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#I love writing Steve like hes that older teen in the goonies
sp0o0kylights · 1 month
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There were a lot of things Mike hated in life.
The demogorgon, and how it had essentially destroyed his life.
 Brenner, and the madhouse laboratory El had survived. 
How each and every one of his friends now did something weird--were weird, because flashing lights or fireworks or some stupid tune a toy horse played dragged up memories that made their eyes flat and faces hollow. 
Most of all though, Mike hated how much they relied on Steve.
There was no reason he should be the person to call when it started pouring and no one wanted to bike home from AV. 
Steve wasn’t Nancy, or Jonathan, or a parent--he wasn’t even dating anyone related to any of the Party anymore so what excuse did he have to keep hanging around? 
(Even if Jonathan was always working, and Nancy was always busy with some club or homework, and everyone’s parents all seemed to be in a race of who could get back to normal the fastest…) 
They should at least try to get a hold of other people, instead of constantly going to Steve first.
“Why?” Dusitn had scoffed at him the last time this had happened, feeding quarters into a phone and staring at Mike like he was the one being unreasonable. “I’m not gonna waste money just to hear your sister tell us no again when we all know Steve will do it.” 
Which was perhaps the most infuriating part of it all.
That Steve would do it. 
Show up and help them, even if he bitched the whole time. 
Hell, Steve Harrington knew more about Mike’s life offhand than Nancy did, and that made him want to punch a wall more days than it didn’t. Why the hell was Steve so involved? 
It was stupid. 
Weird, even! They weren’t friends, (even if Dustin and Max and El of all people said the opposite) he wasn’t being paid to babysit, (Mike had double checked; going round to ask Ma Henderson and Mrs. Sinclair, only to get an earful of how wonderful Steve was from both.) he had no reason to hang around! 
It didn’t make sense that Steve could be harassed into picking them up from school. 
Would take them to get ice cream, or hand over extra quarters for the arcade. He even gave out advice like some kind of--brother that Mike had never wanted. 
Above all?
Mike hated that when he needed someone, the number he punched in on automatic was Steve’s.
“I need you to come get me.” He said into the receiver, mad at himself and the world, but mostly mad that beyond the normal amount of squawking Steve did, he shut up and came. 
Drove up in his rich boy car, stepping out and herding Mike into it like the rain hadn’t already seeped into his bones. 
“You wanna tell me why you snuck into a bar two towns over?” Steve asked, long after Mike had slung himself into the passenger seat, arms crossed defensively over his chest.
“No.” 
One of Steve’s hands went right to his hair, running through it before adjusting the mess he’d just made. 
It was a nervous habit, and Mike hated that he knew that too. 
“Okay, well.” Steve’s hand fell back to the steering wheel, clenching tight around it. “Next time you want to do something dumb could you at least come talk to me about it beforehand?”
“What the hell would that do?” Mike bitched, staring firmly out of the window. 
“Not waste my gas for starters.” Steve bitched right back. “But I dunno man, we could have taken some bats and gone and wailed on cars in the junkyard and talked or some shit, not--whatever this all was.”
‘This all’ was accompanied by a wave of his hand, indicating not just the bar Mike had been standing in front of, but his general sopping wet state. 
“You’d actually go to the junkyard with me?” Mike challenged, doubtful. 
Steve made a face. “Did you lose your hearing in there? I just said--.” 
“Why?” Mike interrupted. “Why the fuck would you come out with me?”
Matching his entire aggressive tone, Steve said; “Because it’s better than trying to sneak into the one local gay bar when you’re barely fourteen, Michael.” 
And that? 
Steve being oddly aware of shit he really shouldn’t have?
Mike hated that too. 
“You knew what the bar was?” He asked, his voice coming out much smaller than he intended. 
“Everyone knows what that bar is, except it’s more of a biker bar than a gay bar.” Steve shot back--which did actually explain about ten different questions Mike had about the place. “Also, language you little shit.” 
Under his breath, Steve continued in a muttered; “I swear I’m going to start carrying around soap.”
“You cuss more than we do.” Mike responded, and if his own voice was a little strangled as he fought back the sudden swell of tears, then that was between him and God. 
He was not crying in front of Steve Harrington, he outright refused. 
“The point I’m making is that there are way better bars to sneak into. That one’s not nearly as welcoming as people make it out to be, probably because they’re sick of all the rumors.” 
Steve seemed to realize what he was implying because he quickly added; “Not that you should be sneaking into any bars at all!” 
“You’re not my mom.” Mike’s voice turned wet as he lost his battle with his throat, voice cracking as he failed to choke the tears back.  
“No shit Wheeler.”  Steve said, and at least he was good enough not to call attention to Mike’s crying. 
If he had, Mike was pretty sure he’d just up and die of embarrassment, right there. 
“I don’t get why you care.” He muttered, angrily swiping at his eyes. 
“I didn’t keep you alive this long just so you could die of something stupid.” Steve countered easily.
Which was kinda fair, if you thought about it.
Mike very much did not want to think about it. 
Any of it.
Ever. 
“Are you gonna tell my parents?” He asked after a painfully long moment. 
Long enough that Steve had begun fiddling with the radio, trying to find a station as they drove back that wasn’t wailing country or gospel music. 
“I’m not a narc, so no.”  
“Not about the bar.”  
Now Steve just looked confused. 
Probably because he was, because he was without a doubt the stupidest almost adult Mike knew. 
(Not that he could say that out loud--last time he had, Max had made one of her pissy faces and then El got mad because Max was, which led to a break up, which led to Mike having to beg his way back into his girlfriend’s good graces while explaining that he hadn’t meant it like that.
“How did you mean it then?” Max demanded, and Mike wasn’t sure how he managed to dodge that entire conversation but he had, on grounds that untangling his own emotions regarding stupid Steve made him want to pull his hair out and scream.) 
“What about then?” 
 “You know. Don’t make me say it.” Mike absolutely didn’t plead, even if it did sort of, kind of, sound like pleading. 
Steve flicked his eyes away from the road to give one long, weird look at Mike. The same one he gave Dustin when he went off on a rant about Cerebro or Lucas when he started discussing the stats of different D&D weapons. 
Unlike those times, Steve’s face cleared. 
“Oh.” He said, blinking, and Mike could practically see the light bulb flash above his head.
Then; 
“Nah.” 
Mike waited.
And waited.
And kept waiting as Steve went back to searching through radio channels, as if that was the end of the conversation.
It couldn't be the end of this conversation.
Not when this was the part that was eating Mike alive.
He didn’t know if this was Steve repressing it on purpose or if this was what he had to look forward to for the rest of his life if he kept trying to figure his own head out, but either way, he knew he had a choice to make. 
To let the unspoken part of today die quietly. Go unsaid, and remain unsaid, for all eternity--or he could let it out. 
Shove the “gay” part of “gay bar” in Steve’s stupid, jock face. 
Make him acknowledge it, even if it got Mike kicked out of the car, and who cared if it did? 
Steve wasn’t the person who should have picked him up anyway. 
The anger climbed higher and higher in his chest, tears and rage combining until Mike spat it all out, furious. 
“You’re not going to ask if I’m gay?”  
Steve didn’t turn to face him, but Mike saw his eyebrow cocking anyway, given how he was currently glaring a hole in the side of the older teen’s head. 
“Do you want me to?” 
“No.” Mike bit out automatically. “Yes. I don’t know!” 
Steve’s hand found its way back into his hair. 
“Okay then.” Steve paused, clearly fishing for something to say. 
Gleefully, Mike watched him struggle. 
“Do you like guys?” He managed finally, looking like he was navigating a minefield more than just talking.
“I don’t know.” Mike stressed, sinking lower in his seat. “Why do you think I was at the bar? I was trying to figure it out!” 
“Honestly I assumed this was some sort of stupid dare--but!” Steve held up a finger, before Mike could interrupt, “But let’s--shit, hold on, I had a speech for this but I kinda wasn’t expecting to use it this soon. Um.”
“You have a speech for me being gay?”
“Not for you.” Steve rolled his eyes. “For--in general! It was an in general, just in case speech!” 
He rounded on Mike, for longer than the younger was comfortable with given Steve took his eyes off the road to do it. “Okay--you can like boobies, you can like, uh--not boobies, and that’s fine! It’s all totally fine!” 
“You are not making it sound like it’s fine.” Mike said, feeling like he’d been taken out by hearing Steve say the word “boobies.” 
Gross, gross, gross. 
“Well it is.” Steve said, in a tone that felt like he was two seconds from adding in a smarmy ‘so there!’ at the end. 
“But I’m dating El.” Mike whined, which really, was both the heart of the matter and the eye of the storm that had been growing in his head for months now. “I can’t be gay if I like her.” 
“Don’t you guys break up and get together like four times a week?”
“No, that's Max and Lucas, El and I are stable.” Mike scoffed. “Or we--we were stable.” 
Before he started to have thoughts about people that weren't his girlfriend. 
Or women.
“Stable for being in middle school, sure.” Steve snorted. “You don’t just have to like one or the other you know. You can like dudes and chicks at the same time.”
Which Mike did not know, on account of being fourteen. 
He did his absolute damndest not to show that realization, instead adding that to the list of reasons why he hated Steve Harrington too.
Steve shouldn't be the one teaching him about who you could like!
“The point is that who you end up loving isn’t a problem.” Steve finally looked back to the road. “Other people might be an issue, and those people we can punch in the face so long as the cops aren’t looking, which isn’t part of the speech so let’s not tell people I said that part, but whatever you do choose, there’s nothing wrong with you.” 
Steve’s voice went firm, as he apparently recalled his speech or something close enough to it because his next words sounded a little rehearsed. “You have people who are here for you, no matter what. Okay?” 
Oh God, Mike was crying again. 
He wanted to punch Steve in his stupid face.
Wanted to hold onto the fury he'd built inside himself. Thrash around, throw himself out of the car, get away from the emotions that felt too big for his chest to contain. 
Instead he felt it all break on Steve's acceptance. On word's he didn't know he needed to hear until they'd been spoken, and sniffed out a quiet; “Okay.” 
Steve of course had to take it too far by reaching over and patting his knee, which they both regretted judging by how quickly Steve took his hand back and the face Mike made at his hand--but it…
It was appreciated, even amongst all Mike's rage.
Steve was appreciated. 
Not that Mike would ever, on pain of death, tell him that. 
Neither said a word for a while, Steve finally landing on a radio that was playing some Top 40 hit, Tears for Fears singing about ruling the world while Mike found himself trying to rebuild his own once again, tired of it having shattered so many times over. 
At least he finally felt better, even if he refused to admit Steve was the reason for it. 
He wasn’t quite done though.
 There was a piece Steve had skipped over, that Mike felt was critically important, if only because it was partly the reason he was having thoughts about being gay in the first place. 
He had to know if Steve saw it too. 
That it wasn’t just him and his stupid head, making up things that weren’t there. 
“Hey Steve?” 
“Yeah?”
“Who was the speech for?” 
Steve sighed. 
“Rule one of the whole queer thing Wheeler, you don’t out other people.” 
Like there were written rules or something.
(Maybe there were, it wasn't like Mike knew.)
“Was it Will?” Mike asked, and pretended like he didn’t desperately want the answer to be yes. 
 Steve didn’t say a thing, but the fact he nearly took the car off the road was a pretty solid answer in itself. 
“We’re not playing guessing games about other people’s sexualites!” He yelped, hands gripping the steering wheel as Mike felt a wave of relief crash through him. 
Will was--maybe, possibly, also--queer too. 
Which didn’t make this any better but it--wasn’t the not preferred outcome, either. 
(It wasn’t just Mike struggling alone, trying to figure out if his best friend wanted to be more than that, if El was breaking up with him and more and more because she wanted to be less than a girlfriend, if things were changing and he would have no one--) 
“I’m not out here picking Will up from a gay bar dipshit, I’m picking you up, and this is your reminder that next time, you should just come talk to me!” Steve ranted. 
Mike snorted.
He absolutely hated Steve Harrington, but--
“Fine.” He said, talking so low he could barely be heard. “I will.”
--maybe Mike did have someone in his corner after all. 
Even if it was just Steve. 
xXx
Bonus: 
“Between you and me, that kid is gayer than a two dollar bill.” 
“Wow Robin,” Steve teased, “Isn’t that like, a slur or whatever?” 
He snickered when she rolled her eyes and threw a roll of stickers his way. 
“I’m just saying. Did you see the way he was looking at you when you were showing off your stupid biceps?” Robin said, nudging her shoulder into Steve’s. “Will’s gonna have a rude awakening later if he hasn’t already.” 
Steve nudged her back, but kept his gaze on the Party as they trooped their way from Family Video to the arcade next door, the realization that they now had connections for free rentals making them downright gleeful. 
Will was the last one in, and Steve watched him hurry so as to not be left behind. 
He didn’t like to worry about the dipshits, but Robin was just putting voice to a thought Steve knew he wasn’t the first person to have.
And if he noticed it, then it didn't exactly bode well as being kept a secret. 
“Should we like…talk to him about that?” He asked after a long moment, turning to face Robin.
“Us?” She pointed at herself, before turning her finger on Steve. “Why us?” 
“Well you’re into girls.” He gave her a pointed look, glad that the store was empty of everyone but them so he could actually voice all this. “And I’m fine with it.”
“Yeah I’m sure he wants to know you’re fine with it.” Robin taunted, but she had her thinking face on, eyes out to the middle distance. “I barely know him. You barely know him--he’s the quietest out of all your kids.”
“They’re not my kids.” Steve argued automatically. “They're like a weird cross between shitty siblings and that kid in your class who never leaves you alone.” 
A fact Steve no longer took for granted, even if he made it sound like the worst thing ever.
“I just think it’d be nice if he knew that he had people in his corner, you know? Who supported him and shit.” 
“Steve, you compared my crush to a muppet, that wasn’t supportive.” Robin countered, but it too was on automatic. 
Softer she admitted; “You’re right though. If I had known other queer people, if I had known people would accept me...it would have made things a lot easier.”
A very long pause, in which both of them stewed for a moment, before Robin abruptly slapped her hand down on the table.
“Okay, you got me. We're doing it, and I'm making us a speech.”
“A speech?” 
“Yes dingus, a speech. I know you, you’re terrible when you’re put on the spot with this kinda thing, and trust me with things like this the moment will be spontaneous.”
“It’s Will, how spontaneous can it be?” Steve challenged back. “Getting a dinner order out of him is a chore.” 
“Stop whining and hand me that notepad. Im telling you its gonna happen when you least expect it and then you're gonna thank me later.”
“It better not happen without you.”  Steve sighed, but passed the notepad over.
God the things he did for those stupid kids. 
Bonus x2
Steve would later go on to use the speech on himself, in a gas station bathroom mirror, eyes wide and freaked out after Eddie Munson called him Big Boy in a van they stole, while Robin snickered behind him. 
He would turn on her, snapping that she; “Help me with this dammit!” 
In return she’d remind him that Tammy might sing like a muppet but Eddie  was the guy who stepped on lunches while giving speeches at lunch and sticking his tongue out, and “Really Steve, I think I won best gay awakening, here.” 
Which would promptly start an argument regarding how it wasn’t a competition, which would continue for another fifteen or so odd years before finding its way as a reference into both of their speeches as each other’s best man. 
Nancy and Eddie wouldn’t get it at either wedding, but Mike would.
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rankdisasster · 4 years
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whipped
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Billy Hargrove x fem reader
“can you do something with billy where like she has to babysit the party but it’s also date night so she drags billy with her and they all pile up on the couch to watch a movie either scary or romantic and everyone is shocked how gentle and caring billy is because they’re used to see him in a scary way thank youuu” requested by @allabouthargrove​
word count: 3,554
warning(s): swearing
a/n: I loved this idea! thank you for letting me write it, and I will sorta admit I got a teensy bit carried away? c’mon tho we need Billy bickering with the kids, that would’ve been so adorable to see. had trouble since there’s so many characters, I chose to have just 4 out of all of the kids to be there since writing that many characters was a little daunting to me. enjoy:)
“Babe, I’m just saying that they’re old enough to fuck off and do whatever they want while their folks are gone. When we were their age we never had a sitter that read fuckin’ bedtime stories and cuddled us all night,” Billy reasons, grumbling as he rips apart the third bag of popcorn he’s made so far for tonight’s movie night with the kids. He shoves the movie snack in the microwave and slams it, huffing more complaints under his breath about hating the children for not allowing him his one-on-one time with his girlfriend.
You’ve of course noticed by now this far in the relationship you’ve shared with Billy how high his temper can elevate to. Maybe it’s directed to someone else, such as his dad (whom infuriates him the most, and rightfully so). However, his anger has never taken a tole on you. Ever. Maybe there’s a sprinkle of a disagreement between the two of you here and there, but he’s proven himself more than worthy of your trust. Thick and thin, he has been outstanding at comforting you and never lashing out at you if he had a hard day.
With that being said, his relationship with the kids is a different story.
Billy blatantly shows his disapproval and not to mention distaste for Dustin and Lucas in particular, whom have shown interest in his little sister. Nothing’s escalated to a full on fight before, he’s never stooped that low to throw hands on a kid. Although Billy vows to protect what’s his and he knows what goes through their heads, given that he was once their age and in awe of girls. So you could imagine the internal battle the teen is going to be fighting, having to sit pretty and stay calm for the sake of his girlfriend. Yes, he could have just skipped the ordeal entirely, maybe reschedule their date for when things could be a little more private. But when you offered that he could still come over while you babysit, with your goddamn puppy eyes and gentle pleas of desperation, fuck him if he can’t say no, alright?
Billy promised to be on his best behavior, but his patience has already worn thin and none of the kids have even arrived yet.
You sigh before sauntering over to where he stands, idly watching the transformation of the popping corn in the microwave with his hands on his hips. Turning his chin so that he meets your eyes, knowing that eye contact always seems to force him to snap out of it, you speak lowly in his ear.
“Listen, I get that they’re not your favorite to hang out with, but I promised you a little something if you play nice, didn’t I?” you pet his dirty blonde curls, another tactic for persuading Billy that you’ve learned. His pout fades a little, and he turns away before muttering a moody “Yeah, I guess so.”
“Hey, look at me. Billy,” you request, turning his head gently once more. His blue eyes meet yours.
“Things’ll be just fine. You’ll do great, I know it. Because I didn’t fall in love with an asshole, I fell in love with you.”
How the fuck is Billy supposed to argue that?
All at once, the kids come as promised at seven, riding their bikes to your garage. It’s Mike, Lucas, Dustin and Will that have been put under your wing for the night. Max has been on vacation to visit her side of the family, and El is spending her night watching Miami Vice with her dad. Steve wasn’t available either, working tonight at Family Video, which makes the perfect coincidence that you and Billy were to watch them together.
Dustin and Lucas were equally weary about Billy’s attendance at your movie night, shakey and worrisome about getting into it with your boyfriend. Will, however, could really care less. Billy never had any beef with him, probably because he never tried hitting on his sister.
“I’m just saying, Lucas, it would’ve been a good idea if we brought protection! We know he won’t hesitate to fucking murder us, so we need to be prepared!” Dustin whisper-shouts, his anxiety clouding his proper judgement. Lucas rolls his eyes and pushed the curly haired boy’s shoulder, knowing how ridiculous and sensitive he can get. Yes, Billy scares him shitless too, but he has faith in Y/N to tame the wild beast.
“You guys are idiots. God, Dustin, just shut up already. He would’ve killed us a long time ago if he planned on it, he’s had like a hundred chances already,” Mike complains, thinking that that’s somehow going to serve as reassurance to his friends. Dustin’s eyes grew impossibly wider than they already were, and Lucas curses under his breath before the door is ripped open in front of them.
Billy is the one to greet them at the door, chest puffed out as he eyes the shorter boys. He then leans on the side of the door, mocking them with one hand on a hip and a smirk playing his face.
“Well well well,” the older boy says. Without turning around and breaking eye contact with any of the middle schoolers, he shouts to get your attention. “Babe! Your Goonies are here!”
From inside the house in the living room, you squat in front of the television as you continue attempting to set up the film you chose.
“Yeah? And are you gonna let them in?” you ask, already smelling his alpha male behavior from a mile away. Billy reluctantly gives in, knowing he couldn’t deny you of anything you want, and opens the door wider to let the dorky dwarfs in. One at a time, they all rush to get inside, with a quiet Will being let in first by Billy, then come Mike second, and Lucas third. Dustin swallows audibly and keeps his eyes glued to his shoes as to not give the older boy any reason for trouble, and nearly loses it when he’s stopped by a hand on his chest.
“It wasn’t me, I swear! It was all Lucas’s idea, he was the one who was gonna hit on M—“ Dustin is quick to throw Lucas under the bus to save his own ass, and Billy would be lying if he said it didn’t make him wanna laugh for days. Of course this one kid in particular is the narc of the bunch. Makes sense.
“You agreed that you’d be civil, Billy! Ten seconds, you lasted not ten seconds!” you scold him as you march over to the door, livid enough to scare Billy back to being nice again. Without any further stalling, Billy looks down in what the kids see as shame, which they didn’t think he was even capable of feeling, then allows the ballcap wearing kid inside. Like a completely different person than he was not even five seconds ago, has he been fucking possessed, he walks over to where you stand and look knowingly at him. With a kiss on the cheek, and a whisper that none of the younger ones are able to hear, you’re back to normal and Billy is unusually quiet.
All the boys watch the show, seeing him go from alpha dog to obedient puppy instantaneously. Dustin mouthed ’what the fuck was that’ to Mike, baffled by the affect you had on the malicious blonde.
Mike rolls his eyes as he takes off his coat before muttering, “Love makes people crazy. And weird. But mostly crazy.”
“Billy was oh so very kind enough to make all you guys popcorn for the movie we’re watching tonight,” you squeeze Billy’s hip when you refer to him before he yelps and blushes. All the kids have no fucking idea how this monster has transformed, blushing because a girl touched him.
“Uh, thanks,” Dustin awkwardly reaches for one of the bowls of popcorn, hasty when he takes a piece and puts it in his mouth, trying to play detective to see if Billy put something in it.
When you and Billy walk to the kitchen he starts a dramatic coughing fit and lets out a string of curses, spitting it out then warns Lucas that he thinks it was poisoned.
“Everything okay out there?” You check in after hearing odd commotion, pulling away from the kisses that Billy was sprinkling all over your neck.
“Yeah, Dustin just choked on a kernel. He’ll be just fine, won’t you, Dusty?” Lucas harshly pats the boy’s back in an effort to cover up his stupidity as an accident. Will shakes his head at his dumb friends, but offers to eat it if he doesn’t want it.
“Hey Y/N, when are we starting the movie? We didn’t come here to sit and wait around, you know!” Mike calls out, all four of them going to the kitchen to see what the hold up was before peeking at quite a sight. It was you sitting on the kitchen counter, Billy between your legs, exchanging kisses and whispers of promises for what’s to come later as he softly combs his fingers through your hair keeping it out of your face. All four of their jaws dropped at the nauseating poster of pure tenderness being displayed in front of their eyes. The other hand that wasn’t in your hair was rubbing your waist, and it didn’t even look that sexual, instead looking just so goddamn loveable that it nearly made them all simultaneously hurl.
“I’ll — We’ll be out there in a minute, guys,” you stutter and laugh when Billy makes a face then traces a sweet line down your jaw with his thumb. “We’re making more popcorn!”
“Okay, no they’re not. That’s not what making popcorn looks like,” Dustin shakes his head and fakes a gagging sound.
“No shit, doofus. Who the hell would ever think Hill-Billy Hargrove could ever be that in love with someone who’s not himself,” Mike mumbles, before wordlessly throwing a pillow that lands directly at Dustin’s face.
When you and Billy finally emerge from the kitchen after whatever gross activities that high schoolers do, nothing but bickering is to be heard. You surrender with a shrug and an empty apology before pressing play on the film.
“So what is it that we’re watching, exactly?”
“Nightmare on Elm Street,” Billy answers the curly haired boy, not taking his eyes off the screen or his hands off Y/N. You two have somewhat of an unspoken language, communicating with nods and gestures that none of the middle schoolers can wrap their heads around. You’d nod your head to the bowl if you’d like to be fed a piece of popcorn, and without any protests on his end, your boyfriend feeds it right to you and then grabs a handful for himself. Mike wants to throw up, Dustin wants to die because of the horrible movie choice, and Will simply sits tight and kicks back his feet, somewhat enjoying himself.
“Uh, who the hell picked this garbage for us to watch?” Dustin asks, shoving his toothless mouth full of the buttery snack.
“The lady gets to pick whatever we do and whatever we watch, because she was sweet enough to even let you come over in the first place,” Billy spits, before earning a certain look from you that says ’you know better’ making him shut his trap. He nestles his face into your neck as a sheepish way to say he’s sorry, that he’ll try better before you get excited when asking him for another one of his heavenly massages. Billy is the number one champion at getting all the knots that sit in your shoulders and your neck out, and he never complains about doing the job either. He loves pleasing you. Turning to the side to give him a better angle at your back, he gets right to work and even puts his elbow into the mix. He always loves the soft sounds you let out from how pleasant the sensations are.
“Mm, you like it here? Want me to go up higher?”
“No no, it’s perfect right there. Wait, little lower. And harder. Yeah, that’s it,” you guide him and he follows your directions flawlessly, ignoring the glares from the dwarfs that have to sit and listen to this shit.
“Should’ve brought those barf bags that they use on planes,” Mike grumbles, turning his head back to the television where Johnny Depp is talking on the phone in a crop top. Freddie Krueger has yet to fuck shit up and kill people, but Dustin still covers his eyes and hides in Lucas’s shoulder.
Halfway through the movie, after Billy had given up massaging you given the cramp that started up in his hands, he gets bored. So bored, in fact, that fucking with the kids sounds like the perfect entertainment for right now. His girl is still nestled under his arm, and he’s sure as shit proud that you barely even flinched while watching Freddie slit numerous bodies open, cheap scare after cheap scare. And then the perfect idea comes to him.
“You know, I actually read somewhere that this movie’s based on a true story.”
Dustin snaps his head to the teenage blonde and gasps aloud, hiding further into the blankets. You on the other hand laugh at the absurdity and his attempt at scaring the kids, but allowing him to continue. It’s the first time he’s actually spoken to them without making a threat or ridiculing the boys anyway.
“You’re shitting me.”
Billy shakes his head, somehow in some way keeping a straight face as he stirs up even more complete utter bullshit. “Nope. They say that there really was a guy in a fedora that would come to you in your dreams, and if he killed you in your sleep, you’d die for real.”
The kids begin to outrage.
“Alright, that’s just—“
“Nuh-uh, no way, man. I’m never getting a second of sleep ever again!”
“Now WAIT a second, that can’t possibly be possible!”
And that’s where you draw the line, deciding they’ve had enough. “Okay, guys, GUYS! He was joking. That was his attempt at a joke,” you silence the chaos, while Billy sits there with a shit eating grin at the gasoline he poured into the fire. He could rile them up without even lifting a finger, and he was happy about that.
“You’re a goddamn demon! Jesus!” Dustin roars, pointing a finger at Billy as he sits and stares, not intimidated by the Little Red Riding Hoods that threaten him.
“Demon Jesus? Never heard of that one,” he smirks, getting up and throwing a blanket over the kid’s face. Dustin scrambles to shove it off him, annoyed at how Billy is Mister Nice Guy to Y/N but a fucking asshole to everybody else entirely.
“Shut up you guys, I wanna finish the movie already,” Will objects, trying to turn the sound up on the television to tune out the dispute. After the whole house finally seems to settle down and finish it up, you end up asleep and cuddled into Billy’s entire side as he pets your arm as to soothe you even though you’re not even awake, Will’s knocked out on the floor, same goes for Dustin and Lucas. The only ones left that haven’t yawned once are Billy and Mike.
It’s somewhat awkward when the credits begin to roll, giving the two boys no more room for something to do as they uncomfortably lay in silence. Mike almost wants to pretend to be asleep just to ditch any attempt at conversation Billy may potentially try, but it’s too late when they accidently make eye contact.
“Um, I’m gonna tuck her in to her bed real quick,” Billy whispers, holding up a finger to his lips to make Mike stay quiet. The younger boy nods in understanding, and then Billy carefully gets up from the couch and grabs you bridal style before carrying you to your room. When he comes back, Mike is still staring at the ceiling, thinking loud enough for Billy to want to say something to the kid.
“I was just messin’ with you kids, uh, about the movie being real and all. I didn’t know it’d piss all you off that much,” he scratches the back of his neck. Mike nods again, assuring him it didn’t freak him out nearly as much as it did his other two dweeb friends.
“Um, would it be cool if I asked you something?” the younger boy whispers after he gets up to join Billy in the kitchen, thankfully more private and away from all the sleeping figures in the living room. Billy stays standing but nods at the chair, signaling Mike to sit. He complies before awaiting an answer.
“Depends on what you ask.”
“Um, you seem really good at like, how to treat a girl. You’re usually terrifying but tonight I witnessed you hand feeding Y/N and giving her a massage for like an hour, not to mention the kissing and other gross stuff, but I just don’t get it,” he finishes, not knowing if he worded any of that right. And also worrying about getting punched for even asking.
“What don’t you understand?” Billy furrows his brows, unaware of what he was being asked here. “I love her and respect her. Which is what you’re supposed to do,” he answers, opening the fridge to grab a beverage. He looks back at Mike, then back to the fridge, then wordlessly snatches a Caprisun and throws it at Mike who barely catches it in time.
“No! No I know but I just—“
“Shh,” the older boy scolds, whispering for Mike to keep his voice down. He shakes his head then beckons the boy to come out back with him. Mike, somewhat frightened and confused, follows his lead not knowing where this conversation is leading. Billy takes a seat on the lawn chair before pulling a pack out of his back pocket, taking a stick out and putting it between his lips.
“Wanna elaborate then, please?” he scoffs with the cigarette in his lips, searching every pocket and even the outside table for a lighter. Mike stands stiffly as he fumbles to do as he was asked.
“I wanna know how you did it, y’know, got all that ‘feelings’ stuff down and then get to the good stuff,” Mike stumbles.
Billy, having found a lighter, pauses as he burns the top of his cigarette then takes a puff before letting out a laugh of disbelief.
“You’re comin’ to me for advice on how to get with my own goddamn sister.” Billy concludes. “Well, I’ll have you know that if you or any of you twerps lay a fucking finger on her I’ll—“
“Woah woah woah, no. That’s not what I want, okay! Your sister is annoying and gross,” Mike defends himself, even holding his hands up in some sort of pussy way to protect himself.
Billy pulls another face, huffing smoke out his nose akin to a dragon before getting even angrier.
“Don’t you dare call her that either, motherfucker!”
“So you don’t want me liking her or hating her. Makes perfect sense,” Mike gives him attitude, seemingly forgetting who he’s talking to.
“Hey, shitbird. I don’t want any of you piss-for-brains even near Maxine, but if you’re not talking about her, who the hell are you talking about?” Billy wonders, finding himself actually curious for once about middle school gossip.
“Wait, it’s not that little girl named after a number, is it?”
Mike’s avoidance serves as a confirmation.
Billy chuckles as he blows out more smoke, then even offers the middle schooler a hit, raiding his brows. He knows how bad the girl trouble gets, especially at that age when you have no idea what’s going on and why girls are hot and make you nervous all the sudden.
Mike’s face scrunches up in disgust.
“Dude, Y/N would kill you if she saw you offering me that.”
“That’s... yeah, you’re right. Pretend nothing happened,” Billy agreed.
“Okay. So were you just planning on making fun of me and then suggesting I smoke, or—“
Billy puts his hand up to silence him.
“Kid, I learned through bad experiences. But it takes the right girl that forgives and forgets when you fuck up. A special girl, not just the first one that walks by,” he explains, ashing the last of his spliff and putting a hand on Mike’s shoulder.
“Y/N did that? Forgive you and forget all the messed up shit you pulled?” he asks.
“Well, yeah. Only ‘cause she loves me. And she keeps me in line,” he fiddled with the ring on his middle finger as he speaks, still giddy and lovesick even after all this time he’s been with you. Mike doesn’t find it cute in the slightest, he snorts at it even, but takes his advice and keeps it at heart. He mutters ”whipped” on his way back inside, before gasping as a hand yanks on the back of his shirt, forcing him backward.
“Good luck with the girl, kid. But I’m holding you responsible for keeping your friends the fuck off my sister.”
had to put a dash of mileven in cause adorable, and when I pictured Billy offering the kids a smoke I laughed and knew it had to be written. hope this didn’t suck!
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toongrrl-blog · 4 years
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Part One of Barb Series: Why Barb Died (Character Device Talk)
*Please watch the Betty Draper Francis video first, for extra credit, check out the channel’s vid on Jack Dawson and come with knowledge of Beth March*
Happy end of the 2010s! Before I discuss what Barb could have brought to the Party in Stranger Things I need to discuss how as a character she needed to die.
1. Beth March
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In one scene in Little Women, the girls and Laurie discuss their ambitions for adult life. Oldest sister Meg wants to marry and have kids, oldest middle sis Jo wants to become a known and successful writer, youngest sister Amy wants to become rich and famous as an artist and maybe a socialite, and middle child Beth wants things to stay the way they are for her, with her loving family at her side. What’s wrong with this? What the other three sisters have in common is that they are hoping for adult lives which include a lot of change, responsibility, independence (either as a career woman or running a household with little kids underfoot), new experiences, and even new people in their lives (Meg would need to meet a guy to marry and have kids with him, Jo would need to meet people in her professional life, Amy would entertain guests and appeal to patrons). Shy Beth is a talented pianist, vet, and doll collector and is very charitable but she doesn’t seem to want to take the risks it would take to grow as a person and thrive and mature or be noticed for her own merits aside from “Angel of the House” and the future looks pretty hostile; so by the end of the novel, Beth has died in her early 20s while sisters lives have changed (Meg married and had children in a cottage while gaining confidence as a homemaker, wife, and mom; Jo sells her writing and meets a professor who wants to start a school where she becomes headmistress after they marry; Amy goes on a Grand Tour of Europe and marries wealthy and happy).
The series Stranger Things, on a whole, is a coming-of-age series that borrows from the John Hughes and Steven Spielberg films of that era that captured the joys and pains of growing up, while Joyce’s and Hop’s storylines borrow from conspiracy thrillers around that era and somewhat from Hitchcock films. All these films captured ordinary people undergoing extraordinary (E.T., North By Northwest, The Goonies, The Stepford Wives) and life altering events (Jaws, The Breakfast Club, Silkwood) that force them to encounter challenges and make decisions they wouldn’t normally make in their mundane lives. Joyce ends up facing a monster with an axe and even makes demands of people who could wipe her off the Earth, the boys have to ride their bikes to evade murderous men in vans and hide a young traumatized girl, Nancy has to learn to create and use deadly weapons and use her skills of sneaking out for something besides sex, Jonathon has to cut his and another girl’s hand to lure a monster to their trap, Hop sneaks into a morgue just to slit a dead boy’s corpse and find cotton stuffing, Will has to use what knowledge and skills he has to survive another world filled with creatures out to kill him, most of the kids throughout the series have to lie and break laws to save their town. 
While the official guide does list Barb as being a varsity softball player and a mathlete and Shannon Purser concurs that Barb would have been the Velma of the group if she lived, there is one big thing that separates the Velmas from the Barbs and Beth’s of the world: Velma takes risks, she would trespass private looking property and dilapidated buildings to solve a mystery. Barb is a loyal friend and honest and studious and smart, but she’s ultimately the good girl archetype: cautious, obedient to her elders, predictable, conservatively and femininely dressed, chaste. An archetype that Nancy is trying to flee (not that the alternative of being a girl who sneaks out with her boyfriend to makeout is going to help Nancy at all) to avoid ending up like her mother. Barb has the fangs (talent and means) to be a Party member, she just lacks the nerve to jump and sink those fangs.
2. Commentary on the Patriarchy and the Tyranny of Beauty Standards
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Most of the female characters in the series don’t fit the strict criteria of their Reagan era Indiana small town regarding what makes a good woman. Joyce is a single mother who doesn’t come with well-coiffed hair and she appears to be hysterical and is a working mother in a time and place where all these factors would label her a “bad mother”, Nancy is a frank young woman who takes risks and even asserts her sexuality and herself when plenty of people (like the shitheads at Hawkins Post) would prefer her to be a delicate virgin in pastels, El is physically stronger than the boys with her powers and she is very direct in her manner despite her soft-spoken demeanor, Max is a girl who is interested in arcade video games and skateboarding and brightly colored summer clothing and reads her Mom’s Cosmo cover to cover and is assertive, Erica is an assertive young girl who can talk truth (and shade) to adults and has a knowledge of My Little Pony and Cold War Politics, Robin is snarky and has a style that makes her stand out from most girls in Hawkins and is a teen genius, Kali’s rage and Joan Jett-esque appearance would make the preppy and pastel and autumnal tone wearing residents of Hawkins in Cardiac Care, Suzie has defied notions about girls in science and math and even the Mormon beliefs of her parents by french kissing and dating a non-Mormon boy like Dustin, and Karen despite her appearance of hot housewife perfection is dissatisfied with her marriage and comes close to cheating on her husband. 
In contrast Barb is pretty much the most conventional character: she dresses conservatively in ruffles and pink, she is seemingly chaste, follows the rules diligently and worries about getting punished by the Holland and Wheeler parents, and has a more common body type found in cis-gender women (correct me if I’m wrong, hopefully I don’t offend trans pear shaped women) and not often found in the older members of the female cast. But despite Barb’s body being common among women in general and specific to her region (the American Midwest is noted for starchy and creamy and fried foods and is historically farming country, where pioneers would find her strong for work in and out of the log cabin and give birth to the necessary amount of children i.e. extra hands for work), the delicate and slender builds of Joyce and Nancy, the classic proportionate and slender grace of Robin, and the leggy and toned image of Karen are closer to the female standard of beauty in the 1980s. In Barb’s lifetime (1967-1983), the image of beauty was dominated by leggy, toned, slim, busty women or lean women with minimal breasts: no room for tall, broad, pear shapes like herself. And in 1983, Molly Ringwald wasn’t yet a household name that freckled redheads with dry wit and atypical images could look on with pride. Hell I remember reading a copy of Color Me Beautiful where they recommend that women with heavy hips and small waists (similar features of Christina Hendricks and Shannon Purser) shouldn’t cinch their waistlines, the celebration of Marilyn Monroe pinups with round hips, pillowy thighs and tummies, rounded tushes were long gone by then. Basically Barb being her natural self, was not seen as “feminine enough” and combined with her glasses and style (any plus sized or early developing gal can tell you that it is hell to find junior styles that suit your body size and shape) have ruled her as “uncool”. 
There is also that Barb does a lot of things that the boys do: being slightly geeky, a loyal friend, has innocent and wholesome interests, chaste, and is quiet (like Will) but she still gets killed. One can sense that #JusticeForBarb came out of an anger with misogyny in media and society that tells women to be a certain way and punishes them whether they fit a mold or not. Women are still underpaid in the workplace, underrepresented in government, still deal with unequal and toxic relationships, are shamed for being virgins or for having sexual experience (Carol pokes fun at the idea of Barb finding the sex sounds too much and yet contributes to the slut shaming graffiti of Nancy), are told on one hand to look a certain way to attract the male gaze and shamed when they indulge in sexual desire (something Nancy can attest to with her glamorous mother who offers to lend her black heels and focuses on Nancy’s beauty before a funeral, the same mom who was angry her daughter had sex), they are either too fat/skinny/busty/flat/frizzy/straight haired/pale/slutty/prudish/dark/feminine/masculine/full-butt-ed/quiet/loud/naive/cynical/smart/dumb/angry/happy, and they deal with a media that sells a very narrow standard of beauty to the point that when they see a drop dead gorgeous actress or model with similar features they feel seen.
Oh Bondage, Up Yours!
*Read this is not a “Barb is a slut shamer!” piece yes that was shitty but she was a teen girl in a small 1980s town and she ISN’T starting a (paraphrasing Kimberly Nicole Foster quote) “no whores allowed campaign” OR trying to pass a law that demands women keep their ectopic pregnancies to full term*
3. End of Innocence
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When Barb died, it marked the end of Nancy’s childhood and her needing to grow up. That was the night Nancy went straight from childhood (Barb), teenager (sex with Steve), and then shortly became an adult when she realized that Barb had disappeared. For many women (like myself at ages 9 and 10), the moment they get their period or grow breasts or reach a certain age, marks a dramatic end of their childhood. Suddenly many are told to police their behavior and language around boys, even policing the food they eat or their bodies. There is also extra responsibility and stress, demogorgans being one of them. Nancy is now having to deal with the sorts of issues that adult women dealt with on Mad Men along with scary monsters threatening her town and the fact her parents are not as happy as they look to the world, there is a gap between the experiences of her and Mike, she has a baby sister who probably was conceived to save the marriage, and Nancy can’t confide or trust either of her parents (who are absorbed with their own issues). Now Nancy is making big decisions that Barb, with the sheltering and seemingly close parents, will likely never deal with. Nancy is even taking fashion risks with clothes that are more functional, stylish, show off her figure, and can even withstand flayer blood and exorcising her boyfriend’s little brother.
4. A Huge Threat
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Barb was intended to be a character that we connected with, someone to be built up somehow. There was a character like this in a movie: her name was Marion Crane. She was a secretary who has been supporting herself and her little sis since their parents died, patiently waiting for her boyfriend to make more money at his job so they can marry and stop sneaking around sleeping with one another, in desperation she steals a lot of money from her workplace, drives to California where she meets a mild-mannered but strange young man who manages a distant motel in the vicinity of a Victorian house where an older woman is croaking about promiscuity, after talking with him over a dinner of sandwiches in his taxidermy themed office, she goes to take a shower and has decided to return to Phoenix to return the money, then a strange figure comes with a large butcher knife in horribly out of date clothes and starts stabbing her to death.
This was from the Hitchcock film Psycho, the forerunner of the slasher genre that dominated the earlier half of the 1980s, and it premiered to shocked audiences in 1960. The meaning of the grisly murder of Marion, a character the audience was following from the beginning of the film, was that Norman Bates was a huge threat and intensified the need for Marion’s killer to be brought to justice.
The same thing can be said about the deaths of Benny and Barb, to show how much a threat the demogorgan and Hawkins National Lab were to the townspeople of Hawkins (and the world as a whole), basically such big threats that a little boy can be kidnapped from the safety of his home, a young teenage girl could be snatched up and killed from a suburban swimming pool, and a kindly cook and owner of a local diner would be executed for knowing about a runaway child. 
5. The future of Women in Stranger Things
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Not all is lost, Barb’s death forced the Duffer Bros to take a look at how women were written and treated in their series, and even helped spurred tv viewers (who ordinarily wouldn’t pay attention to social issues) to take a deeper look and interest in how people especially women are treated. For some reason I like to think: Max, Robin, Erica, and Suzie are a way of recognizing Barb’s potential within the series and even what viewers saw. 
Now stay tuned to where I figure out how Barb could have been beneficial to the party.
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