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#and eoin is just. so boyfriend shaped
deepfriedpaddymayne · 11 months
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GOD isn't it insane how paddy has this whole. unlovable renegade complex, which is subtle but very much There, and then he has not one but TWO whole characters whose main role in the story is just. being utterly smitten with him.
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kierakravec-blog · 4 years
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fightthegods · 4 years
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amortentia, stardrop and patronus!
AMORTENTIA — what the character smells like
So.... I’ma be honest with you. Even Eoin’s sweat is acidic, but not the kind that’s technically dangerous. It’s citric acid, ph 6. So, uhh... bitch smells like fresh citrus fruits (think lemons, oranges, limes, grapefruits, strawberries, pineapples, etc). Leave Eoin in your bedroom during the summer and you’ll not ever get a mosquito bite.
STARDROP — favorite food
Bitch is basic, but wow, if you gave him a lifetime supply of chicken nuggets (esp if they’re shaped like dinosaurs) with like a BBQ sauce, he’s basically gonna love you forever. The first person who brings this boy dino-shaped chicken nuggets and BBQ sauce is gonna get a boyfriend.
PATRONUS — the animal that best represents the character
Alligator, man. It just chills in your pool and gets grumpy when you try to get it to leave.
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doedreamss · 6 years
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kind of tagged by @trash-god​ but also not really I sort of stole it whoops tagging: whoever wants to do this!
name: ashley star sign: sagittarius height: 5′2
put your music on shuffle. what are the first 6 songs that popped up? secrets - tribe society papaoutai - stromae whatever it takes - imagine dragons hellfire - barns courtney be bold like elijah - iron tom smut - tom lehrer
grab the book nearest to you and turn to page 23. what’s line 17? It had once been a man; he still had the blurred shape of one, but his skin was fish-belly gray-green, and he limped because most of one arm and his side had been chewed away.
ever had a poem or song written about you? okay so I have a distinct memory of a boyfriend in my freshman year of highschool singing me a song he wrote for me while I sat in the bathroom with the door locked (only place to get privacy) but I can’t remember the song to save the life of me. must not have been good lmfao
when was the last time you played air guitar uh... I feel like it was last weekend at my birthday party tbh.
who is your celebrity crush you mean who isn’t my celebrity crush? lmfao jk but for reals... tom hiddleston, kat dennings, jenna louise coleman, colin o’donoghue, eoin macken, zach mcgowan... I don’t know there’s probably more if I’m being real.
what’s a sound you hate? how about love? ohh. hm. okay so my dog (charles) has this rubbery hard bone that feels good for him to chew it, but I absolutely freaking hate the way it sounds when he chews it, it makes my teeth clench even thinking about it.  and he likes to lay by me while he chews on his toys and every time he lays down with the devil bone (that’s what I call it) I cry a little inside.
as cheesy as it sounds, I love the sound of laughter at a family or friend gathering.  nothing makes me warmer than being in a room filled with the people I love and being surrounded by them laughing and enjoying each other’s company.
do you drive? if so, have you ever crashed? I do drive and I’ve never crashed (knock on wood).  I’ve had someone rear-end me at a red light, but they did it so softly it didn’t cause any damage.
last book you read I can’t remember the last time I actually sat down and finished a book.  I’ve been working on the same ten for like a year now and yet I keep buying new books someone stop me
do you like the smell of petrol no! my mom and my little brother love it and I can’t freaking stand it.
what was the last movie you saw so I watched this indie film last night called the wedding planner simply because eoin macken was in it and holy fuck every part except for his bits were just awful.  the ladies acting missed the mark, at one point one girl looked into the camera as she said her line, one of the guys was supposed to have a tattoo sleeve but instead of taking the time to draw them on they gave him one of those fake tattoo sleeves to wear and it was so fucking obvious.  i feel like all their money must have gone into hiring eoin lmfao.  but his parts were amazing and melted my heart <3
what’s the worst injury you’ve ever had? huh... right now I’m dealing with chronic plantar fasciitis in both my feet and that hurts like shiiiit (basically the little tendon in the bottom of my foot has a ton of tiny tears in it that are continually tearing).  it sucks because I can’t go on long walks without it flaring up and then I’m incapacitated for an entire day ;-; I need to get the money to buy shoes made specifically for it but... well, one day.
do you have any obsessions right now? haha always my friend. always.
do you tend to hold grudges against anyone who’s done you wrong? kind of.  I don’t forget when someone has wronged me, it always hangs in the back of my head like a defense mechanism - ready for them to hurt me again, I guess.  but I don’t let it hang over a relationship unless they’ve REALLY fucked me over.  if it’s really bad, I drop them out of my life.
in a relationship? single but talking to someone
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cami-chats · 7 years
Text
god i can never stop thinking about certain sculptures used in modern art and how they can be used to elicit the beautiful and terrible feeling of true and genuine horror in ways that a lot of horror movies can never do
like when you ask people “what is horror?” they’ll tend to give examples of monsters, of killers, of dark places, of sharp teeth and too many legs and lots and lots of blood. which is true, that can be used as horror! but i’d like to call that “the horror of being eaten/hurt/killed” or more succinctly “the horror of vulnerability”. it’s a horror that something, whether it’s a killer or a monster or some phenomenon, has the ability to cause us harm. we see large amounts of teeth and we think “that thing is going to tear us to pieces with those teeth” or we see spilled blood and we think “someone has been hurt, there’s a chance we can be hurt too by whatever spilled this blood”.
but what certain modern sculptures can do is elicit a very physical visceral reaction of a completely different kind of horror. 
it’s “the horror that something is a thing that SHOULD not exist, and you are absolutely powerless to understand what it is, but it is existing in your space, right now, it is real and you cannot make it unreal no matter what you do”
or perhaps, in a shorter fashion, it’s “the horror of wrongness”
like one of the sculptures that made me feel this way is this sculpture here, named “Monekana” located in the American Art Museum in Washington D.C:
Tumblr media
“okay,” you say, with a shrug. “it’s a horse made of wood? what’s so scary about that?”. but this is the lie of the photograph! a photograph of a sculpture rarely grasps the experience of standing next to a sculpture. you have to picture yourself walking into this room, practically devoid of people, and coming face to face with this sculpture that is very large and very real.
and your brain screams that “THIS IS WRONG. MAKE IT GO AWAY. THIS IS WRONG”, like at any moment you expect it to move, to twist its head, to follow you with eyes that aren’t simply there. it looks like a horse but it is no horse. you could almost argue that maybe it isn’t even an art piece at all, but it wandered in from god knows what kind of world and it’s blending in with everything else. maybe it’s fooling you. maybe it isn’t.
anyways, i’m not trying to say that this sculpture in particular is SUPPOSED to be scary, it may make other people feel nothing at all (or even positive feelings!), but what i’m trying to say is that feeling i had that day, when i saw this thing, when i felt this fearful instinct to stay away and not stare, it’s THAT feeling that i feel so many writers and makers of horror don’t completely understand. you don’t need teeth. you don’t need blood. you don’t need to make Spooky Scary Skeletons or chainsaw-wielding villains. all you need is to create something wrong in its existence, something to make parts of us fear the fact that we can’t entirely rationalize what we’re seeing.
that’s horror, to me.
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isolde-and-monsters · 7 years
Text
god i can never stop thinking about certain sculptures used in modern art and how they can be used to elicit the beautiful and terrible feeling of true and genuine horror in ways that a lot of horror movies can never do
like when you ask people “what is horror?” they’ll tend to give examples of monsters, of killers, of dark places, of sharp teeth and too many legs and lots and lots of blood. which is true, that can be used as horror! but i’d like to call that “the horror of being eaten/hurt/killed” or more succinctly “the horror of vulnerability”. it’s a horror that something, whether it’s a killer or a monster or some phenomenon, has the ability to cause us harm. we see large amounts of teeth and we think “that thing is going to tear us to pieces with those teeth” or we see spilled blood and we think “someone has been hurt, there’s a chance we can be hurt too by whatever spilled this blood”.
but what certain modern sculptures can do is elicit a very physical visceral reaction of a completely different kind of horror. 
it’s “the horror that something is a thing that SHOULD not exist, and you are absolutely powerless to understand what it is, but it is existing in your space, right now, it is real and you cannot make it unreal no matter what you do”
or perhaps, in a shorter fashion, it’s “the horror of wrongness”
like one of the sculptures that made me feel this way is this sculpture here, named “Monekana” located in the American Art Museum in Washington D.C:
Tumblr media
“okay,” you say, with a shrug. “it’s a horse made of wood? what’s so scary about that?”. but this is the lie of the photograph! a photograph of a sculpture rarely grasps the experience of standing next to a sculpture. you have to picture yourself walking into this room, practically devoid of people, and coming face to face with this sculpture that is very large and very real.
and your brain screams that “THIS IS WRONG. MAKE IT GO AWAY. THIS IS WRONG”, like at any moment you expect it to move, to twist its head, to follow you with eyes that aren’t simply there. it looks like a horse but it is no horse. you could almost argue that maybe it isn’t even an art piece at all, but it wandered in from god knows what kind of world and it’s blending in with everything else. maybe it’s fooling you. maybe it isn’t.
anyways, i’m not trying to say that this sculpture in particular is SUPPOSED to be scary, it may make other people feel nothing at all (or even positive feelings!), but what i’m trying to say is that feeling i had that day, when i saw this thing, when i felt this fearful instinct to stay away and not stare, it’s THAT feeling that i feel so many writers and makers of horror don’t completely understand. you don’t need teeth. you don’t need blood. you don’t need to make Spooky Scary Skeletons or chainsaw-wielding villains. all you need is to create something wrong in its existence, something to make parts of us fear the fact that we can’t entirely rationalize what we’re seeing.
that’s horror, to me.
105K notes · View notes
theartintheblood · 7 years
Text
god i can never stop thinking about certain sculptures used in modern art and how they can be used to elicit the beautiful and terrible feeling of true and genuine horror in ways that a lot of horror movies can never do
like when you ask people “what is horror?” they’ll tend to give examples of monsters, of killers, of dark places, of sharp teeth and too many legs and lots and lots of blood. which is true, that can be used as horror! but i’d like to call that “the horror of being eaten/hurt/killed” or more succinctly “the horror of vulnerability”. it’s a horror that something, whether it’s a killer or a monster or some phenomenon, has the ability to cause us harm. we see large amounts of teeth and we think “that thing is going to tear us to pieces with those teeth” or we see spilled blood and we think “someone has been hurt, there’s a chance we can be hurt too by whatever spilled this blood”.
but what certain modern sculptures can do is elicit a very physical visceral reaction of a completely different kind of horror. 
it’s “the horror that something is a thing that SHOULD not exist, and you are absolutely powerless to understand what it is, but it is existing in your space, right now, it is real and you cannot make it unreal no matter what you do”
or perhaps, in a shorter fashion, it’s “the horror of wrongness”
like one of the sculptures that made me feel this way is this sculpture here, named “Monekana” located in the American Art Museum in Washington D.C:
Tumblr media
“okay,” you say, with a shrug. “it’s a horse made of wood? what’s so scary about that?”. but this is the lie of the photograph! a photograph of a sculpture rarely grasps the experience of standing next to a sculpture. you have to picture yourself walking into this room, practically devoid of people, and coming face to face with this sculpture that is very large and very real.
and your brain screams that “THIS IS WRONG. MAKE IT GO AWAY. THIS IS WRONG”, like at any moment you expect it to move, to twist its head, to follow you with eyes that aren’t simply there. it looks like a horse but it is no horse. you could almost argue that maybe it isn’t even an art piece at all, but it wandered in from god knows what kind of world and it’s blending in with everything else. maybe it’s fooling you. maybe it isn’t.
anyways, i’m not trying to say that this sculpture in particular is SUPPOSED to be scary, it may make other people feel nothing at all (or even positive feelings!), but what i’m trying to say is that feeling i had that day, when i saw this thing, when i felt this fearful instinct to stay away and not stare, it’s THAT feeling that i feel so many writers and makers of horror don’t completely understand. you don’t need teeth. you don’t need blood. you don’t need to make Spooky Scary Skeletons or chainsaw-wielding villains. all you need is to create something wrong in its existence, something to make parts of us fear the fact that we can’t entirely rationalize what we’re seeing.
that’s horror, to me.
105K notes · View notes