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#because i was all over the spoiled drag race reddit
unawakening-float07 · 2 years
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the new drag race song came on my auto play the other night and it’s actually kind of catchy? it made me want to watch the new season. i’m not gonna do that cause i love myself but i did watch a bunch of clips of bob making fun of blair st clair
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artificialqueens · 4 years
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Different Names For the Same Thing (Trixya) - Chapter 3 - Pilandok
Trixie is in the middle of an emotional crisis and Katya doubles down on the idea that making-out solves everything.
AN: Category is: inconsistent chapter lengths and jumping from a G rating to an M.
Read chapter in AO3. Read from chapter one.
            Trixie needs T-Rex to stop looking at her like that. He doesn’t really understand why T-Rex insists on acting the part of a concerned mother when he knows they both have the same crass humor and prefer the midwestern brand of pick-me-ups— which is honestly more about the booze than the consolation.
            “Save it for the kicked puppy down the street, T,” Trixie deadpans. Diversions like that only work when it’s entertained and T-Rex pointedly does not stop looking at Trixie like he’s the most pitiable thing in the universe. Trixie gives up and slumps down his chair, lifting his cap to fix the non-existent hair on his scalp out of habit. T-Rex doesn’t even look like he’s going to make a joke about it. Trixie sighs.
            “Kim told you, didn’t she?”
            “You know it, girl,” T-Rex answers, finally breaking eye contact to grab his drink and take a sip. Then a little quieter,  “Shea probably knows, too.”
            “Shit,” Trixie puts her forehead on the table. The opening riff of a Dusty Springfield song echoes in the near-empty bar. Son Of a Preacher Man. Jesus Christ. He could just imagine how pathetic he looks like right now.
            “Frankly, I’m a little offended.”
            “Maybe if you visited me more often…” Trixie says onto the table.
            “Bitch, don’t even start,” T-Rex tells him, “am I not sitting in this straight bar with you right now?”
            Trixie looks up and shoots an apologetic look to T-Rex. It’s easier now that he’s not being treated so precariously.
            “Thank you,” he says, too genuinely that T-Rex looks a little disgusted as if he, himself, hasn’t been a sap all night. Trixie scream-laughs at this reaction and the people around them look.
            “Looks like our cover is blown, they know that there’s a couple of queers in this place,” T-Rex mock whispers at him, “Which is a waste cause I butched up. I wore a denim jacket.”
            “Shut up,” Trixie laughs, “I like it here! The bartender knows me.”
            “Yeah, you and your hillbilly music.”
            “She’s a queer icon!”
            The song swells into its chorus, the only one who could ever reach me, was the son of a preacher man. Trixie scrunches his face like he’s in physical pain.
            “Kim didn’t need to tell me, anyway, everyone saw that picture of you and Katya messing up each other’s faces.”
            Oh. That fucking picture. It’s the blurriest picture someone could take from across the street but it’s undeniably him. He’s always dreamed of being recognized along Hollywood Boulevard and there it is: the make-up is unmistakably Trixie Mattel and she got caught in a reddit-level scandal. And what other drag queen of that build and hair color would make out with him in public if not Katya? Trixie doesn’t know if it’s a good thing or a bad thing that everyone just assumed it was Katya.
            Anyway, why does the universe always have to go out of its way to Aesop’s Fables his life? How many roundabout ways can they tell him that the moral of the story is be careful what you wish for?
            “T, I don’t know what to fucking do.”
            T-Rex looks at him, gaze softened. He reaches out to squeeze Trixie’s hand once.
            “It’s okay—“ he begins but cuts himself off, “actually, I don’t know if it’s okay. I have no idea how Katya thinks. He’s great, really, I just— I just know how you are when you fall in love. I don’t want to see you get hurt again. And he’s done it before.”
            “Don’t,” Trixie says as a warning.
            “I know. I know what happened. You forgave him so I don’t really have a right to say anything. But Trix, if you’re not going to let yourself be worried about that, let me be worried. I’ll hold that little grudge for you.”
            Trixie takes a moment, feelings of affection bubble in his chest. It’s probably the alcohol in his system but he begins to wonder if there’s an alternate universe in which he moved to Chicago after Drag Race instead of L. A. He could go to Roscoe’s and Berlin regularly to watch T-Rex host and hype him up and get drunk with him back stage. Maybe he wouldn’t be as busy as he is now and he would have more nights with Shea and Kim and all the girls that accepted him ten years ago.
            “T…” Trixie begins, her voice cracking.
            “Don’t cry, bitch,” T-Rex puts his hands up and Trixie can see the flush on his cheeks and hear the light slurring of his words, “cause I’m tipsy enough to cry and they’re gonna see that we’re sissies and they will beat us up, I swear.”
            “Ahh! Stop acting like this bar is Westboro Baptist!”
            Trixie is laughing loudly, too emotional to care when a couple of tears slide down his face. He appreciates T-Rex, really, although it begins to dawn on him that something doesn’t add up.
            “What exactly did Kim tell you?” Trixie asks after running the back of his hand across his eyes.
            “That you were fulfilling your fan-manifested destiny and slowly realizing that you were in love with Katya,” T-Rex shrugs. At Trixie’s lack of response, he squints his eyes, “Why? Is there anything else?”
            It’s a half-truth, Trixie thinks. Maybe Kim deserves more credit than they usually give him. The bitch knew what really needed to be kept a secret. Besides, Kim telling their friends is probably as much of a push on Trixie’s back that Kim will ever give him, since he’s always been too stubborn to ask for help. Trixie supposes that “being in love” is a way to summarize it, albeit misleading.
            “There’s a ghost haunting me,” Trixie admits.
            “What?”
            “And I think that he’s haunting Katya, too,” Trixie stares at a space just above T-Rex’ head, “He’s been freaking out and kissing me so much suddenly.”
            “Wait- wait- what?”
            “I don’t know, I think he knows. I think he does, I think it’s starting to manifest onto him and I guess being someone’s reincarnation can drive someone a little crazy.” Hearing himself say it out loud, Trixie recognizes the absurdity of the situation. He begins to suspect that maybe Kim just didn’t believe him after all. “I don’t know if Kim is being a good friend or a bad one.”
            T-Rex, still confused, looks like he’s about to give up on the night. He taps his bottle against Trixie’s, the clink is loud against the song fading to the end. The only one who can ever prove me was the son of a preacher man.
            “What else is new?” T-Rex scoffs, “That’s why I should have been your first call.”
            Katya knows he’s being greedy. He knows that’s it’s just selfishness when his hands wrap around the back of Trixie’s neck so he can pull him down harshly for a kiss. He knows that he’s acting spoiled when he scratches on Trixie’s nape so he can feel him gasp against his mouth, so Katya can slide his tongue between Trixie’s lips. Katya’s always been susceptible to indulgences— no need to hold back when the world is unstoppably racing to it’s tragic finish—and indulge he does because Trixie’s so hot when he has that hazy look in his half-lidded eyes and when and Katya can feel Trixie’s low moan vibrate throughout his body when he kisses him on his throat. He’s only fucking human.
            Really, Trixie should be the one with the self-control about this. As much as Katya feels sorry for burdening the boy with the mental labor, Trixie is the one who picked that role for himself when he decided to be the straight man to Katya’s performative sexual advances.
            An hour ago he invited Trixie over to “hang-out” and the pregnant pause that followed told Katya that Trixie knew exactly what he wanted. Katya waited on the rejection but the only thing he heard was “yeah, okay.” The phone call equivalent of a shrug. Katya feels like a kid being given free reign of the Chocolate Factory.
            What business does Trixie have indulging him in his whims? Katya should really be filing a complaint; this is not the relationship dynamic he signed up for. But then he hears Trixie whimper when he bites his lips and Katya can’t help but think, praise Willy fucking Wonka.
            Katya drags Trixie across the room by the lapels of his shirt. Walking backwards, he’s relying on his muscle memory of the general location of his wares so he won’t trip on a coffee table on the way to the couch. Trixie grunts, complaining wordlessly, but he moves along obediently. When Katya’s calves feel cushions, he spins them both around and pushes Trixie onto the couch and he lands with a huff. Trixie frowns at him, but Katya immediately climbs on top of him, knees on either side of Trixie’s thighs, and smashes their lips together again. He feels Trixie freeze, and whenever he does, Katya thinks Trixie is finally going to push him away and ask questions. He never does. Soon enough, Trixie’s back on the same page, and Katya feels Trixie’s fingers curl around his belt loops.
            Katya is stupidly hard against his briefs, the kind of achingly hard erection that he thinks is impressive for his age. Trixie is, too, probably, but they never go further than this. Katya is sure that that would be too far for Trixie— he doesn’t want to think of what it means if it wasn’t.
            Still, like a true hedonist, he double downs on his kisses. He knows he can make-out for hours, he loves it. Katya wants Trixie sweating under him, he wants his tongue sliding in between Trixie’s lips to press on the roof of his mouth and feel the canines of his teeth. He needs Trixie to swallow all of those questions he won’t ask. Katya knows he’s being greedy.
            In the pause of catching their breath, Katya is resting his head on Trixie’s shoulder, pressing lazy kisses on Trixie’s collar bone.
            “Brian,” Trixie whispers. Katya’s body goes rigid, he can feel his heart beat in his ears. “My jaw hurts. Can we take a break?”
            “Oh,” Katya makes a move to get off Trixie and when he plops down on to the space beside him, he begins to feel the strain on his thighs. He watches Trixie walk to the kitchen, picking up the electric kettle on his way to the sink. Katya can feel the sweat run down from his forehead. He ponders on turning up the AC but he decides against getting up. Trixie already has an unopened box of tea from the cupboard and Katya notes how effectively Trixie navigates his space— he’s pretty sure the tea is something Trixie gifted him from before. When the water boils, Trixie pours it in the mug with the bag he place inside. He waits a few seconds before turning around to face Katya.
            Katya is immediately reminded why he doesn’t like this much distance between them. It’s because Trixie looks at him like that. Like he’s looking for something in Katya, something that’s impossible for him to give. Katya hates it when Trixie has that gaze that doesn’t seem to see him but something beyond him. Something in him that deserves all the tenderness from Trixie that he never worked to earn. It’s because Trixie looks at him like that that Katya kisses him roughly, can’t help but dig his nails into Trixie’s biceps and bite hard at his earlobe. The harsher he treats Trixie, the more that Katya feels like Trixie is really looking at him. The more Trixie bites back, the further away they get from the gentle, school-boy kisses in his dreams. Katya needs this to be realer than the dreams.
            But somehow, after everything, Trixie can still afford to look at him like that.
            “Why are you letting me do this to you?” Katya asks suddenly. The distaste sits on his mouth. Still, it throws Trixie off like he wanted to and the affectionate gaze turns into a scowl.
            “Don’t be a cunt,” Trixie replies curtly.
            Katya deserves it, he’s not the one who should be asking questions. Not when he hasn’t answered any of Trixie’s unspoken ones. He sits up properly and his right leg starts to bounce as soon as his feet hit the floor. He should let it go, just enjoy what he’s getting, enjoy that Trixie hasn’t been demanding anything from him. But Katya sees the angry bruise forming on Trixie’s neck from when he sucked on it so much, he sees the slight swell on Trixie’s lips.
            “I’ve been dreaming about you, you know,” Katya breathes, leaning forward to rest his elbows on his knees.
            Trixie tries to hide his reaction by sipping on his tea but Katya sees the whirlwind forming in his eyes.
            “Tell me about them, Brian.”
            And Katya should tell him. Tell him about the dreams where he wasn’t himself but Trixie was Trixie and he was looking at not-Katya and kissed him so tenderly. In those dreams he was a different boy and made promises he swore he could keep and counted the bruises on Trixie’s skin. In that other life, Trixie would fiddle with the rosary around his neck while he’s telling Trixie he would never hurt him.
            Katya doesn’t understand it, but he knows that that’s what Trixie has been looking from him, in those longing looks. He feels like if he gives it to Trixie, Trixie will never look at him again. Trixie would only see the stupid illusion of a boy that his brain pretends to be when he’s asleep.
            “Brian, tell me about the dreams,” Trixie asks of him again, his voice cracking, “please.”
            “I was a painter in Vienna at the turn of the 20th century. I first saw you from my balcony window and called for you to come up. I kiss you and every night you would climb my window so I can kiss you some more. I never ask you about your job or your family or the sheet music you dropped that had the name Екатерина crossed out on top,” Katya says this in a rush and he can see Trixie slowly deflate, his lips pressing into a thin, hard line. It’s a lie, he thinks, and Trixie recognizes the lie. “Every time I see you, I paint a little bit of you. My canvas is starting to look like a grotesque monster.”
            After a beat, Trixie sets his cup down loudly on the counter. He marches over to the couch and Katya wonders if he’s finally crossed the line, if he’s pushed Trixie over the edge and he’s going to lose Trixie forever. He thinks that Trixie is going to slap him. Instead, Trixie grabs two fistfuls of his shirt and pulls him up to a rough kiss. Their teeth clack painfully but Trixie doesn’t stop, keeping Katya suspended, half-sitting. The hands are holding onto him so tightly that he starts to feel lightheaded. Trixie’s never been this rough with him. And he hates pain, but if Trixie manhandles him, he doesn’t mind, especially not when he can practically feel his dick pulsating in his pants.
            Trixie shove him back to the couch, the impact knocking the wind out of him. Before he can catch his breath, he’s already being straddled, Trixie grinding roughly against his concealed boner. Katya groans and grabs Trixie’s ass, pressing them down against him as he bucks his hips upward. Katya feels fingers dig at his shoulders.
            When he looks up he sees Trixie glowering over him, hot angry tears sliding down his face. Katya stops. His hands reach up to touch Trixie jawline, he feels the moisture on his thumb. He makes a move to wipe them, he wants to.
            “Trix, let me fuck you,” he tells Trixie instead.
            Trixie throws his head back to laugh a humorless laugh.
            “You’re a fucking psychopath,” Trixie says before reaching down and sliding his hand inside Katya’s pants, cupping his erection over his underwear. Katya’s breath hitches. Trixie leans forward until his lips touch Katya’s earlobe. “If we’re going to have sex, I’ll be the one fucking you.”
            With that, Trixie promptly gets up, collect his things on the coffee table, and walks out the door without looking back. The door frame shakes at the impact of it being slammed shut.
            It takes a minute for Katya’s brain to catch up with him. He finds himself alone in his living room, slumped on a couch, panting. His hard dick is struggling against his clothes, calling for his attention. But Katya doesn’t dare touch it.
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bearpillowmonster · 4 years
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Persona 5 Review (Palaces)
Now I think it’s be interesting to split up each villain and review their arcs. First is Kamoshida, I like the layout of his palace. Sneaking along the walls and such and they really give you the drive to get rid of him. This is one of the only ones I actually got all the will seeds, I found that you only get the accessory if you collect the three, I don’t think there’s any bonus for collecting ALL of them from ALL the palaces though.
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After that, they introduce something called Mementos which is basically everybody’s palace, a compilative place of where small distortions go that aren’t big enough for their own palace. This is kind of used for side missions, it’s not that bad though, the dark sections can be annoying but I see why they were put in there. You visit it throughout the game and after each boss, a new section gets added, going farther down. This is also one of the places to grind and a quick way to grind is to mow down enemies with your van using the dash button, rather than going through the trouble of battling, you even get their mask. That’s only if they’re not too far down though because the farther down you go, the tougher the enemies. It’s funny because once you get tough enough, going to the higher entrances, making enemies RUN from you while you’re mowing them down, it’s a blast. I will recommend though that you don’t piss off too many and get alarmed because they’ll come in waves, one battle after another and if you’re deep in Mementos, it can be scary.
Next is Madarame, I like the setting of a museum and the boss (better than Kamo) but I will also say that it was annoying to traverse, it built upon the urgency by adding legal action into the mix. This is probably in my top 3 palaces, I just don’t have a whole lot to say about it.
Kaneshiro (sounds like Kamoshida) I feel like his character is very one way, an easy prey, I’m fine with that but I’m just saying that the depth was better for the previous two. The boss isn’t exactly my favorite, it’s a little different between 5 and Royal so I looked it up and am accounting for both of them. I do however like the style of the bank and the vault is one giant lock, the enemies are probably some of the most annoying though with the introduction of the dogs.
Alibaba. Now this palace is actually pretty cool because it changes the context and way you do things, again with the real life interference as well. What I really like are the little hieroglyphics puzzles at the end of each section, those things are my jam but while I appreciate the variety and setup, this was one of the weaker palaces. The boss was weak as well, more of just a sponge unless I didn’t play it right (maybe I was underleveled? I mean I don’t think I even died tbh though) because it was really cool when you used the arrows but really dragging when she was in the air.
I will say that I took a break after this arc (about 35-40 hours in) not because I was tired of it, far from it actually, I was having tons of fun but traversing the palaces just seemed off to me at this point so I thought if I took a break and got a fresh perspective when I came back, it would be better. It was hard to detach myself from it because I really enjoyed what I had played thus far but it felt good to get back into the groove of it after a break. This was both a good place to take the break given the hours spent and what the next palace is, and kind of a weird place because after Alibaba you take the field trip but I would still recommend you take a decent break at some point because...
The next palace is Okumura. Now I’ve seen some flack about this one, saying it’s the least favorite of the bunch, so you don’t want to have the previous build up of hours hamper your experience since it’s considered the worse. Honestly I don’t think it’s that bad (the palace!) now the boss on the other hand is a different story, I understand that a CEO is only as good as their employees and the idea to use them is pretty reflective of the palace itself but it’s annoying because if you don’t have the right type of persona then you’re screwed because they just flee or blow themselves up, it’s just left to chance sometimes. I think it would be cool to have a race against him with the timer rather than a battle. It made me so stressed, not because of the timer but because of the stupid robots, it was easily the battle I spent the most tries on, I even had to go back and grind and fuse a new persona to finally beat him. (I was almost level 40 so you might have an easier time if you did more persona work than I did) but you don’t get any All Out Attacks either apparently. Also the story (though a bit nit picky) is easy to complain about but it’s not as bad as they say imo especially since the characters explain themselves afterwards.
Casino Master. This was probably the only spoiler I got for this game but I feel I would’ve figured it out anyway and it didn’t even turn out to be that big of a spoiler. Also the addition of the “Crow” should’ve been the “Raven” as an Edgar Allen Poe reference, it would’ve fit the character better in my opinion. I don’t like that they use the same card mechanic from the last palace, it makes more sense with this one but still. There’s an enemy in this palace that was bugged for my play through and it was only that specific enemy whenever I encountered them, it would say something like “it’s groaning” (which it sometimes does with enemies such as Regent) but for this one it just kept doing it and would get stuck, I just had to button mash a bit and then they would attack normally but just a small stain I’ll point out, easily patchable I’m sure. As for the story, I’m not quite sure what makes the palace in the first place, what is the distortion exactly? Other than that, another in the top 3.
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The boss is actually kind of cool, in a way it’s the opposite of Okumura but an actual boss instead of enemies. It’s probably my favorite because of the design and style. I’m not done yet but honestly when I got about 1/3 of the way through this game, I thought it was a 5/5 but I re-evaluated and the one thing that I want is a bit of gameplay variety even if it’s just the bosses. I’ve talked about this before but it makes everything feel samey and while I know more or less all turn based RPGs are guilty of the same thing (so I can’t really hold that against this game) this one just seems so different. It doesn’t wear itself out, for turn based, it’s not so bad but it just leaves you desiring one extra step, an extra something everytime to say “This is the fourth-fifth-sixth boss!” rather than just chip damage with no weaknesses, some kind of reward for playing the way you do perhaps.
Armstrong from MGS Rising (yeah I didn’t have a codename for this one). I really like the setup, probably the best palace to be honest, in a way it’s sort of a compilation. I could see where people could complain about it even if I haven’t seen anything. This palace also has the best music, it’s very fitting and stylistic. There’s a little bit of a barrage of mini bosses throughout, I kind of like it but the last one before the big boss is tough because it’s 3 different sections, one after the other but it’s kind of a tease/warning to say “Are you really ready for the real boss? If you had trouble with this, then you’ll have trouble with him.” 
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Let's talk about the final final boss (for what’s known as the ‘true’ ending route) because I apparently did the ‘true’ ending after looking into it, it doesn't matter who you picked for a romantic route, it matters what choices you made at certain points in the game, the ‘true’ ending is just the longest, there are different points in the game where it could end and be the other good/bad endings so yeah. Let me talk about it without spoiling anything, Notice I said ‘true’ with quotes. I'm going to summarize this reddit post I saw, justifying it, out of context. The boss is idolized, he's made by the people, he didn't make the people and because he's pretending, we were sent to destroy him. (In the grand scheme of things (story-wise)) because it bothers me that they make him out to be almighty. It is a persona and personas are figments of imagination, they're amalgamations of how the characters perceive their desire/distortion, not the real thing therefore it shouldn't be blasphemous right? That thin line is what's making me knock this game a little more because its material is so concerning. Also you’re stopping people from doing bad things, that’s ‘just’, correct? You’re defeating the seven sins, that’s ‘just’ (at least that’s what the will seeds are called). I guess they wanted to try and make it a true question “Are the Phantom Thieves ‘Just’?” They ask it over and over and in reality, I ask myself the same thing.
You can buy as seen on tv stuff, the big thing I’ll say helped me was the cleaning spray so snatch that up when it becomes available, I think it’s also available in Kichijoji but it lowers your enemy’s defense and I didn’t have that move for any of my characters. Make sure you have everything done that you want done by the time you reach the final date after sending the calling card and beat the boss such as confidants, a proper persona, side quests and a good amount of stat boosters and stuff. I can't say too many specifics on what to bring because you're going to play different than I did so just fill in the blanks, have cans of whatever you don't have as a move because it's going to be a stretch of fights and there really isn't room to turn back.
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