#THIS HAS BEEN SITTING IN MY DRAFTS FOR SO FUCKIN LONG LMFAO

[bicholsdrarrysideblog]

nothing really, i just wanted to draw pansy and draco making faces at each other

#drarry #draco malfoy #pansy parkinson #hpdm #harry potter fanart #harry/draco #harry potter #THIS HAS BEEN SITTING IN MY DRAFTS FOR SO FUCKIN LONG LMFAO #its not even that long i just havent had any spooooooooons #anyway i ADORE this trope bye #drawn by me

[lokiarsene]

like yesterday, here's a bullet list of my thoughts for episodes 18~21

thoughts on episode 18:

oh no, it's the beach episode.

-- i really like how they show the way the PT take care of futaba. ren patiently cleaning up her room in between hours at the florist, them playing vidya with her, or just having lunch together in montage moments is very sweet. it makes me wish the anime had much slower pacing, more slice of life-y kind of drama.

-- watching yusuke, ryuji, and futaba lose their freakin minds over good curry is VERY relatable.

-- i still don't understand why ann and makoto thought that a two piece frilly bathing suit was the way to go with futaba. a one piece that she could wear under a long wrap or a hoodie would've made so much more sense... but >male gaze

-- have i told y'all how fucking tired i am of the sexualization of the teenage girls in p5 yet, and how it is one of the several things that fuckin ruined this game for me

have i?

well here it is again

none of the previous games were as bad as this b t w and p4 had one of the dungeons be a STRIP CLUB.

-- yusuke and his lobsters are wonderful.

-- oh god i forgot COMPLETELY about the whole 'mental shutdowns' thing in this game's plot. i think because it's all so pointlessly convoluted. p3 had something similar but even there it was just people turned catatonic for weeks on end when the monthly boss-shadows drew near.

i think the reason i find this so hard to understand is because from p3 to p4 the rules of shadows didn't really change so much. p3 had the persona users go up against shadow bosses; p4 had people confront the shadows within themselves, either accepting them completely (which then turned into persona), or the shadow 'absorbed' the person and ran rampant as a monster. neither of those rules really contradict each other, but in p5 personal shadows for persona users are gone completely, and how you deal with other people's personal shadows doesn't even involve them being present to complete the merge.

mona says that persona users can't have palaces, but persona users in 4 could and DID have 'dungeons' within the shadows' worlds. these dungeons dealt specifically with what was at the core of the shadows' emergence--a deep secret and a hidden truth that caused the shadow to grow, a place that was a replica and a distortion of reality based upon that suppressed truth. so that sure sounds like a fucking palace to me.

so....................... unless there's like, multiple realities folded into our own, and persona users can only access certain ones.................. i'm just super confused.

like, i know it's because the rules change game to game, but p3 to p4 didn't have any contradictions, and p2 didn't contradict anything in p3, either. it just went from a full party of wild card users to a singular one.

-- i'm glad ann's getting a little screentime here. i was just thinking about how other characters' development was lacking after makoto and futaba got so much focus.

-- mona's so sweet to ann ;-; now that he has a human form in p5r, i hope they become really good friends. she needs a kind guy friend that'll be reliable~ plus he makes her laugh.

-- sojiro talking about the anniversary of wakaba's death is......... really interesting........ considering that screenshot of futaba sitting next to a woman with the exact same haircut as her "deceased" mother.

-- ren reassuring mona that he absolutely has to be human, that he will return to who he used to be once they figure out what's happening in the metaverse is jsut jdfklasd

AND HIS LIL ROUND OF APPLAUSE WHEN MONA TALKS ABOUT ALL THE THINGS HE'S GOING TO DO TO KEEP THE WORLD SAFE ;-;

AND THAT SHOT OF HIM SLEEPING CURLED UP ON REN'S STOMACH

AHHHHHHHHHHHHHHHHHHHHHHH

-- listen i know mona isn't rly a cat but he's the BEST cat

thoughts on episode 19:

oh it's the hawaii episode.

-- man what the hell kinda budget do these school's got that they can just go overseas with dozens of students on a yearly basis? that's impressive.

-- ryuji: "whoa, awesome! ..... i don't really get it, but awesome!" fjdsafds okay that got a laugh outta me. good one, ryuji.

-- ren: "i'm excited, too." (said in a monotone) fjklsadsl BLESS THIS BOY

-- ren's FACE when he learns that futaba installed a spying app on his phone and can hear him/see pictures he takes is...... kind of hilarious. especially if you have the headcanon that he and akechi send dumbass snapchats to each other a lot--which i do. and which you do now, too.

-- mona's depression is ten times more sad because he's a cat okay :c why they gotta make the cat so cute

-- ren, ryuji, and ann's lil sleepover is adorable. especially since ann chastises ryuji for not knowing one of the basic rules of a sleepover: if you start talkin' about your crushes, you gotta start with your own~ thems the rules lads

-- rip principal bloatneck.

-- honestly that truck shoulda at least TRIED to stop.

-- "A LO HA." goddammit that's adorable

AND HE GIVES THE LEI NECKLACE TO MONA FJDSKFJDSKL ren you're so SWEET.

-- I TOTALLY FORGOT THAT MONA CALLS SAE "ONEE-NO-NIIJIMA" FJADSKLFJDSKL ahhhh it's so cute.

-- the PT targeting okumura, who is essentially the dave thomas with political ambitions of the persona 5 world, is far funnier now that i phrase it like that.

-- ANN, OF ALL FUCKING PEOPLE, SAYING THAT THEY PROBABLY BROUGHT THIS RECENT TROUBLE ON THEMSELVES, IS A FUCKING STUPID WRITING DECISION. I CAN'T BELIEVE SOMEONE DIDN'T LOOK AT THAT AND GO, "ANN WOULDN'T SAY THIS. ANN HAS NO REASON TO SAY IT." god. lmao PLEASe let p5r be a goddamn second draft.

-- mona's totally right that ryuji's just concerned with getting popular and his dick wet. like,,, that's why this argument only made me hate ryuji more than i already did. he gets pissy when mona points out the truth.

god he sucks lmao

I'M SORRY I'M SO SALTY YOU GUYS

LOOK I'LL SAY SOMETHING NICE: SAE AND AKECHI ARE COOL

-- i really like how guarded akechi's face looks in his conversation with sae, and how off his guard he looks when she tells him that she's not going to hold back, especially since the culprit is doing such dire, awful things. he's not exactly surprised, but he's definitely uneasy and shaken by what he hears. which makes me wonder who he’s really concerned for--himself, or for ren (and the PT by extension, but akechi only really seems to care about ren, so).

the reason i like that is because the okumura arc in p5 is really where akechi's mind starts its downward spiral. principal kobayakawa's death obviously rattled him, especially since the only reason the principal died was because shido saw him as useless and disposable, something akechi is desperate NEVER TO BE. and it's that + what happens with okumura that really kicks him over the edge.

i hope p5r will give us the chance to pull him back from it. he deserves a better chance than the game's subpar writing gave to him.

thoughts on episode 20:

-- ren wakes up in a panic because he thinks he sees mona on his bed ;___________;

-- goro snoopin' on the PT's LOUD, TOTALLY CONSPICUOUS conversation in front of okumura foods' HQ is kind of adorable if you remember he clearly loves star wars (HE HAS A LIGHT SABER), and the camera cuts to his face right as they're talking about big bang and outer space lingo.

-- oh, haru. i really wish you were the black mask. that would've been so much cooler--and an actual twist. her total hopeless panic about being a beauty thief could still be a thing (because it is actually endearing), it'd just be an act. but that's me talkin' fix-its again.

-- i really like the scene of haru defending mona to the PT on the rooftop, then cutting to show just how strained her relationship is with her father. she exists to be useful to her father's ambitions and nothing else, and that scene really drove home just how painful that is for her.

-- REN TWIRLS HIS HAIR BETWEEN TWO FINGERS WHEN HE'S DEEP IN THOUGHT. AHHHHHHH I FORGOT HE DID THAT

-- oh hey remember how the game went through the trouble of showing how haru's fiance is a sexist, violent, animal-hurting piece of shit and then promptly failed to actually separate her from him in game (i think you only can do that in her s-link?? the s-link you can barely finish in your first run of the game??), and in t hEN SHOWED HER IN THE CAR WITH HIM LATER, LOOKING HORRIBLY UNCOMFORTABLE?

god this story makes me so fucking mad lmfao STOP PUTTING GIRLS IN PHYSICALLY OR SEXUALLY VIOLENT PERIL AND NEVER ACTUALLY ENSURING THAT THEY'RE SAFE, YOU DAVID CAGE LEVEL OF HACK BULLSHIT WRITERS.

-- ryuji running into the attic, all worried about mona, with a first aid kit, is..... very good. very good and endearing. good on you, ryuji.

-- haru gently encouraging mona to tell the truth is also really good. idk if i just missed it in the game or what, but i really like how she's presented in the anime. she's like a counterpart to ren--soft, sincere, observant, patient, yet she's made of pure steel beneath all that.

thoughts on episode 21:

-- WHY WAS HARU'S GRANDFATHER GIVING COFFEE TO A FIVE YEAR OLD

-- haru, the reason your father's heart grew twisted is thanks to capitalism. you gotta change the heart of capitalism.

-- not to be all poochie here but whenever akechi isn't on screen, all i can ask myself is whERE'S AKECHI?

-- HOW CAN I TAKE THE EVIL DAVE THOMAS SERIOUSLY WHEN HE'S DRESSED LIKE FUCKIN MEGAMIND?

-- okay see this is where i'm thrown completely out of the story or even really liking haru. haru just listened to her dad's shadow saying he would PIMP HER OUT TO HER FIANCE WITHOUT A SECOND THOUGHT. and she still is just like ~no i want him to go back to being kind~

bitch are you nuts

are you NUTS

youR DAd SHOULD DIE AND YOU'D BE BETTER OFF

CONSIDERING HOW THE GAME GOES, YOU ARe BETTER OFF

god. i'm getting so mad again lmao

-- ren approaching haru to point out that if the truth of her father's crimes comes to light, she'll forever be associated with him (and with all the harm and ruined reputation that brings) is, once again, further reminder of just how... damn good ren is. he doesn't hesitate to speak from the heart nor does he ever fail to listen to someone else speak from theirs.

-- also not for nothing but uh

how did the cops not like

figure out how the PT phan-site was set up within the first few months and track it down to mishima? was that ever addressed at all?

-- honestly another reason why i get so fucking mad about this okumura stuff is the game goes SO FAR OUT OF ITS WAY to make you feel BAD that he died, when he was by all rights a fucking shitheel monster, yet when akechi dies it's like 'oh well. that sucked.' fuck off, atlus. the death of a greedy, heartless CEO isn't more sad just because his gaslit daughter is conditioned to be sad about it.

i understand that a large part of the shock after okumura's death is because the PT don't know if they did anything wrong. but okumura was in no way a good person. he was in no way a person whose redemption overruled all the hurt and harm he did. that has been the case for EVERY PT target before this, so why the fuck is okumura suddenly so different? why SHOULD he be?

the difference between him and, say, akechi is that okumura et. al. all made those choices on their own to do terrible things. they delighted in it, they enjoyed it. but akechi, much like futaba, was forced into a cycle of self-destruction--it’s just that in futaba’s case, her self-destruction targeted herself, and akechi’s was quite literally weaponized and used against others. he approached shido as a young teenager and was then used by him for years.

a teenage boy being used as a magical hitman by his shitlord father is far more deserving of sympathy and redemption than grown adults who willingly make the decision to harm, abuse, and prey on others. but no, the game didn’t want to do that.

this is another big problem i have with p5's second and third acts: it's so tonally dissonant and sloppy. it's like they didn't try to actually be as rebellious and hellraiser-y as the first act WANTED to be, and it all ends up being such a limp-dick shriveled mess of "let's fight against this rotten society!! ......... as long as it in no way actually upsets anyone or does any REAL change." fuck off lmao

that's not me even commenting on the "twist" and how it needed to be explained MULTIPLE TIMES to the player for it to make any sense.

and it still doesn't make sense to me btw.

so that's another thing i hope p5r fixes.

-- rip evil dave thomas megamind.

-- akechi floating the idea to sae that the phantom thieves had nothing to do with okmura’s death is............................ interesting.

#this is the ask tag #p5 anime #some slight salt in this post y'all