Birthday boy George Meeker with Humphrey Bogart at Rick’s. Check them out on #TCM tonight.
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A Thief in the Dark (1928)
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George Meeker-Bela Lugosi-Sally Blane-Wallace Ford "Noche de terror" (Night of terror) 1933, de Benjamin Stoloff.
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Movie poster by an unknown artist for the 1935 Cameo Pictures film Murder by Television, also known as The Houghland Murder Case. Cameo Pictures was a short lived production company that only produced three movies. Available to view on Youtube.
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Night of Terror
Night of Terror (1933) starring Wallace Ford, Bela Lugosi
In Night of Terror, a maniac murders a wealthy man. His heirs have to spend the night at his spooky mansion, if they hope to inherit. But someone murders them one by one …
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Love Crazy (1941)
Love Crazy by #JackConway starring #WilliamPowell and #MyrnaLoy, "not as polished as the greatest comedies of remarriage... but don’t sleep on it either"
JACK CONWAY
Bil’s rating (out of 5): BBB.5
USA, 1941. Metro-Goldwyn-Mayer. Story by David Hertz, William Ludwig, Screenplay by William Ludwig, Charles Lederer, David Hertz. Cinematography by Ray June, William H. Daniels. Produced by Pandro S. Berman. Music by David Snell. Production Design by Cedric Gibbons. Costume Design by Eugene Joseff. Film Editing by Ben Lewis.
Myrna Loy and William Powell…
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Jane Darwell, George Meeker, Paul Weigel, and June Clyde in a publicity still for Back Street (1932). Jane was born in Palmyra, Missouri, and had 211 acting credits, from eight 1913 shorts to Mary Poppins in 1965. She has eleven entries among my best 1,001 movies, with four directed by John Ford, including her Oscar winner, The Grapes of Wrath. This is her fourth honorable mention, after The Scarlet Empress, All Through the Night, and Mary Poppins.
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LE FILM DU DIMANCHE (#2)
LE FILM DU DIMANCHE (#2)
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Birthday remembrance - George Meeker #botd
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LARAQUE: Because a conservative sport—if players are too conservative, how do you help grow the game? You want everyone to get to know you. If you want people to know the athletes, you need to know their personality.
HARRIS: Showing personality is huge. I feel like the more that kids can relate to players, the more that kids can get to know players, or players of color... and there's the younger kids who might watch hockey, and there might be a Black kid and he might not see anyone that looks like him, or maybe acts like him on the ice. I feel like there needs to be more coverage around how players really are, and get to show that fun and the culture, and show that we're humans. I feel like that would go a long way.
— Jordan Harris, Georges Laraque and Meeker Guerrier on Black history
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1980s Horror Film Character Names
I totally forgot I’d started making this last year! I think I never posted it because I wanted to find more names, but there’s already a decent amount and I don’t feel like being that tedious about names right now lol.
It’s first & last names (separated for mix & match potential) of characters from iconic late 1970s & 1980s horror movies. I think I started looking for cheesier B-movies to pull from, but yeah it’s been a whole year so I forget.
First Names
Alice
Allen
Allison
Ally
Amy
Angela
Annie
Arnie
Artie
Axel
Barry
Bill
Billy
Bobby
Brady
Brenda
Brent
Brett
Brooke
Buddy
Burt
Buzz
Carol Anne
Carter
Casey
Charley
Charlie
Chili
Christine
Chuck
Cindy
Courtney
Craig
Cynthia
Dana
Darcy
Debbie
Demi
Dennis
Diane
Donna
Doug
Doyle
Duane
Elaine
Ellie
Emma
Ernie
Ferdy
Foster
Gary
Gene
George
Gerald
Ginny
Glen
Hal
Hank
Helen
Jack
Jackie
Jake
Jason
Jeff
Jennifer
Jerry
Jesse
Jimmy
Joanne
Jodi
Joe
Joey
John
Johnny
Judd
Judy
Kate
Katherine
Kathy
Katie
Kelly
Ken
Kenny
Kim
Kimberly
Kristen
Larry
Laurie
Lea
Leigh
Lenny
Leroy
Linda
Lisa
Liz
Lynn
Marci
Marcia
Marcie
Mark
Mary Lou
Masen
Max
Meg
Megan
Mel
Melissa
Mike
Molly
Monica
Nancy
Ned
Neil
Nick
Nicki
Nikki
Patti
Patty
Paul
Paula
Peter
Phoebe
Polly
Rachel
Ralph
Reilly
Rennie
Richie
Rick
Ricky
Rob
Rod
Roland
Ronnie
Roy
Ruby
Rudolf
Rudy
Russ
Sally
Sandy
Sara
Sarah
Shane
Sharon
Sheila
Shelly
Sissy
Steve
Steven
Susie
Suzie
Tad
Taryn
Teddy
Terri
Tina
Toby
Tom Jesse
Tommy
Tracy
Trish
Valerie
Vic
Vickie
Vicky
Warren
Wendy
Wes
Will
Last Names
Andrews
Angelo
Badger
Baker
Barnes
Barrington
Bates
Baxter
Beringer
Brand
Brewster
Bringsley
Brown
Burke
Burns
Cabot
Camber
Carrington
Cassidy
Caulfield
Challis
Clarke
Cole
Cologne
Corben
Corvino
Costic
Crusel
Cunningham
Daigler
Dandrige
Daniels
Darnell
Darrinco
Deagle
Dier
Doyle
Duke
Dumpkin
Duncan
Essmont
Evans
Field
Franklin
Freeling
Frye
Futterman
Garris
Garth
Geiger
Graham
Gray
Grimbridge
Guilder
Halavex
Hammond
Hanniger
Hardy
Harper
Hawes
Holland
Hopkins
Jachson
Jarvis
Jessup
Junkins
Kemp
Kessler
Kincaid
Kopecky
Kupfer
Lane
Lantz
LeBay
Lynch
Lynn
Macauley
Maloney
McBride
McFadden
McGregor
McNichol
Meeker
Meisel
Mercer
Morgan
Mott
Nagle
Nessler
Newby
Palmer
Parker
Parks
Parsley
Pataki
Peltzer
Penmark
Perry
Pervier
Powers
Priswell
Repperton
Richards
Shote
Spool
Stanton
Stark
Statler
Stavinski
Steele
Stevens
Strauber
Strode
Sykes
Taylor
Thomas
Thompson
Thorn
Toomey
Trenton
Vanders
Venable
Walsh
Warner
Weatherall
Webber
White
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Irene Dunne and John Boles in Back Street (John M. Stahl, 1932)
Cast: Irene Dunne, John Boles, George Meeker, Zasu Pitts, June Clyde, William Bakewell, Arletta Duncan, Doris Lloyd, Paul Weigel, Jane Darwell, Shirley Grey, James Donlan, Walter Catlett, James McWade. Screenplay: Gladys Lehman, Lynn Starling, based on a novel by Fannie Hurst. Cinematography: Karl Freund. Art direction: Charles D. Hall. Film editing: Milton Carruth.
The 1932 version of Back Street (the first of three films Hollywood made from Fannie Hurst's novel) suggests that there are some things you couldn't say even in a pre-Code movie. Ray Schmidt (Irene Dunne) and Walter Saxel (John Boles) have fallen in love, but he's engaged to a woman of whom his mother approves. He thinks that if his mother meets Ray, she might be inclined to let him break off the engagement and marry her instead. But on the day of the scheduled meeting, Ray's sister, Freda (June Clyde), comes to her in distress: The man she's been seeing is leaving town and she desperately needs Ray's help in persuading him to stay. If he doesn't, she tells Ray, she'll kill herself -- and she opens a window to prove the point. Why is Freda so desperate? The answer becomes apparent with an exchange of Meaningful Glances: She's pregnant. The word or any of its variants is never spoken. So Ray misses the meeting with Mother and loses the chance to marry Walter. Years pass and Ray and Walter meet again, after he's married and become a wealthy businessman. He sets her up in an apartment as his mistress, which she tolerates for a time until she realizes what she's lacking in life and begs him, "Walter, give me a child." Walter is shocked at the very idea. The mechanics of an illicit sexual relationship, including the veiled subject of contraception, are summed up in the reticence around Freda's plight and Ray's plea to Walter, which sounds a bit like she wants him to go down to the baby store and pick one off the shelf. Euphemisms aside, your acceptance of the movie depends to some degree on whether you enjoy watching Dunne, an actress who can slip into coyness and archness. The film gives her a gamut to run, from the flirtatious Ray who likes to drink beer with the fellows in the early part of the film, to the nobly suffering kept woman of the later part. Boles is a little stiff in his role, though that rather suits the character. On the whole, Back Street is a solid "woman's picture" of the kind that would be treated with more life and color by filmmakers like Douglas Sirk in the 1950s.
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