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#George Meeker
citizenscreen · 1 year
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Birthday boy George Meeker with Humphrey Bogart at Rick’s. Check them out on #TCM tonight.
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mariocki · 10 months
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Dead Man's Eyes (1944)
"I wouldn't be surprised if this man were insane. He wouldn't be the first one who'd gone mad studying the processes of the mind."
"Precisely, Captain. I compliment you on your sagacity."
"You know, it's people like you that have caused me to steer clear of all this book psychology."
#inner sanctum mysteries#dead man's eyes#eye trauma#eye horror#1944#reginald le borg#dwight v. babcock#lon chaney jr.#jean parker#acquanetta#paul kelly#thomas gomez#jonathan hale#edward fielding#george meeker#pierre watkin#eddie dunn#david hoffman#paul sawtell#another fun trip to the inner sanctum! Universal's saddest lump of clay Lon Chaney‚ back doing what he does best (having a dreadful time)#he starts off in high spirits here; he's got it all‚ a career as an up and coming artist‚ a devoted model‚ a loving fiancee and her#moneybags patron father‚ and best of all he has a little shelf on which he keeps his big bottle of eyewash next to his identical big bottle#of acid. truly what more could a man ask for. but what's that... no Lon! surely not! whoever could have foreseen such a tragic incident..#so yeah Lon loses his eyes‚ then gets new eyes but may have murdered to get them. cue classic did he didn't he shenanigans and the usual#absurdly dickish cop poking in his nose and basically bullying everyone. high melodrama nonsense but for the first time this film shows#some cracks around the edges; the cast are more variable than in the previous films‚ with Acquanetta stilted and monotone while Ed Fielding#goes too far the other way as a constantly shouting and gesticulating father figure. outside of Lon‚ Gomez is probably the best value#and seems to be having genuine fun as the asshole investigating the case. not quite as good as sanctums 1 and 2 and with a touch more#chauvinism to it (particularly in the way Acquanetta is consistently described as moody or difficult‚ or how all the male characters#discuss Parker's romantic future without her even being present let alone asked) but it still has fun nonsense to be found
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weirdlookindog · 1 year
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A Thief in the Dark (1928)
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letterboxd-loggd · 9 months
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The Misleading Lady (1932) Stuart Walker
July 26th 2023
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gatutor · 2 years
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George Meeker-Bela Lugosi-Sally Blane-Wallace Ford "Noche de terror" (Night of terror) 1933, de Benjamin Stoloff.
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imkeepinit · 1 year
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Movie poster by an unknown artist for the 1935 Cameo Pictures film Murder by Television, also known as The Houghland Murder Case. Cameo Pictures was a short lived production company that only produced three movies. Available to view on Youtube.
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raynbowclown · 1 year
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Night of Terror
Night of Terror (1933) starring Wallace Ford, Bela Lugosi In Night of Terror, a maniac murders a wealthy man. His heirs have to spend the night at his spooky mansion, if they hope to inherit. But someone murders them one by one … (more…)
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badgaymovies · 2 years
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Love Crazy (1941)
Love Crazy by #JackConway starring #WilliamPowell and #MyrnaLoy, "not as polished as the greatest comedies of remarriage... but don’t sleep on it either"
JACK CONWAY Bil’s rating (out of 5): BBB.5 USA, 1941. Metro-Goldwyn-Mayer. Story by David Hertz, William Ludwig, Screenplay by William Ludwig, Charles Lederer, David Hertz. Cinematography by Ray June, William H. Daniels. Produced by Pandro S. Berman. Music by David Snell. Production Design by Cedric Gibbons. Costume Design by Eugene Joseff. Film Editing by Ben Lewis.  Myrna Loy and William Powell…
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Jane Darwell, George Meeker, Paul Weigel, and June Clyde in a publicity still for Back Street (1932). Jane was born in Palmyra, Missouri, and had 211 acting credits, from eight 1913 shorts to Mary Poppins in 1965. She has eleven entries among my best 1,001 movies, with four directed by John Ford, including her Oscar winner, The Grapes of Wrath. This is her fourth honorable mention, after The Scarlet Empress, All Through the Night, and Mary Poppins.
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misterivy · 4 months
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olivierdemangeon · 2 years
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LE FILM DU DIMANCHE (#2)
LE FILM DU DIMANCHE (#2)
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citizenscreen · 1 year
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Birthday remembrance - George Meeker #botd
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39oa · 1 year
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LARAQUE: Because a conservative sport—if players are too conservative, how do you help grow the game? You want everyone to get to know you. If you want people to know the athletes, you need to know their personality.
HARRIS: Showing personality is huge. I feel like the more that kids can relate to players, the more that kids can get to know players, or players of color... and there's the younger kids who might watch hockey, and there might be a Black kid and he might not see anyone that looks like him, or maybe acts like him on the ice. I feel like there needs to be more coverage around how players really are, and get to show that fun and the culture, and show that we're humans. I feel like that would go a long way.
— Jordan Harris, Georges Laraque and Meeker Guerrier on Black history
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andrevasims · 2 years
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1980s Horror Film Character Names
I totally forgot I’d started making this last year! I think I never posted it because I wanted to find more names, but there’s already a decent amount and I don’t feel like being that tedious about names right now lol.
It’s first & last names (separated for mix & match potential) of characters from iconic late 1970s & 1980s horror movies. I think I started looking for cheesier B-movies to pull from, but yeah it’s been a whole year so I forget.
First Names
Alice Allen Allison Ally Amy Angela Annie Arnie Artie Axel Barry Bill Billy Bobby Brady Brenda Brent Brett Brooke Buddy Burt Buzz Carol Anne Carter Casey Charley Charlie Chili Christine Chuck Cindy Courtney Craig Cynthia Dana Darcy Debbie Demi Dennis Diane Donna Doug Doyle Duane Elaine Ellie Emma Ernie Ferdy Foster Gary Gene George Gerald Ginny Glen Hal Hank Helen Jack Jackie Jake Jason Jeff Jennifer Jerry Jesse Jimmy Joanne Jodi Joe Joey John Johnny Judd Judy Kate Katherine Kathy Katie Kelly Ken Kenny Kim Kimberly Kristen Larry Laurie Lea Leigh Lenny Leroy Linda Lisa Liz Lynn Marci Marcia Marcie Mark Mary Lou Masen Max Meg Megan Mel Melissa Mike Molly Monica Nancy Ned Neil Nick Nicki Nikki Patti Patty Paul Paula Peter Phoebe Polly Rachel Ralph Reilly Rennie Richie Rick Ricky Rob Rod Roland Ronnie Roy Ruby Rudolf Rudy Russ Sally Sandy Sara Sarah Shane Sharon Sheila Shelly Sissy Steve Steven Susie Suzie Tad Taryn Teddy Terri Tina Toby Tom Jesse Tommy Tracy Trish Valerie Vic Vickie Vicky Warren Wendy Wes Will
Last Names
Andrews Angelo Badger Baker Barnes Barrington Bates Baxter Beringer Brand Brewster Bringsley Brown Burke Burns Cabot Camber Carrington Cassidy Caulfield Challis Clarke Cole Cologne Corben Corvino Costic Crusel Cunningham Daigler Dandrige Daniels Darnell Darrinco Deagle Dier Doyle Duke Dumpkin Duncan Essmont Evans Field Franklin Freeling Frye Futterman Garris Garth Geiger Graham Gray Grimbridge Guilder Halavex Hammond Hanniger Hardy Harper Hawes Holland Hopkins Jachson Jarvis Jessup Junkins Kemp Kessler Kincaid Kopecky Kupfer Lane Lantz LeBay Lynch Lynn Macauley Maloney McBride McFadden McGregor McNichol Meeker Meisel Mercer Morgan Mott Nagle Nessler Newby Palmer Parker Parks Parsley Pataki Peltzer Penmark Perry Pervier Powers Priswell Repperton Richards Shote Spool Stanton Stark Statler Stavinski Steele Stevens Strauber Strode Sykes Taylor Thomas Thompson Thorn Toomey Trenton Vanders Venable Walsh Warner Weatherall Webber White
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letterboxd-loggd · 1 year
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The Famous Ferguson Case (1932) Lloyd Bacon
December 31st 2022
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byneddiedingo · 5 months
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Irene Dunne and John Boles in Back Street (John M. Stahl, 1932)
Cast: Irene Dunne, John Boles, George Meeker, Zasu Pitts, June Clyde, William Bakewell, Arletta Duncan, Doris Lloyd, Paul Weigel, Jane Darwell, Shirley Grey, James Donlan, Walter Catlett, James McWade. Screenplay: Gladys Lehman, Lynn Starling, based on a novel by Fannie Hurst. Cinematography: Karl Freund. Art direction: Charles D. Hall. Film editing: Milton Carruth. 
The 1932 version of Back Street (the first of three films Hollywood made from Fannie Hurst's novel) suggests that there are some things you couldn't say even in a pre-Code movie. Ray Schmidt (Irene Dunne) and Walter Saxel (John Boles) have fallen in love, but he's engaged to a woman of whom his mother approves. He thinks that if his mother meets Ray, she might be inclined to let him break off the engagement and marry her instead. But on the day of the scheduled meeting, Ray's sister, Freda (June Clyde), comes to her in distress: The man she's been seeing is leaving town and she desperately needs Ray's help in persuading him to stay. If he doesn't, she tells Ray, she'll kill herself -- and she opens a window to prove the point. Why is Freda so desperate? The answer becomes apparent with an exchange of Meaningful Glances: She's pregnant. The word or any of its variants is never spoken. So Ray misses the meeting with Mother and loses the chance to marry Walter. Years pass and Ray and Walter meet again, after he's married and become a wealthy businessman. He sets her up in an apartment as his mistress, which she tolerates for a time until she realizes what she's lacking in life and begs him, "Walter, give me a child." Walter is shocked at the very idea. The mechanics of an illicit sexual relationship, including the veiled subject of contraception, are summed up in the reticence around Freda's plight and Ray's plea to Walter, which sounds a bit like she wants him to go down to the baby store and pick one off the shelf. Euphemisms aside, your acceptance of the movie depends to some degree on whether you enjoy watching Dunne, an actress who can slip into coyness and archness. The film gives her a gamut to run, from the flirtatious Ray who likes to drink beer with the fellows in the early part of the film, to the nobly suffering kept woman of the later part. Boles is a little stiff in his role, though that rather suits the character. On the whole, Back Street is a solid "woman's picture" of the kind that would be treated with more life and color by filmmakers like Douglas Sirk in the 1950s. 
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