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(highwayman anon again) pls i have like a wholeass plot outline in my head+a dozen other AUs sitting about😭 it would take ages to unpack them all,,,,rerik is simply Too Good
on god...anon you're killing us all!!! we need it...i hope you'll indulge us with some rerik content in the future. 👀
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What do you think of the new generation of the marvel hero’s and what you opinion of the sjw marvel comics
I think most of these kids are alright but i also have no interest in them at all. And y’know that’s okay, not everything is for me or should be. And also comics have existed for like 100 years or more and are made all over the world, so there’s stuff i’m bound to like.
As for sjw marvel.....well, listen at its core sjw-ism has good intentions in fiction and that’s to ensure that everyone has a voice and that people can have characters that look like them and have their same struggles either through sexuality, religion, ethnicity, what have you.
That said, I am not going to pat you on the back for being progressive. And i am not going to read your thinly veiled lecture on your morals/viewpoints whatever. Because most of this is done with the subtlety of thors hammer. I am not going to jump for joy because said character is my skin color. IT HAS TO BE GOOD. And a lot of it isn’t. Effin’ Rod Serling and the Twilight Zone 60 years ago has handled a wealth of the same topics (racism/facism/conformity/etc) and in a way that can be equal parts subtle, entertaining, thought provoking, and even beautiful. On a surface level, SJW marvel feels like someone ticked off a bunch of boxes and called it a day. If people like this stuff, that’s cool, but i’m not spending money on it.
When it comes to modern cape stuff i stick to Fiffe’s Copra, My Hero Academia, and One Punch Man.
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For the week of 4 February 2019
Quick Bits:
Archie #702 sees Sandy Jarrell and Matt Herms pitch in for much of this issue as Betty and Veronica try to figure out who Archie’s seeing now. It goes about as well as you’d expect. Nick Spencer is still delivering some humorous dialogue and the opening sequence from Marguerite Sauvage is as beautiful as ever.
| Published by Archie Comics
Archie 1941 #5 is pretty heavy, dealing with the the grief, remorse, and emotional devastation of loss experienced during the war. Peter Krause and Kelly Fitzpatrick’s artwork has been wonderful throughout this entire series and they nail the conclusion.
| Published by Archie Comics
Avengers #14 sparks the fuse of the vampire civil war from Jason Aaron, David Marquez, Justin Ponsor, Erick Arciniega, and Cory Petit. There’s some really nice world-building going on here with the Legion of the Unliving and a rather interesting development with Ghost Rider.
| Published by Marvel
Batman #64 begins “The Price�� crossover with The Flash from Joshua Williamson, Guillem March, Tomeu Morey, and Steve Wands. Outside of the tie-ins throughout the DC titles, I haven’t been reading Heroes in Crisis, but this ties in as well, spotlighting some of the strain that Batman and the Flash have been under. Something definitely feels off about the situation.
| Published by DC Comics
BPRD: The Devil You Know #13 feels like shuffling deck chairs on the Titanic at this point, with all of the pieces moving into place, and we’re just awaiting the inevitable end of everything. Stunning artwork from Laurence Campbell and Dave Stewart.
| Published by Dark Horse
Champions #2 fills in the hole of what happened during the battle with Zzzax last issue and, boy, is it a doozy. Jim Zub, Steven Cummings, Marcio Menyz, and Clayton Cowles set up something interesting, and possibly horrifying, to come down the line.
| Published by Marvel
Conan the Barbarian #3 maintains its high bar of excellence as the one-off stories building up Conan’s past continue from Jason Aaron, Mahmud Asrar, Matthew Wilson, and Travis Lanham. The art from Asrar and Wilson is just perfect.
| Published by Marvel
The Curse of Brimstone #11 is the beginning of the end in the first of this two-part finale for the series from Justin Jordan, Denys Cowan, John Stanisci, Rain Beredo, and Wes Abbott. It’s great to see Cowan’s art here as he, Stanisci, and Beredo make the beginning of this final fight look absolutely gorgeous.
| Published by DC Comics
Daredevil #1 is a very impressive debut from Chip Zdarsky, Marco Checchetto, Sunny Gho, and Clayton Cowles. It picks up from Matt’s recovery in Man Without Fear and, well, things are messy, unfocused, and he’s having a hell of a time getting his feet under him again. But, beyond that, there’s a real depth to the story here. Though there’s a ton of action, it also goes deep into character building and flashbacks of Matt’s time as a kid getting morality lessons from his priest. This is damn good, taking cues from Frank Miller and David Mazzucchelli’s “Born Again”, but it also feels influenced by Mike Grell’s “The Longbow Hunters”. There’s also a back-up written and illustrated by Zdarsky himself with an interpretation of how Daredevil “sees” and the digital edition gives a smattering of back-up material including covers, art comparisons, and sketches. I highly recommend this.
| Published by Marvel
Deathstroke #40 concludes the “Arkham” arc with Slade killing Hugo Strange and then slaughtering a bunch of homeless men. Maybe. Depends on which truth you believe. In doing so, Priest sets up the seeds for the upcoming crossover with Teen Titans.
| Published by DC Comics
Die #3 peels back another layer of the onion of this world as Kieron Gillen, Stephanie Hans, and Clayton Cowles give us a story of how the various regions work. All through an allegory of war between Eternal Prussia and Little England, Tolkien re-adapted to a kind of explanation on his own allegory. It’s interesting, especially when coupled with the essay Gillen pens in the back that explains the whole construct. That said, it also works great as just an extremely pretty adventure where a party of adventurers fights a dragon. I’m loving what this series is doing.
| Published by Image
Doctor Who: The Thirteenth Doctor #4 concludes the opening arc with the Hoarder from Jody Houser, Rachael Stott, Erica Eren Angiolini, Viviana Spinelli, Richard Starkings, Sarah Jacobs, and John Roshell. I still love the inventiveness and ornate quality to the Hoarder’s design.
| Published by Titan
The Empty Man #4 gives a bit more insight into the disease ravaging the planet, as more of the strange skittering monsters appear and the kids from the original mini-series return. Cullen Bunn, Jesús Hervás, Niko Guardia, and Ed Dukeshire are crafting something very dark and weird with this series, but also very, very good.
| Published by BOOM! Studios
Female Furies #1 isn’t a bad start from Cecil Castellucci, Adrian Melo, Hi-Fi, and Carlos M. Mangual. I quite like Melo’s art here, as she’s adapted it somewhat to highlight influences from some Fourth World luminaries like Jack Kirby, Keith Giffen, and Walt Simonson.
| Published by DC Comics
The Freeze #3 delves deeper into the early days after the Freeze as the awakened look into the serial killings, and we get more mysteries in missing people (who may or may not be the same as those murdered) and the revelation that Ray is being manipulated. Really great work here from Dan Wickline, Phillip Sevy, and Troy Peteri.
| Published by Image / Top Cow
GI Joe: Sierra Muerte #1 sees Michael Fiffe bring his kind of retro charm to the Joes in the beginning of this series. It’s actually played pretty straight and reminds me of the loving care that Tom Scioli also takes to these properties. Great art and a story that reminds me of the original GI Joe cartoon.
| Published by IDW
Giant Days #47 intertwines Daisy learning to drive, McGraw’s brother dropping in on him and Susan, and Esther taking care of an illicit adorable puppy. All the usual humour and character building you’d expect from John Allison, Max Sarin, Whitney Cogar, and Jim Campbell.
| Published by Boom Entertainment / BOOM! Box
The Girl in the Bay #1 is an intriguing debut from JM DeMatteis, Corin Howell, James Devlin, and Clem Robins. It jumps headlong in to some of DeMatteis’ favourite themes and topics as spiritualism, reincarnation, and coming of age (particularly in Brooklyn) and presents a compelling world and mystery for the seemingly dead, then strangely awakened fifty years later Karen Sartori. Very nice artwork from Howell and Devlin.
| Published by DC Comics / Berger Books
The Green Lantern #4 may yet be the most beautiful issue to date, with Liam Sharp and Steve Oliff elevating the impossibly high bar of their artwork to an even greater level. The character designs, page layouts, panel transitions, and sheer storytelling in the artwork is incredible.
| Published by DC Comics
Gunhawks #1 is another of the revived title one-shots in celebration of Marvel’s 80th anniversary, this one a western from David & Maria Lapham, Luca Pizarri, Neeraj Menon, Rachelle Rosenberg, and Travis Lanham. It’s gritty, bloody, and the art from Pizarri, Menon, and Rosenberg is very impressive.
| Published by Marvel
Immortal Hulk #13 concludes the descent into Hell in an issue that is probably as epic as the Avengers beatdown from #7. Al Ewing, Joe Bennett, Ruy José, Belardino Brabo, Rafael Fonteriz, Paul Mounts, and Cory Petit continue to deliver one of the best series on the stands today.
| Published by Marvel
Justice League #17 follows on from the annual and the revelations in the “Escape from Hawkworld” arc in this single issue story of Martian Manhunter’s past from Scott Snyder, Jim Cheung, Mark Morales, Walden Wong, Tomeu Morey, and Tom Napolitano. Some fascinating developments in J’onn’s history here, with gorgeous artwork, and the funny truth that Batman’s really a concerned bat-dad.
| Published by DC Comics
Killmonger #4 wages a pitched battle with Die #3 and The Green Lantern #4 for most beautiful art in a comic this week. Juan Ferreyra’s work is stunning, giving the book depth, character, and an immense re-readability just to stare at the imagery again. There is a wonderful sequence of blood pooling up the page as the violence and body count increases and the design for the cat goddess is gorgeous. As to that latter, Egypt isn’t for want of multiple cat deities and, though Sekhmet is probably the easy answer, I wouldn’t be surprised if this is the older and somewhat lesser known Mafdet. Bryan Hill, Ferreyra, and Joe Sabino continue to deliver one hell of a solid story with this series.
| Published by Marvel
Oberon #1 is off to a fantastic start with this tale from Ryan Parrott, Miloš Slavković, and Charles Pritchett. It strikes a nice balance between fantasy and the mundane as Bonnie finds out she, and the world, aren’t exactly what she thought. Gorgeous artwork from Slavković.
| Published by AfterShock
Old Man Quill #1 kicks off a Guardians tale set in the “Old Man” universe from Ethan Sacks, Robert Gill, Andres Mossa, and Joe Caramagna. I liked the recently concluded Sacks-penned Old Man Hawkeye series as well and Star-Lord appears to be taking on that same kind of beaten-down sardonicism of Clint.
| Published by Marvel
Prodigy #3 sees Crane and Agent Straks racing across the globe to find out information on the cult aiding the alternate dimension insurgents. The artwork from Rafael Albuquerque and Marcelo Maiolo continues to be the main attraction, delivering some amazing action sequences.
| Published by Image
Self/Made #3 gives us another twist as Rebecca and Amala attempt to take down Bryce for control of Amala’s code. This story continues to evolve in some very interesting ways, while including some of the toxicity inherent in some game development studios, with some beautiful artwork from Eduardo Ferigato and Marcelo Costa.
| Published by Image
Shadow Roads #6 returns with Brian Hurtt stepping in for the line art and it’s great to see him back illustrating within the Sixth Gun world. Really nice, weird designs for the Bone Plains and interesting hints as to what’s next for the new/old threats seeping back into the world.
| Published by Oni Press
Star Wars: Age of Republic - Anakin Skywalker #1 spotlights a moral quandary for Anakin from Jody Houser, Cory Smith, Wilton Santos, Walden Wong, Java Tartaglia, and Travis Lanham. It’s still interesting to see Anakin as “General Skywalker” during the Clone Wars and how different he was from what he’d become.
| Published by Marvel
These Savage Shores #3 is almost a perfect comic, actually it may well be a perfect comic. The craft and care that goes into creating this work is astounding. Ram V, Sumit Kumar, Vittorio Astone, and Aditya Bidikar are elevating the art form each issue. With the compelling intertwining of history and horror. With the epistolary narrative approach perfectly befitting the vampire sub-genre. With the attention to detail in how dialogue and narration are presented visually. With the variations on the 9-panel grid to guide pacing and keep the reader visually interested. With the consideration of the colour washes and tones to amplify the mood and atmosphere of the tale. This series is incredible.
| Published by Vault
United States vs. Murder Inc. #6 is kind of a weird conclusion to this series as the larger plot of the predicament the families currently find themselves in is left to the next series and, like last issue, we instead get more of Valentine’s family history. Great art, though, from Michael Avon Oeming and Taki Soma. The art really reminds me of some of Darwyn Cooke’s in his Parker adaptations.
| Published by DC Comics / Jinxworld
Vindication #1 is an interesting crime drama from MD Marie, Carlos Miko, Dema Jr., Thiago Goncalves, and Troy Peteri. I love the shades of grey and uncertainty in motivation and truth in this story.
| Published by Image / Top Cow
Wasted Space #6 returns with all the humour, violence, and madness that Michael Moreci, Hayden Sherman, Jason Wordie, and Jim Campbell brought to the first arc. I love Sherman’s designs for the gods, they remind me a lot of Ted McKeever’s work.
| Published by Vault
The Wrong Earth #6 ends season one of the series with Dragonfly and Dragonflyman adapting somewhat each to their new Earths, showing a bit of equivocation of the characters as the environment changes them. This has been an interesting story from Tom Peyer, Jamal Igle, Juan Castro, Andy Troy, and Rob Steen and there’s ample threads to bring me back when the series resumes.
| Published by Ahoy
Young Justice #2 continues the adventure in Gemworld in the present, while we get a focus on Wonder Girl in the past. There’s something weird going on here with time and continuity that still feels like a story beat more than Brian Michael Bendis just playing fast and loose with what he wants. Great art from Patrick Gleason, Emanuela Lupacchino, Ray McCarthy, and Alejandro Sanchez.
| Published by DC Comics / Wonder Comics
Other Highlights: Asgardians of the Galaxy #6, Atomic Robo & The Dawn of a New Era #2, Battlestar Galactica: Twilight Command #1, Black AF: Devil’s Dye #2, Cemetery Beach #6, Curse Words #20, The Dreaming #6, Feathers, Gasolina #15, GI Joe: A Real American Hero #259, LaGuardia #3, Marvel Action: Avengers #2, Noble #15, Project Superpowers #6, Red Sonja #1, Rise of the Teenage Mutant Ninja Turtles #5, Star Wars #61, Tony Stark: Iron Man #8, The Umbrella Academy: Hotel Oblivion #5, Unnatural #7, Vampirella/Reanimator #2
Recommended Collections: Betrothed - Volume 1: Love or Die, Big Trouble in Little China: Old Man Jack - Volume 3, BPRD: The Devil You Know - Volume 2: Pandemonium, Ether - Volume 2: Copper Golems, Lowlifes, Noble - Volume 3: No One Man, Optimus Prime - Volume 5, TMNT: Bebop & Rocksteady Hit the Road
d. emerson eddy sometimes feels like his old bones should light out for the wastelands.
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Filmpodcast Nr. 643: Preisvergabe FIFF und Jugendfilmtage, Jeanne und Bruno Dumont
Filmpodcast Nr. 643: Preisvergabe FIFF und Jugendfilmtage, Jeanne und Bruno Dumont #podcast #film
Bruno Dumont mit seiner ‘Jeanne’ Lise Leplat Prudhomme © Outside the Box
Es ist nicht immer einfach, das Stubenhocken, auch wenn einem vieles nun einfach um die Ohren und in die Augen strömt, ganz wörtlich. So fanden der Wettbewerb und die Preisvergabe des Festivals von Freiburg online statt, ebenso wie die Jugendfilmtage. Und der Film Jeannevon Bruno Dumont startete online, getragen von all den…
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consider: highwayman erik who won't stop robbing raoul's carriages
anon.....ur mind....?!?! pls.....pls tell me more.................
when in truth erik just wants to steal raoul's heart 😳😌🧐🥺
he eventually takes raoul away from his carriage 🤩
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your rerik fics give me LIFE i love your writing style sm
omfjsbdkwhdjddjdj
!!!!!! you're just a sweetheart aren't you hnggggg 😭
thank you very much aaaaaaa!!! i am so so happy to hear that!!!!!! 🥺♡
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“Everytime Matt Leisy smiles my life’s span increases” is a big mood
G O D
honestly ?? that’s me 25/8 ! ! ! 😤
i mean ??, how can anyone’s life span stay the same after seeing THAT smile!!!!!!! 🥺👉🏽👈🏽
i’m basically immortal now 😳😔🤙🏽
#matt leisy#reblog to increase someone’s life span#tried and tested method#emotional support white boy#golden boy leisy#FIFF box#anonymous#FIFF gifs
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Why did u tag that fugly slut phantom post as buzzfeed unsolved hdjdfn?
jsvndjdjndkfjeksbsjd because the intention behind tmg's acting choice is a mystery and we will probably never know the reason...
was it a way to tune out what christine was saying? was he writing his will? was he composing another opera (don juan defeated)? was he sketching e/c fanart? was he transcribing what both of them were saying for legal purposes? or was he just talking shit about raoulstine in his diary?
we need answers, tim!!! ���
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List 5 things that make you happy, then put this in the ask box of the last 10 people who reblogged something from you! 💕
AHHHHHH thank you for this!!! 🥰
1. rerik!!!! my 🅱️orny gay victorian men!!! my s o n s!!!!! 👨🏻🤝👨🏼👨❤️👨👨❤️💋👨
2. ryan 🦁
3. koya 🐨
4. matt leisy 🤓
5. alpaca 🦙
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do you perhaps have an insta 😳👉👈
hello anon!!! ♡ i am on insta with the same handle, fallenidolandfalsefriend. but i am rarely on there nowadays and i don't have anything to offer on ig tbh...i'm just there to stalk artists. 🤣
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Bro you've reignited my rerik obsession keep doing the reriks its lit
?!?!? i am beyond flattered to hear that! 🥺 thank you so much! 🥰
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Hello there! I’ve been wondering through the deeps of this phandom and I would like to know who is cherik? (As someone who only read the book and watched the musical)
hi there, anon!
cherik is the version of erik played by charles dance in the phantom of the opera miniseries (1990)! ☺️
the miniseries was based on a book by arthur kopit which was also loosely based on leroux’s novel. bookception! and then a musical based on the very same book was showcased about a year later the miniseries came out entitled “phantom” by yeston (music and lyrics) and kopit (book). the music is lovely too!
i highly recommend that you check it out if you have time. it’s a fresh take on the character. it explores the more “human” side of erik, if you will. 🥺 and you’ll see a lot of cute e/c interaction too!
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aaaaAAAAAHHH ARE THOSE ALL TWO SET VIOLIN JOKES?!? JKKHKJJHHYG ILY MORE NOW SORRY (and I didn’t know that was possible you’re already too perfect & amazing) 👉👈😳😍😁🌹💝💘💛
AHHH they are indeed! i was hoping someone would pick up on the jokes. 😳👉🏽👈🏽 i love those dorks!
^ raoul would be this guy. and erik is eddy and brett reacting to him. rip raoul 😔🙏🏽.
on god you’re really just going to flatter me through anon! show yourself, coward! 😤
i’m kidding hhh but i’m really far from perfect but thank you for the validation anyways. 🥰😆
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Bold of you to assume Raoul would bring his instrument. He would definitely forget it home in the first day.
you’re really coming for raoul’s dumb ass like this, anon. 😭 ngl it’s plausible. erik will be fuming, and of course he would absolutely refuse to lend his precious violin to a clumsy boy like him. 😔🤚🏽
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Between Erik & Raoul, who do you think gives the pet names?
hello anon! you’ve got quite the question there. 👀
it depends on which adaptation we’re talking about. in the novel, erik uses pet names for christine (“my sweet”) so he might be more inclined to using pet names. if i recall correctly, raoul doesn’t use much in the book. i imagine that he is used to be the one at the receiving end. in alw’s musical, raoul only uses little lotte and angel while erik just uses dear during the final lair.
also, it really depends on my mood and the story i want to write! 🥴
however, my personal take is: erik is a slut for affection and wants to be called by pet names. god, imagine having someone call you by an endearing name that is not opera ghost or the phantom of the opera. 😳 erik’s already COMBUSTING. and of course, raoul revels in this fact! (see my recent work as an example. 🤧)
but i also think that raoul loves being called pet names too because he has been a baby his entire life and is probably used to them.
in conclusion, they are both cheesy and needy idiots in love. i think it works both ways! 🥺💖
—
meanwhile, please enjoy some of the “pet names” they have for e/o in alw’s musical/s:
erik > raoul
insolent boy
slave of fashion
ignorant fool
brave young suitor
idiot (lnd)
perfidious (lnd)
drunken fool (lnd)
charming boy (lnd)
raoul > erik
angel
demon
strange angel
dark seducer
angel of darkness
thing
not mephistopheles (lnd)
circus freak (lnd)
hell-spawned demon (lnd)
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I ship Rerik. Not even because I think they'd be a good match or anything, but wow there's just so much story potential there.
you are absolutely right anon and you should say it!
they’re both pretty childish and have a lot of similarities. they’re a very interesting pair to write for!
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