Carol Cutshall better get an Emmy this year, I ain't playin!
"Cutshall and her team had to embrace a new reality, one initially devoid of the first season’s material pleasures..... Free of their maker, an austere Louis and Claudia flee New Orleans for Europe in search of a coven of vampires to call their own. There they find themselves in the ravaged wasteland of World War II, where sorrow pollutes even the blood they drink."
"It was such a drastic change going into season two. We went from the height of glamour, which we last saw during a Mardi Gras party, to the polar opposite in the premiere. When you look at Louis and Claudia in their shearling coats in Romania and the amount of mud and blood on them, those looks are built for surviving and searching and starting over."
This what I meant when I talked about AMC intensifying the horror for show!Claudia vs book!Claudia. They're starting over, runaway slaves free at last from Massa Lestat's domestic terrorism; following the Drinking Gourd north to the promised land of milk & honey--but their exodus isn't some glorious adventure--it's Hell on Earth!
I adore the juxtaposition Carol makes between the obscene opulence of Mardi Gras NOLA vs the Grimm realities of war-torn Europe. Book!Lou&Claud traveled across Europe in a lavish carriage Claudia picked out, and had the luxury of taking their fancy coffins with them in it.
NGL I was hoping Carol would talk about these outfits in particular:
AMC's Lou & Claud look like they've been sleeping underground/in a battlefield, dressed in animal skins/furs--not the fancy furs PETA jumps folks for, but nasty Caveman Couture rags. And I can't help but think about the furs they wore in the film, looking rich AF, even as Lou complained about how sad he was. 🙄😒
So I am SO IN LOVE with AMC sending Louis & Claudia to WWII Europe. They're in Ploiești/Romania in 1941--in the book they're in 1800s Varna/Germany. Romania was a major ally for the Nazis in WWII, and the LAST place Claud should be--let alone Louis (a gay Black African American man)--let alone because Romania was bombed TF up in the early 1940s.
They're running slow AF like regular humans--no super vamp speed at their disposal to flee from the bombs--cuz they've been STARVING. They're eating the dead like a bunch of ghoulish necrophages (come through, Witcher 3 folklore!).
Like, in the film the big idea was that drinking dead blood could kill a vampire. But in TVL & Blood Communion we know that's not the case when Lestat drinks the corpses Armand gave him, and when Lestat gives the Vampire Court Rhoshamandes' corpse--it's not deadly, but it's not great, either. Drinking blood should be PEAK sensory pleasure; but this just shows what they've been reduced to.
So to see Louis & Claudia tearing into pieces of the dead to suck up what's left is like cannibalism at its rawest, basest & most primitive--straight out of a dystopian zombie apocalypse. There's no transcendent power in the dead like what Maharet & Lestat described. Lou & Claud are scavengers in as battlefield, fighting for scraps just to survive and endure, but not really live.
And I feel so much worse for Claudia, cuz she LITERALLY didn't ask for this mess! Unlike Louis--and unlike book/film!Claudia--she was Born into Darkness w/out her awareness or consent. AMC puts this poor girl through HELL. The things she's seen & experienced made her "built for survival;" but she's also "built like a bird," and just as ignorant about vampires & the Old World as Louis--though they're both bookish intellectuals who THINK they're ready for Europe.
So they have no effing idea, cuz Lestat never told them WHY Europe was such bad news. They're blind and completely in the dark!
And then they FINALLY arrive in Paris--a breath of fresh air after the war.
But glamour returns to their lives as the pair forge ahead in Paris.... Seduced by their habit of living loudly and proudly — at least at night — Louis relaxes into his post-Lestat life, taking up photography and exploring his sexuality in subtle ways. “The look I landed on for him was that of artists and café society, and French workwear with a little bit of a blue-collar look,” Cutshall says. “It’s not the finery that we are used to for Louis, but his fastidiousness in how he wears it — tucked and belted — is still there.” There is a visual hierarchy among these old-world vampires. Louis wears the costume of the common man, placing him below the coven’s creative director, Armand, the so-called love of his life"
The "visual hierarchy" of Louis being "placed BELOW" the Old World vampires had me vibrating in my seat, especially wrt Armand, the biggest baddest boogeyman vs fledgling vampires in the books.
"We want to break away from the disguise he had in season one, because he is the mega predator,” Cutshall says. “He's not threatened by anyone. So, in everything he does and wears, he can be like an animal who is not afraid to lie on their back and bare their belly."
Which is precisely what I said about Lestat in his Mardi Gras dress & his Matador pajamas. Cuz Lou & Claud are constantly put on the exact same level--at the BOTTOM of the food chain & the gendered/social hierarchies of vampire covens in both NOLA & Europe.
But what's interesting's that AMC diversified the Theatre--there's Black & Asian vampires, not the all-white coven from the books.
The Theatre has truly become a microcosm of the entire world, highlighting just how sheltered Lou & Claud were in the New World. The history of America is very black and white--or rather: white versus black. After the Native Americans were wiped out, American racism molded & shaped centuries of slavery & oppression specifically designed to keep Black people at the bottom of barrel, even when they were "freed/emancipated." But in the Old World, power & conquest was continental--Africa & Asia & Europe were ALL major superpowers at one time or another, kicking each other's arses. Race & racism still plays a huge part in European imperialism, OF COURSE, but WWII showed how white folk are just as prone to killing & oppressing each other, let alone anyone else. 😂 Louis & Claudia's problems w/ Lestat are radically different from their problems w/ Armand (now a brown Asian, as Russia & Ukraine are also globalized; dispelling the myth about Russians only ever being white people).
But Santiago's an altogether different beast--but eerily familiar.
"Her thirst for attention is surpassed only by Santiago, the extravagant emcee of the theater troupe. For Santiago’s big onstage entrance in episode two, Cutshall took inspiration from performers like Peter O’Toole and Laurence Olivier. “I started with Fred Astaire, but with a bit of a bondage twist for Santiago’s curtain look,” she says. “Who were the top dogs of the time that he would want to emulate? You can feel him striving for that."
What is fundamentally wrong with Santiago (and Lestat) is that he's a HUGE showboat, desperate for attention & validity, specifically from LOUIS, a vampire older than Santiago, attractive & new & interesting, who's approval he actually wanted & expected. But Louis's too mature/smart for Santiago, and immediately clocked him as a clown and a BUFFOON.
AMC dyed Santiago's hair blonde on purpose, ISTG, cuz the parallels w/ Lestat are hilarious. Armand's the coven master & creative director, but Santiago's the emcee & "show pony," just like Lelio!Lestat was back in the day. Les' pony on meth meme is SO apt!
And just like Lestat pulled the rug under Armand at Les Innocents, taking on a leadership role for the Children of Satan and ushering in their new era as vampires who'd join society via the Theatre, Santiago usurps Armand's position as the ringleader against Claudia & Louis. Even though Armand wanted all that to happen, he's more passive than Les & Santiago, far more active & dominant despite being significantly weaker & younger in the Blood than Armand. Wolf Killer Lestat and "top dog" Santiago are cut from the same cloth, down to the pinstripes--which Carol already said were supposed to symbolize cage/jail bars--"back in your cage, sweetheart."
CAROL! I desire you CARNALLY! ❤️
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