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#Ted Casher
truthseeker-blogger · 4 months
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You barely get to see Matt, but he's the shortest kid, black curly hair, far left, top row, has first seat trumpet, always has 🥰❤🎺🎶
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The kid on the left, Dale Munchy, nicknamed Beethoven. He was incredible. He played a harpsichord at our wedding. He played Pachelbel's Canon.
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Matt's father used to drive Matt to Queens NY for classical lessons, every other week, under the direction of William Vacchiano.
Amazingly, Mr Vacchiano brought the dimensions of Matt's mouth to his own personal metalist, and had a personalized mouth piece made for Matt's trumpet. 😲
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Rhode Island All Star Band, directed by Ted Catherine, who's sadly passed away in January 2023 😪🕯
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Ted Casher's personal encyclopedia of jazz intimates runs from Louis Armstrong to Lester Young, with room in between for Duke Ellington and Bill Clinton. (With photo)
So for Mansfield's own legendary sax man, the new PBS television series tracing the history of jazz from Dixieland to Miles Davis was a walk down memory lane.
“ It gave me a chance to visit with a lot of guys who've moved on to that big bandstand in the sky,” said Casher, who has played or hung out with the likes of Armstrong, Cannonball Adderly and the Duke.
He also jammed with his share of living legends, including Dizzie Gillespie and former President Bill Clinton.
Casher received his first sax from his uncle as a boy, and quickly plunged into a love affair with music and jazz that would fill a lifetime. Almost from the time he first heard Benny Goodman on the radio as a child, he said, he knew it would turn out that way.
“ I remember the first time I sat with the junior high school band and thinking, this is what I want to do with my life,” said Casher, now 63.
For a youngster growing up in rural Maine, it was an unlikely path. His mother wanted him to become a doctor. “ At that time, Jewish boys aspired to become doctors or go into business,” he said. “ It was a tough mold to break out of.”
The first indication that Casher would be unable to withstand the pull of jazz came with the nightly broadcasts of New York's WNEW. Although the station's live jazz programs originated hundreds of miles away, they were received with crystal clarity in Skowhegan.
“ Our baby sitter liked to listen to WNEW, and so did I,” he said. “ It was like heaven.”
By 13, Casher had mastered both clarinet and sax and was playing professionally for $7 a night. He eventually came under the wing of Down East bandleader Al Corey and a succession of other mentors.
“ Today, technology permits a bunch of guys to go into a garage and do their own thing,” he said. “ Back then, I was a willing pupil and I was fortunate to be accepted as a worthy apprentice to some fine musicians. I learned a lot that way.”
Beginning in the late 1950s, Casher mixed gigs with more conventional training at the Boston Conservatory and the Berklee College of Music, accumulating stories along the way.
At the Lenox School in New York, a visiting Miles Davis shrugged off a greeting from an admiring Casher.
“ Don't take it personal,” said a heavy-set man with an engaging smile. “ He treats everybody that way.”
The heavy-set man was Cannonball Adderly.
By 1964, Casher had moved to Mansfield, starting a family and keeping company with an increasingly prestigious list of jazz greats.
Casher shared the spotlight briefly at times with trumpet players Armstrong and Gillespie. Teaching rock composition at Berklee in the 1970s, Casher was sought out by Ellington to talk about the jazz-influenced rock that groups such as Chicago and Blood, Sweat and Tears were then recording.
Casher later taught at Dean College in Franklin and played in a number of revival bands under the names of such legends as Glenn Miller and Jimmy Dorsey. He continues to do session work and play in bands throughout the Northeast, and teaches a jazz ensemble at Rhode Island's Ponagansett High School.
It was in 1979 that the local jazzman had his most unusual encounter with a talented musician and future president. Between sets at a college reunion in Boston, a handsome, well-tailored man walked up to Casher and started making comments about his sax.
“ You play?” Casher asked the knowledgeable outsider.
“ Used to, but I don't have much time for it anymore,” said the stranger, who explained that he was governor of Arkansas. So impressed was Casher that he offered to let Clinton sit in on tenor sax. He did.
“ He was pretty good, too,” said Casher. “ Played `Take The A Train' and a lot of other stuff. In fact, I wouldn't have been ashamed to bring him to a gig.”
In 1992, the newly elected president, whose sax-playing attracted attention during the campaign, thanked Casher by inviting him to perform at his inauguration. He did so as a band member of Bo Winiker's outfit.
Casher says he's impressed with the picture painted by the TV series of jazz as a creative force and a vital underpinning of American culture. He says he believes the reason jazz has been such a potent social force is the same reason it proved to be so influential in his own life.
“ Jazz combines both intellect and emotion, and it requires your creative input,” Casher said. “ Classical musicians take a score and interpret whatever it is the composer intended. I play jazz, and I'm composing as soon as I get the sax in front of my face.”
“ That's what I love about jazz.”
RICK FOSTER can be reached at 508-236-0372 or via e-mail at [email protected]
Considered one of the most respected musicians in New England, Casher shared the stage with everyone from Frank Sinatra and Aretha Franklin, to Louis Armstrong and former President Bill Clinton, over his long and successful jazz career.
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agenderhyde · 6 years
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a Jazzy version of “Hava Nagila” ???????????? (performed by Ted Casher and The Jazz Tuber Trio)
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bmiremodeling · 6 years
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