni nadie a quien rendir cuentas, decide ocupar el tiempo que la queda impartiendo justicia. El libro es una carrera contrarreloj entre la inspectora Daniela Gutiérrez que trata de detenerla mientras ella aplica su particular ley del talión.

La Caña Brothers tiene una amplia experiencia y un sello consolidado en la producción de programas de televisión, tales como Tabú, con Jon Sistiaga; Cuando Ya No Esté, de Iñaki Gabilondo; Otros Mundos, con Javier Sierra para #0 de Movistar+ o Dónde Estabas Entonces, con Ana Pastor y SCOOP de Mamen Mendizabal para La Sexta TV.

Este proyecto, junto al estreno de la película Sordo (Filmax International) dirigida por Alfonso Cortés- Cavanillas y protagonizada por Asier Etxeandía, Aitor Luna, Marian Alvarez, Hugo Silva, Imanol Arias y Olimpia Melinte, serán los proyectos claves para 2019 del desembarco de la productora en el mercado de la ficción nacional e internacional.

La adaptación contará con la participación del propio autor, Santiago Díaz, que cuenta con una dilatada carrera como guionista en televisión. “La historia escrita por Santiago es perfecta para crear una serie moderna donde la acción y la realidad te golpean y no puedes resistirte a quedarte enganchado a la historia.” añade la productora, “en el fondo, quién no ha fantaseado con poder hacer justicia a su manera alguna vez”.

  La entrada La Caña Brothers adquiere los derechos para desarrollar ‘Talión’ aparece primero en 35 Milímetros.

from WordPress https://35milimetros.es/la-cana-brothers-adquiere-los-derechos-para-desarrollar-talion/

#Noticias #Ana Pastor #Iñaki Gabilondo #Santiago Díaz #talión

[desymbol]

Asier Mendizabal, Agoramaquia (Versión nº1), 2014 ProjecteSD...

Asier Mendizabal, Agoramaquia (Versión nº1), 2014 ProjecteSD…

Asier Mendizabal, Agoramaquia (Versión nº1), 2014 ProjecteSD Gallery Barcelona

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[contemporary-art-blog]

Asier Mendizabal, Agoramaquia (Versión nº1), 2014 ProjecteSD Gallery Barcelona

#Asier Mendizabal #art #contemporary art

[pop-up-x]

Asier Mendizabal - La Ruota Dentata (The Toothed Wheel), 2009

170 x 390 x 290 cm

#Iron #concrete #Assemblage #Asier Mendizabal #La Ruota Dentata #The Toothed Wheel #art #artist #contemporary art #sculpture