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docpiplup · 7 months

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Antena 3 presented this Tuesday, October 10, in the first edition of the South Festival, Beguinas, a series inspired by the beguinages, communities of women who, since the 13th century, defended an alternative way of life independent of marriage and Church. The new fiction bet will be available sooner for Atresplayer premium users.

Beguinas, which has ten 50-minute episodes, is produced by Atresmedia TV in collaboration with Buendía Estudios. The Beguines dedicated themselves to contemplation, but also to action, through crafts, teaching, or caring for the sick, which provided benefits to society while allowing them to be. This new series takes as reference the history of these women, which has remained hidden throughout the centuries.

The actors Amaia Aberasturi and Yon González star in the fiction. They play, respectively, Lucía de Avellaneda and Telmo Medina, two young people who will overcome the social impositions of the time and risk everything for love in a context that is not conducive to them. Beatriz Segura, Melani Olivares, Jaime Olías, Ella Kweku, Lucía Caraballo, Javier Beltrán, Meritxell Calvo, Silma López, Laura Galán, Elisabeth Gelabert, Ignacio Montes, Antonio Durán 'Morris', Jonás Berami, Jorge Kent and Cristina Plazas, among others , complete the cast of the series.

Beguinas is a production of Atresmedia TV in collaboration with Buendía Estudios. Montse García, Sonia Martínez and Amparo Miralles are the executive producers of this fiction, which will be directed by Rómulo Aguillaume and Claudia Pinto. The script will be written by Irene Rodríguez, Esther Morales and Silvia Arribas.

Marta de Miguel signs the Production direction, Iván Caso and Álex García the Photography direction and Jorge de Soto the Art direction. Bubi Escobar will be in charge of Wardrobe, while Makeup and Hairstyling will be directed respectively by Mariló Serrano and Fermín Galán. Juan León is the Casting Director.

Synopsis

Segovia, 1559. Lucía de Avellaneda celebrates her engagement party with the Marquis of Peñarrosa, a nobleman chosen by her brother. This marriage promises to reinforce the financial and social status of the family, but, in the middle of the celebration, the fiancée receives an unexpected letter from a woman who claims to be her mother and who claims her on her deathbed.

Lucía shows up at the beguinage, where her mother has summoned her. In this place she lives with other women independently and outside the Church. The young woman opens up to a new world that will make her question everything she has known until now. And, furthermore, he will know love through a pure and uncontrollable, but forbidden, passion. He will risk everything for Telmo, a Jewish man who must hide his beliefs and his past.

Main cast and characters

Lucía de Avellaneda (Amaia Aberasturi) Intelligent, curious and combative. Educated and innocent, until her mother's call disrupts her life. In the beguinage she discovers an environment of sorority and critical thinking that revolutionizes her idea of the world and breaks down the walls that her status as a Christian noble woman has imposed on her. When she meets Telmo she feels for the first time an attraction that she has never experienced, but his commitment and loyalty will stop her impulses, determined to fight for what really matters to her.

Telmo Medina (Yon González): Telmo is an attractive, lucid and mysterious young man who hides his Jewish origins. He works in a bakery and supplies the beguinage with what it needs from outside. He doesn't want problems, but he doesn't avoid them either. Loyal, sincere and honest, he cannot help but risk everything for a Christian noble woman.

Marie Anne (Beatriz Segura) Beguine and the successor of The Great Lady, she is wise, strong and enigmatic. Its mission is to protect the beguinage from certain ecclesiastical authorities who fear its independence. Guiding Lucía through the truth, she will help her connect with her mother's spirit and live in the beguinage with other women who, like her, long for a freedom that they cannot find outside. In her past, she loved intensely and had to overcome a traumatic breakup, but that passion is unleashed again, although this time she does not want to repress herself despite the danger of remaining in love with a clandestine and sinful love.

Sibila García (Melani Olivares): A distrustful, surviving and sensitive woman, who grew up in misery and prostitution. Pregnant, she decided to escape and found her place in the beguinage. Her biggest concern is her daughter and, even though she reproaches her for it, she will do everything possible to try to protect her. The succession of Lucrecia is disputed and she competes with Marie Anne for the position of Great Lady.

Guiomar Ruy (Ella Kweku): Nigua, an Antillean slave, was sold to a doctor from Seville who gave her her new name and educated her when he noticed the maid's innate curiosity. She learned the trade of midwife from her mother and cultivated her interest in the human body and botany. She obtained his letter of freedom and decided to move to the beguinage of Valladolid where he can develop his concerns and care for the sick. She has judgment, instinct and knowledge. She gets upset with ignorance, prejudice and evil. Shee feels a deep complicity with Gonzalo, the clergyman, a harmony that sooner or later, she will have to give a name to.

Beatriz García (Lucía Caraballo): Daughter of Sibila and one of the youngest of the beguinage. Innocent, happy and lively. Her sexuality is awakening and she enjoys her body with curiosity and without fear until life outside the walls pushes her to hide her most intimate impulses. Her freedom of thought and work contrasts with that of Lucía. She has a relationship with her mother that has ups and downs, but the love they have for each other is above all. Each has a lot to learn from the other.

Juana Aranda (Silma López): Daughter of Sancho, the owner of the workshop, and sister of Lebrín. She enjoys an independence that was uncommon at that time. She has chosen to enter the beguinage to avoid a bad marriage or ending up dependent on his brother. Intelligent, prudent and thorough. She is in love with Telmo, but wants to be reciprocated. He has such a noble heart that his love does not prevent him from empathizing with Lucía and helping Telmo when things go wrong.

Lebrín Aranda (Jonás Berami): Close friend of Telmo, son of Sancho, the owner of the bakery and the only brother of Juana, the beguine. Rogue, generous and lively, he knows how to live avoiding laws, rules and sins. He enjoys carnal pleasures and lets himself be carried away by Jimena's lust until he discovers her danger and her evil ways. He will use his best resources to try to save the Beguines from the Inquisition.

Rodrigo de Guzmán, Marquis of Peñarrosa (Javier Beltrán): He is Lucía's fiancé. Castilian nobleman, of ancient ancestry and fortune. He is very well connected and has negotiated with his future brother-in-law to settle his debts and open the doors to him in Court in exchange for this marriage. He loves Lucía, she seems to him the right woman to fulfill her role as marchioness. He is dutiful, splendid and traditional, but he does not hesitate to bring out his most sinister side when his commitment is threatened.

Munio de Avellaneda, Count of Vellaví (Jaime Olías): Lucía's brother and heir to the County, but also to the debts left by his father. He needs to recover privileges and fortune, and his sister's marriage is the perfect deal. Arrogant, irascible and proud. He is willing to do anything to save his lineage and keep up appearances.

Jimena Suárez de Córdoba (Meritxell Calvo): Munio's wife. Intelligent, frivolous and capricious. He hoped to live up to his condition, but the Avellanedas' fortune is in debt and the only thing that can solve it is his sister-in-law's wedding. She will do everything possible to help her husband achieve it. She likes to seduce, get the most out of life and cleverly circumvent the rigid rules that her lineage demands. She won't hesitate to play with fire when she meets Lebrín, a hummingbird who, like her, doesn't want to miss out on the pleasures that life offers.

Catalina (Laura Galán): Lucía's faithful maid. Affectionate, smiling, devout and superstitious, she is torn between loyalty to Lucía and fear of Munio. Lucía, her mistress, and the beguines, who will pay dearly for her ignorance. She will do everything possible to correct her mistakes and ease her conscience.

Lucrecia de Avellaneda (Elisabeth Gelabert): The Great Lady of the Beguinage. Daughter of its founder, Leonor Labrit and heir to her legacy for which she had to sacrifice her children, distancing them from her side. Married to Pedro de Avellaneda, who called her crazy, she took refuge in the beguinage where she served as Great Lady. Cultured and mystical, her life and death are surrounded by mystery.

Gabriela Grijalvo (Cristina Plazas): Widow of a renowned printer and mother of Gonzalo. Cultured and respected lady from Valladolid renounced her true love for fear of facing her son's rejection.

Gonzalo de Grijalvo (Ignacio Montes): Clergyman related to the beguinate. Intelligent, attractive and empathetic. She admires the Beguines for their devotion and devotion to those in need, but above all Guiomar, with whom he has great complicity.

Father Lasarte (Antonio Durán 'Morris'): A priest with pretensions, whose greatest ambition is to end the privileges of the beguinages and become part of the Court of the Inquisition. Cunning and scheming, he uses fear and ignorance to manipulate the people and get them to demonize these women, inventing falsehoods about them. His main objective is Marie Anne, the Great Lady, whom he cannot defeat.

Commissioner Utrera (Jorge Kent) The executing arm of the Inquisition in Valladolid. Pursue crimes that threaten the power of the Church. He has the beguines in his sights, but knows the risks of attacking them because they enjoy important social support. Shrewd, arrogant and libidinous, he exercises his power with the arrogance that his position gives him.

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rebeccadumaurier · 4 months

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2023 Books in Review

a tiered ranking of all the books i read in 2023! originally i was going to write up my commentary on each one but then i was like hahaha.....no, so below the cut is just a list of the titles/authors in each tier instead.

changed my brain chemistry

The Idiot, Elif Batuman

Land of Milk and Honey, C Pam Zhang

The Borrowed, Chan Ho-kei (trans. Jeremy Tiang)

My Cousin Rachel, Daphne du Maurier

Vagabonds, Hao Jingfang (trans. Ken Liu)

The Membranes, Chi Ta-wei (trans. Ari Larissa Heinrich)

Under the Pendulum Sun, Jeannette Ng

Severance, Ling Ma

He Who Drowned the World, Shelley Parker-Chan

Vita Nostra, Marina & Sergey Dyachenko (trans. Julia Meitov Hersey)

Network Effect, Martha Wells

top-tier stuff

Our Share of Night, Mariana Enriquez (trans. Megan McDowell)

Brainwyrms, Alison Rumfitt

The Door, Magda Szabo (trans. Len Rix)

The Lover, Marguerite Duras (trans. Barbara Bray)

Fun Home, Alison Bechdel

Strange Beasts of China, Yan Ge (trans. Jeremy Tiang)

The Long Way to a Small, Angry Planet, Becky Chambers

Pachinko, Min Jin Lee

Lesser Known Monsters of the 21st Century, Kim Fu

Tell Me I’m Worthless, Alison Rumfitt

Bliss Montage, Ling Ma

How to Read Now, Elaine Castillo

Annihilation, Jeff VanderMeer

The Fifth Season, N. K. Jemisin

If Beale Street Could Talk, James Baldwin

My Brilliant Friend and The Story of a New Name, Elena Ferrante

The Jasmine Throne, Tasha Suri

good, well-written

Carmilla, Sheridan Le Fanu

Life Ceremony, Sayaka Murata (trans. Ginny Tapley Takemori)

Yellowface, R. F. Kuang

A Memory Called Empire, Arkady Martine

Assassin of Reality, Marina & Sergey Dyachenko (trans. Julia Meitov Hersey)

Witch King, Martha Wells

Tokyo Ueno Station, Miri Yu (trans. Morgan Giles)

Parable of the Sower, Octavia Butler

Peaces, Helen Oyeyemi

Gingerbread, Helen Oyeyemi

Project Hail Mary, Andy Weir

The Pachinko Parlor, Elisa Shua Dusapin (trans. Aneesa Abbas Higgins)

All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Fugitive Telemetry, and System Collapse (Murderbot #1-4, #6-7), Martha Wells

Revenant Gun, Yoon Ha Lee

The Dry Heart, Natalia Ginzburg (trans. Frances Frenaye)

Gods of Want, K-Ming Chang

Paradais, Fernanda Melchor (trans. Sophie Hughes)

The Mushroom at the End of the World, Anna Tsing

Your Emergency Contact Has Experienced An Emergency, Chen Chen

The Hurting Kind, Ada Limon

Murder on the Orient Express, Agatha Christie

An Unauthorised Fan Treatise, Lauren James

Upstream, Mary Oliver

The Art of Death, Edwidge Danticat

Meander, Spiral, Explode, Jane Alison

alphabet, Inger Christensen (trans. Susanna Nied)

Between the World and Me, Ta-Nehisi Coates

flawed, but enjoyable

The Wicker King, K. Ancrum

Exit West, Mohsin Hamid

Detransition, Baby, Torrey Peters

Flux, Jinwoo Chong

Bang Bang Bodhisattva, Aubrey Wood

The Murder of Mr. Wickham, Claudia Gray

Natural Beauty, Ling Ling Huang

The Monster Baru Cormorant, Seth Dickinson

Certain Dark Things, Silvia Moreno-Garcia

The Likeness, Tana French

The Cabinet, Un-su Kim (trans. Sean Lin Halbert)

The Kingdom of Surfaces, Sally Wen Mao

The World Keeps Ending, and the World Goes On, Franny Choi

good, well-written, but not my cup of tea

The Good House, Tananarive Due

The Transmigration of Bodies, Yuri Herrera (trans. Lisa Dillman)

Roadside Picnic, Arkady & Boris Strugatsky (trans. Olena Bormashenko)

The School for Good Mothers, Jessamine Chan

At Night All Blood Is Black, David Diop (trans. Anna Moschovakis)

Family Lexicon, Natalia Ginzburg (trans. Jenny McPhee)

The Empress of Salt and Fortune, Nghi Vo

The Kingdom of This World, Alejo Carpentier (trans. Harriet de Onís)

Against Silence, Frank Bidart

flawed, less enjoyable

Tenth of December, George Saunders

Counterweight, Djuna (trans. Anton Hur)

Authority, Jeff VanderMeer

Comfort Me with Apples, Catherynne M. Valente

Babel, R. F. Kuang

The Genesis of Misery, Neon Yang

Carrie Soto Is Back, Taylor Jenkins Reid

not ranking

These are nonfiction and they aren’t literature-related, so it just felt weird trying to rank them.

Visual Thinking, Temple Grandin

On Web Typography, Jason Santa Maria

The Life-Changing Magic of Tidying Up, Marie Kondo (trans. Cathy Hirano)

#ange.log #ange.book

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redcarpetview · 1 year

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Cinema Tropical Announces the Best Latin American and U.S. Latinx Films of 2022

Cinema Tropical, the non-profit media arts organization that is leading presenter of Latin American cinema in the United States, is proud to announce its annual list of Best Latin American Films of the Year, comprised of 25 Latin American titles from twelve different countries, plus five U.S. Latinx productions—all of them by female directors—that the New York-based organization has selected as the best of the year.

Featuring productions from Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Guatemala, Mexico, Panama, Paraguay, Peru, the United States, and Venezuela, the films selected in this list will compete for the 13th Annual Cinema Tropical Awards.

The winners for Best Film, Best Director, Best First Film, and Best U.S. Latinx Film, will be announced in an in-person event on Thursday, January 12, 2023, at Film at Lincoln Center in New York City.

A jury composed of programmer Cecilia Barrionuevo, former Artistic Director of the Mar del Plata Film Festival; Andrea Picard, Senior Curator at the Toronto International Film Festival (TIFF); José Rodriguez, Programmer at the Tribeca Film Festival; and filmmaker Dominga Sotomayor (Too Late to Die Young); will choose the winners of the 13th Annual Cinema Tropical Awards in the Latin American cinema category.

Filmmaker Rodrigo Reyes (499, Sansón and Me); Ximena Amescua, Manager of Artist Programs at Firelight Media; and film programmer and producer Virginia Westover, will select the winner in the U.S. Latinx category.

Please note that all the films under consideration had a minimum of 60 minutes in length and premiered between May 1, 2021, and April 30, 2022.

Cinema Tropical’s List of Best Films of 2022:

(Listed alphabetically by title)

1. About Everything There Is to Know / De todas las cosas que se han de saber by Sofía Velázquez, Peru 2. Alis by Nicolas Van Hemelryck and Clare Weiskopf, Colombia/Chile/Romania 3. Amparo by Simón Mesa Soto, Colombia/Sweden/Qatar 4. The Box / La caja by Lorenzo Vigas, Venezuela/Mexico/USA 5. Clara Sola by Nathalie Álvarez Mesén, Costa Rica/Sweden/Belgium/Germany/France 6. Comala by Gian Cassini, Mexico 7. The Cow Who Sang a Song into the Future / La vaca que cantó una canción hacia el futuro by Francisca Alegría, Chile/France 8. Dos Estaciones by Juan Pablo González, Mexico 9. Dry Ground Burning / Mato Seco em Chamas by Joana Pimenta and Adirley Queirós, Brazil 10. Eami by Paz Encina, Paraguay/Germany/Argentina/Netherlands/ France/USA 11. El Gran Movimiento by Kiro Russo, Bolivia/France/Qatar/Switzerland 12. For Your Peace of Mind, Make Your Own Museum / Para su tranquilidad, haga su propio museo by Ana Endara Mislov and Pilar Moreno, Panama 13. Jesús López by Maximiliano Schonfeld, Argentina/France 14. A Little Love Package by Gastón Solnicki, Argentina/Austria 15. Mariner of the Mountains / Marinheiro das Montanhas by Karim Aïnouz, Brazil/France 16. Mars One / Marte Um by Gabriel Martins, Brazil 17. Me & the Beasts / Yo y las bestias by Nico Manzano, Venezuela 18. Medusa by Anita Rocha da Silveira, Brazil 19. The Middle Ages / La edad media by Alejo Moguillansky and Luciana Acuña, Argentina 20. My Brothers Dream Awake / Mis hermanos sueñan despiertos by Claudia Huaiquimilla, Chile 21. Prayers for the Stolen / Noche de fuego by Tatiana Huezo, Mexico/Germany/Brazil/Qatar 22. Robe of Gems / Manto de gemas by Natalia López Gallardo, Mexico/Argentina 23. The Silence of The Mole / El silencio del topo by Anaïs Taracena, Guatemala 24. Three Tidy Tigers Tied a Tie Tighter / Três Tigres Tristes by Gustavo Vinagre, Brazil 25. Utama by Alejandro Loayza Grisi, Bolivia/Uruguay/France

For more information visit:

www.cinematropical.com/awards13

# # #

#Film #Latin Films #U.S. Latinx Films of 2022 #Best Latin American Films of 2022 #Best Latin American Films #Cinema Tropical #Cecilia Barrionuevo #Andrea Picard #José Rodriguez #Dominga Sotomayor #Rodrigo Reyes #Ximena Amescua #Virginia Westover #naomi j richard #naomijrichard #Naomi Richard #RCV #Red Carpet View

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alexvogager · 10 days

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Claudia Sheinbaum Pardo Conferencia de prensa desde Pachuca de Soto, Hid...

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daisyherrera · 1 month

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#ElPuntoEs la candidata presidencial, CLAUDIA SHEINBAUM PARDO, insistirá en “remodelar” el Poder Judicial federal,

La candidata tuvo la oportunidad de platicar con los comerciantes locales y turistas que llegan a disfrutar de la Playa La Pesca Soto la Marina, Tamaulipas.- Andrea García García candidata al Senado por Movimiento Ciudadano, sigue recorriendo el estado, el jueves, recorrió playa la Pesca en Soto la Marina Tamaulipas. La candidata tuvo la oportunidad de platicar con los comerciantes locales y…

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#portada

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equestrianempire · 2 months

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Sunshine Tour: Victory for Ellen Whitaker and ‘Korlenski’ in the Ashford Farm Trophy

Derin Demirsoy with ‘O-Kannarock’ and Marie Demonte with ‘Epona Du Quesnoy’ complete the podium in this competitive 150 class.

Vejer, 9th March, 2024. Top British rider, Ellen Whitaker had an impressive win with her lovely 9yr old mare, who is by the legendary stallion ‘Cornet Obolensky’, ‘Korlenski’ in the 1.50 m of the Andalucia Sunshine Tour, Ashford Farm Trophy, Longines Ranking, speed class held in the Milton arena. There were 69 horses in the class and she stopped the clock in 67.62s, over a second faster than her nearest challenger, Turkish, Derin Demirsoy with ‘O-Kannarock’ (‘Rock’n Roll Semilly’ x ‘Kannan’). In third was the French rider who has had a plethora of good results here with various horses, Marie Demonte. Today she was riding ‘Epona du Quesnoy’. In fourth was Egyptian, Abdelrahman Ikram with ‘Graduate HBC’ and fifth was Belgian, Yves Vanderhasselt with ‘Nikita Van de Koekelberg’.

Ellen Whitaker in sella a Korlenski all’Andalucia Sunshine Tour by Mackenzie Clark

The Big Tour 1.45, was won by Czech, Ales Opatrny with ‘Holland TN’; second was Chloe Winchester with ‘Equine América Billy Take That’; third, Italian, Luca Moneta with ‘Jolie Coeur D’Avril’; fourth, Nicole Lockhead Anderson with ‘Chinoubet PS’ and in fifth, French rider, Guy Jonqueres D’Oriola with ‘Aloma De Grandcamp’.

There was also a Czech winner in the Big Tour 1.35, Albert Pisarik with ‘Chapo 2’. Second was Spanish rider, Lucía Fernández Hidalgo with ‘London’s Bella’; third British, William Whitaker with ‘Lancaster’; fourth was Japanese, Eiken Sato with ‘Chacco’s Grand Daughter PS’ and in fifth was Irish, Jack Ryan with ‘Carramba L Z’.

Spanish rider, Ismael García Roque with ‘Brazilia DK Z’ was the winner of the Medium Tour 1.45, followed by: Swiss, Peter Burri with ‘Dubai 64’; Spanish Kevin González de Zárate with ‘Cantuccini 17’; American, Michael Hughes with ‘Lazy’ and finally in fifth Luca Moneta with ‘Folie de Chalusse’.

The Medium Tour 1.40 was won by Swedish Ebba Danielsson with ‘T-Gavoli Z’. Second was Irish, Emily Turkington with ‘Diwali de Runya’; third, Spanish Álvaro Castro Román with ‘Brigitte’; followed by Mexican, Claudia Michel with ‘Angela de Kreisker’ and Swiss rider, Yannick Jorand with ‘Chaclago PS’.

There was a Spanish win from, Francisco de Asís Arango in the Medium Tour 1.30 with ‘City Meel’ moving well up from their fifth place yesterday in this class. Second was British, Joe Fernyhough with ‘Calcourt Countdown’; Yannick Jorand took third with ‘Daylight VH Maressahof Z’, and fourth was German rider, Leonie Böckmann with ‘Four Roses 13’. In fifth was British, Joe Fernyhough with ‘Calcourt Supersonic’.

Albert Pisarik had a second win today this time in the Medium Tour 1.20 with ‘Conada 2’. Second was British, Joshua Hutchins with ‘Billy Serafina’; third Spanish, Antonio Mariñas Soto with ‘Qute Hero TC’; fourth, British, Grace Shudall Hughes with ‘For Free Z’ and in fifth, Swedish rider, Olivia Munkberg with ‘Invicta del Maset’.

British, Emma Stoker was the fastest in the Small Tour 1.40 with, ‘Q Seven’ and finished with almost three seconds in hand over Spanish, Rubén Gómez Crespo who was second with ‘Allblack de Gressoux’. Third was the Polish rider, Lukasz Piksa with ‘Lucky Horse’; fourth Spanish, Xabier Zabaleta Susperregui with ‘Arloy de Beausejour’ and fifth, Portuguese, Nuno Tiago Gomes with ‘Chaccora’s Stakko PS’.

The winner of the Small Tour 1.30 was Mar Pérez Fernández with ‘Diane du Val’. Second was French rider, Laura Monier with ‘Cathinka B’. Third and fourth places went to Spanish riders, Marta Garat Macías with ‘Julieta del Amor’ and Rafa Iribarren Baptista with ‘Etincelle de la Rosa’. Fifth was British, James Pinkney with ‘Billy Bon Soir’.

The winners of the classes in the CSI1* were: Spanish Fernando de los Santos with ‘Isba Caps’, in the 1.30; British, Jessica Williams with ‘Miss Bubbles’, in the 1.20; Belgian, Juliette Berghmans with ‘D Day de Lison Z’ in the 1.10.

Tomorrow we continue with eight classes in the CSI4* including the Longines Ranking Small Tour Grand Prix: there are three CSI1* classes and the National Pony Championships continue here at the Andalucía Sunshine Tour: which is sponsored by the Ministry of Tourism, Culture and Sports of the Government of Andalucía, through Tourism and Sports of Andalucía.

These are today’s main results, full results may be found both on our Sunshine Tour App and the official website www.sunshinetour.net where you may also follow live streaming of all the arenas or alternatively, you can watch online at Clip My Horse. Entrance to the show is free, there are parking areas, a commercial zone and a wide choice of restaurants.

Press release Sunshine Tour | Ellen Whitaker in sella a Korlenski all’Andalucia Sunshine Tour by Mackenzie Clark

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diarioelpepazo · 2 months

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En Bellas Artes, en marzo próximo, Barikai estrenará su versión de la legendaria obra cumbre del teatro musical, Jesucristo Superstar, compuesta por Andrew Lloyd Weber desde las letras de su insigne colaborador, Tim Rice. Serán tres funciones, viernes 15, sábado 16 y domingo 17, a las 7:30 de la noche, a beneficio del Teatro Bellas Artes [caption id="attachment_104116" align="aligncenter" width="1024"] Foto Cortesía[/caption] Alexis Blanco Barikai es una palabra originaria de los Barí que significa “Caminantes del Sol”. El maestro Carlos de Oliveira la transformó, en 2009, en el nombre para su proyecto pedagógico artístico, sustentado en una floreciente fusión de todas las disciplinas estéticas, enfocada hacia el desarrollo de la personalidad creadora en niños, jóvenes y adultos. Son 15 años fértiles. El pasado jueves 22, sobre el escenario del lar donde reside, el Teatro de Bellas Artes, Oliveira anunció que, como corolario de la celebración de esos tres lustros de acción escénica y pedagógica, Barikai estrenará su versión de la legendaria obra cumbre del teatro musical, Jesucristo Superstar, compuesta por Andrew Lloyd Weber desde las letras de su insigne colaborador, Tim Rice. El anuncio sobre estas tres funciones, viernes 15, sábado 16 y domingo 17, a las 7:30 de la noche, a beneficio del Teatro Bellas Artes, quedó oficializado de una manera muy especial y acorde con su dimensión: todo el elenco bailó y cantó algunos pasajes de la pieza y, les juro, una energía cósmica vibró sobre la escena. “Más que una academia de artes escénicas, somos una familia que comparte un gusto enorme por el teatro”. Así definía Oliveira a su equipo, acompañado por Liliana Blanco de Montero, CEO del Teatro Bellas Artes, así como del talentoso joven maestro, Enzo Pradelli, quien encabeza el elenco y dirige la parte musical. Junto con ellos, otro maestro, de la danza, José Luis Núñez, encargado de preparar a los intérpretes para esta consumada proeza escénica, inédita en Maracaibo. El elenco de la obra: Jesús: Enzo Pradelli; Judas: Rafmar Rangel; María Magdalena: María Albornoz; Pedro: Ronny Ramones; Sacerdote Caifás: Anderson Jiménez; Sacerdote Anas: Hengels Arangibel; Sacerdotisa Zerah: Soraya Guerra; Poncio Pilatos: Salvador Nahim; Herodes Antiphas: Homero; Simón Zelote: Oneiver Arandia y Claudia: Anycar Sánchez. Como Pueblo, cantan, bailan y actúan: SANTIAGO: Paolo Chávez; MATEO: Leonel Araujo; JUAN: Mario Bravo; TOMÁS: Augusto García; ANDREINA: Camila Ramírez; FILIPPA: María Prieto; BARTINA: Keren Ferrebús; ALFI: Isabella Vicuña; TANDI: Joenny Pírela; MARTHA: Sherlyn Fuenmayor; SIBILIA: Cynthia Rojas; SEPHORA: Victoria Laprea; SALOMÉ: Amanda Muñoz; JUNIA: Manuela Monsalve; BETANIA: Ivanna Fuenmayor; PRISCILA: Valeria Socorro y SUSANA: Sasha Soto. Un esfuerzo artístico y técnico de indudable rigor y nivel profesional que deviene en una compleja inversión, tanto económica como institucional y artística, según exponían: Coreografía: José Luis Núñez Vocal Coaching: Enzo Pradelli Asistencia de producción: Delia Torres Asistencia de Dirección: Patricia Rodríguez Material audiovisual: Andry Jons Visuales: Venus Creativos Video Mapping: Marlon Medina Logotipo: Daniel Briceño Equipo de Promoción: Joenny Pírela, Valeria Socorro, Leonel Araujo, Salvador Nahim, Ronny Ramones, Enzo Pradelli Diseño de vestuarios y maquillaje: Kerem Ferrebus Coordinación General: Soraya Guerra Coordinación Musical: Jesús González – Black, Humbert Urdaneta Dirección Musical: Enzo Pradelli Producción General: @academiasbarikai @idevozvzla @cbaateneo Dirección General: Carlos De Oliveira Un esfuerzo artístico y técnico de indudable rigor y nivel profesional que deviene en una compleja inversión, tanto económica como institucional y artística, según exponían. El Barón Lloyd-Webber, coleccionista de arte y considerado el músico más acaudalado por sus obras después de su paisano británico, Paul McCartney, estrenó su obra en Broadway, tras haber lanzado un álbum de estudio, en 1970.

Junto con Tim Rice concibió una lectura adaptada en formato libre de los Evangelios y donde el argumento se centra en los últimos siete días de la vida de Jesús de Nazaret, comenzando con los preparativos de su llegada a Jerusalén y finalizando con la crucifixión. En medio de todo, un personaje tranza la estructura de la trama: Judas Iscariote, visto como una figura trágica, descontenta con la dirección que ha tomado la doctrina de su maestro, y plantea un enfrentamiento político y personal entre los dos que no está reflejado en La Biblia. La historia habla: tanto sectores católicos protestaron fuertemente contra la obra, tildándola de blasfema, mientras que sectores judíos también denostaban de lo que consideraban una abierta ofensa ante la sugerencia de que el pueblo hebreo generó las instancias de Jesús. (Alexis Blanco Texto e imágenes, especial para El Pepazo) Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo

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agendaculturaldelima · 3 months

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#ElEscenarioDelMundo

🎭 "BACURAU” 💧🛸🐴🚰

✍️ Adaptación de la película “Bacurau” de Kleber Mendonça Filho y Juliano Dornelles (Brasil)

🔎 Género: Drama

⌛️ Duración: 90 minutos

💥 Argumento: Un pueblo imaginario con falta de agua y de políticas públicas básicas, lucha por sobrevivir. Sus habitantes se resisten a desaparecer en medio de situaciones tan surrealistas como sangrientas. A las situaciones ilógicas que le suceden, como la aparición de un platillo volador o una estampida de caballos en medio de la noche, se revela una maquinaria de exterminación masiva ofertada en forma de entretenimiento a extranjeros sedientos de sangre, quienes encuentran una oportunidad de matar a sus habitantes sin ningún escrúpulo. La puesta en escena cuenta con la participación de jóvenes actores que, en su coralidad y colectividad, ponen el cuerpo a servicio de esta historia típicamente latinoamericana de un pueblo que resiste a las políticas de muerte y olvido.

👥 Elenco: Ariana Mendoza, Claudia Mostorino, Claudia Tuesta, Dayana García, Fiorella Bastidas, Gianella Soto, Gianfranco Leguía, Grisel Cherres, Jair Zea, Karen Iberico, Leonardo Sifuentes, Melissa Valverde, Nicole Llave, Nicole Owen, Silvana Oblitas, Silvana Ventura, Simón Vásquez de Velasco y Sofia Núñez.

📢 Dirección: Ana Julia Marko

📌 TEMPORADA: Del 10 al 16 de Febrero

📆 Funciones: Sábado 10, Lunes 12, Martes 13, Miércoles 14 y Jueves 15 🕗 8:00pm. / Domingo 11 🕖 7:00pm. / Viernes 16 🕔 5:00pm. y 🕗 8:00pm.

🏪 Teatro del Centro Cultural PUCP (av. Camino Real 1075 San Isidro)

🎟 Entrada Adultos: S/.20

🎯 Pre-venta: S/.17 (Hasta el 31 de enero)

🎫 Estudiantes: S/.17

🎟️ Jubilados: S/.15

🖱 Reservas: www.CCPUCPencasa.com

👀 A tener en cuenta: Obra dirigida a público mayor de catorce años. (14+)

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sociedadnoticias · 3 months

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Formalizan vecinos de la GAM su respaldo a Carlos Soto Escobar rumbo al Congreso de la Cdmx por Morena

Formalizan vecinos de la GAM su respaldo a Carlos Soto Escobar rumbo al Congreso de la Cdmx por Morena #SociedadNoticias #GAM #SotoEscobar @lopezobrador_ @GobiernoMX @ClaraBrugadaM @Claudiashein @PartidoMorenaMx @Sebas_RM @MorenaCiudadMex @craviotocesar

Entregan misiva a presidentes de Morena -nacional y de la Cdmx- donde plasman la oportunidad única de obtener apoyo de militantes y simpatizantes del PRI, PAN y PRD a favor de Morena. Por Paola Ramírez | Reportera Con la firme intención de postular a Carlos Soto Escobar como candidato de unidad para que ocupe una curul en el Congreso de la Ciudad de…

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laguaridadelnagual · 6 months

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Se desliga Batres de audio en el que pide bajar a Harfuch Difunden audio que se presume es del jefe de Gobierno de la Ciudad de México, Martí Batres, manifestando su apoyo a la candidatura de Clara Brugada

Difunden audio que se presume es del jefe de Gobierno de la Ciudad de México, Martí Batres, manifestando su apoyo a la candidatura de Clara Brugada En medio de la campaña electoral, una grabación difundida en redes sociales ha generado controversia. En el audio se escucha a una persona que se presume es el jefe de Gobierno de la Ciudad de México, Martí Batres, manifestando su apoyo a la candidatura de Clara Brugada en detrimento de Omar García Harfuch. Sin embargo, el mandatario capitalino ha negado la autenticidad de la grabación, afirmando que se trata de una producción generada por inteligencia artificial. Martí Batres desestimó el audio, calificándolo como una fabricación artificial. Previamente, había aclarado que el proceso interno de Morena no es responsabilidad del Gobierno de la Ciudad de México, sino de los líderes del partido. Está circulando un audio en el que se pretende atribuirme expresiones relacionadas con el proceso interno de #Morena en la Ciudad de México. Aclaro que es totalmente falso. Nunca he hecho tales afirmaciones. Está producido con inteligencia artificial. No es real. — Martí Batres (@martibatres) November 1, 2023 El autor de la publicación, Salvador García Soto, aclaró en Twitter que no atribuyó el audio a Martí Batres; simplemente lo compartió para ilustrar las tensiones internas en Morena por la candidatura capitalina. El contenido del audio revela una estrategia para socavar la popularidad de Omar García Harfuch basándose en cuestiones de género. En el audio, la candidata Claudia Sheinbaum supuestamente pide detener el respaldo a Clara Brugada, argumentando que esta última ha obtenido resultados bajos en las encuestas. Lo dicho: la guerra morenista en la CDMX está a todo lo que da. Circula este audio que confirma que Claudia Sheinbaum está perdiendo el control de los "puros" y "duros" de Morena que le quieren tirar a toda costa a su candidato @OHarfuch para imponer a @ClaraBrugadaM ¿Será que el… pic.twitter.com/HzDZYOHuw4 — Salvador García Soto (@SGarciaSoto) November 1, 2023 La autenticidad de esta grabación aún está por confirmarse, lo que mantiene la incertidumbre sobre su veracidad y contexto en medio de la campaña electoral. En respuesta a la filtración, Martí Batres ha negado la autenticidad del audio, asegurando que no es su voz y que fue creado con inteligencia artificial. La polémica en Morena de la Ciudad de México continúa mientras se acerca la selección del candidato para las elecciones de 2024. Read the full article

#CDMX #MartíBatres #OmarGarcíaHarfuch

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docpiplup · 1 year

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@asongofstarkandtargaryen Another upcoming period drama:

'Beguinas', which will have ten episodes of 50 minutes each, is inspired by the beguinates, communities of women who defended an alternative way of life independent of marriage and the Church. The beguines dedicated themselves to contemplation, but also to action, through artisan work, teaching or caring for the sick that brought benefits to society while allowing them to be self-sufficient. The beguinates were spaces for relationships and freedom that, despite having popular support, were highly questioned by those in power.

The first beguinates were founded in 1170 in Belgium and later spread throughout Europe. Its actions did not force its members to belong to any ecclesiastical order or comply with monastic laws.

The series takes as a reference the history of these women, which has remained hidden throughout centuries.

The actors Amaia Aberasturi (Akelarre: Coven of sisters) and Yon González (Los Herederos de la tierra, Gran Hotel, Las chicas del cable) will star in the fiction. They will play, respectively, Lucía de Avellaneda and Telmo Medina, two young people who will overcome the social impositions of the time and risk everything for love in a context that is not favorable for them.

'Beguinas' is an Atresmedia TV production in collaboration with Buendía Estudios (Cardo, La pasión turca, Las noches de Tefía, Heridas). Montse García, Sonia Martínez and Amparo Miralles are the executive producers of this fiction from the Series Atresmedia label, which will be directed by Rómulo Aguillaume and Claudia Pinto.

The script will be written by Irene Rodríguez, Esther Morales, Silvia Arribas and Virginia Llera. Marta de Miguel signs the direction of Production, Iván Caso the direction of Photography and Jorge de Soto the direction of Art. Bubi Escobar will be in charge of the Wardrobe, while Makeup and Hairdressing will be directed respectively by Mariló Serrano and Fermín Galán. Juan León is the casting director.

'Beguinas' will begin recording over the next few weeks at locations in Madrid and Segovia.

Synopsis

Segovia, 1559. Lucía de Avellaneda celebrates her engagement party with the Marquis of Peñarrosa, a nobleman chosen by her brother. This marriage promises to reinforce the financial and social status of the family, but, in the midst of the celebration, she receives an unexpected letter from a woman who claims to be her mother and who claims her on her deathbed. Lucía appears at the beguinate, where her mother has summoned her. In this place she lives with other women independently and outside the Church.

The young woman opens up to a new world that will make her question everything she has known up to now. And, furthermore, she will know love through a pure and irrepressible passion, but prohibited. She will risk everything for Telmo, a Jewish man who must hide his beliefs and his past.

Amaia Aberasturi will be Lucía de Avellaneda:

Intelligent, curious and combative. Polite and innocent, until her mother's call turns her world upside down. In the Beguinate, she discovers an environment of sisterhood and critical thinking that revolutionizes her idea of the world and breaks down the walls that her status as a Christian and noble woman have imposed on her. When she meets Telmo for the first time, she feels an attraction that she has never experienced, but his commitment and loyalty will curb her impulses, determined to fight for what really matters to her.

Yon González will be Telmo Medina:

Telmo is an attractive, lucid and mysterious young man who hides his Jewish origins. He works in a bakery and supplies the Beguinate with what it needs from abroad. He doesn't want problems, but he doesn't dodge them either. When he meets Lucía and remembers her from his childhood, he decides to keep it quiet and avoid the danger of being recognized. Loyal, sincere and thorough, he cannot avoid rejecting the marriage that his friend proposes and risking everything for a woman who, in addition to being a Christian, belongs to a noble family, owner of lands that were taken from his ancestors.

He dreams of a future somewhere called the New World, where he can live out his love and his faith in freedom.

#beguinas #upcoming series #period dramas #yon gonzález #amaia aberasturi

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vitrinanorte · 6 months

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SACO junto a Arte y Cultura DGE despliegan circuito de videoarte chileno en la UCN

Desde el 12 de octubre al 17 de noviembre de 2023, diez piezas audiovisuales de artistas nacionales podrán ser visualizadas en 11 pantallas desplegadas en la Universidad Católica del Norte (UCN) de Antofagasta, gracias a la colaboración de la Bienal de Arte Contemporáneo SACO con Arte y Cultura de la Dirección General Estudiantil (DGE).

Durante el mes de exhibición en la casa de estudios, se presentarán las obras que fueron parte de la programación 2022-2023 del ciclo de videoarte chileno del espacio expositivo ISLA+, ventana/pantalla abierta a la calle en el espacio de residencias ISLA, en contacto directo con los transeúntes.

Las propuestas fueron seleccionadas por el curador nacional Javier González Pesce, quien destaca en el texto curatorial que “la selección de videos se organizó en una secuencia que aborda reflexiones en torno a lo doméstico, para desplazarse hacia propuestas que piensan en la naturaleza mediada por una mirada humana”.

Esta actividad marca un nuevo hito para SACO, continuando con su misión de expandir los espacios de exhibición de videoarte en la región de Antofagasta, como también fortalecer sus vínculos y colaboraciones con instituciones como la UCN a través del área de Arte y Cultura, quienes comparten esta visión.

“Con este ciclo buscamos estimular la experimentación y fomentar el debate en torno a las 10 obras, expectantes por las emociones y reflexiones que estas puedan provocar. Otro eje importante en la materialización de esta iniciativa es la posibilidad del espacio universitario como plataforma para artistas emergentes, quienes pueden mostrar su trabajo a una audiencia amplia y diversa, enriqueciendo, a su vez, la vida cultural universitaria”, mencionó Jordán Plaza Carvajal, Coordinador de Arte y Cultura DGE.

Tanto la comunidad estudiantil como el público de la ciudad podrá conocer las obras en exhibición. Aquí te contamos los nombres las obras, sus respectivos autores y dónde puedes encontrarlas:

Rostro Humano de Javier González Pesce | Sala de espera, Pastoral.

Cama-mónada de Paula Ábalos y Carol Illanes | Sala de espera, 3er piso, DGE.

Intros de Claudia Bitrán | Comedor, 1er piso, Casino.

Fragmentos de una oscuridad visible de Catalina Huala | Comedor, 2do piso, Casino.

Horizonte Portátil de Nicolás Rupcich | Comedor, 3er piso, Casino.

Rabbit Hole de Paulina Mellado | Entrada, 1er piso, FACEA.

Del cuerpo no podemos caer de Aymara Zegers | Pasillo, 1er piso, FACEA.

Wavehouse de Miguel Soto | Pasillo, 2do piso, FACEA.

Los Andes de León & Cociña | Pasillo, 2do piso, FACEA.

Ghosts of Concordia de Cristóbal Cea | Pasillo, 2do piso, DIMM.

Los Andes de León & Cociña | Pasillo, 3o piso, DIMM.

Texto curatorial y mapa del circuito disponible aquí

#SACO #BienalSACO #Arte #Art #Arts #Culture #Cultura #Artistico #Chile #Chilean #LATAM #VitrinaNorte

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