#Jay Chakravorty | Explore Tumblr Posts and Blogs

tuktukjaipur-blog · 5 years

Text

Tuktukjaipur

Welcome to Jaipur-a city with a charitable past and sparkling present, and maybe the most excellent goal in India if authentic stupor is the matter of concern. The capital of the biggest Indian state - Rajasthan, Jaipur is slick and well-arranged, and affectionately named as the 'Pink City'. This is on the grounds that the city holds the greater part of what King Sawai Jai Sing worked in 1727 accessible in a decent condition.

Jaipur was arranged by a Bengali designer Vidhyadhar Chakravorty, who separated the city into nine squares and set down wide-straight avenues. The city was then circled by a considerable divider. This example of arranging can in any case be seen in Jaipur while investigating the inward city. Chowkri (square) Sarhad was at one time a royal residence specked with sanctuaries, gardens and other illustrious structures, while Purani Basti was saved for living arrangement of retainers. Business people and authorities were given the Chowkri Modikhana-Vishveshwarji, and Ghat Darwaja was involved by dealers and craftsmen. Correspondingly, all the nine squares were allocated for various purposes.

A Jaipur visit gives the guests an abundance of verifiable landmarks to investigate, which stand interesting with their compositional glories. The City Palace, basic yet amazing in configuration, expound in execution and huge in city's history, is really a heart-contacting antiquated fascination in the pink city. Settled simply outside the City Palace, Jantar-Mantar is another must-visit goal with an extra-normal accumulation of cosmic instruments to find. Golden Fort, Albert Hall Museum and Hawa-Mahal are some another verifiable pearls, which merit investigating.

Tuktukjaipur In case you're on a Jaipur visit, it's practically difficult to evade its lively societies and traditions. From amazing customs and societies, through neighborhood fests and celebrations to fascinating nightlife, Jaipur has an intriguing mix of societies relating to its rich past and exciting innovation. Individuals in city are warm and benevolent. One can see them (a ton numerous who originate from close-by towns) in commonplace Rajasthani dresses - men with turbans and ladies in ghagra-Choli and conventional Rajasthani trimmings. Jaipur has its very own style of move and music with Ghoomar and Katthak being the well known ones. Aside from that, the city has various celebrations which draw countless individuals from distant locations abroad. Some most charming fests the city hosts incorporate the Jaipur Litrature Festival, Kite Festival, Ganguar, Paush Dashmi and Elephant Festival.

Shopping and eating roads in the city are truly motivating. Here, the business sectors are substantial enough to provide food any shopping need. In any case, they are celebrated for the best nature of jewelery, materials, saris, wood, stone, metal and cowhide things. For sustenance darlings, Jaipur visit is consistently a happy voyage. The majority of the cooking styles are advanced with ghee, mawa and dry foods grown from the ground in taste. A portion of its well known dishes are Mawa Kachori, Dal-Bati Churma, Chakke Ki Sabji, Rabri and Makke ki roti and so on. Housing and transport offices are additionally great in this Rajasthan capital city. These days, getting ready for Jaipur travel is very simple with many visit organizations offering tweaked Jaipur bundles on the web. One just requires visiting some dependable travel gateway to purchase a Jaipur bundle that suits him superbly.

Jaipur is the state capital of Rajasthan in India and is additionally celebrated as the Pink City. It is arranged in the north-west of India and is a significant vacationer goal that draws a huge number of visitors consistently on Jaipur visit.

Jaipur is a city of fortresses and royal residences. There are numerous old havelis with delightful architecture,art and bright artistic creations. You can appreciate the captivating bazaars with numerous neighborhood individuals in conventional vivid dresses. It is one of the urban areas in Golden triangle that comprises s of Jaipur,Delhi and Agra. The city has many energizing interests for visitor. Jaipur is arranged city of bygone eras and it has the essential foundation to oblige the requirements for regularly expanding Jaipur visits.

The city has the absolute most rich top class Heritage Hotels, which talk about the magnificence and high-roller of Rajputs who managed here in past. Numerous sightseers incorporate their stay at these sumptuous inns in Jaipur visit bundles.

Tuktukjaipur The city respects all to involvement and appreciate the combination of recorded and social legacy of Rajput lords' conventions. You should visit the three well known strongholds while on Jaipur visit. These fortifications portray the grit, courage and self control of Rajput Kings.

Golden Fort is the fundamental goal in Jaipur visit. It is arranged around 11 kilometers structure fundamental city. This fortress was the living arrangement of Kachhwaha race before the present city of Jaipur was manufactured. Sawai Raja Man Singh began building this stronghold in 1952 and it got finished by then Raja Jai Singh I. This post is warm and agreeable inside. It is beautified with a blend of embellishments having a place with both Hindu and Mughal styles.

The fortress was developed utilizing red and stone and white marble. There is Maota Lake present in the encompassing of this fortress. The lake shows an unworldly appearance to the fortification. It is based on a slope and is agreeable by street. On the off chance that you need to make the most of your Jaipur visit and experience the vibe of former times, you can have an elephant ride to go to the fortification. This ride is moderate yet brimming with fun and fervor.

The Nahargarh Fort is your next goal on Jaipur visit. This was got built by Sawai Jai Singh II in 1734 after the present city of Jaipur was modified. This post had its strategic importance. It is based on the precarious slope. The reason for existing was to shield the city from assaults. At first, this fortress was called Sudarshan Garh, however therefore its name was changed to Nahargarh after the passing of Prince Nahar Singh who kicked the bucket here. The fortress had met the blows of decimation with the time, however Sawai Ram Singh II and furthermore Sawai Madho Sigh revamped the fortification with new increases, which are interesting and spellbinding. Tuktukjaipur

The third significant fortress to vist on Jaipur visit is Jai Garh. This fortification was worked in 1726 by Sawai Raja Jai Singh. This was regal treasury of superb group of Jaipur. The fortune was very much saved and verified with the military structures of fortification. This stronghold is probably the most grounded fortress. It is worked of the highest point of a slope that gives it a rough appearance. One best element of Jai Garh fortification is The Jaivan group, which is the biggest standard on the planet on wheels. You get a tremendous perspective on city and surroundings from the stronghold. You can go to the watch tower, Diwa Burz, and fume stunning perspectives.

#Tuktukjaipur

1 note · View note

smitasun · 5 years

Video

RAAM KAA GUNA GAANA KARIYE - 2018 NEW YEAR WISH A SINCERE WISH FOR EACH OF MY FACEBOOK FRIENDS AND ALL FANS... FOLLOWING ARE SOME NAMES OF MY TOP RATED FANS -- PRAMESH RAO MARATHA, ASHOK WADEJA, TRILOK CHAND JAJU, PRATAP SINGH, ASHISH SHARMA, JITUSINGH THAKUR, RAJKUMAR DEORA, ANOOP SHUKLA, AVAD ROR, PANKAJ SHARMA, MAYANK GAJJAR, GOHMS GOEL, DIMPABHAI PATEL, HARISH KUMAR PUNDIR, RAJHNIKANTH RAJNI, HARSHAL SHAH, NEERAJ SHARMA, SHEEBU SHIKHARI, JITENDRA SINGH THAKKAR, HARENDRA SINGH, PURNENDU SINGH, DINESH PANDITA, SAMAR KUNDU, JITEN BHAGEL, SOHEL DHOLKIYA BHAI PATEL, BHARAT BAKHARIA, PRINCE SOLANKI, VOJAY RAJ, SONU PRATAP SINGH, SANJU BHANVARIYA, RAJ PIROHIT, RANDIR SINGH, SHRWAN GARG, RAJHANS SHEORAN, SHANKAR KANPUR TABLA, SHANKAR USTAAD, JAI RK VASU, SANDEEP PANDEY, NEERAJ BHAI SHUKLA, MAHIRAM KARWASARA, PRIYAVART JINDAL, PRATHVI DHAN SANDHU,RAJESH SEN, DEVINDER KUMAR DEV, PRAFUL PANDEY, RAJGOR MANOJ, PRAVEEN CHAKRAVORTI, RAJKUMAR GAUTAM, RAJESH BRHMABHATT, MD AZHAR, RAMSHANKAR SIROMANI, DAVINDER KUNAL DEV, AJAY KUMAR CHOUDHARY, C. I. SHUKLA, PANKAJ KUMAR SINGH, SHOKEEN JYOTI, ABHISHEK DUBEY, SANJAY KHAN, ASHRAF AHMED KHAN, OMKAR SINGH, SANJAY DHADUK, DEVENDRA PATEL, NEERAJ BABU NEERAJ BABU, SANJAY RABRI, ACARIA SATEY DEV, DIVYASHAKTI MOHANTY, SUDARSHAN DAS, SANJAY SHARMA, SHADAB BAKSH, SANJU SHEORAN, NIRLEP SINGH, AYAAN RK, MANOJ WADHWA, PRAVEEN TIWARI, HARJIRAM MEHRA MEGHWAL, DEEPAK JOSHI, DEEPAK JHA, KAMAL NAMASUDRA, REHMAN ALI KHAN, KALPATARU SAHOO, KRUSHNA ATE, SATVEER KICHI, RATAN SINGH SHIRA, PAWAN MAHUR, SUBHASH CHANDRA YADAV, REETA GUPTA, RAJESH KHARWADKAR, DHEERAJ KUMAR ASERI, CH SHAILENDER KHATRI, ROHAN BHANDARI, RAJGOR MANOJ, YUGAL KISHORE, VIJAY GANDHI, ALOK WADHWA, MUKESH SINHA, JEET PRAJAPATI, JASVINDER PAL, MOHANJI MOHANJI, MOHIT ARORA, SIBPRASAD SAHOO, PRASANTH NIKHIL, SAJAN DRASHOK VERMA, RAKESH SHARMA, VIKRAM MENGDE, RAJESH SHARMA, SURJIT PUNNU MAZARA, SHUSHMA TIWARI, VIJAY KUMAR DHINGRA, VINOD GUPTA, JONY KUMAR, MAHESH CHURA, MOHAMMAD SHAHID KHAN, ALOK PHADKE, ARVIN SAINI, KAID PATEL, LAKSH VAGHELA, RATAN LAL SINHA, AKSHYAY SUDESHRAO WANKHADE, SHANKAR RAWAL, GOVIND MORE, SALLU KOHARI, ROHIT KUMAR UPADHYAY, MANOJ KUMAR, SADDAM ANSARI, ROBIN https://www.instagram.com/p/Bdeo8eGAVT2/?utm_source=ig_tumblr_share&igshid=1tttdaq7cfou2

7 notes · View notes

igreyphd · 5 years

Text

Jacques Derrida

“Speech and Phenomena” and Other Essays on Husserl’s Theory of Signs, trans. David B. Allison (Evanston: Northwestern University Press, 1973).

Of Grammatology, trans. Gayatri Chakravorty Spivak (Baltimore & London: Johns Hopkins University Press, 1976) (hardcover: ISBN 0-8018-1841-9, paperback: ISBN 0-8018-1879-6, corrected edition: ISBN 0-8018-5830-5).[174]

Writing and Difference, trans. Alan Bass (Chicago: University of Chicago Press, 1978) ISBN 978-0-226-14329-3.

Spurs: Nietzsche’s Styles, trans. Barbara Harlow (Chicago & London: University of Chicago Press, 1979, ISBN 978-0-226-14333-0).

The Archeology of the Frivolous: Reading Condillac, trans. John P. Leavey Jr. (Lincoln & London: University of Nebraska Press, 1980).

Dissemination, trans. Barbara Johnson (Chicago: University of Chicago Press, 1981, ISBN 978-0-226-14334-7).

Positions, trans. Alan Bass (Chicago: University of Chicago Press, 1981, ISBN 978-0-226-14331-6) [Paris, Minuit, 1972].

Margins of Philosophy, trans. Alan Bass (Chicago: Chicago University Press, 1982, ISBN 978-0-226-14326-2).

Signsponge, trans. Richard Rand (New York: Columbia University Press, 1984).

The Ear of the Other, trans. Peggy Kamuf (Lincoln & London: University of Nebraska Press, 1985).

Glas, trans. John P. Leavey, Jr. & Richard Rand (Lincoln & London: University of Nebraska Press, 1986).

Memoires for Paul de Man (New York: Columbia University Press, 1986; revised edn., 1989).

The Post Card: From Socrates to Freud and Beyond, trans. Alan Bass (Chicago & London: University of Chicago Press, 1987, ISBN 978-0-226-14322-4).

The Truth in Painting, trans. Geoffrey Bennington & Ian McLeod (Chicago & London: Chicago University Press, 1987, ISBN 978-0-226-14324-8).

Limited Inc (Evanston: Northwestern University Press, 1988).

Edmund Husserl’s Origin of Geometry: An Introduction, trans. John P. Leavey, Jr. (Lincoln & London: University of Nebraska Press, 1989).

Of Spirit: Heidegger and the Question, trans. Geoffrey Bennington & Rachel Bowlby (Chicago & London: University of Chicago Press, 1989, ISBN 978-0-226-14319-4).

Cinders (book)|Cinders, trans. Ned Lukacher (Lincoln & London: University of Nebraska Press, 1991).

Acts of Literature (New York & London: Routledge, 1992).

Given Time|Given Time: I. Counterfeit Money, trans. Peggy Kamuf (Chicago & London: University of Chicago Press, 1992, ISBN 978-0-226-14314-9).

The Other Heading|The Other Heading: Reflections on Today’s Europe, trans. Pascale-Anne Brault & Michael B. Naas (Bloomington & Indianapolis: Indiana University Press, 1992).

Aporias, trans. Thomas Dutoit (Stanford: Stanford University Press, 1993).

Jacques Derrida (book)|Jacques Derrida, co-author & trans. Geoffrey Bennington (Chicago & London: Chicago University Press, 1993, ISBN 978-0-226-04262-6).

Memoirs of the Blind|Memoirs of the Blind: The Self-Portrait and Other Ruins, trans. Pascale-Anne Brault & Michael Naas (Chicago & London: University of Chicago Press, 1993, ISBN 978-0-226-14308-8).

Specters of Marx: The State of the Debt, the Work of Mourning, and the New International, trans. Peggy Kamuf (New York & London: Routledge, 1994).

Archive Fever: A Freudian Impression, trans. Eric Prenowitz (Chicago & London: University of Chicago Press, 1995, ISBN 978-0-226-14367-5).

The Gift of Death, trans. David Wills (Chicago & London: University of Chicago Press, 1995, ISBN 978-0-226-14306-4).

On the Name, trans. David Wood, John P. Leavey, Jr., & Ian McLeod (Stanford: Stanford University Press, 1995).

Points…: Interviews 1974-1994, trans. Peggy Kamuf and others, (Stanford: Stanford University Press, 1995) (see also the footnote about ISBN 0-226-14314-7, here) (see also the [1992] French Version Points de suspension: entretiens (ISBN 0-8047-2488-1) there).

Chora L Works, with Peter Eisenman (New York: Monacelli, 1997).

Politics of Friendship, trans. George Collins (London & New York: Verso, 1997).

Monolingualism of the Other; or, The Prosthesis of Origin, trans. Patrick Mensah (Stanford: Stanford University Press, 1998).

Resistances of Psychoanalysis, trans. Peggy Kamuf, Pascale-Anne Brault and Michael Naas (Stanford: Stanford University Press, 1998).

The Secret Art of Antonin Artaud, with Paule Thévenin, trans. Mary Ann Caws (Cambridge, Mass., & London: MIT Press, 1998).

Adieu: To Emmanuel Levinas, trans. Pascale-Anne Brault & Michael Naas (Stanford: Stanford University Press, 1999).

Rights of Inspection, trans. David Wills (New York: Monacelli, 1999).

Demeure: Fiction and Testimony, with Maurice Blanchot, The Instant of My Death, trans. Elizabeth Rottenberg (Stanford: Stanford University Press, 2000).

Of Hospitality, trans. Rachel Bowlby (Stanford: Stanford University Press, 2000).

Deconstruction Engaged: The Sydney Seminars (Sydney: Power Publications, 2001).

On Cosmopolitanism and Forgiveness, trans. Mark Dooley & Michael Hughes (London & New York: Routledge, 2001).

A Taste for the Secret, with Maurizio Ferraris, trans. Giacomo Donis (Cambridge: Polity, 2001).

The Work of Mourning, trans. Pascale-Anne Brault & Michael Naas (Chicago & London: Chicago University Press, 2001, ISBN 978-0-226-14281-4).

Acts of Religion (New York & London: Routledge, 2002).

Echographies of Television: Filmed Interviews, with Bernard Stiegler, trans. Jennifer Bajorek (Cambridge: Polity, 2002).

Ethics, Institutions, and the Right to Philosophy, trans Peter Pericles Trifonas (Lanham: Rowman & Littlefield, 2002).

Negotiations: Interventions and Interviews, 1971–2001, trans. Elizabeth Rottenberg (Stanford: Stanford University Press, 2002).

Who’s Afraid of Philosophy?: Right to Philosophy 1, trans. Jan Plug (Stanford: Stanford University Press, 2002).

Without Alibi, trans. Peggy Kamuf (Stanford: Stanford University Press, 2002).

Philosophy in a Time of Terror|Philosophy in a Time of Terror: Dialogues with Jürgen Habermas and Jacques Derrida, with Jürgen Habermas (Chicago & London: University of Chicago Press, 2003, ISBN 978-0-226-06666-0).

The Problem of Genesis in Husserl’s Philosophy, trans. Marian Hobson (Chicago & London: Chicago University Press, 2003, ISBN 978-0-226-14315-6).

Counterpath, with Catherine Malabou, trans. David Wills (Stanford: Stanford University Press, 2004).

Eyes of the University: Right to Philosophy 2, trans. Jan Plug (Stanford: Stanford University Press, 2004).

For What Tomorrow…: A Dialogue, with Elisabeth Roudinesco, trans. Jeff Fort (Stanford: Stanford University Press, 2004).

Rogues: Two Essays on Reason, trans. Pascale-Anne Brault & Michael Naas (Stanford: Stanford University Press, 2004).

On Touching—Jean-Luc Nancy, trans. Christine Irizarry (Stanford: Stanford University Press, 2005).

Paper Machine, trans. Rachel Bowlby (Stanford: Stanford University Press, 2005).

Sovereignties in Question|Sovereignties in Question: The Poetics of Paul Celan, trans. Thomas Dutoit (New York: Fordham University Press, 2005).

H. C. for Life: That Is to Say…, trans. Laurent Milesi & Stefan Herbrechter (Stanford: Stanford University Press, 2006).

Geneses, Genealogies, Genres, and Genius|Geneses, Genealogies, Genres, And Genius: The Secrets of the Archive, trans. Beverly Bie Brahic (New York: Columbia University Press, 2006).

Learning to Live Finally: The Last Interview, with Jean Birnbaum, trans. Pascale-Anne Brault & Michael Naas (Melville House, 2007).

Psyche: Inventions of the Other, Volume I (Stanford: Stanford University Press, 2007).

Psyche: Inventions of the Other, Volume II (Stanford: Stanford University Press, 2008).

The Animal That Therefore I Am, trans. David Wills (New York: Fordham University Press, 2008).

The Beast and the Sovereign, Volume I, trans. Geoffrey Bennington (Chicago: University of Chicago Press, 2009, ISBN 978-0-226-14428-3).

Copy, Archive, Signature: A Conversation on Photography, ed. Gerhard Richter, trans. Jeff Fort (Stanford: Stanford University Press, 2010).

Athens, Still Remains: The Photographs of Jean-François Bonhomme, trans. Michael Naas (New York: Fordham University Press, 2010).

Parages, ed. John P. Leavey, trans. Tom Conley, James Hulbert, John P. Leavey, and Avital Ronell (Stanford: Stanford University Press, 2011).

The Beast and the Sovereign, Volume II, trans. Geoffrey Bennington (Chicago: University of Chicago Press ISBN 978-0-226-14430-6).

Signature Derrida, ed. Jay Williams (Chicago: University of Chicago Press ISBN 978-0-226-92452-6).

The Death Penalty, Volume I (Chicago: University of Chicago Press, 2014, ISBN 978-0-226-14432-0).

Heidegger: The Question of Being and History (Chicago: University of Chicago Press, 2016, ISBN 978-0-226-35511-5).

Body of Prayer, co-authored with David Shapiro and Michal Govrin (New York: The Irwin S. Chanin School of Architecture, 2001).

#bibliography

2 notes · View notes

fracto · 3 years

Text

Classical Music Played On Analogue Synths (All proceeds to BLM) from Jay Chakravorty

#Bandcamp

0 notes

vickir · 4 years

Link

Website Info

Cloud9Lyrics is a lyrics based website. To day song name is Preme Pora Baron Lyrics This very helps full for all music singers and other musicians they also download this particular song download more than 4 languages.this song fully credits go to see below read our Privacy Policy page

Songs History

Sweater Bengali Movie 2019 A good song Preme Pora Baron Song Is a Song singing by Lagnajita Chakraborty. The release date is 29 March 2019 in the Bengali language. See full on Wikipedia Directed by Shieladitya Moulik. music directors of this movie. Anindya Chattopadhyay and Ranajoy Bhattacharjee. Now see the movie cast

Movies Cast and Crew

Movies name: Sweater Directed by : Shieladitya Moulik Produced by : Soumya Sarkar ,Prateek Chakravorty Original Language : Bengali Starring : Ishaa Saha,(Tuku ) June Maliah ( Tuku Mother in law ),Sreelekha Mitra(Tuku’s aunt) ,Kharaj Mukherjee(Tuku’s father),Saurav Das (Pablo, Tuku’s boyfriend) Runtime : 118 mnt Release Date : 29 march 2019 Production companies : PSS Entertainments, Pramod Films,P&P Entertainment Music : Ranojay Bhattacharjee Country : India Screenwriters : Joeeta Sengupta TotalSongs : 7

Song name

Preme Pora Baron ( Lagnajita Chakraborty

Bune Bune Jai Anindya Chatterjee

Era Sukher Lagi Iman Chakraborty

Somoy Vese Jay Keka Ghosal

Adure Din Ranajoy Bhattacharjee

Aj Amar Akash Rupankar Bagchi

Aj Amar Akash (Reprise) Ranajoy Bhattacharjee

Original video song

Song Information

SONG NAME : Preme Pora Baron SINGER NAME : Lagnajita Chakraborty MUSIC : Ranajoy Bhattacharjee LANGUAGE : Bengali MUSIC LABLE : PSS Entertainments, Pramod Films,P&P Entertainment PUBLISH ON : 29 March 2019 STARRING : Ishaa Saha,(Tuku ) LYRICS : Ranajoy Bhattacharjee DIRECTOR : Shieladitya Moulik GENRE : Drama ( Movie songs – Sweater ) Mixing and mastering : Anirban Ganguly Guitar : Raja Chowdhury Violin : Rohan Roy

#sweater movie

0 notes

vlmvband · 4 years

Photo

We are delighted to announce that ‘Reworked’, our collection of ‘Remixes and Reworkings Vol.2′, will be out digitally worldwide on October 30th, 4 years to the day (almost) that Remixes and Reworkings Vol.1 was released alongside the vinyl pressing of our debut self titled album.

You can pre-order now from all your favourite places.

Huge thanks to everyone involved, 5 years is no time at all...

Artwork by Sam Betts

Mastered by Aneek Thapar

Tracklisting

1. The Gardener (The Keep - Valley of Ashes Remix)

2. The Great Escape (worriedaboutsatan Remix)

3. To The Stars (Loki Nordic Giants Rework)

4. The Lighthouse (Jay Chakravorty Remix)

5. The Great Escape (Will Samson Reshuffle)

6. To The Stars (Michael Oldham Remix)

7. The Great Escape (Dark Dark Horse Remix)

8. The Gardener (Ghost Suns Remix)

8. The Gardener (worriedaboutsatan Remix)

0 notes

vsplusonline · 4 years

Text

The Era of Frictionless CX

New Post has been published on https://apzweb.com/the-era-of-frictionless-cx/

The Era of Frictionless CX

Satisfying a customer has never been easy. But in today’s fast-changing business scenario, it seems to be a mammoth task

The industry leaders at the roundtable discussion in Bangalore

Customers have always been demanding, and the new-age one is no different. In fact, the ‘always-connected customer’ wants personalised, frictionless experiences delivered to him at a break-neck speed. It is this idea of constant transformation that is proving to be an insurmountable challenge for companies trying to survive in today’s complex business environment.

Driving customer loyalty is tougher because spoilt for choice and armed with information, today’s customer will not settle for anything but the best. In a bid to understand how companies are strategising customer experience, The Economic Times and ServiceNow (an enterprise software company), organised a roundtable discussion in Bangalore attended by some key leaders from the industry. The panel was moderated by Alokesh Bhattacharyya, Senior Editor, ET.

Understanding customer behaviour is a must before designing your CX strategy. While the North American customer will not tolerate even one mistake, his Chinese counterpart (if you have good relations with him) may be much more accommodating. Indians are a mixed bag; they will be forgiving but not for very long. “Indian customers are becoming increasingly demanding and will not stay with you if you don’t give them a cost-effective and seamless experience,” said Rohit Chatter of Inmobi. In fact, companies such as Mphasis work on something called behavioral AI to study the user’s behaviour pattern, whether expressed through emails or call centre conversations or social media posts. “We try to identify the big five personality traits that the user falls in. Based on that we can brief our sales or the first line how to deal with the customer,” said Jai Ganesh.

Sometimes, even the geographical diversity of the country is a problem. Because your customer in a metro is completely different from the one in a Tier II or a Tier III city. Organisational structure can be a problem too. “Companies today have very complex structures with a chief information officer, a chief digital officer, a chief analytics officer, a chief data officer, etc. The idea for a customer should be to be able to talk to the company,” said Manu Shankar of UST Global.

One thing that is revolutionising CX today is technology. But many a times the real benefit of technology is not realised as departments accessing it keep working in silos. “We deal with multiple verticals, so there are customers within customers who work in silos within the organisations. That really complicates things,” shared Bala Navuluri of Yash Technologies. Relevance of the technology for the customer is also important. The digital natives and the traditional players know they will get disrupted and want help in knowing what they are missing. “People tell us they know artificial intelligence and want to know how it can work for them. They want us to help them see beyond where they are,” said Narendra Bhandari of Persistent Systems. Tech is also enabling preventive detection of issues. “If you identify your common problem areas and refer back to the recommendations, bots can be deployed to fix them,” said Puneet Chaddah of Relevance Lab.

Traditional industries such as water is also adapting to the digital wave. With customers expecting companies to be available at their service 24/7, veterans such as Suez — with a humongous client base — are transforming. “How much we are able to transform ourselves by knowing physics, chemistry and mathematics will have to seen. But this transformation is essential for the world,” stated Girish Iyer.

What happens when something goes wrong? What can be the best way to deal with it? Experts echoed that being proactive and reaching out when you know something has gone wrong works best. The idea should be to build a partnership, not a transactional relationship. Creating a knowledge management base that can be used across the globe can also be the way forward. “If a problem is raised in India and isn’t resolved, someone in the US or UK may have an answer to that. Creating a knowledge management process where you can pool your rich experience across the board and are able to resolve customer issues will be the true use of the digital revolution,” said Iyer.

The panel agreed that data and tech can play a big role in CX but they can’t replace the human touch or gesture. For companies to excel in CX, just assigning a team to that won’t help. It has to be deeply engrained in the company. Each and every employee should know how their work impacts customers. It’s only then that the road to frictionless CX would become easy.

This article has been written by Pallavi Chakravorty from Times Group

Disclaimer: This article has been produced on behalf of ServiceNow by Mediawire team.

if(geolocation && geolocation != 5 && (typeof skip == 'undefined' || typeof skip.fbevents == 'undefined')) !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window, document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '338698809636220'); fbq('track', 'PageView');

Source link

#Technology

0 notes

nofatclips · 2 years

Audio

Wake Up (Alanis Morissette cover) by She Makes War b/w Devastate Me

#music #she makes war #laura kidd #cover #covers #glen ballard #dan austin #jay chakravorty #alanis morrissette #alanis morissette

37 notes · View notes

trevlad-sounds · 4 months

Text

THE MELD WELL 008

1 Lo Five Awareness of Awareness 00:00 2 Sub Sub Past 05:03 3 Albin Eftertext 07:46 4 Camille Saint-Saëns, Jay Chakravorty The Carnival of the Animals- XIII. The Swan (Arr. for Modular & Analogue Synths) 11:27 5 VSILE The Camping Song - AN-2 Remix 14:30 6 Evan Marien Teen Town 13/8 17:24 7 Felix Laband Down The Garden Path 19:52 8 Virgo Tower Of The Dual World 31:53 9 E Ruscha V Carried Away 39:53 10 Helios Fainted Fog 43:03 11 Spirituals You Would've Faked It 47:51 12 GELBART CHRIS MARTIN'S DREAM 53:15 13 LCD Soundsystem Someone Great 55:53 14 Hustleman Cop Transient Visitor 1:02:03 15 Pedrodollar Reality World 1:06:26 16 Tornado Wallace Kingdom Animalia 1:09:38 17 Telemachus Mirleft 1:14:01 18 Panamint Manse Sunrise On Panamint 1:16:28 19 The All Golden The Mandate of the Kingdom of Heaven 1:21:26 20 GLOK Pulsing 1:24:37 21 The Advisory Circle The Blue Energy Programme 1:33:18 22 Roy Comanchero Moon Hike 1:38:40 23 The Sweet Enoughs Cerberus 1:44:56 24 Lovelock We'll See 1:48:08 25 Amber Rose Tamblyn All In Favor Demo 1:51:39 26 Uncle Fido They Love the Snickerdoodles 1:53:10 27 Hello Meteor Built Environments 1:54:59

2 notes · View notes

transnationaltransformations · 4 years

Text

synchornization of the sense syllabus

Course Description:

Synchronizations of Senses (SOS), a seminar/workshop/studio/study group/conversation, is a complement to 4.356Cinematic MigrationsLinks to an external site.. This class invites in-depth examination of sense percepts, noting nuances, and articulating specificities. A generative focus is placed on the practices of varied practitioners–film directors, artists, musicians, composers, architects, designers–whose writings relay a process of thinking and feeling integral to their forms of material production.

Using prompts suggesting varying contexts, such as The Film Sense, written by Sergei Eisenstein, and The Cinema Interval, written by Trinh T. Minh-Ha, in addition to other writings by Eisenstein and Minh-Ha and others, the intention of this course is to create a space for experimentation, exploratory discussion and productions via aesthetic inquiry into perceptions of all senses.

Testing various ways aesthetic forms and their shifts—historic and contemporary—have relations to still emerging contemporary subjectivities (felt emotion in a human body), in this workshop/seminar we will study productions created by participants, case studies of varied producers, and generate new work individually and/or collaboratively via diverse media explorations, which include reading, writing, drawing, and publishing, as well as photographic, cinematic, spatial, and audio operations productions.

The course contents will comprise screenings, listening assignments, and guest visits, in addition to readings, discussions, and presentations. An aim is conviviality, rigor, and engagement fueled by the willingness of the participants to share perceptions and projects. The SOS Documentation Project, produced by the previous participants, is an ongoing accretive node.

Course References: Filmmakers considered include Sergei Eisenstein, Luis Buñuel, Ousmane Sembene, Trinh T. Minh-ha, Lucrecia Martel, Jia Khangke, Andrei Tarkovsky, John Akomfrah, Jean-Luc Godard, Apichatpong Weerasethakul, Abderrahmane Sissako, Haile Gerima, and others. Selected Readings: This is a list of readings indicating what class participants may be able to choose from in relation to their interests. Eisenstein, Sergei. The Film Sense. Edited by Jay Leyda. New York: Harcourt, Brace, 1947. Eisenstein, Sergei, and Jay Leyda. Film Form: Essays in Film Theory. New York: Harcourt, Brace, 1969. Trinh, T. Minh-Ha. Cinema Interval. New York: Routledge, 1999. Trinh, T. Minh-Ha. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press, 1989. Trinh, T. Minh-Ha. When the Moon Waxes Red: Representation, Gender, and Cultural Politics. New York: Routledge, 1991. Trinh, T. Minh-Ha. Lovecidal: Walking with the Disappeared. New York: Fordham University Press, 2016. Cha, Theresa Hak Kyung. Dictée. New York: Tanam Press, 1982.Cha, Theresa Hak Kyung. Dictee. 1St Calif. pbk. ed. Berkeley: University of California Press, 2001. Cha, Theresa Hak Kyung., ed. Apparatus, Cinematographic Apparatus: Selected Writings. New York: Tanam Press, 1980. Tarkovskiĭ, Andreĭ Arsenʹevich. Sculpting in Time: Reflections on the Cinema. 3Rd University of Texas Press ed. Austin: University of Texas Press, 1991. MacKenzie, Scott, ed. Film Manifestos and Global Cinema Cultures: a Critical Anthology. Berkeley: University of California Press, 2014. Anthes, Bill. Edgar Heap of Birds. Durham: Duke University Press, 2015. Rukeyser, Muriel. The Life of Poetry. New York: Current Books, 1949.Rukeyser, Muriel. The Life of Poetry. New York: Kraus Reprint, 1968. Silko, Leslie Marmon. Almanac of the Dead: a Novel. New York: Simon & Schuster, 1991.Silko, Leslie Marmon. Almanac of the Dead: a Novel. New York: Penguin Books, 1992. Pamuk, Orhan, and Erdağ M Göknar. My Name Is Red. 1St American ed. New York: Alfred A. Knopf, 2001. Pamuk, Orhan, and Maureen Freely. Other Colors: Essays and a Story. 1St U.S. ed. New York: Alfred A. Knopf, 2007. Buñuel, Luis, and Garrett White. An Unspeakable Betrayal: Selected Writings of Luis Buñuel. Berkeley: University of California Press, 2000. Classen, Constance, ed. The Book of Touch. Oxford: Berg, 2005. Classen, Constance. Worlds of Sense: Exploring the Senses in History and across Cultures. London: Routledge, 1993. Classen, Constance. The Color of Angels: Cosmology, Gender, and the Aesthetic Imagination. London: Routledge, 1998. Deleuze, Gilles, and Félix Guattari. What Is Philosophy?. New York: Columbia University Press, 1994. Deleuze, Gilles. Cinema. Minneapolis: University of Minnesota Press, 1986.Deleuze, Gilles. L'Image-Mouvement. Paris: Éditions du Minuit, 1983.Deleuze, Gilles. L'Image-Temps. Paris: Éditions de Minuit, 1985. Bergson, Henri, Nancy Margaret Paul, and M. E Dowson. Matter and Memory. London: G. Allen & Unwin, 1962.Bergson, Henri, Nancy Margaret Paul, and M. E Dowson. Matter and Memory. New York: Doubleday, 1959.Bergson, Henri. Matter and Memory. New York: Zone Books, 1999. Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press, 2007. Keeling, Kara. The Witch's Flight: the Cinematic, the Black Femme, and the Image of Common Sense. Durham: Duke University Press, 2007. Delany, Samuel R. About Writing: Seven Essays, Four Letters, and Five Interviews. Middletown, CT: Wesleyan University Press, 2005. Batchelor, David. Chromophobia. London: Reaktion Books, 2000. Arnheim, Rudolf. Visual Thinking. Berkeley: University of California Press, 1969. Thomas, Sheree R., ed. Dark Matter: a Century of Speculative Fiction from the African Diaspora. New York: Warner Books, 2000. Marcus, Greil., and Werner. Sollors, eds. A New Literary History of America. Cambridge, Mass.: Belknap Press of Harvard University Press, 2009. Albers, Josef. Interaction of Color. 50Th anniversary edition ; 4th edition. New Haven, [Connecticut]: Yale University Press, 2013. Liu, Cixin, and Ken Liu. The Three-Body Problem. First U. S. edition. New York: Tor Books, 2014. Condé, Maryse, and Richard Philcox. Of Morsels and Marvels. London: Seagull Books, 2020. Spivak, Gayatri Chakravorty. Readings. London: Seagull Books, 2014.

The asteriks (***) indicate readings to be read during the initial weeks of the workshop/seminar, as these will allow us to begin discussions of a matrix of terms we’ll be working with–such as functives, percepts, and concepts–in order to share a basis for further probing.

***Moten, Fred. Stolen Life. Durham: Duke University Press, 2018.

‘Anassignment Letters’

***Deleuze, Gilles, and Félix Guattari. What Is Philosophy?. New York: Columbia University Press, 1994.‘Conclusion : From Chaos to the Brain’***Eisenstein, Sergei. The Film Sense. Edited by Jay Leyda. New York: Harcourt, Brace, 1947.chapter 2, ‘Synchronization of Senses’

***Wolf, Maryanne. Reader, Come Home: The Reading Brain in a Digital World. New York: HarperCollins,

***Ingold, Tim. “Bringing Things Back to Life: Creative Entanglements in a World of Materials.”

University of Aberdeen, 2010.

Further References:

Spillers, Hortense J. Black, White, and in Color: Essays on American Literature and Culture. Chicago: University of Chicago Press, 2003.

Keller, Helen. The World I Live in. New York: The Century co., 1914.

Harris, Laura. Experiments in Exile: C.L.R. James, Hélio Oiticica, and the Aesthetic Sociality of Blackness. First edition. New York: Fordham University Press, 2018.

New Museum (New York, N.Y.). Trigger: Gender as a Tool and a Weapon. Edited by Johanna Burton and Natalie Bell. New York, NY: New Museum, 2017.

(exhibition catalogue)

Janevski, Ana, and Thomas J. Lax. Judson Dance Theater: the Work Is Never Done. New York, NY: Museum of Modern Art, New York, 2018.

(exhibition catalogue)

Bard College Center for Curatorial Studies. The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. Edited by Jeannine Tang, Ann E. Butler, and Lia Gangitano. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2018.

(exhibition catalogue)

Hustvedt, Siri. Living, Thinking, Looking: Essays. New York: Picador, 2012.

Brinkema, Eugenie. The Forms of the Affects. Durham: Duke University Press, 2014.

Rancière, Jacques. Aisthesis: Scenes from the Aesthetic Regime of Art. London: Verso Books, 2013.

Rothenberg, Jerome, and Steven Clay, eds. A Book of the Book: Some Works & Projections about the Book & Writing. New York: Granary Books, 2000.

White, Hayden V. The Practical Past. Evanston, Illinois: Northwestern University Press, 2014.

Eagleton, Terry. The Ideology of the Aesthetic. Cambridge, MA, USA: Basil Blackwell, 1990.

Lupton, Ellen. Thinking with Type: a Critical Guide for Designers, Writers, Editors, & Students. 2Nd rev. and expanded ed. New York: Princeton Architectural Press, 2010.

Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunnar Iversen, eds. Unwatchable. New Brunswick: Rutgers University Press, 2019.

Flusser, Vilém, and Nancy Ann Roth. Gestures. Minneapolis, MN: University of Minnesota Press, 2014.

Chute, Hillary L. Why Comics?: from Underground to Everywhere. First edition. New York, NY: Harper, an imprint of HarperCollinsPublishers, 2017.

Clark, Samanta and Samuel. Casa Moro. London: Ebury, 2004.

Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Twentieth Anniversary edition. Baltimore, Maryland: Johns Hopkins University Press, 2016.

1 note · View note

optimisticprincepainter · 6 years

Text

Scores of diplomats including ambassadors of four of the five permanent members of the United Nations Security Council — Russia, China, France and Britain — attended one of the largest Republic Day receptions outside India at the UN headquarters, besides events across the United States as well. The US Ambassador to the UN, Nikki Haley, was the only P-5 country envoy not to attend the impressive Republic Day reception hosted jointly by the Permanent Mission of India to the UN and the Indian consulate in New York. Haley, who was not in town, sent one of her top diplomats to the event, which was attended by several hundred Indian Americans, officials of the UN and envoys of scores of countries at the UN. Prominent among those were the President of the General Assembly Miroslav Lajcak, and the Deputy UN Secretary General Amina J Mohammed. Maleeha Lodhi, the Permanent Representative of Pakistan to the UN, surprised many by her presence at India’s Republic Day celebrations at the UN, which was marked by an impressive dance performance at the UN Delegates Dining Room. ‘Though far from India’s shores, the young sing about the ‘land that nourished and nurtured’ as we celebrate India’s #Republicday2018@IndiaUNNewYork,’ Syed Akbaruddin, India’s Permanent Representative to the UN, said in a tweet. ‘We are grateful this evening that several distinguished officials as well as representatives have joined us. I am grateful to the President of the General Assembly who is here with us, also to the Lt Governor of New York, who is with us and the Deputy Secretary General, who is with us,’ Akbaruddin said as he was joined by other dignitaries in lighting the lamp. For many UN observers, it was one of the largest gatherings of ambassadors at a public event at the UN. Indian Ambassador to the US, Navtej Singh Sarna, paid floral tributes to statues of Mahatma Gandhi outside the Embassy in Washington before unfurling the national flag, in the presence of embassy staff and members of the Indian American community. Akbaruddin unfurled the national flag at the UN mission in New York, with India’s other diplomatic missions in the US — in New York, San Francisco, Chicago, Houston, and Atlanta — also hosting events. Diego Gomez Pickering, the Consul General of Mexico in New York was the guest of honor at the Indian consulate celebrations in the city. ‘Honored to participate in the celebrations of the 69th #RepublicDay at @IndiainNewYork along with Consul General Chakravorty and the vibrant Indian community of #NYC. #Mexico and #India partners, friends and allies,’ he tweeted. Sanjeev Tripathi from Boston wrote a special poem in Hindi on the occasion. Illinois Lt Governor Evelyn Sanguinetti and joined the Republic Day celebrations in Chicago along with a large number of Indian Americans. Officials of the Indian Consulate in Houston posted a special video on twitter ‘Jai Hind. Happy Republic Day’. Congressman Pete Olson appeared in a traditional kurta at the Consulate and joined Indian Americans in the Republic day celebrations in the Indian Consulate in Houston. ‘Great to celebrate the 69th India Republic Day at the Consulate General of India this morning!’ he said. ‘#OTD in 1950, the largest democracy on earth was born when the Indian constitution was adopted. I look forward to many more years of friendship between our two great countries!’ Olson tweeted. A number of Republic Day celebrations have been scheduled by Indian Americans across the country over the weekend. Rediff.com : 27th. Jan,18

INDIA’s 69TH. REPUBLIC DAY CELEBRATED IN THE UN HEADQUARTERS BESIDES EVENTS ACROSS THE UNITED STATES : Scores of diplomats including ambassadors of four of the five permanent members of the United Nations Security Council -- Russia, China, France and Britain -- attended one of the largest Republic Day receptions outside India at the UN headquarters, besides events across the United States as well.

0 notes

smitasun · 7 years

Video

TUMHEN DILLAGI BHUL JAANI PADEYGI QAWWALI COVER INTRO.. THIS VIDEO IS COMPRISED OF A MONOLOGUE FOR MY FRIENDS AND LASTLY SUNG BY ME A FEW LINES OF THE FAMOUS QAWWALI OF ONE N ONLY MAESTRO OF MUSIC -- USTAAD NUSHRAT FATEH ALI KHAAN SAAHIB.. FOLLOWING ARE SOME NAMES OF MY TOP RATED FANS -- PRAMESH RAO MARATHA, ASHOK WADEJA, TRILOK CHAND JAJU, PRATAP SINGH, ASHISH SHARMA, JITUSINGH THAKUR, RAJKUMAR DEORA, ANOOP SHUKLA, AVAD ROR, PANKAJ SHARMA, MAYANK GAJJAR, GOHMS GOEL, DIMPABHAI PATEL, HARISH KUMAR PUNDIR, RAJHNIKANTH RAJNI, HARSHAL SHAH, NEERAJ SHARMA, SHEEBU SHIKHARI, JITENDRA SINGH THAKKAR, HARENDRA SINGH, PURNENDU SINGH, DINESH PANDITA, SAMAR KUNDU, JITEN BHAGEL, SOHEL DHOLKIYA BHAI PATEL, BHARAT BAKHARIA, PRINCE SOLANKI, VOJAY RAJ, SONU PRATAP SINGH, SANJU BHANVARIYA, RAJ PIROHIT, RANDIR SINGH, SHRWAN GARG, RAJHANS SHEORAN, SHANKAR KANPUR TABLA, SHANKAR USTAAD, JAI RK VASU, SANDEEP PANDEY, NEERAJ BHAI SHUKLA, MAHIRAM KARWASARA, PRIYAVART JINDAL, PRATHVI DHAN SANDHU,RAJESH SEN, DEVINDER KUMAR DEV, PRAFUL PANDEY, RAJGOR MANOJ, PRAVEEN CHAKRAVORTI, RAJKUMAR GAUTAM, RAJESH BRHMABHATT, MD AZHAR, RAMSHANKAR SIROMANI, DAVINDER KUNAL DEV, AJAY KUMAR CHOUDHARY, C. I. SHUKLA, PANKAJ KUMAR SINGH, SHOKEEN JYOTI, ABHISHEK DUBEY, SANJAY KHAN, ASHRAF AHMED KHAN, OMKAR SINGH, SANJAY DHADUK, DEVENDRA PATEL, NEERAJ BABU NEERAJ BABU, SANJAY RABRI, ACARIA SATEY DEV, DIVYASHAKTI MOHANTY, SUDARSHAN DAS, SANJAY SHARMA, SHADAB BAKSH, SANJU SHEORAN, NIRLEP SINGH, AYAAN RK, MANOJ WADHWA, PRAVEEN TIWARI, HARJIRAM MEHRA MEGHWAL, DEEPAK JOSHI, DEEPAK JHA, KAMAL NAMASUDRA, REHMAN ALI KHAN, KALPATARU SAHOO, KRUSHNA ATE, SATVEER KICHI, RATAN SINGH SHIRA, PAWAN MAHUR, SUBHASH CHANDRA YADAV, REETA GUPTA, RAJESH KHARWADKAR, DHEERAJ KUMAR ASERI, CH SHAILENDER KHATRI, ROHAN BHANDARI, RAJGOR MANOJ, YUGAL KISHORE, VIJAY GANDHI, ALOK WADHWA, MUKESH SINHA, JEET PRAJAPATI, JASVINDER PAL, MOHANJI MOHANJI, MOHIT ARORA, SIBPRASAD SAHOO, PRASANTH NIKHIL, SAJAN DRASHOK VERMA, RAKESH SHARMA, VIKRAM MENGDE, RAJESH SHARMA, SURJIT PUNNU MAZARA, SHUSHMA TIWARI, VIJAY KUMAR DHINGRA, VINOD GUPTA, JONY KUMAR, MAHESH CHURA, MOHAMMAD SHAHID KHAN, ALOK PHADKE, ARVIN SAINI, KAID PATEL, LAKSH VAGHELA, R

1 note · View note