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#and my main issue with ted going back to kansas to be with henry
thetarttfuldickhead · 11 months
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Ted going back to Kansas is still not my ideal outcome for this show, but I very much do like that he quit Richmond before they won the whole fucking thing. Never quitting, never giving up was such an integral part of Ted’s occasionally toxic positivity and by allowing himself not to stick things out just to stick them out and by doing what he felt he needed to do, irregardless of what ill-advised promises he may have made, he took a huge and important step away from that.
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bloodyproudpotterhead · 11 months
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That whole reddit fiasco is seriously condescending and dismissive it gives me the ick. So I’m gonna write issues that I had with that finale.
Many of the things that he said just doesn’t make sense. The defense for Roy & Jamie weird behavior is “men are dumb” and “Keeley doesn’t need anyone”. You think we don’t know that Keeley doesn’t need anyone to feel complete? WE DO! The show never implied that she has problems being alone anyway. Also, you can’t fit the complexity of feminism and girlhood into one “girlboss” shape. That’s just reductive. The moment I read this, I knew that that part of storyline is written by men.
Another problem: Defending Jane behavior. Stalking your boyfriend’s friend? Shredding your boyfriend passport?? And to dismiss them as ‘quirky behavior’??? To me, that sounds like giving a pass to toxic, abusive relationships. 
Another one: To leave the ending of Ted & Michelle relationship as ambiguous? BIG NO. To even entertain the idea gives a bad taste in my mouth. This is the woman that begged him to sign the divorce paper, for christ’s sake. And they never built of the idea of them getting back together. They even introduce Dr. Jacob into the story. Was that truly necessary? Was the point to show that Michelle needs to be in another relationship to see Ted for who he really is? 
Also: Ted wasn’t at the wedding? Because he’s at Henry’s practice?? What even was that. You cannot actually tell me that they think this through. What, your kid can skip practice for 1 day to attend your best friend’s wedding?
Let’s even go to the boat guy: You cannot tell me this is the ending they plan for Rebecca from the start. If it did, why not build that narrative instead wasting your time introducing unnecessary new characters? Let us get to know the man better so we know that Rebecca will be taken care of by a man who truly knows her. 
Another issue: Henry. When did we ever see him actually missing his father? Because i feel like I missed that. Even that part of the story was told through other character, Dorothy, and not Henry himself. Why not have a scene where the kid express this himself? Even when he had problems at home, he can solve it himself (the bully story). 
Second to last: Ted himself. I don’t mind if their plan from the start was for him to have a Mary Poppins-like journey. What I had problems with is the way they build that theme. They’re too focusing on symbolism, they never truly build the narrative itself. If Ted was supposed to go back to Kansas from the start, why not show him what life he had and going to have there. This was never at any point shown or even hinted at. Also, Mary Poppins, unlike Ted, didn’t leave her hometown with a partner whose love for her has expired. They began Ted’s arc with showing him that his marriage is practically over that he needs to move an ocean away from her. That’s just saying to me that Ted desperately needs a new start (which they clearly displayed multiple times).
Lastly: The editing and the baiting. There are so many intentional edits and camera works and parallels that are meant to teased if not blatantly directed towards Ted & Rebecca. Why zoom in on the matchbook? The tiny soldiers?? Them talking at the hallway??? I can go on and on on this alone. Even to the opening scene of the finale. Just for shits and giggles for audiences who root for the two main leads? Honestly, that to me just felt cruel. Even if their intention was for them to be platonic soulmate, their words not mine, they never really addressed any of the elephant in the room anyway. The call, September 1991. So all I hear is them saying stuff and not following up on that. ALSO, to tease the idea of romcom MULTIPLE TIMES both on and off the show, even referring many times to Nora Ephron, only to laugh at your audience for believing in good old romance felt truly disrespectful to the late director. And as a long time fan of hers, I won’t let that slide. 
My point is: You can’t just patch bad writing with callbacks while ignoring a huge chunk of the character arcs you’ve built. That’s such a disservice to the beloved characters so many people have grown to love. 
And to say we take it personally? Excuse me, when your audience take your work personally, you should take it as a compliment because that means they connect with your work. So much for a show that preaches about being kind, I guess.
Anyway, I always feel sad and embarrassed when writers have to defend their decisions to their own audience. And that is what they/he did. You can elaborate on what you think happen post-finale to your audience, or even explain your intention, but when a big crowd of your audience question it, maybe you should take a look at the way you frame your story before you point fingers at them.
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kadi219 · 11 months
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The #TedBecca fandom went nuclear after that ending, and I get it. I’m not going to comment on how people should feel or not, because I’ve been there.
Sweet Lords of Kobol, have I ever been there.
I have seen some shitty finales. It’s why I hate them now. I loathe final seasons, and I’ve gotten to a point where I just don’t watch a lot of television while it’s airing. I have honestly gotten to a point where if my faves made it out alive, it’s a win. Fix-it fic is a very happy place.
#TedLasso and #StarTrekPicard were the exceptions to that rule, and probably the only thing besides football that I’ve watched live in a long time.
I have shipped some ships that went straight to shit. I have shipped some ships that ended tragically (Voyager, House and Major Crimes left their mark on me, okay? And it’s deep, scarred, and I’ll never trust an EP again).
That said, with #TedLasso, I did not feel the same old trauma that I’m used to. I liked that ending. I laughed, I cried, and I thought it was great.
1. Jamie and Roy — We’ve been told since almost episode 1, Season 1, that there is no such thing as perfection and people are a work in progress. They got drunk, and like idiots, their drunken mouths and egos overloaded their good sense. The point was not their regression though. Roy acknowledges at the end of that scene that they are both “fucking idiots”, and Jamie acknowledges that. Then they go eat. I think they’re okay, as far as the friendship we saw grow. And we see Roy working on himself, both as a Diamond Dog, and in therapy. These are not perfect guys, and we were never going to see a perfect resolution to their issues, but I love how far they’ve grown…. Roy in therapy with Dr. Sharon? LOVE IT! BUT – As I said, the point of that scene is not their regression. Keeley chooses NEITHER of them. She chooses herself. I think she and Roy could end up in a place where they could get back together, but he’s got some work to do on his own, and then there’s the point of Keeley’s storyline this season (IMO), she has some work to do with being happy about who she is, in her personal life and her professional. She needs to feel secure in that, and she’s almost there. To me, the series ended with the potential of their reconciliation. There’s hope! Which has been one of the main themes of the show.
2. Beard and Jane — that chick is hella weird, and I don’t get it, but Beard does. I think the wedding part of the montage might have been a dream, because I agree – in no universe is Ted missing that. Either way, I just didn’t care about them. It doesn’t bother me.
3. Rebecca and Boat Guy — I don’t think he’s the lightning. But I think she deserves the opportunity to be with someone else post Rupert, before anything serious develops anywhere else. She hasn’t had many post-Rupert relationships. She deserves to have those, given how long she was with that asshat.
4. Ted and Michelle – Ok, this is probably going to be the controversial, unpopular opinion. Ted was always going to go back to Kansas. The entire show has been leading toward that. The question is whether he ends up staying in Kansas, or not. Ted feels, very strongly, like he needs to be with Henry. This is what he feels will make him happy, and will make Henry happy. Rebecca gave him solutions to that, and they’re great ones. He's not there yet. Here’s why: Now that Ted knows Michelle was with Dr. Asshole, but we’re given the idea she isn’t anymore (I’m going with that), Ted deserves to know how much of their marriage breaking up was truly about THEM growing apart, and how much of it was Dr. Asshole being an unethical shit. And, IMO, Michelle deserves to know that too. How much of her thinking Ted was must “too much” and pushing him away was Dr. Asshole influencing her? How much of that was this absolute Frakweasel being so unethical that, I can’t even find the words. Michelle was vulnerable, and the question is, did he use that vulnerability and her trust in him to break them up? It’s a question that needs to be answered for Ted and Michelle, before either of them can move on, and it needs to be answered for Henry too. What I think, honestly, that they would find is that they really did grow apart. I think that it would make them better co-parents. They are still family, there is no reason they cannot be amicable in their split & their joint custody of Henry. I also feel, very strongly, that neither of them is going to be comfortable with the other moving on, or with themselves moving on, until they know the answers to those very big questions. I also think, ultimately, in my damaged, scarred, very traumatized shipper heart, that this will lead Ted back to Rebecca, and to a place where the two of them, Ted and Michelle, could have that conversation about her and Henry making the move to England.
So really, for TedBecca to happen, Ted had to go home.
I also think, for Ted to truly be happy, he had to go back. Not that being in Kansas is what will make him truly happy – but what will make him feel strong in himself, as a person, and a father, and a friend. There are so many unresolved issues for him in Kansas, that, I agree – in that final scene he doesn’t look totally happy with his choice. He didn’t WANT to leave the people he loves in England behind. He’s going to miss them. He felt like he needed to. But to me he looked content in where his choice could take him. There was hope there.
There was hope there for all our characters to get the futures they deserve. That’s the kind of finale I can live with. That’s why I loved it.
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theheroheart · 1 year
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Ted Lasso predictions
Ok so I was gonna write this before season 3 started, but then the internet lied to me about exactly WHEN that would be, so now episode 1 is out, and I haven't written it, so I am showing SOME INCREDIBLY RESTRAINT in writing this now, before I watch.
I have a bajillion thoughts, and I want to write them down so I can go either "I told you so" or "wow I was way off base", depending.
Okay let's go.
The biggest question I struggle the most with is whether Ted/Rebecca will be a thing.
The show has consistently built them up as soulmates, showing us the connection between the two. I could point to a million moments of foreshadowing. Jason has called them soulmates. But will that be romantic? I would honestly love it either way. I'd love to see the two of them romantically together, but I'd also love for some a big influential show to keep them platonic and show that that's how they are.
What I do know more or less for sure, is that come 1/3 into episode 11, there will be some big revelation between Rebecca and Ted, in Ted's office. This one has been foreshadowed SO heavily.
And it just seems like they both have had all of the character development to be ready to be together. Rebecca saying she needs to let herself be loved by someone wonderful - but she wasn't able to with Sam so now she's still trying to figure out why. And Ted of course dealing with his emotions and his problems, making him a much healthier partner to be with.
The main thing that stops me from thinking it'll be a thing is that I don't think Ted will stay in London. He needs to go back to Henry.
I already thought that, but couldn't necessarily point to something big, but then Brendan mentioned in an interview something about how Beard has immersed himself in local culture, while Ted hasn't. Which yeah - he's barely changed a single thing in his apartment, or his clothing style, while Beard clearly has. Ted isn't making a long-time home, it's like he's living in a motel.
Also references to Wizard of Oz and the red shoes. "There's no place like home." to mirror "I have a feeling we're not in Kansas anymore" in the pilot. (Rebecca is shown with the red shoes. Does that mean she'll come with Ted?)
Nate saying "back to Kansas, where you belong, with your son" and it clearly hits Ted. The phone call where Henry forgot his lunch, and Ted looked devastated to be ocean away. Whatever happens, Ted needs to be with his son, he needs to be a better dad than his own dad was.
I think/hope we'll see Ted's mom. There's only minor things that have told me that might be happening, but nonetheless. Ted making a point of "and my mom" whenever he talked about his dad's suicide. Ted saying "I love meeting people's moms." And there's some filming pics that shows an older lady with him, with a suitcase.
As for Roy/Keeley, I feel like they're gonna break up. There's a lot of build-up to it. The issues between them. Ms Bowen. Jamie still being in love with her. The question is whether it's gonna be forever or not. I have a vague feeling they're the kind of people who come into each other's lives to make each other better - that they're transitional. They both very much needed to date someone like the other one. But that doesn't mean they're destined to be together forever. Could go either way though. We'll see.
And it depends on what they decide to do with Jamie, which I actually don't necessarily have any predictions for. I've loved seeing his himbo development. And I find it deeply interesting how much Ted thinks about him, how he seems to feature in Ted's panic attacks.
And what are they gonna do about Nate? Well, obviously Ted isn't giving up on him. I've read a lovely post about how it's not going to be one big redemption, and I agree. I think Nate has to crawl himself out of the hole he's dug himself (emotionally), and I hope he does that. I hope it takes effort, but I hope he makes it. Whatever his flaws, he does deserve happiness, and deserves a chance to be a better person.
I also think the show is finally gonna dig into homophobia in football. AT LEAST I PRAY. I've been wanting this for so long, and obviously the show is pro-queerness.
So, how? Trent Crimm doing something more meaningful. He's heavily implied to be gay (based on that one pub scene), and he cares about sports, and he cares about major issues. (Everyone and their mum has predicted he'll write a book about the team or about Ted.)
There's also Colin, implied slightly subtler to be gay. ("Like Grindr.") Plus on red carpet a week ago, his actor implied love would be in his future, and he also said something about getting a storyline you can sink your teeth into, and about Colin living his best life. I already thought this might be a thing, but the interview kind of confirmed it.
What about Dr Sharon? Not sure what role she has to play, if it's important or not. Is she involved in the whole gay thing? Does she go work for Rupert? Who knows trtbh.
Also apparently we're getting a new player called Zava, who Dani adores. How will this play? No idea but I'm excited to see.
Sam? Well, he's got the restaurant plot. Making a safe space for his team, because that's what he needed when he got there. It kind of sounds like that's his main plot this season. (I don't think him and Rebecca are getting back together.) Is the restaurant called "Ola's"? That's supposedly the name of an episode, and it's a Nigerian name, so.
There's a new character named Jack. She's described as a charming venture capitalist, so I assume she wants to work with Keeley. The fact she's charming and played by a queer actress makes me think Keeley is gonna dip her toes back into the lady pool, or at least be tempted to.
OH!! And for the love of god, please give us a fucking musical episode. Almost everyone in this show can sing, for fuck's sake.
Uhhhh I think that's it. I can't think of anything more off the top of my head, or looking at the character list and such.
SO NOW I'M GONNA GO WATCH THE FUCKING EPISODE.
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