#but this trend of 'random shit' really grinds my gears | Explore Tumblr Posts and Blogs

gyuswhore · 6 months

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There are so many tropes that i hate but i can't remember most of them at the moment. I hate when the mc is a pushover like when they let the obvious bad people do things to them just cus they love that person 🙄

I am seriously done with the one bed trope. It's too overused and i will skip the fic if it's all that there is.

When they don't let the other person explain the situation. Like take a breath and let them talk for a sec. That alone would make the whole situation better. This always makes me wanna give them a good old smack.

When its enemies to lovers but it's so obvious that they like each other. That's not how it works. When it's etl i want them to hate each other for real, not secretly in love with each other.

When they add random korean words in the fic. Like the endearment terms and all. That's kinda cringy not gonna lie.

When they make the girlfriend of the male lead a meanie even if she didn't do anything bad at all. Like why is the man falling in love with the mc when he's already in a relationship with someone nice. That's basically cheating and it shouldn't be glorified. This happens a lot with the bestfriend to lovers trope. It's such a turn off for me. Like stop villainizing the gf.

Dude i feel so bad for saying all these. I hope no one gets upset over this. You can write whatever you want ❤️

tell me about tropes you dislike (or like!!), or send an ask about it!

I got so excited when I saw how long this was kjfnsnk

about the mc being a pushover I can definitely see that being annoying, ive read a couple fics (mostly in my 1D wattpad days rip) that had mcs like that and it made me wanna punch their face or stop reading altogether. In books too, ive seen it becoming a more popular trend to make one of the main characters rude asf but then expecting the readers to forgive them bc of what they are to the protagonist, ive dropped so many books bc of this exact reason.

WTF I LOVE THE ONE BED TROPE 😭😭😭😭 its overused and borderline cringe but its just so good I love the cliche

OH MY GOD I HATE MISCOMMUNICATION SO MUCH and this is in every aspect in books, in fics, in real life all of the above. the thing that irks me most is when the miscommunication is drawn out for a longer period, if its a shorter fic I can read it but the second I realise this is a major plot point in a larger story im out. it grinds my gears so bad fr. side note, but that thing they do in sitcoms where the miscommunication starts with the person NOT interjecting with the explanation is the absolute worst.

Honestly, I feel like it becomes really hard to shield when you pretend to hate someone even when you like them so it turns into not-really-enemies anyway, so yeah that becomes more like rivals (?) to lovers.

OH THE RANDOM KOREAN WORDS DONT EVEN GET ME STARTED im super grateful it isn't that big of an epidemic on caratblr but ive seen some shit in other fandoms its actually horrible.

The last one is only acceptable when the dude figures his shit out before it becomes actual emotional cheating. also about the gf thing, it totally depends on what she does as a character but it gets annoying when the entire plot of the story is just the gf as the villain.

#side not: just because we dislike certain tropes does not mean they shouldn't be written or they're bad #ive seen people write some of my favourite fics with some of my most hated tropes. sometimes its about how you write it #this is friendly discourse pls don't be upset about minor disagreements!!!!!#on another note this was rlly fun hehe #em.talks #em.anon

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spacezeta · 5 years

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Devlog - About combat, or: let’s threaten the player

So here’s the devlog about combat that I was going to write the other week but then the camera one turned out way too long!

And if you thought the camera one was long, boy do I have a surprise for you...

So here’s a fairly long (and a little bit rant-y) write-up of my thought process about to combat or not to combat, and how to raise the stakes in a horror game in order to give more substance to the ‘horror’ part.

*Emphasis on thought process because as the game is still in development, I’m still figuring out the proper mechanics of it all

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When we first started making this game, one of the first things that we ended up establishing was that there would be no combat. And looking back I’m not sure why - it just kind of... was. I guess it was to make things easier, but on hindsight we really should have thought that more thoroughly.

So that was the first version of the game that we developed (we had a sort of demo alpha thing done as a student project), but right away there were some glaring issues that needed to be addressed (hence the whole ‘reestructuring of the game’ that I’ve mentioned a few times before). One of the biggest issues weren’t exactly about combat, but rather how to create a tense atmosphere for the player. So follow me down the rabbit hole until I get to the bit about combat!

So. We’re making a horror game, right? And when you’re making a horror game you don’t want the player to feel all safe and happy and calm, you want them to feel tense, to be on edge, and, most importantly, you want to scare the living shit out of them. So how do we go about achieving that?

(No, not jumpscares, you cut that shit out right now)

What I think you should to (emphasis on I and think, as in, personal opinion, and you should, as in, me making this game) is basically make the player feel threatened. You make the player feel scared to enter a room because they don’t know what might be lurking inside. Have a constant threat of something looming over the player’s head everywhere they go. And while that might be an easy concept to grasp, the big issue lies in what exactly that threat is.

(No, not jumpscares! I said stop that!)

So here’s the thing about jumpscares:

They’re not a bad thing... when used in conjunction with other things. Used by itself, it’s just a very cheap way to get a reaction from the player. Sure, a monster popping out of nowhere to scream in your face is going to startle you - but that’s just it. It’s startling the player, not scaring them. If your brother hid in the dark to pop out and scream at you when you come in the room, you’re gonna be startled. And then you’re gonna be angry because that’s just not what normal person should be doing, Peter.

But anyway. A jumpscare is also only really effective the first few handful of times, because after that it loses its power and the player will probably just be going ‘Oh, boo to you too, Mr. Monster’. You need to save up on the jumpscares to only use them when a perfect opportunity arises (like when the tension is at its highest, or when the player is least expecting it and quickly build tension). There are a lot of situations where a jumpscare can come in handy, but it should never be used by itself. If you’re gonna Boo! at the player, Boo! at the player and then do something else along with it.

(Also I have a jumpscare pet peeve when jumpscares make absolutely no sense in-universe. Like, I can understand a monster screaming - monsters are, you could say, prone to shrieking and loud noises, so it makes sense. But when a horror game or movie have a thing pop out with a loud sound, a thing that by all means and laws of physics should make no sound whatsoever, it just grinds my gears so friggin much. Worse yet when the characters react to it! Boo, camera cut! Boo, title card says TUESDAY! Boo, there’s some paint on the wall! Boy what a loud wall!)

But I digress.

So, about the threatening the player bit...

How do we threaten the player to make them feel unsafe? That was the trickiest part to figure out during initial development.

One option is going for the being chased by enemies route. Think something like Outlast or Amnesia, where there’s no combat and you have to run away and hide from monsters to survive. Aaand we kind of just ruled that out. Partly because the map isn’t all that big which might have just ended up with the enemy and player running around in circles, and partly because if you don’t do it properly you might end up with something less threatening, and more troublesome. Like, say, you’re in the middle of completing a puzzle and suddenly an enemy pops out and you have to drop everything to run all the way back to shake them off to finally be able to go back and do what you were trying to do in the first place - that kind of troublesome.

A second option is having combat. Or enemies that appear and that you can deal with in one way or the other. Aaand we also ruled that out and I just don’t know what the friggity frack we were thinking. I was very dumb, essentially. I think I was influenced by this current trend in horror games to have no combat whatsoever, in order to maybe leave the player feeling helpless in the face of danger. And honestly, I should have just taken a long hard look at the horror classics that are influencing this game and realized: the!! friggin!! combat!! it’s there!!! dammit!!

So, no chasing and no combat. What the hell do we do?

Basically I did this thing of trying to make an idea work that clearly does not work but I tried and tried anyway instead of letting it go and it’s basically a really bad thing that I do, and now that I’m finally aware of doing it I’m trying really hard to stop.

Note to self: if an idea isn’t working, let it go! Try something else!

Long story short what we tried to do was this thing where being around an enemy drained your health/sanity/whatever and you needed to escape the room to be safe by pressing a series of quick time events to open the door and leave. It didn’t work.

So there’s combat now! The end!

Well, okay, not really.

So, combat at last.

When I say combat, I don’t mean the action-game-one-man-army kind of combat. I mean the combat that’s of the I-have-a-rusty-pipe-and-will-smack-the-shit-out-of-any-ugly-thing-that-comes-my-way-oh-god-what-the-hell-is-that-maybe-I-should-just-run kind. Think of the first Silent Hill games, the first Resident Evils and even Fatal Frame, where the combat essentially boils down to being a ghost paparazzo.

So, now that we’ve decided on combat, the looming threat that I mentioned before becomes fairly well defined: it’s the possibility of an enemy encounter. You can even play with that expectation, like having one or two fake out scares (just do not overdo - I’m looking at you, scenes of a random cat jumpscaring you out of nowhere), or by pulling the rug out from underneath the player by having an enemy pop out in a seemingly safe area and give them trust issues.

But for the player to dread meeting an enemy means the combat can’t be easy - but it also can’t be frustrating otherwise it just fails as a game mechanic. The player can’t breeze through enemy encounters, each one needs to feel like an actual threat that the player has to deal with (either by killing them or tactically retreating a.k.a. running away please don’t hurt me).

Kind of a side rant: Honestly, if someone asked me what the downfall of the Resident Evil games as a horror series was, I’d probably say it started with the combat. Not all of it, but I’d say a good deal of the blame was there. *Please note I haven’t played either RE7 (as someone who tends to get motion sickness, first person games are things that I avoid) or the RE2 remake (this one I will get as soon as it goes on sale because games are expensive and I got no money).

I mean, I still love RE4 with all my heart and those Regenerators will live on inside my nightmares, but I thought earlier games felt much more tense because the combat in 4 was a lot more action-y than horror-y, though it hadn’t entirely tilted over to the action side... Then 5 came and ruined it all and then 6 came and was like ‘what’s a horror game’ (and I say this as someone who had fun with 6!) and the rest is history.

But it did get me thinking about one thing: the combat mechanics. I found myself frustrated when trying to go back to older Resident Evil games and struggled to deal with the bare bones combat and the clunky tank controls (granted, the latter more than the former), so I started wondering how much of the tension in older games had to do with actual horror, and how much of it was due to the insecurity you get when dealing with awkward controls in a moment of crisis.

Playing around with combat mechanics

So, having figured out that I wanted combat, the question became ‘how to combat’. Or something along those lines. I didn’t want to make things too easy, but I also didn’t want to make the player frustrated.

Here’s the part where I repeat what I said right at the top of this post: as the game is still in development, I’m still figuring out the proper mechanics of it all. So basically I’m just gonna register here what my experiments have been so far, and, like I said in the camera devlog, there are no tank-like controls because those are just a pain to deal with.

So at first I made it so you could only attack after aiming... But then that felt clunky as hell considering this is melee. So I scrapped that idea and made it so you could walk and attack at the same time.

I did keep the aiming part though, but made it optional: you can still walk and attack, but attacking while aiming will deal higher damage.

And in the spirit of keeping the player from just mashing the attack button I’m trying out a little something: Chaining attacks to deal higher damage but also making it so that, should the player press the attack button again too fast, the animation will restart, basically cancelling the previous attack. This would be a nightmare in a fast paced action game but since it’s not, I’m hoping it’ll force the player to be a bit more careful when confronting an enemy without it becoming a frustrating mechanic so, again, it needs more playtesting!

Also enemies can also chain attack you for higher damage!

And that’s basically it! I’m sorry if after all this buildup it ended up being disappointing oops

But considering Observo is going to be a somewhat short game I don’t have the time to develop a complex battle system that’s just not gonna be used a lot in a game with puzzles as the main focus. So that’s it! Thank you so much to anyone who’s still reading this at this point, haha

#game development #devlog #indie game #gamedev #game dev #this is long #like really long #observo #updates

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