Tumgik
#and that’s not even counting the rest of my assorted scoundrels
maramahan · 10 months
Text
I’m planning on trying out Art Fight this year, but in gathering my characters I’ve been forced to confront the fact that literally all of the folks I’ve been drawing lately are some flavor of remorseless criminal
In a lineup of 6, we have
one graverobber
two habitual arsonists
three theives
four gangsters
two-and-a-half cannibals
three murderers
one invasive species
….and only two of these people actually bother with gender
137 notes · View notes
scuttling · 3 years
Text
Paper Rings
Fandom: Criminal Minds Pairings: Aaron Hotchner/Female Reader Word Count: 10,191 Tags: SFW, Fluff, Literature, Friends to lovers, Everyone thinks they're dating, There was only one bed, Some angst with a happy ending, Confessing love in the rain, TW fire and blood/wound Summary: Some of my favorite tropes rolled into one cute fic inspired by Taylor Swift's Paper Rings. (lyrics and music) Link to A03 or read below! “Good morning, my friendly neighborhood crime fighters,” Penelope says as she enters the briefing room, wearing a dress that is bright bubblegum pink, with fingerless gloves and glasses to match. You, Derek, and Spencer groan your replies, because you just got home from a case last night, with less than seven hours between arriving at your apartment and returning to the office, and that is everyone’s least favorite thing.
You can’t deny that her typical sunny disposition makes you smile a little bit brighter, but you’re still exhausted, and even your usual extra large travel mug of breakfast blend is barely taking the edge off.
That’s probably why, when Aaron enters with trays of steaming espresso drinks from the cafe down the street, and a striped box of donuts, you act like a kid on Christmas morning.
“Oh my god, I love you. Thank you, I love you.” He got an array of basic drinks based on everyone’s usual orders, and you scan for one that has something with latte, but he takes one out and hands it to you, smiling when you take a sip and sigh—okay, he’s smiling with his eyes, but you are well versed in his body language and facial expressions, and he’s practically grinning at getting your order (triple one pump hazelnut extra hot latte) correct.
You are not the only one to notice.
“Get a room, you two; it’s just coffee,” Derek says, taking the white mocha from the tray and drinking half of it in one sip. “Now if you tell me there’s a bear claw in there, I’ll confess my undying love too.”
“I don’t know; I asked for an assortment,” he says, and it’s clear he did, but your cup has your name on it; you cover the ink with your hand and take another grateful sip. “I do know there’s a plain glazed in there, though,” he says a bit lower, just for you, and you smile, give his wrist a squeeze, and dive for it before Jennifer Jareau can get her hands on it.
That’s all the morning meeting consists of—bickering and bantering and caffeine and carb consumption—and when the group disperses, you follow Aaron to his office and sit down in the chair across from his.
“Thanks again for breakfast. You definitely raised the morale of the troops,” you say with a sip of your perfect latte, and he shares the hint of a smile.
“You’re welcome. It helps that you’re all so easy to appease.” He flips open his bag, pulls out a small, worn, paperback book, tosses it toward you. You pick it up, run your hand over the well-loved cover, and hum.
“The Call of the Wild—this made it into the Aaron Hotchner Nightstand Collection?” He arches a brow.
“It’s so overrated that it’s underrated; no one ever actually reads it, they just assume they know what it’s about. It’s a great book, if you’ll give it a chance.”
“Hey, you’ve read all of mine without complaint; of course I’ll give it a chance.” You take the last, sad sip of your latte and stand up, point out the door with your thumb. “Speaking of, mine’s still downstairs on my desk. I’ll be right back.”
Exchanging books started as an offhand comment one night, on a flight home from Georgia, when he’d mentioned that he never buys new books, only cycles through the same ten or twelve he’s been reading since college. He knows what he likes, finds something different in the text each time he reads, and you’d found something so profoundly beautiful about that that you’d asked for the list. You wanted to know more about the books that tug at his emotions enough that he’s read them day in and day out for over twenty years with no boredom in sight.
He’d done you one better, said he’d be happy to lend them to you, if you’d like, and that was an offer you couldn’t refuse. Seeing college-aged Aaron’s notes in the margins of battered paperback novels was a prospect too good to be true.
Of course, you couldn’t accept the gesture without returning one of your own, so you’d offered to share your favorite books with him too, only... you don’t exactly give him your favorite books. You purposefully buy the cheesiest romance novels you can get your hands on, pass them off to him while he hands you poignant, classic novels that have won literary awards and Nobel prizes.
Today’s is called Lord of Scoundrels, complete with a shirtless man on the cover, kissing a woman with dark, flowing hair and a light blue dress; you snicker the whole way to your desk and back up to his office—earning curious glances from the rest of the team—and when you drop it on the desk in front of Aaron, you watch closely for a reaction.
As usual, he doesn’t really give you one, just flips the book over, skims the summary on the back, and nods.
“Sounds interesting,” he says, and your heart does a little flip.
He could easily hand the book back, laugh in your face, refuse to read something so clearly out of his wheelhouse, but he thinks these novels are important to you, and he never fails to read them, offering his favorite parts the same way you do for his.
The world probably doesn’t deserve Aaron Hotchner; you definitely don’t.
“I think you’ll really like it. Sebastian and Jessica start out kind of indifferent toward each other, but the more they interact, the more they find they have in common. It’s very acquaintances to friends to lovers, if you’re into that.” He looks up with an expression you place as uncertainty, even if you’re not quite sure the reason for it. You smile softly. “I should get to work, but thanks for the book. I’ll see you at lunch?”
It’s been so nice lately that you started taking your lunch outside, sitting on a bench beneath a huge, shady oak tree, and Aaron had taken to doing the same; you both quickly realized it was stupid to sit outside together, apart, so you meet up in the bullpen now and walk out side by side, spend the hour talking about your books or the team or Jack or life in general. He shakes the uncertain expression, nods his head.
“Of course. Thank you,” he says with a wave of the book, and you head back downstairs to start your day.
You’ve become mostly accustomed to the feeling, but it still surprises you a little when all that gets you through the day is thinking about your next conversation with Aaron. A week later, you’re on a case in Pittsburgh, and you and Aaron are paired up to room together. That’s nothing unusual—it seems like you’ve been rooming together more often than not lately, which is fine by you; he’s tidy, quiet, always interested in a late night snack, pretty much the perfect roommate—but when he opens the door and you step inside, the single king size bed in the middle of the room takes you by surprise.
“Uh… do you think it’s a mistake? Or maybe they just ran out of doubles?” you suggest; he's kind of frozen in place, and while it’s not ideal, you know it’s not actually going to be a problem. You’ve shared a bed with JJ before, and Spencer, and even though you don’t feel the same way about them as you do about Aaron, you think you can manage a couple nights in close quarters.
“Probably just ran out of doubles,” he agrees after a moment; he doesn’t bring up calling the front desk to ask for another room, so you don’t either, just hang your clothes and head into the bathroom to change into your pajamas and do your nightly routine.
It’s a little awkward at first, and you don’t know why; over the last six months or so, he’s actually become your closest friend on the team, and conversation usually comes easily, but silence settles over the room uncomfortably as you slip between the sheets on your side of the bed.
He goes into the bathroom, does his own nightly routine, then comes out in his pajamas and turns on CNN.
You take out your book, pay no attention to Aaron, but the longer he sits on the edge of the bed, staring at the news ticker on the television screen but not actually watching it, the more you wish he’d just get over himself and come to bed. If he’s trying to wait for you to fall asleep, he’s going to be waiting a while.
“So you were right; I love Buck,” you say as a way to start some conversation, to bring some normalcy to this unusual situation. You hold up the book you’re reading, the one he let you borrow. “His struggle between remaining loyal to his owner and answering the call of the wild—I love dogs, but I never imagined a book about a dog could be so moving.”
He turns back with a soft smile, then switches off the tv and heads over to his side of the bed; he pulls back the comforter, slides between the sheets, meets you toward the middle of the bed.
“I told you you’d like it; what chapter are you on?” He leans over to look, so close it wouldn’t take much to lift a hand and brush it over his hair; it looks unfairly soft, and part of you wants to card your fingers through it, to tug on it and mess it up a little. He probably wouldn’t even mind if you did.
“Chapter 7—I only have a few pages left.” You snuggle more comfortably against your pillow, lean into his shoulder, and move the book so it’s more evenly between you. “Want to finish it with me?”
He does, and you read silently at a similar pace; he reaches up to turn the pages, and you think about how these hands have flipped through this book so many times before, what he might have been thinking, feeling, while reading. It’s a more intimate act than you’ve shared with anyone in a really long time.
When you finish the book, you sigh, let the feeling of reading a really great story envelope you; you turn to face Aaron, and he’s looking at you… and then there’s a knock at the door that startles you both.
He gets up, walks over and checks the peep hole, then opens the door.
“Are you sure?” you hear JJ ask, and he steps back so she can enter the room; when she sees you tucked snugly into the middle of the bed, she shoots you a soft smile and mouths you’re welcome, which makes absolutely no sense without context. You’ll have to bring it up to her later and ask what exactly you’re supposed to be thanking her for.
“So you said the detective called?” Aaron prompts her, and she looks away from you, nods.
“Yes, he wanted me to ask if we could have a few agents meet him at the second crime scene tomorrow instead of the precinct, figured it could save a little time.” Aaron looks confused, like he doesn’t see why this couldn’t have waited until tomorrow, but he ultimately agrees.
“Sure. You, Reid, and Prentiss can head straight there, if that’s what he wants. I’ll let them know in the morning.” JJ nods, and looks over at you, and then back at Aaron, who makes a kind but curious face. “Was there something else?”
“Huh? Oh, no, that’s it. I just didn’t want to forget. I’ll let you guys go—enjoy the rest of your night,” she says with a smile and a wave, and when he closes the door behind her, you both exchange a look.
She’s definitely acting a little weird, but it’s late, so you give her the benefit of the doubt.
You scoot over to your side, put the book on the nightstand and switch off your lamp; Aaron climbs back into bed and switches his off, too, and he turns to face the wall while you lay on your back and stare at the ceiling.
It takes about half an hour, but he falls asleep first; you turn to face him, watching his back, following the rise and fall as he softly breathes in sleep, and the peaceful rhythm lulls you into submission, and you drift off as well.
When you wake up a couple hours later, he is on his stomach with his face pressed into his pillow, and you are draped over his back with your cheek against his t-shirt. It’s soft, and warm, and smells like him, and you glance at the clock and realize it’s too early to do anything but get comfortable and fall back asleep, so that’s exactly what you do.
The next time you wake up, to light creeping in between the curtains, Aaron is no longer in bed, but you’re holding his pillow, still warm beneath your cheek. He doesn’t act weird when you get up and start moving around, just pops out of the bathroom with his toothbrush dangling from his mouth.
“Got you a latte,” he says around it, gesturing to the desk and the pair of paper cups that sit on it, and you grin.
“Seriously, you’re my favorite human,” you answer, and you grab your coffee and lean against the doorframe, sipping and sighing until you’re a little more clear-headed. “Sorry if I crushed you; guess I was restless last night. I usually don’t move around that much.”
He just shrugs, spits out a mouthful of foam into the sink.
“You didn’t crush me. I’m pretty solid, if you hadn’t noticed.”
“I’ve noticed,” you tease, looking at him over the lid as you take another sip. “Now hurry up and quit hogging the bathroom if you want to leave here at a decent hour.” He rinses, zips up his toiletry bag noisily for dramatic effect, and slips past you, rubbing a hand over your unruly bed head as he goes. The day passes quickly, with lots of interviewing witnesses, following dead-end leads, and bad police station coffee. When Aaron calls it and tells everyone to get some dinner, you all split off into smaller groups—Spencer and Derek go for Chinese, JJ and Emily opt for pizza, and you and Aaron end up at a retro diner with burgers and milkshakes and a plate of fries between you to share.
“I think we should be focusing more on the docks,” you say, dipping a fry in ketchup and taking a bite. “Even if that’s not where the bodies end up, it seems to be where the unsub is meeting with the victims. We could stake it out tonight, maybe. If you want.” You never want to step on his toes, because he is the boss, the leader, even if you’re friends too; you try to be careful how you phrase things, especially in front of other people, because you don’t want your comfort to look like disrespect, however unintentional.
“That’s a good idea. You and I can head down there after this; I’ll let the others know to patrol nearby, in case we need backup.”
He dusts off his fingers and pulls out his phone, types out a text, and you look around the restaurant—the place looks like it was ripped right out of the 50s, with a checkered floor and lots of red vinyl, a shiny jukebox in the corner. Out of place is a flatscreen tv behind the counter; during the day, when it’s busier, it might play news or sports, but you two are the only ones here at the moment, so the staff is hanging out beneath it watching a movie. It’s Titanic, you realize, when the iconic ‘Rose floating on a piece of debris’ scene plays, and you snort, take a long drag of your chocolate shake.
“I always hated this part. They could have found a way for him to survive, too. Unnecessary death for the heartache factor,” you say, and Aaron looks up from his phone to the screen, makes a sound of contemplation.
“I always thought it was kind of romantic. When you love someone, you’d do anything for them to be okay, even at your own expense. Even if it’s stupid.” You look over his face, study the features you know like the back of your hand, and you guess you can kind of see that, but you can’t say that, so you just sigh.
“I suppose you think Romeo and Juliet is romantic, too,” you tease, and he looks back at you, rolls his eyes.
“It’s very much of its time; it's a lot harder to suffer a miscommunication like that these days. And there is something to be said for star-crossed lovers—people who shouldn’t be together, for one reason or another, but can’t help but drift close anyway.” You swirl your straw in the metal cup, thinking briefly of how that happens to describe the two of you, and when you look up at him, you think you see a hint of that same thought on his face.
More likely, that’s just wishful thinking.
“I like the sword-fights,” you say to lighten the mood, and he laughs, and you both polish off the rest of your food and then head for the docks.
Two hours in and absolutely nothing has happened, but just when you’re ready to complain, or suggest playing I Spy or something, there’s movement from one of the shipping containers to your right. You nudge Aaron, point to the container, and you both creep closer, trying to make out the situation.
When you’re just around the corner, it’s clearly two men fighting, but you obviously don’t know if this is your unsub, two random guys having it out on the docks, or what, so you mutually agree to wait until you have some kind of sign that this is your guy. When one of them pulls out a hunting knife that looks vaguely similar to your murder weapon—as close as you can tell in the dark, anyway—you raise your guns and identify yourselves as FBI.
The unsub drops the knife, but fists his hands in the other guy’s jacket, manhandles him to the edge of the dock, and shoves him into the water, then jumps as well. You swear, and Aaron takes off his jacket, throws it on the ground, then his phone on top of it, and looks back at you.
“Stay here and call for backup,” he instructs, and then he jumps in too; you call the team from your comms, get a response from Emily, and then toss your phone onto Aaron’s jacket and follow him.
He, of course, went for the victim first, so you look for the unsub, who is not visible above the water. You completely submerge yourself, feeling for more than looking for him, because the water is cloudy on a good day and pitch black at ten o’clock at night; when you pop your head up for air, you see Aaron getting the victim up onto the dock, and the unsub bobbing a bit further out. You swim to him, limbs aching, and he seems to know it’s time to give up.
He’s winded, gasping for breath, so you keep him above the water to your own detriment, dragging him by his wet jacket instead of cuffing him, because you’re not trying to kill the guy or lug his unconscious body back to shore. You just barely keep your own head above water most of the time, coming up for big gulps of air when absolutely necessary.
You finally make it to the dock, and your team has arrived, so Derek pulls him out of the water, makes sure he’s alright, and puts some cuffs on him. Aaron’s hands are on you right after, getting you up on the dock, wrapping a towel around your shoulders.
Despite the warm spring breeze, the water was freezing, and you can feel your teeth chattering. He rubs your arms for warmth, crouches down to look you seriously in the eyes.
“Thought I told you to stay here,” he says with an arched brow, a scowl you can tell is more concerned than angry. You wet your frozen lips and try your best to smile.
“You jump, I jump, Jack.”
He looks at you like you’re an idiot, but fondly, if that’s possible, then hugs you so tightly, guides your face to press against his warm neck. How he’s not teetering on the edge of hypothermia is anyone’s guess.
“Your lips are practically blue. Stupid,” he murmurs, but his mouth dusts over your temple in what is unmistakably a kiss, and when you’re able to feel your lips again, you reciprocate, press them a little harder against his throat while you shiver in his arms.
It doesn’t mean anything except I’m happy we’re both alive. Probably.
That night in bed, he faces the wall, and you stare at the ceiling, but you wake up with your nose against the back of his neck. The way he’s breathing tells you he’s not asleep, and when you wrap your arms around him, he holds them tight. Things don’t change after Pittsburgh, and that’s okay. You are comfortable with the way things are, and you love what you have—lunches under the oak tree, the exchange of books, late night texts when you both can’t sleep, hands brushing when you walk to the parking garage, glances shared across the jet. All those things make it easy not to focus on what you don’t have, what you’re not even sure Aaron would want anyway.
You exchange books again on Friday at lunch: he hands you Beloved by Toni Morrison, a book you already know and adore, and you hand him Ravished by Amanda Quick.
“Dubbed the Beast of Blackthorne Hall for his scarred face and lecherous past, Gideon,” Aaron shoots you a glance—“that’s purely coincidental”—“was strong and fierce and notoriously menacing. Yet Harriet could not find it in her heart to fear him. For in his tawny gaze she sensed a savage pain she longed to soothe... and a searing passion she yearned to answer.”
You hold back a smile.
“It’s a modern retelling of a classic story—Beauty and the Beast,” you add, taking a bite of your sandwich. He looks you over like there’s something he wants to say, but he just tucks it under his arm and steals a piece of melon from your lunch.
“I have Jack this weekend, so I probably won’t get to read much, but it sounds intriguing.”
“Well I hope you like it when you read it. Tell him I said hi; it’s been too long since I saw him. I bet he’s looking more like you every day,” you say, popping a piece of melon into your mouth. He smiles softly.
“A little, but Haley says she sees her father in him, and I have to agree. We may have to wait a few years until he looks like me; he’s too cute for that now.” He doesn’t sound self-deprecating, just fond, but you can’t let a comment like that stand, regardless.
“You’re cute; the difference is that kids are cute all the time. You’re an adult, so sometimes you’re handsome, sometimes you’re cute, sometimes you’re hot… it can be hard to reconcile.” This time, he looks you over with something light and playful in his eyes, and it’s something you want to explore, but the timer on your phone goes off, indicating that lunch is over, so you just exhale softly and pack up your things.
You don’t talk much after that—his Fridays are usually busy with meetings, and he leaves in a hurry to pick up Jack, which is understandable.
Emily, JJ, and Penelope invite you out for drinks and dinner—“because we know Hotch is busy,” Penelope says, which has literally nothing to do with your weekend plans, but you don’t correct them—so you don’t linger either.
You go out for Italian, so you are sleepy and full of wine and pasta by the end of the evening, and you smile at your friends.
“Thanks for inviting me out tonight, guys. I had a really good time.”
“Of course,” Emily says, taking her last sip of Pinot Noir. “We barely see you anymore; it was long overdue.”
“Definitely,” you agree. “I should really try to drag my ass out of bed more often.” You can’t help it, though, that after a long day, your bed and a good book just call your name. You’ve always been introverted in that way. JJ laughs softly, chin in her palm, elbow on the table.
“Honeymoon phase. Give it another couple months and you’ll be past that.” You do have a new memory foam mattress that has made sinking into the pillows and blankets all that more indulgent, but you didn’t think JJ knew about that. And you’ve never heard of a honeymoon phase for a mattress before.
“Eh, I don’t think so. There’s literally nothing more satisfying on this earth.” The three of them exchange an amused look, but your phone vibrates, and that catches your attention; you smile when it’s Aaron, sending you a photo of Jack with a toothy grin and his hands covered in fingerpaint. You look up to the sound of chairs scraping against the floor.
“Alright, we’ve lost her. See you all Monday,” Emily says, pulling you in for a hug; when she steps back, she smiles. “And tell Hotch we said hi.”
“I will,” you promise as you hug the other two. You hang back a moment, type out a reply—Looks like you’re having lots of fun without me!—and get into your car to head home.
You change into comfy clothes, drink a glass of water, and climb into bed with Beloved, and at around 9:30 you receive a reply.
Having the most fun we can without you. Maybe next time Jack is over, we can tempt you with dinosaur chicken nuggets and fingerpaint?
You smile, the happiest you’ve been all night—and that’s saying something, because you really did have a great time—and send back, It’s a date. Come Monday, you’re feeling pretty good, well-rested and relaxed from probably too much time in bed, but Aaron looks upset when he walks into the morning meeting. He keeps it short and sweet, and everyone disperses quickly, giving you sympathetic looks as you hang back to try to have a word with him. He clears off the white board, tidies up the table that doesn’t need tidying, and you place a hand on his back, gentle and comforting. He sighs, and you can feel the tension leave him almost instantly.
“Hey. What’s bothering you?” you ask softly, leaning around to try to catch his expression; he looks tired, sad, and maybe a little conflicted, leans into your touch.
“Taking Jack back to Haley’s was rough last night; it always is, but yesterday was really bad.” You know a little about this from weekends past, how Jack always cries when Aaron has to leave, how he feels terrible about it for the rest of the evening, but it must have been extreme for him to still be so upset. “And Haley…” He sighs again, runs his hand through his hair. “It’s like it’s one step forward, two steps back with her sometimes.”
“Why don’t we go sit in your office and you can tell me more?” You want to continue discussing this—that’s what friends are for, and he’s clearly in a bad state emotionally, you think it could help—but he just shakes his head.
“No, I… it’s okay. I don’t want to weigh you down with my problems.” You take your hand off his back, lean a hip against the table and look up at him.
“I’m not just your friend when it’s all easy breezy, lunch in the sunshine, talking about our favorite books,” you say with a sad smile; he reciprocates a little, which is more than you expected. “I’m here when things are complicated, when you have bad days, too. The Monday blues especially.” One of his hands rests on the table, and you cover it with yours, lean in to press your forehead to his shoulder. “Let me be here, okay? Even if all you need me to do is listen.”
It takes a moment, and his eyes are wet when he finally responds; he inhales deeply, nods, and brushes his free hand over your head in something of a hug, murmurs a rough, “okay.”
You sit in his office for an hour—which, again, is more than you expected—listening to him talk about his weekend with Jack, how heartbreaking it was to take him back to Haley’s, how he tried talking to her about taking him more often and she just wasn’t sure she could trust him to do what he says he’ll do. He understands where she’s coming from, knows he’s been unable to keep his word in the past, thinks he doesn’t deserve the benefit of the doubt; he hasn’t asked for advice, seems to just want to vent, so you just listen.
“Then I mentioned you, that you might come for dinner next time he’s over, and she was worried about that,” he says, exasperated, and you frown.
“Why would she worry about that? I’ve been around him lots of times.” It doesn't make sense, because Haley has always been nothing but sweet to you; Aaron looks up at your question, and it seems a little like maybe he hadn’t meant to say that part, though you can’t imagine why.
“It’s just different now… because he’s older,” he says after a brief moment of hesitation. “She doesn’t want him getting attached to someone who might not always be around, you know.” You sigh softly, because if that’s all it is…
You lean forward, take his hand, squeeze it tight.
“I’m always going to be around, Aaron. I can talk to her, if you want, tell her that.”
“No, it’s—you don’t have to do that.” He squeezes your hand back, closes his eyes for a beat. “Just hearing you say it, it makes things easier. I’ll talk to her again next time.”
You talk a little more, and he seems a lot better afterward, even if he is a bit less expressive during lunch; you figure any progress is good, but it makes you sad to see him so down, so naturally, you formulate a plan to help get him back to the Aaron you know and love.
At the end of the day, when he makes his way to the bullpen, you spin around in your chair, take him by the sleeve.
“You’re coming home with me tonight,” you say in no uncertain tone of voice. “For a few hours. I’ll bring you back for your car.” He agrees with a fond look, and you lose yourself in the expression for a moment, then stand up, grab your things, and walk with him out to the garage.
Rush hour traffic is what it is, and you leave Aaron in charge of the music, which means you get The Beatles and The Who, Rolling Stones and Neil Diamond, and you’re both singing along and so much happier by the time you pull into the parking lot of the bodega nearest your apartment.
“Just running in for provisions—be right back,” you say with a grin, and when you return with two paper bags of loot, he looks at you like you might be his favorite person in the world with an age in the double digits. It’s a look you love putting on his face.
“Do I get to see what provisions you’ve acquired?” he asks, teasing, but you shake your head and tell him he’ll see it when you get there.
With a pit stop in your apartment to grab a blanket and a few throw pillows, you take him up to the roof and get things ready for your makeshift picnic. There is white wine, still mostly chilled; cubed cheese, far from gourmet but no less delicious; crusty french bread that was fresh this morning but at this hour is a little extra crusty; blueberries, because they didn’t have grapes; dark chocolate, because you share a fondness for it; and paper cups for the wine.
Aaron takes a look at your bounty, spread over the blanket, and smiles the first real smile you’ve seen all day.
“Fancy,” he teases, and he takes off his jacket, gets on the ground with you. You pour each of you some wine, pop a blueberry in your mouth.
“No, but I thought a meal—and I do call it that loosely—under the stars might do you some good.” You lift your paper cup and tap it against his, brush your fingers over his hand. “To the best boss, best dad, best friend I could ask for.” You take a sip, but he doesn’t at first, watches you with something simmering behind his eyes.
“Do I get to make a toast?” he asks after a few beats, and you smile, nod, and hold up your cup. “To the only person stupid enough to jump into a freezing cold river after me. To the only person I would consider eating a bodega dinner with. To the only person who sees me the way you do.” You both take a sip, which is hard to swallow around the lump in your throat. He looks into your eyes, then breaks the dark chocolate into slivers and hands you a piece like he didn’t just say the sweetest thing anyone’s ever said to you before.
You eat, and talk, and drink, and when you’re done with dinner you put everything back in the bags and lay back on the blanket, side by side, and stare up at the stars. The moon is high and full, shining while the stars twinkle around it, and you can’t think of a single time you’ve ever felt more at peace.
“This was really perfect,” Aaron says, almost a whisper, after about twenty minutes of companionable silence. “I can’t thank you enough for being there for me today.” You turn to face him, hands curled up under your chin, and he turns toward you as well. He’s so handsome in the moonlight your heart almost aches.
“You don’t have to thank me. I just wanted to see you happy.” You feel your eyes well up with tears, because he deserves to be happy; you sigh, blink them away, and he leans in and presses his lips to your forehead, rests them there for a long time. When he eventually pulls back, you bring a hand to his hair, brush it back at his temple, and then the creaking of the door makes you pull back, sit up.
It’s your neighbor from 422, who you’ve seen on the roof a handful of times, sneaking away from his wife to smoke a cigarette. He squints in the dark, recognizes you, and waves.
“Hey, 418! You’re not alone tonight.” Aaron sits up too, and you laugh softly.
“Nope, but we were just leaving. The roof is all yours.” Aaron stands, pulls you up, and you grab the blanket and pillows while he grabs the bags, and the two of you head back down to your place.
It’s after ten when you get the groceries put away, and you stand next to Aaron in your small kitchen, contemplating what you want to say next. Your mouth betrays your brain, says what you’ve been thinking but weren’t quite sure how to approach.
“It’s late; I know I said I’d take you back to your car, but you could stay here if you want. I have a spare toothbrush, and I know you have a spare suit at the office, and it’s not like it’s the first time we’ve shared a bed before.”
You’d completely understand if he’d rather go home—you hate when your plans are changed at the last minute, and you prefer to do your full nightly routine for your sanity’s sake—but he only nods, and you lead your way to the bedroom, show him the master bath.
You are in your pajamas, tucked into bed, when he comes out in his boxers and undershirt; he hangs up his suit in your closet where you’d left him some space, then climbs in beside you. He looks over at you, then past you, at your nightstand, which has a stack of books on it—none of them romance novels. You grin, busted after months of book exchanges, and he leans over you to look at the titles.
“Persuasion, To Kill A Mockingbird, One Hundred Years of Solitude—Beloved.” He looks from your copy of the novel to his, which you hold in your hands, and you shrug sheepishly.
“I like reading the notes you put in the margins,” you say meekly, hoping he’s not angry, but all he does is laugh.
“Let me guess: you don’t actually like romance novels.” He leans back against your pillow, and so do you, resting the book on your lap.
“I mean, I don’t not like them… but I’ve been buying those just for you.” The smile on his face is brilliant, and only makes you yearn for him more; things you have been purposefully not feeling are flooding your heart and mind and body now, with him so close, laughing over this stupid secret you’ve been hiding for so long. “And you, sweet man that you are, have been reading them, and discussing them.” You put your hand on his shoulder, and he ducks his head to laugh again.
“Since we’re being honest… I didn’t read all of them. I tried,” he says when you act offended, shoving the shoulder you’re resting against, “but some of them were so bad. I just flipped through, found something I thought could pass as my favorite part, and hoped to hell you didn't ask too many questions.”
You both laugh until you’re breathless—he is so different from how he was this morning it makes you want to cry—and when your laughter dies down you look at each other, sharing breath, two heads on one pillow; is it any wonder you bridge the distance, pull him close for a warm, gentle kiss?
When you break the kiss, you are instantly worried about what Aaron will do—you aren’t drunk, aren’t even tipsy, so you know he can’t be, so much bigger and more solid than you, but will he think it’s a mistake? He kissed back, you’re pretty sure, but maybe that was an accident, something done on autopilot—
He leans in for a second kiss, mouth deceptively soft, and you curl your arm around his back, press into it with lips desperate not to let this end now that it’s started. When you separate, you are both looking into each other’s eyes again, breathing a bit heavily, and you meet in the middle for a third kiss, the best kiss you’ve ever had in your life.
That kiss ends when you yawn in his face, and he chuckles softly, leans over and switches off your bedside lamp; you smile at the ceiling, and he wraps his arms around you, presses his lips to your shoulder, and tells you good night. The next day, the two of you arrive at work early so he can shower and change into his fresh clothes without anyone on the team noticing—not that you think they would really care, but they’re nosy, and a little annoying, so you both agree that’s probably for the best.
You don’t talk about the kisses, even though they’ve been the only thing running through your mind since they happened; you promise to discuss it at lunch, though, and that’s such a sweet, romantic prospect that you think you prefer it better that way anyway.
Only, you don’t ever get to lunch, because there’s an urgent case in Minneapolis, an all hands on deck situation, meaning even Penelope joins you on the jet. You debrief on the flight, hunker down in the conference room, and split up to cover more ground; you barely get to speak to Aaron the whole time you’re there except to be given instructions and to fill him on what, if anything, you’ve learned.
You don’t even make it to your hotel that night, working around the clock to catch the people responsible for terrorizing the city. It takes not one, but almost two full days, and when you board the jet on Wednesday evening, everyone is dead on their feet. You barely remember the flight or the trip home, and you fall onto your bed fully clothed and crash just like that.
Thursday is your birthday, which you almost forgot, and so you assumed everyone else would too. You should have known better, because even if your team can be annoying, they are still your friends, and they love you, so you are well and truly spoiled.
You are treated to a latte and bagels from Emily, purple cupcakes with silver sprinkles from Penelope, a piggy back ride from Derek, a book of poetry you’ve had your eye on from Spencer, and a card from JJ—really, it turns out, from all of them.
“Enjoy a romantic getaway on us?” There’s some kind of certificate in the card, and when you flip it over, you discover that it’s for a hotel and spa that offers couples massages, mud baths, intimate aromatherapy? You arch a brow. “Uh, thanks, guys. Are you trying to tell me something here?” JJ’s face falls a little and she points to the card.
“It’s a romantic getaway. For you and Hotch? Since things have been so hectic lately,” she says, but your ears are kind of ringing and your brain is stuck on the for you and Hotch part.
“Oh. Um. Sorry—it’s just kind of soon, I think? How do you guys even know about that?” you murmur. The two of you haven’t had time to discuss Monday yet, and you haven’t spoken a word to anyone; you wouldn’t have guessed Aaron would have either, but there is a gift certificate for a romantic getaway in your hands, and you’re kind of spiraling.
“Well come on, we haven’t exactly been pretending we don’t know,” Emily says, and you can feel the confusion in your features when you look up at her. “And you guys haven’t been exactly secretive. We’re happy for you, though.”
“I mean, we haven’t been secretive, but we haven’t really had a chance to talk about it yet. It’s only been three days.” You are met with looks similar to the one on your own face.
“What do you mean, three days?” Spencer asks with a frown. “You and Hotch have been dating for almost two months. Right?” he says, looking at the others, and they nod, but it’s tentative. Your first reaction is to flush, and you close the card, fan your face with it.
“You guys think… You guys thought…” You look at them, then up at Aaron’s office; there’s no way he can know that you’re having a moment, but he chooses then to come downstairs, coincidentally. He’s smiling at first, but it falls when he looks at your face.
“Hey. Is everything okay?” He presses a cool hand to your hot cheek, flicks his eyes over yours, and JJ makes a noise; when you glance over at her, she’s gesturing between the two of you.
“I’m sorry, we were wrong? What were we supposed to think?” Aaron frowns, not following, and you take a deep breath.
“They got me a gift certificate for my birthday. To a spa. For you and I to have a romantic getaway, because they were under the assumption we’ve been dating… for two months.” The way he pulls back quickly makes your stomach ache a little, but you say nothing. You should have known.
“You say I love you,” Derek begins like he’s listing evidence. “You have lunch together every day. You’re always smiling at each other.”
“Seriously, some of the softest, gooiest smiles I’ve ever seen,” Penelope adds.
“You eat together on cases, you’re texting all the time when you’re not together.”
“I’ve been pairing the two of you up in hotels since I first figured out you were dating,” JJ says, and the whole ‘you’re welcome’ thing suddenly makes some sense. “I booked you that room with just the one bed so you’d maybe feel more comfortable about us knowing, so you’d see that we don’t mind.”
“You’re always looking at each other, always touching,” Spencer says. “In Pittsburgh—that was the first time you really hugged or kissed each other in front of us. We were trying to pretend it wasn’t a big deal, but it was kind of a big deal.”
You look over at Aaron, try to gauge his reaction, but for the first time in a long time you can’t tell what he’s feeling. You can’t really tell what you’re feeling, either. Sadness. Worry. Loss? But what have you lost?
“We’re friends,” you say, even if it sounds weak to your own ears. “We’re… close.”
“We wouldn’t exactly make sense as a couple, would we?” Aaron asks rhetorically, and your heart clenches when he says that. He told you this morning that he’d made dinner plans for you, both for your birthday and to discuss the kisses, what they mean, where you go from here, but that doesn’t sound very promising anymore. “We’re just—”
“Star-crossed,” you say, but you feel like your eyes are vacant. You can hear your heartbeat pounding in your ears. You’re stupid for kissing him, for letting yourself think he could feel the same way you feel, have felt for a while. Isn’t friendship enough? Don’t you already have this special bond so unlike what you have with anyone else in your life? Why press your luck? You know better than that. “We should get back to work.”
You don’t look at Aaron, so you don’t know whether or not he looks at you. JJ does, and you can tell she knows you’re upset, but she just nudges everyone on their way, and you take a seat at your desk—it’s covered in balloons and streamers, the Penelope special.
You’ve never felt less like celebrating.
At lunchtime, Aaron stops at your desk, and the two of you walk out to the bench, open your bags in silence. You’re almost halfway through the hour before he tries to speak.
“Uh. I. About earlier,” he finally gets out, looking down at his sandwich, and you shake your head even though he’s not watching you.
“It’s fine. We don’t have to.” You take a bite of your salad even though you don’t taste it. “You’re right, it doesn’t make sense. You are who you are,” smart, sweet, handsome, tender, caring, “and I am who I am.” Too quiet, too young, too impulsive, too silly, too emotional. He nods, looks at your face for the first time in a while, swallows.
“Right.” You’re due to exchange books back—his is on your lap, yours is on his—and he picks them both up. “I’m like this,” he says, holding up Beloved. “Faded cover, dog-eared pages, scribbles in the margins: middle-aged, divorced, a little broken, barely holding it together for the kid I don’t get to spend enough time with. You’re like this,” he says, holding up Ravished. “Fresh and glossy and shiny and new, with your whole life ahead of you, the whole world ahead of you. You could do anything, with anyone.”
You frown, because this is not what you meant, at all. How could he think that about himself, when the well-loved cover and the dog-eared pages and the scribbles in the margins are all the best parts of him?
“Aaron,” you say, but it sounds like pleading; you reach out to put your hands on his arms, but he pulls them back. His eyes are rimmed red, lips pressed together to hold back everything he’s not saying.
“I think lunch is almost over.” He packs up his things, leaves you with tears in your eyes and a wilted salad and a brand new romance novel you’re never going to read.
Later, he cancels dinner, says something came up, and you go home to your empty bed and watch Titanic and bawl your eyes out when Rose tells Jack she’ll never let go. Friday, you get another case. Weekend cases are no one’s favorite, but especially not yours, when you desperately needed that buffer of time away from Aaron to sort out your feelings and get back to some sense of normalcy. Instead, you’re flying to a small town outside of Nashville to catch a serial arsonist, and when you get to your hotel, you and Aaron are sharing a room.
At least there are two beds, this time.
You go with Emily and Spencer to a crime scene, walking around a house that was once picture perfect and is now all charred wood and ash, and you quickly tell yourself to get a grip and not look for metaphors for your own life while trying to solve a case. What kind of investigator are you? Pathetic, apparently.
You work until evening, and when it’s time to break for dinner, you buy a sad looking assortment of items from the police station vending machine and eat in the conference room by yourself.
It’s a good thing you do, because they get a call about the fire while everyone is still away, and you and a few locals are the first on the scene.
It doesn’t start out bad, mostly located in the back of the house, but you know how quickly these things can spread, and the fire department is working hard to put it out. One of the officers is talking to the family, and the mother is crying, so you come closer to figure out why.
“She said the daughter was supposed to be staying at a friend’s, but sometimes she changes her mind at the last minute and comes home. She can’t get ahold of her,” the officer says, and you nod, thinking.
“Where would she be? The front or the back?”
“Her room is in the front, second floor; if she’s here, that’s where she’d be,” the mother says, wiping her eyes with a tissue, and you tell the officer to stay with them, that you’ll take care of it. You talk to the firefighters—this town is so small there are only two that were able to respond, and they’re both busy trying to put out the fire, but they clear you to go in if you stick to the front of the building and get out of there as fast as you can.
Your team isn’t here yet either, too far out for comms to be effective, and you can’t get ahold of Aaron, so you make a judgement call and head inside.
The front of the house is so eerily normal it’s almost easy to calm your nerves and pretend the back isn’t in the process of being destroyed. You open the front door, run up the staircase, and call out for the girl; she answers, not from the front of the house, but the back—a bathroom maybe? Flames lick up the wall beside it, but you can get to the knob, and she comes rushing out, into your arms, terrified. You weren't expecting that, and you both fall back: your head hits off the floor, but she seems okay, so you tell her to run out the front door and find her mom.
You press a hand to the back of your head, and it comes back tacky with blood. There’s ringing in your ears for a couple of minutes, and then your favorite voice in the world comes through.
“Where are you? We’re here, where are you?” You’re getting hotter, and when you crane your neck up, you can see why: the fire is getting closer, creeping toward the staircase, creeping toward you. You inhale, cough, and press your walkie button.
“I’m upstairs in the hall; hit my head. It’s not safe.”
“I’m coming for you.” You groan. Stubborn man.
“It’s not safe, Aaron.” You hear the crackle of static, hope maybe he heard your warning and will wait until more firefighters arrive—but knowing him the way you do, that’s just wishful thinking. His voice rings out again, and despite the pain, you can’t help but smile.
“You jump, I jump, Jack. Just stay put; I’ll be right there.” You close your eyes, drift in and out of consciousness; when you see him, all you can think is how ridiculously in love with him you are, and that you really hope you’ll be around to tell him. You are, of course, fine. Your head is the worst of it, even the smoke inhalation was mild, and the fire didn’t touch you, so there are no burns. Aaron doesn’t leave your side the entire time you’re being checked over, looks serious and concerned, though he smiles when the mother comes over and squeezes you so tightly you wince a little. It starts to rain, making the firefighters' jobs a little easier, and it feels oddly cleansing, after the day you’ve had. Someone offers you an umbrella, but you decline.
The fire is successfully put out, and the half of your team that didn’t respond to the scene responded to a call for suspicious activity, which ends up being your unsub. You are all happy no one was killed this time, and since you’re staying the night again, the group decides to grab a drink to celebrate. You don’t have a concussion, but your head still aches, so you pass, and Aaron passes with you.
You head to the hotel, park in the lot, but you don’t even make it halfway across before you stop, a hand on his arm.
“I need to say something,” you tell him, and he looks up at the dark sky like, right here? Right now?, even though you’re both already drenched. You nod, because if you don’t do this now you might never—almost dying always gives you an unhealthy amount of confidence, which you attribute to equal amounts of adrenaline and stupidity. “When we first met, I didn’t think we’d have a lot in common. We’re both quiet, but in wildly different ways, and I’m quick to trust and let people in while your guard is almost never down.”
He looks a little sad at that, and you realize you’re kind of doing what he did, putting the two of you into completely different categories, emphasizing the ways you don’t belong together. But that’s dumb, so you don’t give him time to focus on that for long.
“But being your friend, Aaron—the more time I spent with you, the more I came to feel like no one has ever understood me the way you do. No one has ever seen me the way you do.” Rain is pouring down all around you, beating against the pavement, flattening your hair against your head, but you don’t care. Regardless of his reaction, this is actually kind of perfect. “I didn’t mean to fall in love with you—that was an accident, I admit. But that doesn’t mean you aren’t the best thing that’s ever happened to me.” You step closer to him, put your hands on his waist; he doesn’t pull away. “I don’t need shiny, glossy things; you're the one I want—faded cover, dog-eared pages, notes in the margins. I love you exactly as you are.”
He is gorgeous in the rain, water in his hair, dripping off his nose. His expression looks hopeful, and you pray to god that’s not wishful thinking.
“Say something, anything,” you beg, anticipation killing you, and he presses his hands to your cheeks and pulls you close for a deep, passionate, soulful kiss that says it all.
The words are nice to hear, though.
“I didn’t mean to fall in love with you either,” he breathes against your lips when the kiss breaks. “I told myself it was just a crush, because someone so young and beautiful was paying so much attention to me, treating me like more than just the guy giving orders. But the more time I spent with you, the more undeniable it became. You are everything good about the world—bright, optimistic, caring, funny, sweet. How could anyone not fall in love with you?”
You swallow hard, lean up to press your lips against his again.
“When you said we wouldn’t make sense as a couple…” He shakes his head.
“That was just me chickening out. After we kissed, I was all but ready to ask you to go steady,” he says, and you both smile, because he’s such an old fashioned dork, but god, do you love him. “And then we found out that the team thought we’d been together for months, and you looked freaked out, so I freaked out. I’m sorry. I should have made us talk about it sooner.”
“Classic pointless miscommunication,” you say with a laugh, and he chuckles too, kisses you again.
“Let’s go inside and get dried off; there’s a birthday gift in my bag I’ve been meaning to give you.” He takes your hand, and you head up, duck into the bathroom to change into dry clothes, squeeze the water out of your hair. There is a small, flat, wrapped present on your bed when you emerge, and you smile, sink down to open it.
It’s Romeo and Juliet, a brand new copy, but when you flip through it, there are blue inked notes in the margins. Aaron comes to sit beside you, touches your face like you’re something precious.
“The course of true love never did run smooth,” he murmurs, and you smack him on the arm with the book.
“That’s from A Midsummer Night's Dream, and I know you know that,” you say with a grin. He nods in admission, and you wrap your arms around his shoulders, lean in for a warm, loving kiss. When you pull back, it’s with a soft smile. “Give me my sin again?”
“My pleasure,” he whispers, and you sink into his embrace and promise never to let go. The following week, you both leave work at noon on Friday so you can enjoy your romantic getaway. You drive to the spa, and Aaron reads over the brochure on his phone with a tone you find hilarious.
“Mud bath—I’m not bathing in mud. That’s counterintuitive.”
“It’s special mud; more like clay,” you say, but he snorts, scrolls.
“Seaweed wrap—nobody is wrapping me in seaweed. That sounds like a nightmare.” You laugh softly and take your exit.
“It’s supposed to be rejuvenating. JJ recommended it.”
“JJ weighs fifty pounds. It would take all the seaweed in the Atlantic to wrap me,” he says, and you roll your eyes, jab your finger into his ribs.
“But what if I get to unwrap you?” you ask, eyebrows raised; you briefly glance over and he makes a face of contemplation.
“Okay, that’s a maybe. Intimate aromatherapy—what does that even mean?”
“I think it means we do something that makes us smell good and then we go back to our room and kiss and stuff.”
“Now that doesn’t sound half bad,” he murmurs. “Foot massage? I’m not letting a stranger touch my feet, that’s weird.” You look over at him, squinting.
“You literally plugged someone’s bullet wound with your finger yesterday, but someone touching your feet is where you draw the line? Will you do anything on the list?” He scrolls down it, and his extended silence makes you laugh.
“Meditation. Couples massage,” he says, reaching over to rest a hand on your thigh. “There’s a sauna.” You think of him, sweat-drenched in a fluffy white towel, and take a deep, calming breath. “I bet the room is nice; did you bring a book?” You smile indulgently, reach out a hand to brush through his hair.
“Yep. It’s called A Duke’s Wild Kiss…” He gives you a mildly withering look, and you lightly tap the bridge of his nose. “Just kidding. I brought To the Lighthouse by Virginia Woolf.” His answering smile is brilliant.
“Are you serious?” You nod, and he gestures to the backseat, where your bags are. “That’s what I brought, too.”
You spend too much of your romantic getaway in your room, but it is really nice; you do the couples massage, though, and aromatherapy, and the sauna, and then you take turns giving each other a foot massage while the other reads To the Lighthouse out loud.
The world probably doesn’t deserve Aaron Hotchner; you definitely don’t, but somehow you get to keep him anyway. A/N: Though I snuck in a few parts of a few different lyrics, two lines in particular inspired this fic: 'Now I've read all of the books beside your bed' and 'I hate accidents except when we went from friends to this.' A lot of my fics lately have incorporated books... guess I better get reading!
Taglist ❤️: @thaddeusly @arsonhotchner @mrsh0tchner @ssahotchie @sleepyreaderreads @mintphoenix @meghannnnnn @disgruntledchowchow @azenpal @g-l-pierce @my-rosegold-soul @ssamorganhotchner @heliotropehotch @angelhotchner @qtip-blog @gspenc @wishuhadstayed @averyhotchner
909 notes · View notes