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#benny russell voice its REAL.
angelthemanspanker · 2 months
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my most tinfoil hat AtS opinion is that legit straight up canon spangel was like RIGHT beneath the surface of season 5, like the show was ready to pivot in the direction of them being at least friends with benefits at a moment's notice despite fate and the censors' best efforts
Season 1 had shit like Angel's first power walk shot set against a pride flag and him awkwardly telling guys he wasn't hitting on them, going for a kinda Adam West Batman kinda gay thing where people assume that about him bc it's the early 2000s and his clothes fit VS Season 5 in the premiere alone giving us Angel correcting a guy who calls him a "little fairy" with "I'm not little" and the legendary, blog-inspiring "I have no problem spanking men" (one of which he says to a guy he's about to kill and one to a guy he knocked out, almost like Angel lets gayer behaviour slip if he's around people who can't bring it up later hm) followed by the only man we KNOW Angel has fucked literally appearing from thin air in his office
then you get Life of the Party where Angel's Whacky Magic Antics are set off by Lorne telling Angel and the person he's having sexually tense arguments with to get a room, causing him to have ill-advised hate sex he ordinarily would not have with someone he is reluctantly attracted to. and I believe in my BONES that at SOME POINT in the scripting process that that person was gonna be Spike. Even setting aside my admittedly subjective opinion that Angel and Eve had even less sexual chemistry than Xander and Willow, it just... scans. Angel and Spike have their "I need to get our faces within an inch of each other or I'll die" arguments in front of EVERYBODY in literally every episode of the season, so I feel like if Lorne was gonna say it about ANYONE it'd be about them. I will never budge from my belief that Spike still being a ghost at this point and early 2000s tv politics caused them to abandon the Angel And Spike Magically Fuck At The Party plot early in the writing process for the episode and slot Eve in there instead while Spike gets the easy-to-write-into-existing-scenes positivity thing.
and THEN. AND THEN. it becomes a plot point that the show Angel's friends are suddenly really on board with him getting back out there dating-wise (the unperson-ing of Cordelia helps here. whee.), with us all suddenly being in agreement that there is little to no danger of his curse being triggered by sex (even though both times he's lost the soul since his curse, real or imagined sex played a significant role in the moment of happiness). Like, Nina is one of the more one-dimensional characters in the Buffyverse and her midness seems to be for the purpose of setting the audience at ease that Angel's soul ain't going anywhere from hooking up with her.
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WESLEY is all for it! Wesley "Most Paranoid and Prepared For The Return of Angelus" Wyndam-Pryce is saying look man we're all rooting for you go have a relationship with a girl whose only flaw that I can come up with is that she's a werewolf. Like sir??? How can you be sure the Beautiful Engaging Young Woman Who Actually Wants You won't accidentally make Angel happy with her extremely inoffensive flavour of Nice?
Whereas if, say, there was a beautiful, engaging blonde who actually wants Angel and Angel wants but comes with the caveat that THIS beautiful blonde not only drives Angel up the fucking wall but recently had magical sex with Angel at the office party in front of the whole main cast, proving that as much as Angel gets off on screwing Spike that he is Not happy about it? I can see Wes giving the all clear on that one ngl
bonus points that Angel and Nina got the Official Couple upgrade in Smile Time which comes right before the Illyria tragedy forces Angel and Spike into the... maybe not friendly but LESS hostile dynamic they keep for the rest of the show, so the season structure of their relationship still follows a lot of the same beats. honestly besides getting a lot more moments of David Boreanaz and James Marsters trying to out-six-pack each other in their post-coital shirtless scenes the only thing you'd need to do is change the world-shattering "Me and Angel have never been intimate. Well except that one..." to something along the lines of "Me and Angel have never been intimate, I just shag the bastard"
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papermoonloveslucy · 3 years
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THE MAN WHO CAME TO DINNER
March 27, 1950
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"The Man Who Came To Dinner” was a presentation of Lux Radio Theatre, broadcast on CBS Radio on March  27, 1950.
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The Man Who Came to Dinner is a comedy in three by George S. Kaufman and Moss Hart. It debuted on October 16, 1939, at the Music Box Theatre in New York City, where it ran until 1941, closing after 739 performances. It then enjoyed a number of New York and London revivals. 
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The play was adapted for a 1942 feature film, scripted by Philip G. Epstein and Julius J. Epstein and directed by William Keighley. The film featured Monty Woolley, Bette Davis, Ann Sheridan, Billie Burke, Jimmy Durante, Mary Wickes and Richard Travis. 
“The Man Who Came to Dinner” was previously presented on radio by Philip Morris Playhouse on July 10, 1942. Monty Woolley, who played the leading role in the film version, starred in the adaptation. It was broadcast again by Theatre Guild on the Air on ABC Radio November 17, 1946 starring Fred Allen. In 1949, “The Man Who Came to Dinner” was produced on “The Hotpoint Holiday Hour” starring Charles Boyer, Jack Benny, Gene Kelly, Gregory Peck, Dorothy McGuire, and Rosalind Russell. 
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On October 13, 1954, a 60-minute adaptation was aired on the CBS Television series “The Best of Broadway.”  A “Hallmark Hall of Fame” production was broadcast n November 29, 1972 starring Orson Welles, Lee Remick (Maggie Cutler), Joan Collins (Lorraine Sheldon), Don Knotts (Dr. Bradley), and Marty Feldman (Banjo). The 2000 Broadway revival was broadcast by PBS on October 7, 2000, three days after the New York production closed, and was also released on DVD.
Synopsis ~ The story is set in the small town of Mesalia, Ohio in the weeks leading to Christmas in the late 1930s. The outlandish radio wit Sheridan Whiteside is invited to dine at the house of the well-to-do factory owner Ernest Stanley and his family. But before Whiteside can enter the house, he slips on a patch of ice outside the Stanleys' front door and injures his hip. Confined to the Stanleys' home in a wheelchair, Whiteside and his retinue of show business friends turn the Stanley home upside down!  But is he really injured? 
This adaptation was written by S.H. Barnett. The characters eliminated for this adaptation include Richard Stanley, John, Mrs. Dexter, and Mrs. McCutcheon.
The show is hosted by William Keighley, who directed the 1942 film adaptation.
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Lux Radio Theatre (1935-55) was a radio anthology series that adapted Broadway plays during its first two seasons before it began adapting films (”Lux Presents Hollywood”). These hour-long radio programs were performed live before studio audiences in Los Angeles. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand.
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CAST
Lucille Ball (Maggie Cutler) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. “My Favorite Husband” eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.
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Clifton Webb (Sheridan Whiteside) had appeared with Lucille Ball in the 1946 film The Dark Corner. He was nominated for three Oscars. Webb had played the role of Sheridan Whiteside on stage for two years.
Eleanor Audley (Mrs. Stanley) appeared in several episodes of Lucille Ball’s “My Favorite Husband” as mother-in-law Letitia Cooper. Audley was first seen with Lucille Ball as Mrs. Spaulding, the first owner of the Ricardo’s Westport home in “Lucy Wants to Move to the Country” (ILL S6;E15). She returned to play one of the garden club judges in “Lucy Raises Tulips” (ILL S6;E26). Audley appeared one last time with Lucille Ball in a “Lucy Saves Milton Berle” (TLS S4;E13) in 1965.
Ruth Perrott (Sarah) played Katie the maid on Lucille Ball’s radio show “My Favorite Husband.” On “I Love Lucy” she played Mrs. Pomerantz in “Pioneer Women” (ILL S1;E25), was one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and played a nurse when “Lucy Goes to the Hospital” (ILL S2;E16).
Betty Lou Gerson is best remembered as the voice of Cruella De Ville in the original Disney film One Hundred and One Dalmatians (1961).
Stephen Dunn had appeared with Lucille Ball in Miss Grant Takes Richmond (1949). 
John Milton Kennedy (Announcer)
‘DINNER’ TRIVIA
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The same date as this radio adaptation (March 27, 1950), original star Monty Wooley arrived in Vancouver to perform in the play. 
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This broadcast aired the day after the “My Favorite Husband” episode “Liz’s Radio Script” also starring Lucille and Ruth Perrott. 
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Lucille Ball’s good friend and frequent co-star Mary Wickes was typecast as a nurse due to her breakthrough role as Nurse Preen in the Broadway, film, and television versions of The Man Who Came To Dinner.’  She does not play Nurse Preen in this adaptation. The character is given the first name Geraldine. 
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Lucille Ball previously appeared on “Lux Radio Theatre” for a November 10, 1947 adaptation of her film The Dark Corner (1946). 
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The first commercial talks about how Lux soap is gentle on stockings, like those worn by Betty Grable in Wabash Avenue. 
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The second commercial (between acts two and three) interviews actress Joan Miller, talking about the Warners picture Stage Fright, and how Lux helped keep the costumes looking great. 
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In the post show interviews, Clifton Webb promotes his next film Cheaper By The Dozen.
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The final Lux commercial talks about how movie star Hedy Lamarr uses Lux. 
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The program presents a special address from president of the Red Cross, General George C. Marshall.  The American Red Cross was mentioned on “My Favorite Husband” and Red Cross posters were frequently scene decorating the sets on “I Love Lucy.”
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The ending of radio’s “My Favorite Husband” episode “Mother-in-Law” (November 4, 1949) starring Lucille Ball is identical to the ending of The Man Who Came To Dinner.
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In “Lucy and Viv Reminisce” (TLS S6;E16) on January 1, 1968, while nursing Lucy, who has a broken leg, Viv slips and also breaks her leg. She says she feels just like a female version of The Man Who Came To Dinner.
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“Vivian Sues Lucy” (TLS S1;E10) on December 3, 1962 also has a plot that resembles The Man Who Came To Dinner. Viv injures herself due to Lucy’s careless housekeeping, and is bedridden. Lucy goes out of her way to cater to her every whim, so that she won’t sue! 
Although the play is fictional, it draws on real life figures and events for its inspiration. 
Sheridan Whiteside was modeled on Alexander Woollcott.
Beverly Carlton was modeled on Noël Coward.
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Banjo was modeled on Harpo Marx, and there is a dialogue reference to his brothers Groucho and Chico. When Sheridan Whiteside talks to Banjo on the phone, he asks him, "How are Wackko and Sloppo?"
Professor Metz was based on Dr. Gustav Eckstein of Cincinnati (with cockroaches substituted for canaries), and Lorraine Sheldon was modeled after Gertrude Lawrence.
The character of Harriet Sedley, the alias of Harriet Stanley, is an homage to Lizzie Borden. The popular jump-rope rhyme immortalizing Borden is parodied in the play.
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Radio critic Dick Diespecker was not exactly enthusiastic about this adaptation. 
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The announcer reminds viewers that next week “Lux Radio Theatre” will present “Come To the Stable” starring Loretta Young and Hugh Marlowe
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The announcer promotes Lucille Ball’s new picture Fancy Pants starring Bob Hope. 
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cecilspeaks · 4 years
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166 - Delta
The stars tell us our future. They’re rarely correct, but yet there they are, blathering on night after night. Welcome to Night Vale.
At the foot of a sandy hill, a woman explains to her son what a flower is. She’s pointing at an orange starburst atop a squat bulbous cactus. She says: “Flowers are beautiful, aren’t they?” I cannot hear what her son says. She answers: “Because bees like beautiful things and flowers want the bees to take their pollen, that little bit of yellow powder, right down there inside, and give it to other plants, so they can grow up and be beautiful too.” There’s a long pause. Then she says: “Nature wants to make more and more beauty all the time. That’s all it wants to do. If it is not beautiful, it cannot live.” She’s upset at her son’s next question. “Humans wish to make beauty too, but not for nature,” she snaps. “They want computers and airplanes and factories, oh Benny, don’t touch.” She sighs. Then she says: “The cactus hurt you, didn’t it? The cactus knows you’re human and it does not want you to watch it, and now it has let you know that, you won’t touch it again, will you? No Benny, you won’t.”
Underneath the scant shade of a dilapidated wing of an MD-90 aircraft, a middle aged man tells another middle aged man about a time he went to New Orleans. He thought the French Quarter was too crowded and the jazz scene overrated, so he drove east along the upper neck of the Mississippi Delta to a Swapshack, where he paid a man 50 dollars to take him on a hovercraft to look at alligators. “Such majestic and hideous creatures,” the middle aged man says to the other. “You know, when I was little, I cried thinking about how I would never see a real live dinosaur. All the world had left were bones. But right there in southern Louisiana lay dozens of living dinosaurs. It’s an extraordinary world when you finally realize that all life is magic,” he says. The other middle aged man had heard the story dozens of times, but still he replies: “I hear you, I hear you.”
A young woman thinks about a job interview she never attended. She is happy without that job, yet she feels regret for what could have been. “I cannot imagine myself behind a desk making spreadsheets and memos,” she says to no one. “But I cannot imagine a 5-dimensional horse, nor the width of the void, nor the language of whales. I cannot imagine a lot of things but the pay, the pay would have been pretty good.”
Behind a blighted Palo Verde Tree, hidden between lush acacia shrubs, two teenaged boys kiss for the 50th time or so. It is brief, as one stops to look around, on alert for overbearing parents. They kiss for the 51st time or so and then laugh. Their fingers clumsily fumbling over each other, trying to decide on the perfect grip, the perfect touch. They melt like marshmallows in the flame of inexperienced joy. This moment in their lives is as pure and powerful as they have ever felt and may ever feel again.
My mind is crowded with voices, with people living their lives all day listeners. these are the stories, they are eating fruit and playing cards. They are arguing about who said what and when. They are meditating and conversing, retelling old shows and books they remember from when they had such things. A copy of Tina Fey’s memoir “Bossy Pants” was found in  a suitcase seven years ago, and everyone in the group has read it at least once. Someone mutters that they used to have a copy of Karen Russel’s “Swamplandia!”. It was in her purse when they landed here, but someone won’t own up to stealing it. another says the book might have been used to make a fire one night, because whoever made the fire might have thought the owner was done reading it, hypothetically.
It’s been several days since the voices came into my head, and at first it was new and interesting, but already I have grown tired of it. I do not know how Amelia Anna Alfaro lived her whole life with these sounds in her mind. It’s unceasing and I’ve not gotten much sleep. The teenage lovers sneak away each night to hold hands and talk big dreams underneath the moon. It’s sweet and romantic, but at 2 AM, give it a rest boys! I could try to talk back, but none of the voices can hear me. It’s like asking the rain to return to its cloud. But when I talk to Carlos, the voices go way. Thankfully I have my greatest peace when I’m with my favorite person. I can’t keep Carlos awake at all hours or have him skip work to be with me, so I have to learn to make peace with the voices, as they are noisy but permanent room mates in my brain now.
I do have news to report, but it’s mostly stuff you already know about. The high school basketball team has tryouts on Saturday. The library is doing open mic poetry nights on Tuesdays at 7, and we all know it’s a trap. Don’t do it unless you’re well armed. And the Opera House is extending its run of Verdi’s “2 Fast 2 Furious”, starring Renée Fleming, through the end of the month.
It’s hard to concentrate on reading these news stories with so much other language running through my head. Like this: there’s a guy who’s complaining about metal scraps that haven’t been cleaned, and the woman he’s talking to is explaining that they are conserving water for drinking and the guy is saying that it’s unsanitary to make dining utensils out of dirty metal, and she replies that they’re not making any more forks or spoons, they don’t need any more forks or spoons, they need knives but not for eating. What am I supposed to do with this information, it’s been going on nonstop for days? You cannot possibly understand what its’ like to listen to someone you don’t know, who you’ve never even met, who you can’t even see, ramble on and on about their boring personal life straight into your head, it’s awful. I can hear another person saying he’s found something. Good for you pal, way to find another rock or stick or lizard or whatever.
Wait. “Weeeee have founnnnnd ittt,” the voice says. I know this voice. It’s the first voice that’s been familiar to me, where do I know this voice, he is saying “first weeeeeeeee found you. You who are – no where – now weeeeeee have founnnnnnnd itt.” And other men are barking in agreement. Listeners, that voice is Doug Biondi from the asylum, and the voices around him are the agents from the National Safety and Transportation Bureau, all of whom escaped the Night Vale Asyulm two months ago. They are in nowhere, in an otherworld desert standing near a door attached to no building. Not far from a passenger set, long since rotted away. A jet that has been home to 143 passengers and crew members, one of those 143 – the pilot. Asylum warden Charles Rainier warned us of this. He had been a been a passenger on that plane, he became part of a small commune that grew into an angry cult under the leadership and telepathic influence of the pilot. Charles told us that the pilot would find those who could help him find Night Vale. Help him find the real world, and Doug Biondi knows the way back.
The pilot found Doug and Doug found the pilot. “Iii know the wayyy,” Doug Biondi says, laughing the laugh of a man whose smile is too big for his face. At the foot of a sandy hill, a mother tells her son it is time. “Stop crying, Benny. Stop crying so that there will be more flowers, more beauty.”
Underneath the scant shade of a dilapidated wing of an MD-90 air craft, two middle aged men argue over which hand made axe is sharper. At last, they agree that the one crafted from the rotor flap and held together with the hand belt is the better blade. “No you take it,” one says. “No, I insist you, I’m happy to use the smaller axe,” the other says, “because it is easier to manage what with my back spasms.”
And behind a blighted Paolo Verde Tree, hidden between lush acacia shrubs, two teenage boys kiss the way you kiss when you think it may be your last. They whisper impossible promises and raise high their rusty shovels, the spades’ tips having already been sharpened to deadly points. They race toward the gathering crowd.
A young woman who thinks often about the job interview she never attended shouts: “Nature is beauty!” “We are beauty!” replies antoher woman. They repeate these calls. “Nature is beauty! We are beauty!” And now every voice in my head is chanting the phrases, chanting and chanting and chanting, it’s too… it’s too much!
Silence. They’re silent suddenly. My head is clear. I can think my own thoughts.
Night Vale, I’m getting word that Sheriff Sam is barring all known passages into our town. This includes roads, trails, sewer grates, even the Dog Park which is not officially an entrance to the Desert Otherworld, but you know, let’s be honest here. We’re on lockdown, Night Vale. No one enters or leaves.
Good. This is good. If the voices can reach me, they can reach any of us. In fact, if the voices can enter my mind, then the pilot and passengers of flight 18713 may well already be here, or some of them anyway. Or maybe the voices come and go. This is the first moment of silence I’ve had alone in nearly a week. Maybe the voices aren’t always there like, like radio signals as you leave a city or, or a cell phone in an elevator, maybe the voices can’t permeate us under certain conditions or maybe… Or maybe… The voices are silent because… they are listening. Maybe they’re listening to their leader, their pilot who is giving instructions on what to do next, when and where to attack.
I don’t know. But I must use my moment of clarity to tell you some news. Nope, the voices are back. A single voice is back. I know, without knowing, that it is the voice of the pilot. He says: [in a neutral tone] “Uh, hi there, this is your pilot speaking. Just wanted to let you know that nature is beauty, we are beauty. We propagate our pollen, we spread our seeds, we grow new life over old life, we cleanse the toxins of technology. We depose the human king and return natural instinct to its rightful throne. If you can hear my voice, then you are chosen. You are chosen to join all who join our nature. All who join our beauty. All who refuse will be recycled into the earth, destroyed and dispersed to fertilize new more beautiful life. All those who are beautiful are chosen. All those who are not, are a cancer, blight, infection and disease. All who are not beautiful will be cut away, amputated, so that the Earth’s wounds may finally leave, so the Earth may grow beautiful once again.
We have been found and we will return. Open the gates to freedom, end the tyranny of artifice. That’s all for now, we’ll be arriving in just a few moments, Night Vale. There is going to be some turbulence.”
[distraught] I’m sorry, listeners! I did not meant to do that, I did not want to do that! The voice of the pilot overtook me and I, oh, I need to lock myself inside the studio, I have to protect you from me, but first the weather.
[“A Prayer for the Sane” by Danny Schmidt http://dannyschmidt.com]
I brought Carlos to the studio. When I talk to Carlos, I don’t hear the voices of the passengers from 18713. I don’t hear the voices even now as I look directly at Carlos while I’m speaking. Like Charles Rainier’s fishing hole or, or Amelia Anna Alfaro’s puzzles, Carlos grounds me, lets me be wholly me.
Thank you, Carlos.
Oh, I also had Carlos bring a pair of handcuffs with him that he bought at –Target on his way to the station, and used them to shackle me to my desk. If Charles Rainier is correct, then once the pilot can speak to you, he can control you. And if that should happen, it won’t happen but if it should, then now I won’t be able to leave here and do harm to anyone else.
From my window, I can see far down the street a spiral of black smoke. There are flashes of emergency sirens. Now I can see people coming up the road. They are long-haired, sun-scorched and nearly naked, wearing not much more than flat wide-brimmed hats and short tunics fashioned from seat upholstery. These people are carrying large blades, roughly honed from scrap metal. Some have widdled down pieces of plexiglass windows into sharp points and tied them to ends of long sticks. They’re deliberately walking up the hoods of parked cars and smashing windows and caving in the roofs with their bare feet.
It is no doubt that the passengers of 18713 are here, Night Vale. If you can hear me, sty inside and lock your doors. If you can her the pilot, then do as I have done. Secure your position so securely that not even your own mind can talk you out of it. Sheriff Sam has stubbornly kept up all roadblocks in and out of town, so we have no choice but to stay. The long unmoving lines of traffic at the edges of the city are easy prey now for the 18713. The pilot offered the choice of joining or refusing, but it is not a choice, not really. He either can control you or he cannot. Those whom he cannot control will be killed at the hands of those who can.
[anxiously] Carlos? You don’t hear the pilot voice, and thus cannot be controlled. But I do, and I can. I have been controlled. We’re in trouble, Carlos. I can’t stay chained to this desk forever, can I? And if the pilot means to destroy you, he might make – me do it myself. Just promise me you’ll run. Leave me behind if that happens, OK? OK. But for now, do not let me out of these cuffs, not even if I use a safe word, which I hear is something quite a few people use in healthy fun intimate relationships.
The people of 18713 are climbing up storefronts and tearing off signs. I can see about 10 or 15 in normal street clothes in the crowd now, which means the group is growing. They are recruiting quickly.
But something else is eating at me. In the asylum, in Doug Biondi’s journal and among the myriad voices in my mind, I still have not seen nor heard Amelia Anna Alfaro, the first person to make contact with the pilot. She disappeared in 2012 and no one has heard from her since. I need to find her. Somehow, if anyone can solve this, it might be her. She was always the best at everything.
Stay tuned next for the sound of me talking to Carlos forever and ever.
Good night, Night Vale. [creepily] Gooood night.
Today’s proverb: People who live in glass houses shouldn’t hire that realtor again.
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weerd1 · 5 years
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Star Trek DS9 Rewatch Log, Stardate 1909.09: Missions Reviewed, “Waltz,” “Who Mourns for Morn?” and “Far Beyond the Stars.”
Benjamin Sisko is on a ship transporting Gul Dukat from a mental institution to his war crimes trial. The ship is attacked by Cardassians and Sisko and Dukat end up with a wounded Sisko in a cave on a small world. 
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The Defiant is out helping search, but they have to leave the search in just over two days to escort a Federation troop convoy. Sisko is at Dukat’s mercy, but the Cardassian has set up the emergency beacon and has gathered supplies from their shuttle, setting it to an open distress call so whomever catches the signal first will come to get them. Meanwhile, Dukat is seeing visions of Weyoun, Damar, and Kira, all telling him his inner thoughts.  Sisko realizes the beacon was not activated and manages to get it running while Dukat is out. Dukat’s mania becomes stronger though, and he is beginning to actively debate Sisko and the voices in his head all at once.
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 When he discovers that Sisko has activated the distress call, he beats him, and desperately tries to get Sisko to admit that he admires Dukat, and that Dukat had no CHOICE but to be the tyrant he was to the Bajorans. Sisko knocks him out, and makes it back out to the shuttle, but Dukat follows him there, then abandons him on the surface before leaving with his “voices” on the shuttle. Dukat has decided he will have his vengeance on Bajor and will need Sisko in place to do it.  Dukat contacts the Defiant just before they break off their search to rescue Sisko. Sisko indeed vows that he will be there to counter Dukat wherever he turns up.
Pulling Dukat out of his madness (kinda) is no mean feat, and indeed every performance here is great.  Marc Alaimo showing us the public, smarmy Dukat, now tempered by the loss of Ziyal, then swinging into raving Dukat is really worth watching, as of course is Avery Brooks. My issue here is a larger one.  We know they are setting up Dukat to be Sisko’s foil in the last two seasons, in particular with the upcoming Pah-Wraith storyline, but it seems to me this robs Kira of her dynamic with Dukat.  I love the show, but I think it might have been even greater to allow Dukat to believe he was the equal to Sisko, when it turns out to be Kira who takes him down after all.  (Note: The Author may be biased by his complete and utter infatuation with Kira Nerys.) SHUT UP PARENTHETICAL VOICE!
“Who Mourns for Morn” begins when our favorite barfly dies in an ion storm, and bequeaths all of his possessions to Quark.  First Quark finds that there is no money, then that cargo-wise Morn only had several crates of rotting beets.  Then, when inspecting the deceased’s quarters he finds only the black velvet painting Morn got at auction last season (In the Cards) and a tub full of mud. In the mud however is a naked redhead who claims to be Morns ex-wife. She says Morn has 100 bricks of gold-pressed latinum somewhere, and she wants her proper cut as an ex, but would be very…grateful.  Soon, two rather criminal brothers show up to say that they loaned Morn money they want back, in the sum of 100 bricks of gold-pressed latinum. As Quark is now dodging three of Morn’s old friends, he is approached by a fourth, who is a member of Laurian security saying that Morn is the crown prince of the royal family, and that money belongs back in the treasury. Quark finally figures out that ALL of these people are lying, and helped Morn with a huge robbery years before…of 100 bricks of gold-pressed latinum. 
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The statute of limitations has run out and they want their cut. Since Quark has now found it in a Bolian bank, he has it delivered to the station, and it is not long before the four turn on each other, allowing Odo to capture them all. Quark checks the loot to find the latinum has been extracted, and the bricks are now just worthless gold. Despondent, Quark goes back to his bar and finds Morn! Morn had faked his death to draw out his old rivals, and now can access the latinum freely.  He has in fact pulled the mercury like fluid out of the bricks, and has kept it in his second stomach all these years.  He regurgitates enough to be the equivalent of about 100 bricks into a glass for Quark to thank him for his troubles as Quark proposes a business arrangement.
For a joke character whose name was just an anagram of “Norm” to be the barfly back in the pilot, Morn without a single word of dialogue has become a fixture on the show, getting a whole episode devoted to him, and an entertaining one at that.  There’s a very noir feel to this as the various criminals come looking to collect, and Quark is the perfect character to drop in the middle.  Keep an eye out in the memorial service scene. As Quark talks about making sure someone always keeps “Morn’s chair warm,” he guides a Bajoran man to sit there. That man is Mark Allen Shepard, the actor who plays Morn. (Mustard colored shirt sitting on the right in this pic:)
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“Far Beyond the Stars” begins with Sisko getting the news that a dear friend has died in the war while Joseph Sisko visits the station from Earth. Ben’s father tries to comfort him, but the younger Sisko begins to think maybe he can’t fight the good fight anymore and it is time to leave Starfleet. Soon after, he begins seeing people in 1950’s Earth clothes, including a baseball player. He follows the man and finds him self on a street in the 50s where he is hit by a car.  He wakes up in the infirmary and Bashir tells him that it would appear the part of his brain that gave him visions in the episode “Rapture” is active again. Soon Sisko finds himself as Benny Russell, a Black man in the 50s working for a small science fiction magazine.
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 Each person with whom he works seems to be someone form the station, though Benny seems oblivious to this until the magazines artist presents him with a picture of a station, and Benny begins to write the adventures of a Captain Sisko,  a Black officer commanding the station 400 years in the future. The editor, a more human Odo, declines to publish the story, but Benny keeps seeing an old preacher (Joseph Sisko) telling him to “walk with the prophets” and to “write the words that set us free.” He persists and writes more Sisko adventures and his colleagues suggest that the story could be framed as a dream, and the editor moves forward with publishing. Benny is out celebrating with “Kassie” (Kassidy Yates) when his young friend Jimmy (Jake) is shot down by two racist cops (Weyoun and Dukat). When he protests, they beat him nearly to death.  He spends weeks recovering and finally returns to his office the day his story will appear in the publication.  The editor returns however to reveal that the owner has pulped the entire run for not “meeting the usual standards.” 
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Benny is livid, talking about how real and important it is to tell this story, and they can’t wait; a good man must do what he can, and the idea is important. He breaks down however, and again awakens in the infirmary on DS9 surrounded by family.  Bashir reveals that whatever happened has stopped, but Ben has taken Benny’s lesson about standing up to the unjust to heart and will stay on the station in Starfleet. He wonders to Joseph though if their lives might be the dream, and Benny Russell is still out there dreaming, far beyond the stars.
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Let me not prevaricate: holy shit. This episode manages to deal directly with racism, and still frame it within the show with the Prophets providing insight to The Emissary with episodes from his own world’s past. Everyone’s simply amazing in the 1950s versions of their characters, and the world comes off as believable. It is an added joy to hear them talk about “Heinlein” and “Bradbury” in context, and a great way to sneak in some easter eggs as the cover of one of the SF magazines Benny samples is a matte painting from The Original Series, and Nana Vistor’s 50’s character is “K.C. Eaton,” a woman writer who has to use her initials to cover up her gender so people will read her. This harkens to the story editor and arguably the best writer on TOS, Dorothy “D.C.” Fontana, who went on to write and edit for TNG as well. Avery Brooks manages to star in this episode while giving one of his most riveting performances and also direct this tale that is obviously a story close to his heart. This is a tour de force, and belongs right there on the level with “The Visitor” and the upcoming “In the Pale Moonlight” as great DS9, great Star Trek, and great Science Fiction. See the world you want, and tell others. It’s how you bring that world to fruition. Don’t wait until it is safer. Do it now. You are the dreamer, and the dream.
NEXT VOYAGE: A strange anomaly shrinks a Runabout and its crew down to the size of something that would fit on my shelf in “One Little Ship.”
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sunnedberry · 3 years
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Raise Your Hand If You're Tired Of Everything Silhouette Funny T Shirt
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the movie gotta watch the movie this weekand guys it’s good Jonathan PM said salute JT keep pushing forwardand putting a consistent quality content doing your own thing no matter what obstacles to hold you down I appreciate that Johnand I appreciate you pushing forward as I know you be going through a lot tooand I appreciate you still tuning inand donating when you can your amazing broad percent activity outside Jay Z dazzlingand have to have a movie I make my miscast done so much man not his cannot have a movie I want Jasper stopped on the rated the dark on completely in the dark just looks dark Rockefeller need a movie night average as soon they done 500 600 block six Jasper if you don’t stop for Dakota G unit out of G unit needs move area 50 movie so your honest opinion movie was good it was good it was an amazingand it wasn’t bad I would say I want to can it was seven I given a seven Wu Tang Clan definitely needs a movie Mike Powell Carlos Corey shattered a few niche occur for 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circular-time · 7 years
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Spare Parts Liveblog 5 (end of disc 1) 
Above left: Lee Sullivan illustration for Spare Parts in Doctor Who Magazine. A lot of the early BFs got teasers like this, back when they were the only new Doctor Who dramas, and there was a lot of overlap between people working on DWM and Big Finish (e.g. editor/executive producer Gary Russell).
Let me consolidate so I’m not spamming you with too many posts. 
Track 1.4 - “Civil/Domestic Disturbances” 
Uh oh. Sisterman Constant (constant? I guess it’s supposed to be Constant) reports on the highly suspicious Nyssa, obviously a disreputable character. 
Totalitarian state, secret police... Doctor, you really need to stop wandering about on your own and go collect your companion before she gets into horrible trouble. It’s a credit to how much he respects Nyssa to be smart and handle herself, but still, ack.
(Somewhat an Achilles’ heel of audios: can’t have too many characters in a scene at once, so the TARDIS team splits up to cover more story). 
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And then comes that great gruesome moment when the Doctor gets his first look at a very early prototypical cyber policeman, who is more like a cyber-zombie, and of course these creepy horrible things are what Mondas has instead of friendly bobbies. 
[Link: Really great DeviantArt illustration of Mondas by JanjyGiggens.]
The cyber-implant horse is a nice touch of horror. Since both it and its rider are sort of walking corpses animated by cyber implants, the effect is to look like Death on a Pale Horse.
This was the first time I’d ever heard that eerie singsong voice of the early Cybermen, courtesy of Nick Briggs. At first it sounds goofy. But as time goes on— it’s so detached from emotion in a way that even a monotone isn’t, it’s really really creepy. 
And the Doctor, bless him, is so busy making observations and exploring that he doesn’t realize how much danger he’s in until the cyber-police tries to arrest him and hurts him (police brutality, this is sadly NOT retro but modern) when he doesn’t comply.
Because Pete’s specialty is agony acting. Just warming up here; he’ll have more opportunities later.
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“I was standing up before you knocked me down. Thank you officer.” Five usually uses “thank you” when he’s being a snarky.
And of course he uses smarts and random things in his pockets but NOT a sonic to wriggle out of danger.
_______
Back to the Hartleys, and they sound like any real squabbling family. Except Frank’s homework is “logic and cybernetics.” Nyssa offers to help, because she’s a smart cookie and knows all about that kind of thing. 
Which she proves by giving Mr. Hartley’s artificial heart a tuneup. This is why the Doctor likes her; she’s at home with alien tech and just about as handy as he is.
Another hint of Nazi Germany (or Soviet Russia, or 1984, or any other totalitarian dystopia): someone crying for help outside, being hauled off by the police, and the Hartleys just turn up the television so they can’t have their conscience troubled. 
______
Track 1.5 - “Change and Decay”
The Hartleys are getting out their holiday tree — parallel Earth taken to the extreme again — but again, it’s a little threadbare and macabre.
Good acting Sarah Sutton moment: 
“You’ll be glad to get back to your family for the holidays!” Nyssa (wistfully): “Yes. I’d really like that.” Ouch.
And then we get a tiny bit of Traken backstory/worldbuilding which is so beautiful and sweet and sad. Again, Big Finish gives classic Who companions the depth/character study the show often didn’t take time for.
More worldbuilding-- Marc Platt suggests the cybermats were originally children’s toys! And yep, there goes Nyssa fixing it, not realizing how dangerous they are (or how horrible, if you’ve heard the Benny story suggesting they’re cyber-converted babies). 
Dodd’s still trailing the Doctor hoping for spare parts, but then they find out what’s happening after curfew. The cybermen are bodysnatchers, robbing the graveyard. Even Dodd is shaken out of his cynicism and horrified.
Track 1.6 - “Ask Not” 
While Nyssa and Yvonne are playing with the mat, Frank reveals he wants to join the work crews, get better pay, and be there when they break through to the surface. So apparently Frank doesn’t know about that broadcast that opened the audio.
Yvonne Hartley and her dad have been kind and hospitable to Nyssa, but Frank, the son, tears away the curtain and reveals the truth: they’ve been feeding her precious rations purchased by selling Mrs. Hartley’s body (to Dodd, we learn later). 
Talk about guilt. Nyssa promises to bring them food to make up for it. They try to stop her, but “I’m putting you all in danger... I can look after myself.” Again, more proactive than she was allowed to be on TV, mostly, where she was almost always the Doctor’s sidekick.
Just in time; the cyber-police come knocking as she flees. And whoops, innocent that Nyssa is, she takes the cybermat as a gift!
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The Hartleys are terrorized— this is just a scary, horrible world, the more so because it’s like real-world places where the government can haul off anybody.
Now it’s the Doctor getting someone else in trouble for a change: Dodd helps him disable a policeman that’s trying to arrest them.
But then the Doctor tries to persuade Dodd to DO SOMETHING to stop the Cybermen and it’s too much for Dodd; he doesn’t want any trouble. The Doctor’s giving the people of Mondas a wake-up call. He sets the church bells ringing and runs.
The Doctor and Nyssa manage to meet at the TARDIS, and this is the point where they should LEAVE, and the Doctor knows it.
For listeners who haven’t got the backstory by now, they spell it out in an impassioned scene —  Nyssa sounds angry, horrified; she’s guessed this is the place where the cybermen were birthed. She only knows them as the race that killed Adric.
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Now they have a very VERY rare argument. Nyssa wants to help. The Doctor insists they can’t; too much of the history of the universe hinges on the creation of the Cybermen for them to interfere with it.  He didn’t want to get involved.
And, cliffhanger reveals his first instincts were right: stirring up the people of Mondas causes the Committee (first heard here) to order a crackdown. As if things weren’t brutal enough already.
DOO WEE OOO. I love me classic Who cliffhangers.
And four-act structure. Act One: setting the stage before all hell breaks loose. Part I cliffhanger is the point of no return; the Doctor and Nyssa have inadvertently pushed Mondas into a tipping point, but they don’t yet know it. (Not that the fate of Mondas would’ve been averted if they hadn’t meddled— the Cybermen were about ready to take over — but their appearance is the catalyst.) 
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fellowshipbook-blog · 5 years
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Blasphemy against the Holy Spirit is referred to as the ‘unpardonable transgression’ or the ‘unforgivable sin’, based on Matthew 12:31 -32. Are you guilty of blasphemy of the Holy Spirit and also for that reason condemned to heck, without hope for infinity?! Resisting God’s Spirit is, indeed, an extremely major offence, and it positions one in an unforgiveable scenario. As well as even if you are not really feeling that way now, please watch, to obtain a fuller image of simply exactly how major it is to blaspheme the Holy Spirit.
TO CONTACT: My e-mail address can be located on the ‘Community’ area of my network.
What is “A Voice in the Desert”?
A Voice in the Desert is anonymous. Its function is to point individuals to the message, as opposed to the carrier. Many contemporary prophets promote themselves even more than the trainings of Jesus and also the real message of Revelation. A Voice in the Desert challenges that error and also more. Some of the important things you hear on this network might be challenging to comprehend, and also might offend you. The goal, nonetheless, is to move away dogmas and also practices to disclose what Jesus really instructed.
Please subscribe to remain up to date with even more video clips [the message in this video had an impact on you https://goo.gl/EFxRCR]
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04. Peugeot 3008 evening 130 4K|POV Test Drive # 067 by Joe Black. YouTube Creative Commons (reuse allowed).
05. Sand blows on the Great Sand Dunes by Kelly Kochanski. Innovative Commons (reuse enabled).
06. https://www.youtube.com/watch?v=OqCTq3EeDcY&t=3s. Movieclips. Moses Parts the Sea – The Ten Commandments (6/10) Movie CLIP (1956) HD.
07. https://www.youtube.com/watch?v=vMDpP9LsJG0&t=182s. Quodvultdeus. 6:25/ 7:25. Jesus Trial prior to the Sanhedrin Jewish council.
08. https://www.youtube.com/watch?v=YSRB6dM4ORs&t=1s. Movieclips Coming Soon. Noah Movie CLIP – The Flood (2014) – Russell Crowe, Anthony Hopkins Movie HD.
09. https://www.youtube.com/watch?v=Q1kPw2nXdI8&t=437s. DeViiaTe. Everyday Heroes/Random Acts of Kindness Video that will make you cry restore confidence in humankind! 2018.
10. https://www.youtube.com/watch?v=RXcJI5VTaaY. GiveMeFreeArt. Fire Tunnel Background FREE!
11. https://www.youtube.com/watch?v=0lkjoTh1Gpk&t=21s. hypnosisworld. Get involved in Trance with Binaural Hypno Spiral.
12. https://www.youtube.com/watch?v=pD2CWMY_Sb8. DailyPicksandFlicks. Man on Subway Gives Homeless Man Shirt Off his Back.
13. https://www.youtube.com/watch?v=Frl-A4SUuzk. Christian Comedy Channel. The Top 60 Craziest Christian TELEVISION Preachers (Televangelists).
14. https://www.youtube.com/watch?v=zZpIglVnYuY. R McSwain. Benny Hinn Kung Fu Master.
15. https://www.youtube.com/watch?v=quIbcV3Tb8M&t=144s. Joel Osteen. 2:24/ 27:31. Healed Through Humility – Joel Osteen.
16. https://www.youtube.com/watch?v=FQcJ8gtJoQQ. Benny Hinn Ministries. Invite to Benny Hinn Ministries!
17. https://www.youtube.com/user/joycemeyerministries. Joyce Meyer Ministries.
18. https://www.youtube.com/watch?v=SWOKHJbFi1E. TD JAKES. T.D. Jakes – #Sunday – Blessed as well as Favored – December 25, 2016.
19. https://www.youtube.com/watch?v=nNxSlRz3-2U&t=19s. Link Calico. JESUS QUESTIONED BY PHARISEES FOR HEALING ON SABBATH (9 ).
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christsbride · 6 years
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When Somone Says "The Lord told me..."
Some people will claim God spoke to them directly, either verbally, in a vision, in a dream, on their private air plane, or they were lifted up to heaven and met God face to face.  But are their claims true?  If these claims are true, what are the implications?  If they are not true, what does that mean for the person making that claim?  How can we know the trustfulness of their claims?  We need to seek God's actual word to test these type of claims. Face Value Why are we not to take their claims at face value?  The Apostles (The Holy Spirit) explain why in a very clear way.  Paul (The Holy Spirit) encouraged and praised the Berean church when they tested what they were taught against Holy Scripture (Acts 17:11).  John (The Holy Spirit) does not just suggest but commands us to test teachings and its teachers to determine if they are from God or not (1 John 4:1).  People claiming the same things the Apostles claimed, personal encounters and experiences with the risen Jesus, are to be put to the test (Rev. 2:2).  And we are called to have righteous judgement (John 7:24) because Jesus tells us that we CAN and WILL know them to be true or false (Matthew 7:16).  When rightly judged, we are even called to refute and expose those who contradict God's actual word (Titus 1:9; Eph. 5:11).  THAT is why we do not take something at face value if it seems different from the true gospel message. WHEN someone quotes God's new (extra biblical) sayings: When God spoke to the Prophets of the old Testament, they recorded exactly what God wanted them to record.  When the Apostles spoke with Jesus and had visions from heaven, they recorded exactly what God wanted them to record.  BUT somethings were not meant to be recorded (2 Cor. 12:2-4; John 20:30; Rev. 10:4).  The point is that specific chosen individuals, The Prophets and Apostles, were tasked with writing Holy Scripture and the very Words of God.  
Kenneth Copeland gave a claimed prophecy in which Jesus allegedly said, “They crucified Me for claiming that I was God. But I didn’t claim I was God; I just claimed I walked with Him and that He was in Me.”(Kenneth Copeland, “Take Time to Pray,” Believer’s Voice of Victory, February 1987, 9.) THAT IS HUGE!  He did he just quote the very words of God?!  If so, is this not the same as Holy Scripture?  
Paul Yonggi Cho, pastor of the world’s largest church, located in Seoul, South Korea claims to have received his call to preach from Jesus Christ Himself, who supposedly appeared to him dressed like a fireman. (Dwight J. Wilson, “Cho, Paul Yonggi,” Dictionary of Pentecostal and Charismatic Movements, 161.).  THAT IS HUGE!  Did he just meet the risen Christ?!  Then Cho recently made the news by changing his name from Paul to David. As Cho tells the story, God showed him that Paul Cho had to die and David Cho was to be resurrected in his place. According to Cho, God Himself came up with his new name.(Paul Yonggi Cho interviewed by C. Peter Wagner, “Yonggi Cho Changes His Name,” Charisma & Christian Life, November 1992, 80.).  THAT IS HUGE!  He must be an Apostle like Paul!
Morris Cerullo purports to have first met God at the tender age of eight. Since then his life has been one mind-blowing experience after another: he says he was taught by leading rabbis;(“God’s Faithful, Anointed Servant, Morris Cerullo” (promotional literature, on file).  led out of a Jewish orphanage by two angelic beings; (Cerullo, The Miracle Book, ix; and 7 Point Outreach — World Evangelism and You (pamphlet), 4.) transported to heaven for a face-to-face meeting with God;(Cerullo, The Miracle Book, xi.) and told he would be capable of revealing the future.  WHAT? NO WAY, he met God face to face and lived! 
On the Something Good Tonight programs of Tuesday and Wednesday, October 26th and 27th, 2004, Oral Roberts related a second vision or conversation he allegedly had with God the Father recently. God supposedly revealed to Oral that the second coming of Jesus is delayed, and being blocked because of the indebtedness of God's people, and by the fact that most of them are not returning a faithful tithe.  OH SNAP, Better give more money!  
Benny Hinn posted on twitter stating: "I saw Jesus walk in my bed room".  THAT IS HUGE!  He witnessed personally and literally the risen Lord and Savior, present in his bed room! 
Given the role of the offices of Prophet and Apostle, these men would then be Prophets and Apostles!  Thus, they write Holy Scripture, apart from the bible!  Or... at least that's what the implications ARE for them to be true.  All someone has to do is listen to their broadcasts and at some point they will tell a story about how they have seen the risen Lord and quote from him in some form or fashion.  If anyone says "The Lord told me..." and then they proceed to quote the Lord in their books or blogs, they are recording God's Word, except its new, and not in God's Word, the Bible.  If we compiled all those quotes from these type of people, we could generate the Word of Faith Prosperity Bible and we could all have the new additional words of god.  See, that's the crux of it all.  If you believe that these people actually heard God speak to them, how can you pick and choose which modern 'prophet' is of God?  TRUE OR NOT Their claims are either true and thus carry with them the authority of God because, after all, they are his words right?  Or their claims are not the actual words of God and they are liars and deceivers, even if they believe their own claims.  People who believe these teachers MUST then believe that God's real Word, the complete bible, can be added to and supplemented.    That is exactly what Kenneth Copeland, Cho, Paul Yonggi, Morris Cerullo, Oral Roberts, and all the others like them teach and DO.  That is a slippery slope that leads only one way.  Because, then, how could Word of Faith followers denounce Islam? or Mormonism?  or Jehovah's Witnesses? THE HYPOCRISY As Word of Faith teachers continue to have more visions and prophetic utterances of God's actual Words or messages from angels, it is then hypocritical to say that Muhammad, Joseph Smith, or Charles Russell are false prophets.  All of which claim special revelations from God and make claims of truth from God outside of the bible.  If they deny  Muhammad's, Joseph Smith's, or Charles Russell's visions and prophecies than they are hypocrites, but if they accept them than they are in direct contradiction of what Jesus said in John 14:6. THE IMPLICATIONS:
They are Prophets of God
They record God's Words to them
They have witnessed the risen Lord and Savior
They are Apostles
They write Holy Scripture outside of The Bible.
The Bible is not sufficient. 
Muhammad, Joseph Smith, and Charles Russell must also be true
WHEN SOMEONE SAYS "THE LORD TOLD ME..." When someone, anyone, claims that the Lord told them something, anything, we must ask them (1) how do they know Muhammad's, Joseph Smith's, or Charles Russell's visions and prophecies aren't from God either then.  When someone, anyone, claims that the Lord told them something, anything, we must ask them (2) why it was not recorded in the Bible and why they should not write an addition to the bible with those new revelations.  Yes the Bible does not specifically talk about Internet Pornography but we CAN understand how it is sin through what scripture has revealed.   We must also ask (3) why John's written testimony in The Bible is not sufficient (see John 20:31).  We must ask why (4) all that was once delivered from the OT Prophets and NT Apostles is not enough (see Jude 1:3).  We must ask them WHY because we are called to!  To protect us from being deceived and believing a false teacher and false prophet. Even if the prophetic utterance is so basic as to tell someone something personal like "God told me he wants you to be happy".  We must ask why The Holy Spirit did not reveal that to them already through The Bible (Heb. 4:12; 2 Tim. 3:16-17).  They even say things like "God wants you to walk up to someone in jeans and a blue shirt and speak blessings over them".  The question is WHY you are not approaching people with the gospel to begin with as it has already been made know that it is your duty to as a follower of Jesus?  Secondly, the details like that, are so general that eventually, it will fulfill itself even if it was not from God.  If Scripture (The Bible) is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness so that the servant of God may be thoroughly equipped for every good work, than what else is lacking?  That's the point, God's Word renders these additional revelations as pointless and unnecessary.  THE OBVIOUS FAILURE: The most obvious failure is that people who believe in the Word of Faith teachers do not KNOW God's Word well enough to TRUST IT completely; if they need these guys to make them feel as though it is more complete.  They feel the need to hear these extra biblical messages because they are not satisfied with ALL that God has actually revealed in scripture already.  These Word of Faith teachers would not have such a large audience if the people of God truly sought God's Word already.  But this could also be because it is a heart issue.  THE HEART ISSUE: The Word of Faith teachers justify themselves through their own teachings which justifies their lifestyles of self happiness and wealth.  Their audience desire the same thing.  Its natural.  They want to be happy in their lifestyles and desire wealth (blessings) as well.  Taking it deeper, the ultimate reasoning is to be like God; and some Word of Faith teachers are not scared to admit it.  The popular Word of Faith teachers even teach that they and their followers are like 'little gods' and thus can make themselves wealthy (blessed) because of their own divinity.  Kenneth Hagin has asserted, “man…was created on terms of equality with God, and he could stand in God’s presence without any consciousness of inferiority (which is a blatant lie given what is revealed in actual Holy Scripture Gen. 18:27; Isaiah 6:5; Rev. 1:17)…. He made us the same class of being that He is Himself…. He lived on terms equal with God…. The believer is called Christ, that’s who we are; we’re Christ” (which again is a blatant lie: Matthew 24:23) (Zoe: The God Kind of Life, pp. 35-36, 41).  Morris Cerillo says “the whole purpose of God was to reproduce Himself. …you’re not looking at Morris Cerillo, you’re looking at God, you’re looking at Jesus” (The End Time Manifestation of the Sons of God, Audio Tape 1, Sides 1 &;2).  Kenneth Copeland’s remarks, “You are not a spiritual schizophrenic — half-God and half-Satan — you are all-God”(Ibid., 16-17.) and “You don’t have a God in you; you are one, When I read in the Bible where God tells Moses, ‘I AM,’ I say, ‘Yah, I am too!'”(This is straight up blasphemy! see Isaiah 45:5) (Kenneth Copeland, The Force of Love (Fort Worth: Kenneth Copeland Ministries, 1987, audiotape #02-0028), side 1.).  Welp there it is.  THIS IS the very first temptation from Satan in Gen. 3:5.  First he distorts God's Word, like the Word of Faith teachers do, and then he tells them they will "be like God"; exactly as the Word of Faith teachers say.  How ironic.  Yet, they have followers who claim to be followers of Jesus Christ who think they are like God and little gods.  Conclusion When someone claims that God literally told them something; test it!  Do not automatically denounce it as false because who knows, maybe God did talk to them.  BUT do not automatically believe it either!  Do what The Holy Spirit instructs us to do and TEST them.  See TEST OF PROPHECIES page for Biblical ways to test and rightly judge what which is from God or not.  If we are to believe what they claim at face value, the implications are huge and can lead us to blaspheming God's Holy name and truth and believe in heresies. If you have any questions or comments about this article please contact us or join our discussion forms
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Get ready for another entry in Deadpool 2's Cable casting saga. Has David Ayer started teasing the villain of Gotham City Sirens already? Chris McKay has new details for The Lego Movie 2. Plus, new footage from The Vampire Diaries’ final episode, and a ton of new images from Ghost in the Shell and Iron Fist. Spoilers Now!
Godzilla: King of the Monsters
Having proven time and time again that she’s great at playing spooky kids’ moms, Vera Farmiga has joined the cast as Millie Bobby Brown’s mother. [Variety]
Deadpool 2
Russell Crowe had a recent back-and-forth on Twitter with Rob Liefeld about potentially reading for the role of Cable. Crow took umbrage to the idea of “reading” for any role, causing Liefeld to apologize. The long saga of just who the hell is playing Cable in this movie and beyond continues!
Gotham City Sirens
As noted by Coming Soon, David Ayer “vague posted” a picture of Black Mask, leading some to believe the character will be the villain of the upcoming Gotham City Sirens movie. A Gotham mob boss with a black, skull-like mask literally melted to his face, Roman “Black Mask” Sionis leads a cadre of mask-wearing criminals called The False Face Society, who, if nothing else, would certainly be inexpensive to film at least.
Gambit
Simon Kinberg swears to the One-Above-All that the Gambit film is still happening. Soon. Ish. Really.
Yeah, it is going to happen, and it’s just a question… Channing is, in the best possible way, as committed and as rigorous about getting the character right as Ryan was with Deadpool and as Hugh was with Logan on this movie, and so it’s been about finding a filmmaker and someone who can capture that voice and hand it off to Channing. But he’s been a really critical part of the process, and we’re hoping that the movie, probably given his schedule, will be ready to go this year and probably shoot next year.
[LRM]
The Lego Movie 2
Chris McKay, while visiting the Shanlian on Batman podcast, revealed the Lego sequel will be a “space action” (in Benny’s case, shouldn’t that be space, space, SPACE action?) movie with lots of musical numbers.
LEGO 2 is going to be this big musical and space action movie. They need a lot of the writing, a lot of development, not only with script development, but development with songwriters. So it was very ambitious to get that movie out.
Power Rangers
After 10,000 years, a Rita Repulsa TV spot!
And here’s another.
Ghost in the Shell
Paramount has blessed us with a bunch of new character “motion” posters.
Jurassic World 2
Bryce Dallas Howard has begun filming on the sequel.
Agents of SHIELD
The show’s new virtual reality setting of “The Framework” has already brought back Brett Dalton as former SHIELD Agent, Hydra Operative, and Inhuman-controlling Hive host Grant Ward—but could it bring another past agent back?
Comicbook.com noticed that the series’ upcoming cast list on IMDb—so salt shakers at the ready—has been updated to include Eric Watson, a stunt double credited as a stand in for B.J. Britt, who played fallen agent Antoine “Trip” Triplett before he died at the end of season two. Given that it’s IMDb, which can be edited by anyone, it’s best to remain skeptical: but hey, it’s not like the show isn’t beyond using this Framework setting to bring back some old friends already, so it could happen.
Incorporated
Bad news—Syfy has canceled the future-set corporate espionage series after just one season. [Deadline]
X-Men TV Series
Stephen Moyer has joined the cast in one of the series’ lead roles: Reed, a father who learns his children are mutants and joins an underground network of mutant resistance fighters to protect them. [TV Line]
Doomsday
Rachel Lafevre has joined the cast of a new hour-long drama that sounds a hell of a lot like the old BBC series, Doomwatch. Doomsday focuses on a secret government thinktank monitoring man-made disaster scenarios while speculating on how to curtail them. Like Doomwatch!
Lafevre stars as Faye, the “whip-smart” and “shrewd” Deputy Director of Homeland Security. According to the press release, she sees her coterie of scientists as “reckless, walking liabilities who have personally compromised our nation’s security.” [TV Line]
Star Trek: Discovery
According to CBS chairman Les Moonves, you can expect to see the new series—which was expected to have actually started airing roundabout now—“sometime late summer, early fall.” We’ll be waiting, Mr. Moonves. [TV Line]
Supergirl
According to Andrew Kreisberg, Mon-El’s true identity will be revealed in the sixteenth episode of season two and it’s “going to cause problems.”
He also revealed the box Lillian was peering into will play a role in the season finale, and that Winn’s new girlfriend, Lynn, will become the Yoko Ono of his crime-fighting career with Jimmy Olsen.
The three of them try crimefighting as a trio, which doesn’t necessarily go well. She kind of becomes the Yoko of the team.
[TV Line]
The Vampire Diaries
Pictures have been released for the series finale, the wistfully titled, “I Was Feeling Epic.” See the rest at the link. [Buddy TV]
Here’s a teaser for the episode.
Grimm
Evil comes to Portland, Oregon in the synopsis for 6x12, “Zerstorer Shrugged.”
The prophecy that was uncovered comes to pass when a dark force arrives in Portland with its eyes set on Diana (guest star Hannah R. Loyd). In an effort to protect her, Nick (David Giuntoli), along with Capt. Renard (Sasha Roiz) and Adalind (Claire Coffee), returns to the scene of his first investigation as a Grimm. Back at the Spice Shop, Monroe (Silas Weir Mitchell), Eve (Bitsie Tulloch) and Rosalee (Bree Turner) make a discovery that uncovers the origins of the mysterious stick. Meanwhile, Hank (Russell Hornsby) and Wu (Reggie Lee) are called to a crime scene that is connected to the gang’s greatest threat.
[Spoiler TV]
Powerless
One of Wonder Woman’s oldest (and shortest) enemies debuts in episode seven, “Emergency Punch-Up.”
In need of some real R&R, the team gears up to leave for a company retreat when supervillain Dr. Psycho releases a toxic gas in Charm City. Now stuck in the Wayne Security offices, Emily (Vanessa Hudgens) does her best to make the most of a terrible situation.
[Spoiler TV]
Iron Fist
Finally, Netflix has released a bunch of new promotional photos from the series—including cameos from Luke Cage, Jessica Jones, and Daredevil characters. Check out a bunch more at the link. [Coming Soon]
Additional reporting by Gordon Jackson. Banner art by Jim Cooke.
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papermoonloveslucy · 3 years
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THE ELVES
September 2, 1949
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“The Elves” is episode #52 of the radio series MY FAVORITE HUSBAND broadcast on September 2, 1949.
This was the first episode of the second season of MY FAVORITE HUSBAND which concluded on June 25, 1950.  
Synopsis ~ Liz and George arrive home from vacation to find that someone has been ordering strawberry ice cream from the milkman every day, and the pink trail leads to the doorstep of their new neighbors, Mr. and Mrs. Wood, and their ten children.
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“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benaderet was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper.  The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.
MAIN CAST
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Lucille Ball (Liz Cooper) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.
Richard Denning (George Cooper) was born Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his  roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.” From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.
Bea Benadaret (Iris Atterbury, Liz’s Best Friend) was considered the front-runner to be cast as Ethel Mertz but when “I Love Lucy” was ready to start production she was already playing a similar role on TV’s “The George Burns and Gracie Allen Show” so Vivian Vance was cast instead. On “I Love Lucy” she was cast as Lucy Ricardo’s spinster neighbor, Miss Lewis, in “Lucy Plays Cupid” (ILL S1;E15) in early 1952. Later, she was a success in her own show, “Petticoat Junction” as Shady Rest Hotel proprietress Kate Bradley. She starred in the series until her death in 1968.
Gale Gordon (Rudolph Atterbury, George’s Boss) had worked with Lucille Ball on “The Wonder Show” on radio in 1938. One of the front-runners to play Fred Mertz on “I Love Lucy,” he eventually played Alvin Littlefield, owner of the Tropicana, during two episodes in 1952. After playing a Judge in an episode of “The Lucy-Desi Comedy Hour” in 1958, he would re-team with Lucy for all of her subsequent series’: as Theodore J. Mooney in ”The Lucy Show”; as Harrison Otis Carter in “Here’s Lucy”; and as Curtis McGibbon on "Life with Lucy.” Gordon died in 1995 at the age of 89.
Ruth Perrott (Katie, the Maid) does not appear in this episode
Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.
GUEST CAST
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Hans Conried (Mr. Wood, New Neighbor) first co-starred with Lucille Ball in The Big Street (1942). He then appeared on “I Love Lucy” as used furniture man Dan Jenkins in “Redecorating” (ILL S2;E8) and later that same season as Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13) – both in 1952. The following year he began an association with Disney by voicing Captain Hook in Peter Pan. On “The Lucy Show” he played Professor Gitterman in “Lucy’s Barbershop Quartet” (TLS S1;E19) and in “Lucy Plays Cleopatra” (TLS S2;E1). He was probably best known as Uncle Tonoose on “Make Room for Daddy” starring Danny Thomas, which was filmed on the Desilu lot. He joined Thomas on a season 6 episode of “Here’s Lucy” in 1973. He died in 1982 at age 64.
Conried plays Mr. Wood in several other episodes. His first name is Benjamin, and his wife - who we never meet - is named Gertrude. They were both only children and want to make up for it by having a large family. 
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Frank Nelson (Mr. Stevens) was born on May 6, 1911 (three months before Lucille Ball) in Colorado Springs, Colorado. He started working as a radio announcer at the age of 15. He later appeared on such popular radio shows as “The Great Gildersleeve,” “Burns and Allen,” and “Fibber McGee & Molly”.  Aside from Lucille Ball, Nelson is perhaps most associated with Jack Benny and was a fifteen-year regular on his radio and television programs. His trademark was playing clerks and other working stiffs, suddenly turning to Benny with a drawn out “Yeeeeeeeeees?” Nelson appeared in 11 episodes of “I Love Lucy”, including three as quiz master Freddy Fillmore, and two as Ralph Ramsey, plus appearance on “The Lucy-Desi Comedy Hour” - making him the only actor to play two different recurring roles on “I Love Lucy.” Nelson returned to the role of the frazzled Train Conductor for an episode of “The Lucy Show” in 1963. This marked his final appearance on a Lucille Ball sitcom.
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Anne Whitfield (Joanne Wood, Nearly 7) is best remembered for her signature role as the younger daughter of Phil Harris and Alice Faye on their hit radio show.  Although she never appeared on screen with Lucille Ball, she did a 1962 episode of Desilu’s “The Untouchables.” She is best known for playing Susan in the 1954 film White Christmas. She was 11 years old in 1949 when this episode of “My Favorite Husband” was broadcast. As of this writing she is 82 years old and living in Washington state.
Joanne Wood is one of the many children of the Coopers neighbors Mr. and Mrs. Benjamin Wood. She will also appear as Joanne Wood, without Conried, but with Nelson, in “Liz’s Superstitions” in October 1949. 
THE EPISODE
ANNOUNCER: “As we look in on lazy little Sheridan Falls, the hometown of the Coopers, we find many signs that summer is over. The leaves are turning red, the Coopers are turning their faces toward home after summer vacation, and Liz is hoping that all her friends will turn green when they see how she’s turned brown. Let’s pick them up as their drive into town...”
Liz is anxious for people to see her summer tan. She spots the Atterburys and wants to stop the car to talk.  They also just got back from vacation at Moosehead Lodge.  Every time Liz tries to talk about her sunny stay, Iris and Rudolph interrupt about their Lodge at the lake.  Liz and Iris tug at her blouses and slacks to reveal their tans.   Mr. Atterbury tells George that he may be getting a promotion.  They say their goodbyes.
LIZ: “Goodbye, Paleface!” IRIS: “See you later, Snow White!”
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The Paleface was a Bob Hope / Jane Russell film released at the very end of 1948 and still in cinemas at the time of the broadcast. The Paramount western also featured future “Lucy” cast members Iris Adrian, Iron Eyes Cody, Olin Howland, Nestor Paiva, George Chandler, Fred Aldrich, Oliver Blake, George Bruggerman, Dick Elliott, and Bert Stevens. 
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Snow White and the Seven Dwarfs was a 1937 animated Disney film based on the classic fairy tale. It featured the voices of future “Lucy” cast member Pinto Colvig and Moroni Olsen. 
Upon arriving home, the Coopers notice that their porch has been painted white. Upon closer inspection, they realize it isn’t paint - but milk.  Their ‘milk card’ has been tampered with to order strawberry ice cream while they were away - yet none is found.  
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During the early part of the twentieth century, dairy products were usually delivered to homes, rather than shopped in a market.  The milkman was part of daily life.  Housewives would leave notes (or cards, as above) to request items outside their standing delivery order: Milk, eggs, yogurt, butter, and ice cream, were all offered.  It was not uncommon to see back porches with milk boxes and or empty bottles ready to be returned to the dairy.  This service has all but disappeared in favor of supermarkets. 
Liz and George turn into amateur sleuths to track down the trail of strawberry ice cream drippings which lead directly to... the empty house next door.  Liz notices laundry on the line and surmises that the new neighbors moved in while they were away.  
George angrily knocks on the door, which is opened by Mr. Wood (Hans Conried).  He explains that one of his children has brought home strawberry ice cream.  The elves gave it to her.  Mr. Wood goes to find his daughter to explain. 
LIZ (to George): “I think Mr. Wood has snapped his twig!” 
Mr. Wood returns, assured that Joanna, his daughter, isn’t listening.  Mr. Wood explains that he has ten children and one on the way.  Liz is shocked to find out Mrs. Wood is still alive! 
GEORGE: “Well, Mr. Wood, you’ve certainly got a lot of little splinters.” 
The rest of the children stay with relatives in the summer.  Mr. Wood calls for Joanne, who he thought was buying the ice cream from her allowance. Joanne is an imaginative child who thinks she’s a fairy queen, comes in.  She has been feeding her pet dragon, Charlie, the ice cream.  Liz tells her that dragons don’t eat so much ice cream, but Joanne insists that Charlie’s just a small dragon - a dragon-ette.  
LIZ: “Yes. I’ve heard of her sister - Jessica.”
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Jessica Dragonette (1900-80) was a singer who became popular on American radio and was active in the World War II effort. She was voted best female singer of the country 1942 and 1943.
Much to Liz and George’s chagrin, Mr. Wood let’s her daughter off without any punishment or admonishment for her ice cream thievery.  Mr. Wood offers to pay their milk bill as compensation.  
End of Part One
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Bob LeMond gives listeners a Jell-O ‘dreamy’ recipe for a fluffy orange tart. 
As the second half opens, Mr. Wood has rung the Cooper’s doorbell to report that little Joanne overheard them say that their were no such things as elves. Mr. Wood wants them to pretend to be elves to console her. Liz and George are reluctant, but agree when they see her awash in tears.  
The Coopers will pretend to find Joanne’s lost dragon, Charlie. To prove that they are really elves, Joanne insists that Liz transform into a troll and George into a Brownie Princess. On the way out, Joanne picks up the Coopers telephone and it is Mr. Atterbury, who is bringing over an important client, Mr. Stevens.  Joanne refuses to tell Liz and George who was on the phone - claiming it was the King of the Elves. 
As Joanne waits outside for their transformation, Liz and George plan their outrageous outfits. As a brownie princess, George will wear his brown shoes, socks, and garters, a dried grass-skirt, water-wings, and a brown bathing cap. As a troll, Liz will wear a stocking over her face hanging down like an elephant’s trunk, red rubber gloves on her hands and feet, and will walk on all fours. 
Meanwhile, Mr. Atterbury drives up with Mr. Stevens (Frank Nelson), describing Mr. Cooper as a “dignified, sober, and conservative”.  On the porch is Joanne, who identifies herself as the Fairy Queen.  From inside, Liz bids them open the door and come in.  Liz is hopping about on all fours, spouting gibberish.  Joanne describes the men as ogres “one uglier than the other.”  
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In retrospect, this storyline might have inspired the TV series “Bewitched” (1964-72), in which Darrin Stephens’ boss, Larry Tate, was usually bringing home an important client, describing Darrin to him in glowing terms, and then finding Darrin transformed due to a spell, sometimes involving his own daughter, Tabitha. Even the names Stevens / Stephens is the same!  
Liz straightens up immediately when she sees them. Liz realizes that the ‘Brownie Princess’ is still upstairs, waiting to make his entrance. Too late!  George dances on looking for his lily pad!   Mr. Atterbury fires George on the spot.  Mr. Stevens wants to hear George’s explanation. George stands up for himself - he was simply preserving the fantasy life of a child.  Mr. Stevens takes George’s side and Mr. Atterbury immediately grants George his promotion to third vice president!
 End of Episode
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In the live Jell-O commercial that ends the show, Bob LeMond is singing “I’ve been working on the railroad...J-E-L-L-O!” Lucy thinks he is talking about having to take a job on the railroad, telling him that radio is a tough business and television is the future.  They both sing the song with lyrics about Jell-O.  
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papermoonloveslucy · 6 years
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LUCY & HENRY FONDA ~ Part Two
1975-1979
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[For Part One - Please Click Here!]
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“The Dean Martin Celebrity Roast: Lucille Ball” (February 7, 1975)
Director: Greg Garrison Writers: Harry Crane, George Bloom, Tom Tenowich, Milt Rosen, Don Hinkley, Peter Gallay, Stan Burns, and Mike Marmer
Starring: Lucille Ball, Henry Fonda, Dean Martin, Ginger Rogers, Gale Gordon, Vivian Vance, Bob Hope, Jack Benny, Milton Berle, Gary Morton, Don Rickles, Rich Little, Foster Brooks, Nipsey Russell, Phyllis Diller, Dick Martin, Dan Rowan, Ruth Buzzi
TRIVIA
Lucille Ball is visible excited to hear that Fonda is roasting her. He tells the story of how he and Lucy dated when she first arrived in Hollywood. Public speaking and comedy where not Fonda's forte, but he delivers the material sincerely.  
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“The Dean Martin Celebrity Roast: Jimmy Stewart” (May 10, 1978)
Producers: Greg Garrison, Lee Hale Director: Greg Garrison Writers: Harry Crane, Stan Burns, David Axelrod, Jay Burton, Robert L. Mills, Mel Chase, Arthur Phillips, Martin Ragaway, Sol Weinstein, Howard Albrecht, Jack Shea, Larry Markes
Starring: Lucille Ball, Henry Fonda, Dean Martin, James Stewart, June Allyson, Greer Garson, Red Buttons, Barry Goldwater, LaWanda Page, Eddie Albert, Foster Brooks, George Burns, Tony Randall, Don Rickles, Janet Leigh, Rich Little, Milton Berle, Jesse White, Orson Welles, Mickey Rooney, Ruth Buzzi
TRIVIA
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Henry Fonda talks about the films they did together. Fonda introduces and narrates film clips of Stewart's career. Henry Fonda and Stewart first worked together on the film On Our Merry Way (1948). They also collaborated on How The West Was Won (1962), Firecreek (1968), and The Cheyenne Social Club (1970). The were frequently seen on TV awards shows and tributes.
Lucille Ball and Jimmy Stewart never appeared together in a dramatic context. They often were guests on the same awards shows, tributes, and talk shows. The first was “Hedda Hopper's Hollywood” (1960) and the last was Lucille Ball's final public appearance on “The 61st Annual Academy Awards” (1989).  
Fonda, Ball, and Stewart, were all neighbors in Beverly Hills. Lucy talks about his vegetable garden, a subject she has mentioned on other programs. Lucy jokes about what a respectful neighbor he is. She also ribs Stewart about his somewhat prudish reputation.
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Lucy: “Next to Jimmy Stewart, Fred MacMurray is electrifying!”  
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“AFI Life Achievement Award: Henry Fonda” (March 15, 1978)
Producers: Eric Lieber, George Stevens Jr. Director: Marty Pasetta Writer: Hal Kanter
Starring: Henry Fonda, Lucille Ball, Jane Alexander, Richard Burton, Bette Davis, Kirk Douglas, Jane Fonda, Peter Fonda, James Garner, Lillian Gish, Charlton Heston, Ron Howard, Jack Lemmon, Fred MacMurray, Marsha Mason, Dorothy McGuire, Lloyd Nolan, Gregory Peck, Barbara Stanwyck, James Stewart, Richard Widmark, Billy Dee Williams
TRIVIA
The American Film Institue (AFI) is an organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. It was founded in 1965 by a mandate from President Lyndon Johnson. Their annual life achievement award began in 1973 and was awarded to John Ford. The ceremony that honored Henry Fonda was the first and only one not to have a host / presenter.
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Henry Fonda: “I dated Lucy once. I guess you could say I didn't really plight my troth. I cry myself asleep a lot because if I had plighted by troth properly, they might've changed the name of that studio to Henrylu.”
Lucy's daughter, Lucie Arnaz, and her husband, Gary Morton, sit next to her in the audience.
Film clips from two out of three film collaborations with Lucille Ball, The Big Street (1943) and Yours, Mine and Ours (1960), are included.
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“General Electric's All-Star Anniversary” (September 29, 1978)
Director: Dick McDonough Writers: Monty Aidem, Jeffrey Barron, Bob Howard, Paul Keyes
Cast: John Wayne (Host), Lucille Ball, Henry Fonda, Albert Brooks, Alex Haley, Pat Hingle (as Thomas Edison), Bob Hope, Cheryl Ladd, Michael Landon, Penny Marshall, Denise McKenna, Donny Osmond, Marie Osmond, Charlie Pride, John Ritter, Red Skelton (as Old Man Watching a Parade), Suzanne Somers, Jimmy Stewart (as Mark Twain), Elizabeth Taylor, Leslie Uggams, Jimmie Walker, James Whitmore (as Will Rogers), Cindy Williams, Henry Winkler, Sha-Na-Na
Synopsis: John Wayne hosts this 90-minute ABC variety show. He gives a capsulized running history of the past 100 years between musical numbers, vignettes, and vintage film clips. Leslie Uggams and the group Sha-Na-Na perform musical numbers and Albert Brooks does a routine about holding auditions to find a new national anthem.
TRIVIA
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Although video of this special is scarce, photographs show Lucille Ball interacting with host John Wayne and performing a fast-paced dance number. There are no photos or other records of Henry Fonda's role in the celebration.  
John Wayne also hosted a similar patriotic variety show, “Swing Out, Sweet Land,” in 1971. Lucille Ball did a serious monologue as the internal voice of the Statue of Liberty. Bob Hope and Leslie Uggams were also involved in both shows. Mark Twain was a character in both.
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This special was ostensibly to mark the General Electric Corporation's (GE) 100th Anniversary, which came as a surprise to many as it had just celebrated its 75th Anniversary in 1970!  Although the company was formed in 1895 by the merger of several smaller companies, GE eventually decided that its Anniversary should be marked by the day Thomas Edison himself formed the company in 1878. This change was primarily for advertising purposes – and this special was one of those marketing strategies.
From 1953 to 1962, GE sponsored the anthology series “General Electric Theatre” which, like “I Love Lucy,” was aired on CBS. It was hosted by future US President Ronald Reagan. Henry Fonda played clown Emmett Kelly in “The Clown” aired on March 27, 1955.
In 1952, Lucille Ball was featured in a print ad campaign to promote GE Ultra-Vision television sets.
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“America Alive!” (November 9, 1978)
“America Alive!” was a short-lived hour-long NBC daytime show which featured consumer tips, relationship advice, entertainment news and reviews, and comedy, from its home studio in New York City as well as remotes from Los Angeles.
Cast: Jack Linkletter (Host), Lucille Ball and Gary Morton (Co-Hosts), Henry Fonda (Guest)
TRIVIA
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While Lucy and Gary were in a California studio, Lucy was supposed to interview Henry Fonda, who was in their studio in New York. The following day, host Jack Linkletter infers that it wasn't strictly an interview. Linkletter doesn't specify what happened and there are no video records of the interview.  
The following day, Lucy spent the entire hour taking questions from an audience of students at UCLA.  
“The 36th Annual Golden Globe Awards” (January 27, 1979)
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Lucille Ball was the recipient of the Cecil B. DeMille Award. Henry Fonda was in attendance to support his daughter, Jane Fonda, who won for Coming Home and received the Henrietta Award for World Film Favorite. Fonda was also a presenter. 
SPEAKING OF HENRY....
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In 1971's “Lucy & Carol Burnett: The Hollywood Unemployment Follies” (HL S3;E22) the ensemble sings “Hooray for Hollywood” with specially-written lyrics that mention Henry Fonda and his children Jane and Peter.
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In 1973's “Lucy and Joan Rivers Do Jury Duty” (HL S6;E9), Lucy and Joan are on a deadlocked jury they compare to the film Twelve Angry Men (1957) starring Henry Fonda as the holdout juror.  
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“Lucy Moves to NBC” (February 8, 1980) kicks off with a tour bus driving through Beverly Hills and the tour guide's voice announcing the homes they are driving past, including the Henry Fonda’s. When the bus reaches Lucille Ball's Roxbury Drive mansion, Lucy gets out of the bus – having hitched a ride from after her downtown shopping trip. In real life, the Arnaz family actually did live in the same neighborhood as Henry and Shirlee Fonda as well as James and Gloria Stewart and Jack Benny and Mary Livingstone.
Henry Fonda died in 1982.
Shirlee Fonda: "She [Lucy] was always calling or coming over to see him when he was ill. And after he died, she was one of the ones who always included me in social gathering. When I gave that first party after Henry's death, I said, 'Lucy, you have to be there and help me get though this.' And she was there for me, for 100%"
Lucille Ball died in 1989.
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papermoonloveslucy · 3 years
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HAIR DYED
June 10, 1949
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“Hair Dyed” aka “Liz Gets Her Hair Dyed” is episode #48 of the radio series MY FAVORITE HUSBAND broadcast on June 10, 1949 on the CBS Radio Network.
Synopsis ~  After George warning Liz about the dangers of idle gossip, Liz's chatty and absent-minded hair stylist forgets what she's doing and mistakenly dyes Liz's hair black. Nobody recognizes Liz, so she decides to flirt with George to test his fidelity. Gossip about Liz and George spreads all over town. 
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Note: The first part of the script was later the basis for the “I Love Lucy” episode “The Gossip” (S1;E24) in March 1952.  The second half inspired “The Black Wig” (S3;E26) from April 1954. This has caused some confusion between “Hair Dyed” and a later episode of “My Favorite Husband” titled “Gossip” that more fully follows the storyline of “The Gossip” but does not included Liz / Lucy having black hair. 
REGULAR CAST
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Lucille Ball (Liz Cooper) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.
Richard Denning (George Cooper) was born as Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.”  From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.
Gale Gordon (Rudolph Atterbury) had worked with Lucille Ball on “The Wonder Show” on radio in 1938. One of the front-runners to play Fred Mertz on “I Love Lucy,” he eventually played Alvin Littlefield, owner of the Tropicana, during two episodes in 1952. After playing a Judge in an episode of “The Lucy-Desi Comedy Hour” in 1958, he would re-team with Lucy for all of her subsequent series’: as Theodore J. Mooney in ”The Lucy Show”; as Harrison Otis Carter in “Here’s Lucy”; and as Curtis McGibbon on “Life with Lucy.” Gordon died in 1995 at the age of 89.
Bea Benadaret (Iris Atterbury) was considered the front-runner to be cast as Ethel Mertz but when “I Love Lucy” was ready to start production she was already playing a similar role on TV’s “The George Burns and Gracie Allen Show” so Vivian Vance was cast instead. On “I Love Lucy” she was cast as Lucy Ricarodo’s spinster neighbor, Miss Lewis, in “Lucy Plays Cupid” (ILL S1;E15) in early 1952. Later, she was a success in her own show, “Petticoat Junction” as Shady Rest Hotel proprietress Kate Bradley. She starred in the series until her death in 1968.
Ruth Perrott (Katie, the Maid) was also later seen on “I Love Lucy.” She first played Mrs. Pomerantz, a member of the surprise investigating committee for the Society Matrons League in “Pioneer Women” (ILL S1;E25), as one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and a nurse when “Lucy Goes to the Hospital” (ILL S2;E16). She died in 1996 at the age of 96.
Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.
GUEST CAST
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GeGe Pearson (Bessie, Liz’s Beautician / Millie) was a veteran radio actress who made her debut on "The Red Skelton Show" in 1945. She guest starred with her real-life husband Hal Gerard as tourists in “Lucy Visits Grauman's” (ILL S5;E1). She is perhaps best remembered as the voice of Crusader Rabbit. 
Coincidentally, Liz compares Bessie to columnist Drew Pearson (no relation). 
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Verna Felton (Grace) made her professional stage debut at the age of 10 as ‘Little Verna Felton,’ working extensively on stage. Felton was one of the most successful performers in radio, and soon went on to television. She played the persistent Mrs. Day (mother of Dennis) on “The Jack Benny Show” (1955-62). She received two Emmy nominations for her role in the Desilu series “December Bride,” playing Hilda Crocker from 1955 to 1959 opposite Spring Byington as Lily.  On “I Love Lucy” Felton portrayed Mrs. Porter, the no-nonsense housekeeper in “Lucy Hires a Maid” (ILL S2;E23). She was also featured in “Sales Resistance” (ILL S2;E17), playing Mrs. Simpson, a housewife to whom Lucy tries to sell a Handy Dandy vacuum cleaner - only to find out that she has no electricity! Felton worked extensively for Disney voicing various animated characters in classic films. 
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“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benaderet was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Coope.  The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.
EPISODE ANNOUNCER: "As we look in on the Coopers tonight...”
The episode opens in the Cooper’s living room where Liz and Iris are gossiping about someone named Grace while George and Rudolph smoke cigars.
IRIS: “She didn’t!” LIZ: “She did!” RUDOLPH: “What do you think, George. Did she or didn’t she?”
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On “I Love Lucy” Lucy is on the telephone gossiping to Marge about Betty while Ricky reads the paper. 
LUCY (to Marge): “She didn’t? She did? She didn’t?  She couldn’t!” RICKY: “Maybe that’s why she didn’t.” 
To give the girls an idea of how trivial they sound, the boys indulge in some mock gossiping from a feminine point of view. The retort is the same on both radio and television:
LIZ / LUCY: “Thank you, Hedda and Lolly.”
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“Hedda and Lolly” are gossip columnists Hedda Hopper (left) and her rival Louella Parsons. Hopper famously played herself in an episode in season five of “I Love Lucy” as well as on the first episode of “The Lucy-Desi Comedy Hour.” 
George / Ricky admonish their wives about the pettiness of gossip. Liz promises to cut back but will have to cancel her hair appointment, claiming that the beauty salon is where women go to gossip. George is doubtful.
LIZ: “Well, you don’t know Bessie, my beauty operator. She’s the Drew Pearson of the mud packs.”
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Andrew Russell Pearson (1897-1969) was one of the best-known American political columnists of his day, noted for his syndicated newspaper column "Washington Merry-Go-Round," in which he criticized various public persons. He also had a program on NBC Radio titled “Drew Pearson Comments.” 
Next day at the salon, Liz stops Bessie mid-gossip about Mrs. Andrews’ marital problems. Taken aback, Bessie refers to Liz as “old funnel ears”.  Liz covers her ears and pretends she can’t hear all the juicy gossip. Getting carried away with her mindless chatter, Bessie accidentally dyes Liz’s hair black!  She claims she can’t dye it back for two weeks without the risk Liz’s hair falling out!
LIZ: “Great!  I’ve got a choice between Black Beauty or Old Baldy.” 
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Black Beauty is the eponymous horse featured in the 1877 novel by English author Anna Sewell. Coincidentally, Richard Denning (above with Mona Freeman) starred in a 1946 film adaptation of the book. Old Baldy probably refers to Mount San Antonio, in the San Gabriel mountains outside Los Angeles. 
Iris comes into the salon and doesn’t recognize Liz. Things take a turn for the meta when Bessie compares her to actress Lucille Ball!  
LIZ: “Oh! She’s pretty!  Do I look like her, Iris?” IRIS: “Nah. Lucille Ball never saw the day she looked as good as you did.” LIZ: “Thank you, I think.”
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Although radio and film star Lucille Ball’s name was never mentioned on “I Love Lucy,” meta comparisons to Lucy Carter and Lucille Ball happened several times on “Here’s Lucy”. In the most memorable example, Ball actually played herself with dark hair. 
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Liz decides to put George to the test to see if he will recognize her. It is here that the script starts to resemble the “I Love Lucy” episode “The Black Wig” (ILL S3;E26). Like Ricky, George pretends not to recognize her at first.  George  compares Liz’s new look to Prince Valiant. 
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Prince Valiant was a comic book character from King Arthur’s court that first appeared in 1937. His hair was a black pageboy cut, which became known as a Prince Valiant haircut. Fred Mertz (William Frawley) dons a Prince Valiant wig for the PTA show in “The Celebrity Next Door” (1957) starring Tallulah Bankhead. 
George admits he knew it was Liz all along and was just teasing. Back at home Liz gets a telephone from Grace, who gossips that a friend of a friend that George was seen in town with a gorgeous woman with black hair.  When Liz admits that the woman was her, Grace thinks she is covering up and refuses to believe her!  It seems the rumor of George’s infidelity has swept the town. 
LIZ: “This is the biggest news since Ralph Miller’s wife found him downstairs with the upstairs maid.”
Millie calls to tell Liz what Grace has called to to tell her the news of George’s affair. A third caller doesn’t even get to say hello before Liz spills out: 
LIZ: “Yes I heard it no it isn’t true and why don’t you mind your own business.”
It turns out to be Iris, who also believes the gossip! 
LIZ: “Oh, no!  You too, Brutus Atterbury?” 
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This line is a paraphrase of a line from Shakespeare’s Julius Caesar. When Brutus betrays Caesar, Caesar remarks “Et tu, Brute?” which is Latin for “You too, Brutus?”  Caesar is then stabbed to death by the senators, including Brutus, the ultimate betrayal of a friend. The play was recorded on records by Orson Welles in 1939, and reissued in 1953. The album was used as a plot device when Welles played himself on a 1956 episode of “I Love Lucy.” 
Iris has heard the woman was a willowy blonde, and Liz realizes how twisted and insidious gossip can be. Iris doesn’t believe it when Liz refutes the gossip.  Liz concocts a plan to get even with Iris. She calls Madge to make up a lie about Rudolph, knowing Madge will quickly spread it around. 
LIZ (to Madge): “I just heard that last Wednesday afternoon Mr. Atterbury had a Coke with his secretary in the drug store.  And that’s not all, one Coke; two straws.”
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In the early part of the 20th century, drug stores generally had snack counters that served soft drinks, ice cream and other light refreshments.  They were a popular hang out for young people, away from the prying eyes of their parents. Sharing one drink with two straws was the height of intimacy. The corner drugstore was depicted several times on “I Love Lucy,” especially when Ricky and Fred needed to commiserate away from their wives. 
Katie doesn’t think very much of the rumor Liz has made up. 
LIZ: “Katie, I only planted the seed. By the time the girls get through cultivating it, it’ll be full grown poison ivy.”
George arrives home and Liz tells him what has been happening since their lunch. 
LIZ: “George, today our names have been on more lips than Camphor Ice.” 
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Camphor Ice was an ointment made of white wax, camphor, and castor oil, used for dry, chapped skin, especially lips. It was an early form of Chapstick. 
Liz tells George about the rumor he spread about his boss, Mr. Atterbury, telling him that the last time she heard, the rumor had Mr. Atterbury spending Saturday night at the Continental Night Club with a beautiful blonde.
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The doorbell rings. It is a despondent Mr. Atterbury, toothbrush and pajamas in hand. Iris has locked him out of the house due to the rumor.  Liz confesses that she spread the rumor.  Liz volunteers to confess her deception, but Mr. Atterbury confesses that he really WAS at the Continental Nightclub with a beautiful blonde!
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