#all of those hyperlinks are songs btw so click it and you can see what my top rec for that artist is

[nopeferatu]

Good evening Nickie!

Been a MASSIVE fan of your art for since EVER. Not to confuse music preference with stellar fashion but you seem the cowboy enthusiast; any country music recommendations for beginners? 🤠

Awww, thank you so much omg!! 🥺💗 and I actually really love country music!

A lot of it depends on the sound you're looking for, cause there's like at least 50 sub-genres that fall under the country label, and some of them were more popular during certain periods than others

Personally, I prefer a lot of the sounds that were popular in older (Pre-2001) country, so some of my favorite artists from the 40's-60's are:

Hank Williams

Johnny Western

Patsy Cline

Don Gibson

Kitty Wells

Marty Robbins

Eddy Arnold

Tammy Wynette

Willie Nelson

Moving into the 70's, country kind of starts to change a bit from that old traditional folksy-country sound into something that has a few more contemporary rock and even pop influences, so some of my favorite artists from the 70's-80's are:

Merle Haggard

Linda Ronstadt (also check out this song too)

Buck Owens

Dolly Parton

Gary Stewart

Glen Campbell (also check out this and this song, bc these are all tied for my faves of his lol)

Terri Gibbs

Johnny Lee

George Strait

Shenandoah

And then heading into the 90's, some of my faves are:

Suzy Bogguss

Brooks & Dunn (this one too)

Then there's a few modern country/americana acts that I REALLY love. These are the ones I've found to have a lot of reverence for the roots of the genre, so their sound is a little older than most contemporary country acts:

Charley Crockett

Yola

Logan Ledger

Pokey LaFarge

Sierra Ferrell

The Cactus Blossoms

Bella White

The Steeldrivers

Chris Stapleton

And last but certainly not least is the gateway drug of a man who got me into country music at all, Johnny Cash. I've been listening to him since I was in middle school, back when I used to say that I loathed everything about country music except for him. Johnny Cash just has a way of breaking genre barriers for people, even tho his sound was and for the most part always had been very traditionally old school country. He gets his own section cause there's way too many good songs that I implore you check out, including (but certainly not limited to):

I Got Stripes

Cocaine Blues

I Still Miss Someone

Jackson

Cry, Cry, Cry

Ring of Fire

It Ain't Me, Babe

Sunday Morning Coming Down

Song of the Patriot (not a patriotic person but this is one of my Alfred playlist songs lol)

Goodbye, Little Darlin'

ANYWAYS I hope I didn't overwhelm you! I just really love country music and I think it gets such a bad rap, so I go a little crazy the few times that people show interest in exploring the genre a little more, lol.

#asks #moosic #all of those hyperlinks are songs btw so click it and you can see what my top rec for that artist is #but like dont be limited to those pics it was hard to choose just one for them so if u wanna explore those artists #i fully and enthusiastically reccomend that u do

[imbellarosa]

1989 things that keep me up at night

Or, that one Taylor Swift album that I ADORE while it confuses the fuck out of me. I’m doing the thing that I listen to the album as I write this, because I have so much to say and want to get it all right. This isn’t a cold read, I’ve heard it before, and I love it, but I did want to do a deeper analysis. If you want to read the last one that I did, it’s here. It’s about an accidental love song and it was tons of fun to do. The rest of this analysis is under the cut, because it might be the longest one yet. I’m a big fan of hers. 

As always, I’m going to go back to posting more political content in the morning, but I am very happy that all four officers in the murder of George Floyd have been charged with murder, and that Derek Chauvin in particular is being charged with second degree murder. If you’re looking for next steps: consider participating in activism on Breonna Taylor’s birthday (June 5th) or donating to Tony McDade’s memorial fund. 

So, on to the album! There are a few stand out songs, for me, in the album, including “I Wish You Would”, “Clean”, “This Love”, “Out of the Woods”, and “You Are In Love”. I don’t know if any of these were singles - the album is older at this point and I could go check but, eh. I don’t really think it matters anymore? I think if I stretch my memory to 2014, it was “Bad Blood”, “Blank Space”, “Style”, “Out of the Woods”, and “Shake it Off” that were singles. I don’t know if there were more, but I do remember those. Something that I find interesting is that the only crossover between the singles (that I remember) and my favorites is “Out of the Woods”, but that’s a phenomenal song. 

I think the first question I have to address is why this album confuses me. And the more I think of it, the more I realize that this album more sounds like two albums, telling two stories. The first story is that of a whirlwind romance in the public eye, filled with late night hook ups, seeing other people (publicly), and a superficial connection that will invariably go down in flames. This story features dramatic fall outs with contemporary artists, wild parties, and whispering voices. The second story is about a harder love, and a deeper one: it’s a story of fighting and fixing things, and letting go and coming together. It’s sweet, and beautiful, and tragic, and worth it. And these stories are fundamentally incompatible, at first glance. Your relationship is not simultaneously ephemeral and ethereal, and if you think it is, it’s time to reevaluate how honest you are being with yourself and what you want in your partner. (Spoiler alert: the song “Style” isn’t it. And neither is “Wildest Dreams”. No offense to either song or the people they were written about.)

The more I thought about it, the more this bugged me - until I dug deeper into her discography, and I noticed something interesting: Taylor Swift is a storyteller. She primarily tells her own stories, especially in Lover and Reputation, but that wasn’t always the case: “Mary’s Song” is sung in first person, and is about her neighbors’ love story. “Starlight” was written about someone in the Kennedy family's relationship with her husband Bobby (Bobby’s name is in the song). It is also sung in first person. “Ronan” is a song she wrote for charity, about a little boy who lost his battle to cancer, from the perspective of his mother. I always cry when I hear it, but it is, also, written in first person. I think those are enough for now, but I definitely can keep going.

Anyways, my point is this - I realized very quickly there were two ways I could read the album. The first is completely autobiographically: she is publicly one person and privately another. Her public persona is (at the time of 1989′s release) someone who parties, dates many people on and off, and fights with artists loudly. The private story she is offering is of someone who is deeply in love with one person, who wants to be successful, who wants to be themselves and safe with themselves and their partner, and is afraid of showing this side of themselves to the industry and the world. “Out of the Woods” highlights that anxiety well, as does “I Know Places”, and so does the line “you two are in a snow globe spinning round and round” (in “You Are In Love”), but that’s because I always imagine a snow globe like a sort of transparent show that is being obscured by the flurries, you know? Like everyone is watching, but if you move, the truth gets harder to see. 

The second way to read this - and I think the way I’m leaning - is that these are two different stories. The first one is still about that media image, and she’s playing off of her media image - one that has been proven to be demonstrably false at this point, and that she has admitted was almost forced on her at a really young age (and we’re gonna have a whole ass conversation about how the media treats children one of these days, you just watch). And the second story is still a love story: it’s just not hers. To me, this makes the most sense because of her switch between first and second person pronouns in these softer, gentler songs, as she gently steps in and out of the role of narrator. The other thing is that I don’t know a whole lot of her dating history? I never really cared. But I don’t remember her being in a really serious long term relationship at this point. I remember a lot of stories of short relationships with famous people, but nothing concrete or long lasting, in the way the song “I Wish You Would” or “This Love” or “You’re In Love” suggests. 

This perspective is fortified by “I Know Places”, in which she is literally talking about a secret relationship. She’s describing something that is hiding in plain sight, but can’t be honest, because “something happens when everybody finds out/ love’s a fragile little flame/it can burn out...”. So they (the people involved) go hide in these secret places (look, let’s be real. every celebrity has a secret place). What I think is interesting is that this isn’t the first time in the album that she talks about sneaking around and hiding. The first time this comes up is in “Style”, where she mentions that the dude comes searching for her with “no headlights”. She is clearly referencing herself in that song, as she describes her “red lips” and her “good girl thing/in a tight little skirt”. But the context is super different. She describes “Style” as a song that calls out trends - how people never get tired of listening about this kind of relationship. It’s always in style, so to speak. When she talks about “I Know Places”, she says its “about...everybody’s like trying to get in to it and ruin a love or whatever and it’s like...whatever. You know....” and then she goes on to keep talking about what she wants it to sound like. I got this from her voice memo in the preliminary conversation with her producer. 

She also describes I know places as “dark”, and she wanted that to carry over into the bridge, and it definitely does. However, I can definitively tell you that this story (and relationship) is different than the one in “Style”, because of the end. By the end of the song, she says: “They take their shots, but we're bulletproof (I know places)/And you know for me, it's always you (I know places)/In the dead of night, your eyes so green (I know places)/And I know for you, it's always me (I know places)”.  (Look I usually remove the hyperlinks for the lyrics but I really need y’all to click that because it freaked me out when I saw it. Very uncomfy). In Style, her bridge says “Take me home”, or some variation of that, and she doesn’t have an outro for the song, she repeats her chorus again, which reads: “Oh, you got that James Dean daydream look in your eye/And I got that red lip classic thing that you like/And when we go crashing down (And when we go)/We come back every time/'Cause we never go out of style, we never go out of style”. So rather than being something private, this is something that everyone will be talking about for a while. 

SIDE NOTE: If you like “Style”, I think you’d really like the song “Sun Queen” by Gerry Cinnamon . It’s also about the expectation of the industry and how the art affects the artist. The difference in this song is that the relationship is the real part of his life, and his art is what he feels is fake. 

ANYWAYS. I think she did a really clever thing by playing on her image. She kind of “became” the person they wanted her to be, while making it very clear that there was something else she wanted: the kind of love - the kind of life - she’s singing about. My favorite song on the album is “I Wish You Would”, which is about “remembering what we’re fighting for” in a relationship, and it’s also a song which she mentions is written about “two people”, and not herself (voice memo, delux album). I think that’s probably true. I think it is probably the case that she was not in the middle of a Great Love Story at this point in her life, and so she was borrowing material. The same thing happens in “You are in Love” - there, she can’t be any clearer - that it’s about someone that is not her. (It’s actually about her co-producer and writer Jack Antonoff’s relationship. Btw, he is a brilliant lyricist in his own right and his music is *chef’s kiss*).

The song that I think happens to be the crossover song between the real story and the carefully presented narrative is “Out Of The Woods”. She’s said that this song was about a relationship she had where the primary feeling was anxiety, and it makes sense (at least with the lyrics)! But at the end of the song, the relationship is stronger than ever: “...I walked out, I said, ‘I’m setting you free’/ But the monsters turned out to be just trees/ And when the sun came up/ You were looking at me”. And then she repeats her chorus again, where she seems to be relieved to finally be “out of the woods”. 

So here’s where I get stuck: I stand by my theory that her gentle love songs on this album aren’t about her own romances. But I don’t think she’s lying. I think this song is about something that was anxiety inducing to her. However, I don’t think that this means that she is the narrator of the song. And I know that the question then is: what is her role in the situation? I don’t know. A close friendship with someone who’s going through it, maybe? That can be really rough, and I know that I’ve gotten sucked into people’s drama. But I think that it’s someone else’s perspective, especially because this fits into the “hard, worth fighting for, intense and long term” category, rather than something like “Blank Space”, in which she literally does not know who she is talking about ( “I’ve got a blank space/ And I’ll write your name”). 

And there is SO MUCH MORE I can say, but that was really my main point: I think she’s telling two different stories, and that it creates an environment that you don’t really know what’s going on or where to turn to understand the story. I listened to the full album a bunch of times before I came up with this read of it. Do I know who the other people I think she’s talking about are? Nope. And I don’t super think it matters. The songs and words are hers, and they’re gorgeous. Do I know what people think this album is about? Yup. Does it change my read of it? Not at all. I think my analysis stands, even - and especially - in context. 

So I still love this album. And I’m beyond thrilled that she has the kind of love she’s always been singing about. And I really hope that the other people she was hanging out with/dating/writing about are all doing amazing as well, particularly the human(s) in “I Know Places” and “I Wish You Would”.  I hope that they are still fighting for each other, and that they still feel like it’s “Always You” (/Always me but that sounds more narcissistic haha). If they are different relationships (like, if rather than her just focusing on one couple, she’s talking about many), I hope that they are all happy, successful, and in love. I hope that they don’t hang out in “Wonderland” anymore (although I think that song’s about a fake relationship, I’m just saying). I hope that they have long nights with fairy lights and soft songs. I hope she does, too. 

#taylor swift #1989 #taylornation #album recs #i say things #this was such a fun album #shes so very very good #also #don't have a Style style relationship #try a You Are in Love one instead #James Dean aint that great #actually no he's a classic but like #you know what i mean