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#and i think thats very much down to the lack of diversity in the writer's room
spaceacekid · 4 months
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Thinking about the potential of Quinn Fabray if she wasn't written by male writers
We could have had such an interesting storyline on sex and purity culture and how it affects young girls. How Quinn's relationship to sex changes over the course of the show and she goes from preaching celibacy to hooking up with Santana at a wedding. Her journey to becoming more sex positive and embracing her sexyality (and queerness!!)
Not to mention her pregnancy and how that affected her physically and mentally which was soooo brushed over.
The missed potential :((
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kingjasnah · 4 years
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actually. actually let’s talk about diversity in fantasy let’s give that a go. im mad and im gonna be that way for a while
don’t want to read all this? fair. tldr: fantasy writers who rely not only on the medieval europe model but also hide behind historical accuracy in 2020 (fuck it, from ‘95 onwards) are lazy and unimaginative and should be held accountable no matter how many white 20 year old dudes jerk off to whatever power fantasy is embedded in the plot. so lets chat about that lads. (slightly) drunk rant under the cut
now prelim shit: we know fantasy is used both as escapism and as a way to deal with various traumas via magical metaphor. staples of the genre. even if jk rowling busted out the laziest and at times offensive metaphor for ww2 and racism ive ever seen, she still adhered to time and true tropes. whatever.
so why have we, in this post game of thrones era, become insanely obsessed with realism? i can hear sixty 20-something year old men crying at me rn like oh ohh oh its based off the war of roses oh wahh all medieval fantasy fiction is based off england and the crusades anyway so women should get raped and people of color should be demonized its not racism its xenophobia and also gay people dont exist and disabled people are systematically killed off and if we stretch the magic fixes mental illness thing a LITTLE further we have straight up eugenics.
we all know where the england but myth thing came from. now the thing about tolkien is that while i will always absolutely love lotr, looking at the LAZY state of fantasy? damn i kinda wish he hadn’t revolutionized the genre. the bitch was still racist. he still didnt give a shit abt women (eowyn was just a vehicle to show how much he fucking hated macbeth anyone holding jrrt up as a feminist icon for that needs to sit the fuck down and explain to me why i can count the woman speaking roles in lotr, a story with a name and fleshed out backstory for every minor character, on one hand but thats! another post). he had something to say abt class with sam i’ll give him that but he is still 100% NOT what we need to hold our standards to in 2020. 
i dont want to talk about old school fantasy, like 80s early 90s cause theres literally no point. its sexist, racist, ableist for sure, this we know. david eddings (not even that old school tbh) can rise from the grave and explain himself to me personally and i still wont forgive him for ehlana. 
so let’s talk historical accuracy. quick question. who the FUCK gives a shit? WHO is this elusive got fan who’s out here like blehh actually??? this method of iron production is TOTALLY anachronistic of the time. ummm these vegetables in this fictional world were NOT native to english soil so how are they here? cause i know this is the classic argument but ive never actually met someone who cared about the lack of dysentery as much as they care abt the women getting raped on screen/page. 
god forbid you have to worldbuild for a second god forbid you can’t rely on the idea of fantasy readers already have in their head god forbid you have an original idea god forbid you spend more than two seconds thinking about ur setting (oh i should mention i dont....really blame GoT for its setting cause of how long ago it was og written but trust me i sure as hell blame grrm for writing a 13 yr old giving ‘consent’ to sex with a grown man within the first couple of chapters) 
If we accept the basic premise of fantasy as escapism, and i AM drunk so i will NOT be finding fuckin. quotes and shit for this but come on tolkien said it himself and as much as i’ll drag him he crafted the simplest and most powerful fantasy metaphors on the board rn. But if we know its escapism. If we know. then who is it escapism for? certainly not for me, the gay brown woman who busted through all of GoT in 10th grade. 
modern fantasy lit used as an excuse for that white male power fantasy is literally disgusting. calling historical accuracy is so fucking dumb ESPECIALLY cause we, as ppl in the 21st  century, KNOW women have been consistently written out of the story. poc ppl, gay and trans ppl, anyone with a god forbid disability has been WRITTEN out of history as we know it, INCLUDING the fucking war of the roses so HOW can we hold up testimony we know is flawed to support our FICTIONAL. STORY. just to??? support the white power fantasy?? literally noah fence but if you are a white guy who felt really empowered by every time jim butcher described a woman tell me: how do you think that’ll hold up in classic HisToRiCaL fantasy. you think thats a fucking noble pursuit? or are you grima wormtongue out here. 
(side note: jim butcher stop writing challenge i dont need to know abt every woman on page’s nipples. anyone who hides behind subgenre like that? ‘ohhh its a noir story thats why hes sexualizing everyone’ shut the fuck up an author isnt possessed by a fuckin muse and compelled to bust out 500k they have agency and they have choice and they MADE the choice to reserve said will for none of their female characters)
which brings me to point 2: target audience and BOY is the alcohol hitting me rn but WHO is this for? this isnt the fucking 80s we know poc and other marginalized folk read fantasy FOR the escapism. on god ive had a cosmere focused blog for nearly three years and. im just gonna say it im interacted with A LOT of yall and ive managed to talk to VERY few white straight ppl as compared to everyone else. 
like....who deserves to see the metaphor on homophobia or racism. joanne rowling? the bitch who literally tried to sell us happy slaves and the disgusting aids metaphor and the worst case of antisemitic stereotypes i ever saw in an nyt bestseller? yall think that was for US? or was it for the white guilt crowd. 
literally white people can find any book about them that they can relate to. but hmmm maybe theres a reason gay women care so much about stormlight archive’s jasnah kholin, a brown woman who’s heavily coded as wlw. or kaladin, the FIRST fantasy protag ive ever seen with clinical depression. hmm i wonder why a bunch of millennials are vibing all of a sudden. im not saying sanderson is perfect--but its the best ive seen from a white author tbh
maybe theres a reason a lot of poc vibe with a literary way to express trauma, and maybe thats why i specifically get so pissed when its not done well. theres a REASON books about outcasts pushing through and claiming their own lives are popular with people who arent white and straight and able bodied. Junot Diaz had a point. maybe lets STOP catering to those assholes who think theyre joseph campbell’s wet dream personified. ive lost respect SO many authors who are objectively talented. pat rothfuss can write so beautifully that ive cried to bits of name of the wind but literally i will never pick that series up again (not just because of the felurian. women in general tbh. mostly the felurian ngl) cause 1) i personally KNEW men whod jerk off to that shit and 2) there was no need for it there was no plot reason for ANY of that shit 
so like obviously thers an issue with authors of color specifically not getting recognized for fantasy and genre work but on god??????? im still mostly mad at the legions of white authors churning out the same medieval england chosen one books year after fucking year. have an original thought maybe. also im sorry that you as an author lack the basic empathy needed to examine the way that women? or any group of people that youre explicitly writing about see the world and would specifically see YOUR made up world. 
yes your fantasy should be diverse, but more than that it should be kind. if you as a writer cant respect groups of people who deserve it....what the hell are you doing in a genre that traditionally is about finding ways to express injustice through metaphor? tolkien’s hero was sam. fantasy was NEVER about the privileged. yall know who you are so stop acting so fucking entitled. peace out. 
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thewaitinggamesblog · 3 years
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After we collided was worse than After don’t @me
I have thoughts on this movie and Id like to share. Read if you want or don’t. This is a rant, so if you don’t want to hear any negative thoughts on this movie, this is your warning! 
You may or may not agree what I have to say, and thats okay. Im just sharing personal thoughts
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After We Collided, in my opinion, was a fucking dumpster fire, I honestly wonder how and why this franchise can still produce movies. I know I'm going to get some heat from this, but in all seriousness, I have no hope for the other films. I think I lost all hope for the franchise after watching this movie.
I read After in conjunction with the first movie. I was interested in how a fanfiction on Wattpad turned into a best selling book and eventually became a major motion picture. That's what sparked my interest in the franchise. Because I in my "teenage youth" read fanfiction and had heard of this particular fanfiction a few times, I wanted to finally see what it was all about. Not surprisingly, it was exactly what I thought it was, a fanfiction.
I did not like the books personally. There were many problems in content/ subject matter and execution of that content that I felt was poorly handled and sent out the wrong message to people at times, but that's for another post.
So going into After we collided, I didn't know what to expect, id watched After, id read the book, and seen promo and trailers and interviews; I knew that the rating had changed. After was rated pg-13 and After we collided is rated R. I knew, along with that, that there were talks about bringing in more book character elements like making movie Hardin more like book Hardin. I was skeptical about that because:
1. That specific change seemed really hard to pull off, especially when you've already introduced the character with different behaviors. I think the transition would have been better if they were more developmental and progressed over time instead of just happening.
and
2. I didn't like book Hardin, I much rather preferred 1st movie Hardin, and his character in the books is a lot, and I was skeptical of the actor to be able to step into that role; after having watched the first movie, which was a watered-down, version of Hardin
In my opinion, it wasn't his acting ability that was lacking in character presence. It was the way his character was written in the script. Book to movie adaptations are really hard, but they're even harder when you have to go back and undo and exchange parts/ feelings/ emotions of a character. The actor who played Hardin (who I'm not naming on purpose) seemed like he was not vibing with this version of his character whatsoever, making the movie so hard to watch. This extends to Tessa as well. Her character development changed, ill say, drastically, and I would have liked to see a smoother transition to that character that we started the movie off with. As an audience member, I was so disconnected from her character and anything that she did because I just didn't believe her character would do that. Being late and cussing in the lobby of her new job, and acting frantic, especially coming off of the first movie where her character acted completely different. I would have never expected her character to do any of that. What's worse about it is that it just happens. There is no explanation as to why it happens and why she does these things, or why she's become more aggressive, she just is, and that bothered me.
Another thing that bothered me to no end was this movie's lack of plot. The book series is very episodic and goes around in circles. I can accept that about the series because knowing the series's backstory that made sense to me. However, a movie should never be like that. There was no overall arching storyline. It was just a bunch of scenes from the book put together to get to the end, which is the "big" but not so big reveal. I felt like there was really no purpose to drive the movie; the goal was just to get from start to finish. This was really sad as a viewer
because there were moments where I felt like the writers could have capitalized on the storyline and made some more diverse and complex scenes that could have given the movie some color. The scenes really do go from one to the other with little to no connection, and they make absolutely no sense.
I think the worst thing for me in the movie is when Tessa goes home. Noah accidentally tells her that her Dad is looking for her. Tessa has this very curt conversation with her mother, and then it's never really talked about after that. Tessa's Dad becomes a vital part of Tessa's story. And I ask, why was that not capitalized on more in this movie? They kind of waited to put back in at the end of the film, which I felt was such a mistake. Like, I know they're saving it for the next movie. Still, I saw no reason not to capitalize on it while they were already setting up for the storyline in this movie.
The writers were trying to capitalize on it being sexier and more like the book that they forget to add a plot. There was so much material to work with. The writers could have easily written and rewritten the scenes to fit the movie's storyline. In return, I felt like that would help push the story along instead of it feeling like this needless pack of scenes.
In addition to that, as the audience, we are missing crucial information that would have helped make sense of the movie. Like we're missing the aftermath of the bet. Like they just scathe over that. The info on Tessa's father, which I see what they were trying to do, but I felt like no one really took the bait.
From a viewer's pov, assuming id never read the books, you start to wonder how this even came to be starting with the first shot.
1.Why is Hardin just asleep in his car?
2. How long has it been since the reveal of the bet?
3. Why and how is Vance able to whisk Tessa away to Seattle to a business deal that we only hear about after she's there?
That last one might be reaching, but still.....
And that's only within the first 15 minutes of the movie.
I also had pacing issues; this was a lot to unpack in such a short amount of time. Yeah, so......
Something I did like!
1. The exchanges between Trevor and Tessa seemed genuine. I liked the chemistry and how they're written together.
And that's pretty much it.
Despite my dislike of the movie, I can appreciate it for what it is a cringe romance fanfiction movie.
I will say overall, some stories should just not be made into movies. In my opinion, I believe the book lost a lot of value when you start adding real-life elements to it. Of course, everyone will have a preconceived idea of what the movie is going to look like. Still, I think expectations fall short when you can't execute the idea properly, which is what I believe happened with After we collided.
So that's my opinion. Just thoughts, like I said you can disagree with me and thats okay, but this this is just my opinion.
signed,
someone with thoughts
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insomniiiac-blog1 · 7 years
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let me start by saying what the f u ck ??  i’m so eloquent .  i know ,  i know .  so i’ve decided to revive my maggie blog without any expectations .  i played her so long ago ,  not anything like i do now  &  the rules of roleplaying are constantly changing  &  let’s be Real i’m such a rusty loser .  i was a scared lil bean  still am  when i first posted my promo ,  i didn’t have a clue what i was doing  &  i still D ONT .  all i do know is that i love this character so much ,  with all of her quirks &  poor life choices i scream about 24/7 . but anyways ,  i wanted to try giving my own spin on things  &  what the hell right ???  worst it could happen i’d get ignored  &  DIE .  i figured i’d probably lurk in the shadows before getting my soul sucked by a demon or whatever ,  so you can imagine how  Shook  i am that all of you are still here with me  &  it all happened so fast too !!!    i pride myself in following people who spread only love &  *~~*~~*  positive vibes *~~*~~*  &  my dash is such a good place honestly ??  whenever i’m feeling down or upset,  you guys lift me up ,  humor me ,  keep me laughing  &  entertained  -  even if you don’t know you’re doing it ,  just know you’ve been cheering me up when i needed .  you’re all wonderful writers , i’m so thankful for each follow button i ever clicked ,  for having found such great ,  kind members in this community .  if i follow you i’d just like you to know i  ADMIRE  you so much !  yes ,  every single one of you is so dear to me  &  i will legit bite off the face of anyone who tries to upset y’all .  you’re strong ,  diverse ,  WAY TOO QUALITY to follow me  & i’m the luckiest gal in the world for having you as my followers .  if you ever need anything ,  anything at all ,  please know you can hop straight into my IM  !   now before i get all sentimental  too late u dork  let me get this list started
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@thinhumanity & all the chars i convert u into making sorry i think you were one of the very  FIRST  people to pop in my inbox  &  i’m ever so thankful you did . turns out we  had  met prior to this blog being revamped  &  u were still around &  you found me again !!  i absolutely  ADORE  you  &  everything you write ,  you are such an inspiration, and such a genuinely kind ,  funny and creative human being , i love getting our wild plots going and you’re so stuck with me for life .
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