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#also hate that her wounds just kind of disappear magically like dude. her arm was messed up what the hell
kashilascorner · 1 year
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the way the lotr movies didn't really bother to properly close (or acknowledge) Eowyn and Faramir's story arcs and they just kind of threw them in together at the end
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Spider-Man 1994 and Me
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I have no idea how I first discovered Spider-Man the Animated Series. I know it wasn’t the first Spider-Man THING I ever encountered. That was some other Spidey show but I’ve checked them all and have no idea which one it was. But as a kid I didn’t know there was more than one show. I didn’t even know Spider-Man was more than a cartoon!
 So I conflated the then current 1994 cartoon with whatever show I’d seen and by extension with Spider-Man as a whole.
 To me back then Spider-Man WAS that show. The idea of comics, movies, video games and everything else never occurred to me and when I did discover them in my mind they weren’t the ‘real’ Spider-Man.
The ‘real’ Spider-Man was this show.
 Thing is I never knew when it was on. I just knew it was on Fox Kids the cable channel. And my family didn’t have cable. So I spent a long time hoping and praying every weekend that maybe my folks would take me to one of our family friends or relatives who did, and that they would have Fox Kids in their package and that Spider-Man would be on when I was there.
 Everyone in my family and at school I was hungry to see that show, and so they got me a VHS collecting 3 episodes for my birthday. They also taped one and a half episodes from a Saturday morning show that aired the cartoon before I had to go to Greek school.
 As a result of what I can only describe as playing those tapes on loop I can practically quote ‘Night of the Lizard’, ‘The Sting of the Scorpion’, ‘The Menace of Mysterio’, ‘Make a Wish’ and ‘Attack of the Octobot’.
 Whilst the latter two episodes are not well regarded, and I sympathise as to why (they’re basically a subpar adaptation of ‘The Kid Who Collects Spider-Man’), when I was the target demographic they really spoke to me.
 And not in a ‘kids don’t know taste’ kinda way. The plot concerned Spider-Man visiting the bedroom of a kid who was a huge Spider-Man fan, hanging out with them, confiding his secrets to them, going on an adventure with them and ultimately that kid restoring both Spider-Man’s memory of himself and resolve to BE a hero.
 Can you spell ‘wish fulfilment’?
 During one fateful trip to a family friend’s house (who always had the best stuff) I caught the two episodes which are probably the lasting legacy of the whole show, ‘The Alien Costume’ Parts 1-2.
 For all young and impressionable viewers I think these episodes left an indelible mark on them, along with the follow up episode.
 Try if you will to imagine yourself NOT knowing Spider-Man wears any other kind of costume besides his red and blue one. Then imagine the idea of Spider-Man...as the bad guy. Not just the bad guy...but scary. Then imagine he’s made bad, and made scary because his clothes are literally making him that way and forcing themselves on him, even when he doesn’t want them to. Then imagine seeing an even badder, even scarier Spider-Man, but you don’t get a good look at him. you just know he’s ‘out there’.
 Now imagine you are like 6 years old seeing all that.
 For me and new Spider-Man fans like me, our experience with the black costume and Venom was about as close to what the original readers of the 1980s went through as possible.
 What helped make these episodes so impressionable was the fact that my mind was filling in the blanks for what the ‘evil Spider-Man’ might look like.
 Then a while later, by complete chance at an entirely different friend’s house, she showed me a video that had the fabled third part of the story and so, like every 90s kid, I became entranced by Venom!
 And you know what, he was everything my childhood imagination had dreamed up and more. This wasn’t just a scary looking guy, with a scary attitude; this was a guy who was literally stalking our hero. As a kid you might’ve felt a certain comfort from Spider-Man. He was older than you, he was the hero and he was powerful. You either wanted to be him, or wanted to befriend him. But in this episode, suddenly he was as scared and as vulnerable as you were.
 Following those three episodes I spent a lot of time alternating between fear and fascination for Venom and the black costume, and I longed to see those episodes again somehow, even when I eventually did get to see the show more regularly.
 That happened when my family had to move in with my grandparents for 2 years, although I also caught the debut of Black Cat before that. Since Felicia was in whatever Spidey cartoon I first saw waaaaaaaaaay back I sort of knew the character and liked her.
 Anyway, back to my grandparents, during that time they got cable and eventually Fox Kids. So finally one of my childhood dreams was fulfilled and one day I taped a marathon of Spider-Man episodes beginning with the last half of the second part of the epic Spidey/X-Men crossover and ending during the first half of the first half of the also epic Spidey/Daredevil crossover!
 Again, I rewatched this almost religiously and since I didn’t quite understand the magic of the remote, I wound up sitting through the ads too and thus I’m still compelled to invest in the Chelsea Building Society and the 1997 Christmas catalogue.
 Not long after I rented a VHS from Blockbuster (remember those?) containing the Alien Costume/Venom episodes and soon committed those to memory too.
 Finally in now being able to watch the show regularly almost everyday I wound up seeing every other episode too, and seeing them like 5 times or something.
 The first of these episodes I really remember was the incredibly dumb ‘Partners’ wherein I was happy to see Felicia and Scorpion again, and got introduced to the Vulture for the first time. Also I got introduced to Silvermane but he was less than dignified in the episode. If you’ve seen it you will know what I mean.
 Among the most impressionable were the Carnage centric episodes and Secret Wars stuff. But I still fondly remember one morning seeing Spider Wars part 1.
 Mind = blown.
 Aunt May is dead. Green Goblin and Hobgoblin are together. New York is wrecked. Everyone hates Spider-Man, even Robbie! And this is all because of...Spider-Man!?
Another Spider-Man!
Another Spider-Man combined...with Carnage!!!!!!!!!!!!!!!!!!!!!!!!
It helped that, though I didn’t realize he was a different character, I’d recently gotten a toy featuring the Spider-Ben costume and so when Spider-Carnage in an incredibly similar costume showed up, suddenly what I’d regarded as a dumb alternate costume action figure became startlingly relevant.
And the hits kept coming.
There’re even MORE Spider-Mans?
Spider-Man with Doc Ock’s arms!
Man-Spider!
And who is this blonde Scarlet Spider dude?
Ben Reilly and this whole storyline wound up being more important to me than I realized as around this time the Clone Saga was being reprinted, thus I was picking up my first Spider-Man comics off the back of recognizing both the Scarlet Spider and Spider-Ben costumes.
The next night I saw the final episode.
Of course I didn’t know it was the end. I thought for sure there was more coming and if I obediently watched enough of the reruns someday I’d see the fabled (and totally imaginary) next episode where Spidey finally reunites with Mary Jane.
However else I felt about the episode at the time, the story bears the distinction of introducing me to Stan Lee himself as he made his greatest ever cameo in the episode.
At the time it was confusing and surreal. The idea of anyone actually CREATING Spider-Man, or fiction in general, was a foreign concept to me. It grew more surreal as via osmosis I gradually began seeing this ‘Stanley guy’ in other places...except he was REAL, not a cartoon!
After being frustrated by the lack of follow up, and being bored by having seen the show so many times over, I began to...not exactly grow out of the show but began to sour on it a bit.
And upon entering the comics, realizing the show was actually based on THEM and regarding every deviation from them as ‘wrong’, I began to actually hate the show.
For the next 10 years or so I longed for another Spider-Man show, a better and more accurate one.
I went back and forth between disliking and lightly enjoying the show until about 2012.
I might not have many kind things to say about the Marc Webb Spidey movies. But after several years of distancing myself from Spider-Man and pretty much comics in general, the hype for the movie got me back in the mood and slowly but surely I disappeared back into the rabbit hole and this time got in deeper than ever before. Part of that was rewatching the show in it’s entirety from start to finish.
Initially I noticed the flaws, but then that last episode hit me. And over time, I fell in love with the show and see the worth it had beyond it’s flaws.
Quite apart from introducing Spider-Man and his world to me, it ‘educated’ me on the character in ways that actively helped me navigate the comics when I eventually did start to read them.
And looking back, there’d never been a more spiritually faithful take on Spider-Man ever before that show. It wasn’t a cartoon show using a comic book character, it was a comic book cartoon show!
So on this day, I thank you Spider-Man 1994. I wouldn’t have loved this character without you!
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hegagergerk · 6 years
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My reactions to The Last Jedi
I have mixed feelings about The Last Jedi. There are some aspects of it that I loved, but there was a lot that I really didn’t like. I’ve seen it twice, and each time I left the theater thinking, “Well. Huh. I don’t know what I feel.” I felt this uncertain about The Force Awakens, for comparison, but I left Rogue One knowing I liked it.
I also want it known that I am a fan of Rian Johnson and his work. I LOVE Brick, and Looper was pretty great. So I was pretty excited going into this film.
Perhaps, if this had been the first in a trilogy, I might be able to overlook the parts that I don’t like, as I did in The Force Awakens. But this is the second part - the meat of the story. And honestly, the whole thing felt gamey.
SPOILERS (and unpopular opinions) under the cut.
Pros:
It’s a beautifully shot, visually striking film. 
Adam Driver shirtless
Adam Driver, period. Love that boy
I love what they’ve done with Luke (the grumpy old hermit schtick), and I loved what little time we spent on Ach-To. The location was beautiful, I loved the Caretakers and the Porgs, and I loved Luke’s take on the Force and the Jedi.
Rey Random is the best answer to her backstory and the explanation I was hoping for. I loved the mirror cave sequence. It’s an even better touch that not only were they random people, but they were awful and neglectful. Ouch. Didn’t think they’d go that far.
I love that Rey and Kylo want to fuck each other. ( ͡° ͜ʖ ͡°)
I’m okay with Luke trying to murder Ben and then regretting it, even though I understand why many people are not. I actually really like the exploration of Luke’s character, and the digging into his personality flaws and weaknesses - namely, that he was prideful of his own legacy, which gave him several blind spots with regards to his nephew, and led to his biggest failure as a Jedi. It’s true - it is, initially, out of character, but I think this lapse in judgment was more horrifying to Luke himself for that very reason, and resolves for me, at least, why he would isolate himself like he does. 
I liked Luke’s death. I liked that it’s hinted that he was ready to go, anyway, and he got to go out heroically in the end.
I LOVED Luke and Leia’s reunion. Oh my god. The tears. I just. Can’t get over it. Especially knowing that Carrie Fisher wrote that scene? Fuck me
Cons:
It feels like 3 different films crammed together into 2 ½ hours. One of these films, I very much wanted to watch, but was never given enough of (Rey’s story). Another of these films, I wanted to want to watch, but found myself losing interest as time wore on (Finn’s story). The remaining one - I could have done without entirely, and I ended up resenting completely by the film’s finish (Poe’s story). 
Some of the humor worked, but a lot of it really didn’t - especially the gag about zapping dudes into walls at dramatic/semi-dramatic moments (Hux, Poe, and Finn). Granted, humor is pretty subjective, but for comparison, I either loved or had no issue with the humor in both The Force Awakens and Rogue One.
The preachy bits were REALLY. FUCKING. PREACHY. Like, dude, I agree with the points you’re making, but wow, I’d appreciate if you didn’t insult my intelligence by being so god damned ON THE NOSE about it. I thought this movie was about ~ambiguity~ And yes, I’m talking about the “don’t abuse animals”, “it’s a WAR MACHINE”, and “men don’t respect feminine women” thing. I felt like these moments were 4th-wall-breaking and did nothing to serve the story or the characters, not to mention being out of place in a Star Wars film (Star Wars is cheesy, but not THAT kind of cheesy).
Rey’s part of the story ends about 2/3 of the way in. After her battle with Kylo, she pretty much disappears from the narrative, only making a quick cameo at the end of the film. Seriously. The movie pretty much belongs to the male characters after she confronts Snoke. 
Rey never truly suffers any lasting consequences for her choices, whether emotionally or physically. Compare this to Luke’s defeat by Vader in Empire, which leaves him physically maimed and emotionally broken and betrayed. Rey is sad when she admits the truth of her parentage, yeah, and she’s not happy when Kylo usurps the First Order command, but even if this betrayal devastates her, we don’t get to see her break down under these revelations. It might be hard for Rey to acknowledge her shitty parents, but does verbalizing this hinder Rey in any way? Does it introduce an obstacle that seems impossible to overcome? Is it truly her lowest point? Ask the same questions of Kylo becoming the Supreme Leader, with regard to Rey’s feelings. Is this betrayal on the level of Anakin to Padme? Hell, even on the level of Obi Wan to Luke? Rey wrestles with Kylo over the lightsaber, nopes the fuck out, and then magically appears on the Falcon, hollering jovially about how swashbuckling and fun it is to be gunning down the First Order. In other words, she feels like she’s had an easy time of it. We really needed a scene where she shows some emotional wounds - whether when Kylo is passed out and she’s about to leave him, perhaps looking down at him with longing and sorrow, deliberating on why she should, but can’t, kill him - or whether at the end, sharing pain with Leia. But it’s like her failures don’t touch her or her story.
I’m a huge Reylo stan, but I’ve got to be honest - Kylo and Rey’s dynamic, while easily the most intriguing thing about the movie, ended up being severely underwhelming. Four conversations, and then she’s ready to go-to-bat for him? When they were touching hands in the hut, I literally was like, “Wait. Is that it? Did I blink and miss something?” They chopped Reylo down to the barest minimum of relationship progression, leaving out a lot of story-telling beats that would have bridged the gap between their antagonism and their intimacy. I felt cheated out of their story, and I really wanted to be on board with them, considering their shared loneliness and character comparison/contrast was something I was extremely excited about going into this film. I’ve read one-shot fanfics with more elegant development than this film.
I’m NOT a Snoke stan, nor was I terribly interested in his backstory or in coming up with random ass theories involving his backstory, but damn. Snoke’s abrupt dismissal from the narrative, despite being an awesome scene in isolation, feels cheap retroactively, and I can empathize with the fans who feel let down about his meaningless identity (especially when they were taunted by LF for giving enough of a shit to come up with theories about said character). The truth is that, since the sequel trilogy takes place within an established universe - and Star Wars, at that - we, the audience ARE owed a bare minimum amount of explanation for Snoke’s existence, his power, and his goals. Where was he 30 years ago, when Palpatine was in power? If you can’t at least give me something, my suspension of disbelief is shattered. And no, it’s not my fucking job, as a member of the audience, to fill in the blanks with regards to basic storytelling. At this point, why the hell couldn’t Snoke have been Darth Plageius? Or Palpatine reborn? Or whoever the fuck. If any further context had been given to him, it could only have added some meat to the story - its not like this information would have detracted from Kylo’s killing of him (if anything, it would have made that moment even more awesome). I mean, you had to hold my hand about “evil arms dealers” and “animal rights” and “she wasn’t interested in LOOKING like a hero”, but you can’t give me some damn context for Snoke? And no, I don’t give a fuck that Palpatine had no backstory in the original movies - right, we knew everything we needed to know about him, which was that he was a super powerful Force-wielder who took control of the galaxy. I wasn’t wondering, “Hmm, I wonder where that other super evil bad guy was 30 years ago while he was coming to power!” about Palpatine, because there was no frame of reference for that - and now, with the prequel trilogy, there’s definitely no need. But hey, for Snoke? Yes. Yes, that sort of information is relevant here. Even your most basic bitch casual fan left The Force Awakens wondering, “I wonder what that Snoke guy, who is most certainly older than 30 years of age, was doing three decades ago?”
Finn’s whole story was underwhelming, as much as I liked both he and Rose together. Nothing of consequence came of their story, whether by plot movement or emotional revelations - save that he decided, somewhat sloppily, to die for the Resistance (because he didn’t want to be an apathetic asshole like DJ, or whatever), only to have his choice undermined at the last minute. Nothing about his arc resonated with me. Perhaps because there just wasn’t enough time devoted to him? As much as I hate the whole “Finn is always sidelined uwuwuwu” discourse, I have to agree with them here. Furthermore, I feel like his prior-stormtrooper-ness is totally irrelevant to the portrayal of his character? It was bad enough in The Force Awakens that he didn’t seem affected by having to kill his fellow stormtroopers, and it has continued to be irrelevant in The Last Jedi. I was really hoping for some sort of moment where he and Rose connected over the deaths of Paige and his stormtrooper brethren, people killed while fighting in militaries, whether by choice or by force. This personal soul searching would have been much more poignant than the preachy babble (none with which I disagree, let it be noted) we got. I mean, the revelation that the Resistance and the First Order both get supplied from the same people who vacation on Canto Bight doesn’t really add anything - stakes, revelation, dimension - to the actual story. Like, do I suddenly not care about the Resistance getting blown out of the sky? Should I actually root for the First Order to wipe them out, so that the war will stop? Does this information seriously tempt Finn away from the whole stupid conflict? Does it change ANYTHING for ANYONE? (Hint: It doesn’t). 
I absolutely hate that Poe is being groomed to be Leia’s “good” son. Like, if I could kill something with fire in this movie, it would be this. I absolutely hate that Leia didn’t even spare her son and her brother a backwards glance at the end of the film, when they set off to flee through the caves. Perhaps this wouldn’t sting so much if Carrie were still alive and there was a chance of filming a reunion and reconciliation between mother and son, but that is not to be. 
I hate that Poe, who is NOT a main character, who was a perfectly killable side character in the previous movie, actually has the most dynamic arc in the whole film. Somehow, in a film that is supposed to be about a young woman, and in the midst of several intriguing female characters both old and new, it’s the most boring male character who gets the most agency and screentime. (I love that people were worried that Kylo would usurp Rey, but honesty…it was Poe).
Poe also has a higher kill count than Kylo Ren in terms of people who died because he was a Stupid Male, and yet Kylo Ren is the villain whose redemption is merely teased, as opposed to set into action? I mean, Poe was better at wiping out the whole resistance than the actual Supreme Leader, but nobody thinks he needs a redemption arc? oh, I guess he Learned From His Failures, so its all good.
Anytime someone said “spark”, I died a little inside.
“Hope is like the sun” - kill me now please
Leia spacewalking is an idea that I like on paper, but thought it was awkward in how it played out on screen.
Wow, so, Finn and Rey - two characters I was dying to have reunite - have NO actual dialogue exchanges. But we have enough time for Poe to say Hi to Rey but like Poe is the main character now don’t you know Like, what the fuck.
Okay, venting done.
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