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#buuuut... the chance is non-zero so...
beachcityfamily · 3 years
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((Imagine if I accidentally reblog Lady Dimitrescu to here and you all see me how much I thirst for her...))
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desperationandgin · 4 years
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Is anyone else doing this?
There is absolutely no one interested in this tl;dr (what is this, Livejournal in 2011?) but every time I try to write fic, my brain only wants me to write this, so I guess it’s a sign to put things out into the universe.
Predictably, I’m doing a little reflection on 2019 and setting some goals for 2020. I didn’t really set any goals last year, but sometime around Summer of Smut, I told my betas that I wanted to be pushed more to expand on moments in my fic when it seemed like I was glossing over things that could be fleshed out. Because they heard that and pushed me to do better, I went from writing teeny tiny short chapters to one-shots that are over 5,500 words. I can literally see the progression of my writing from too concise to more fleshed out. HUGE thanks to the team of support I’ve totally lucked into this year for helping with that. 
I’ll put a read more here so you can scroll by! Before you scroll, I hope you have a good new year!
So, goals for 2020! I’ll get the non-writing ones out of the way first:
Keep my current Duolingo (French) streak going as long as I can.
At first, I was going to just start (well, re-start, because I had this same goal in like...2016 or something) using it in 2020 like a cliche, but instead, 42 days ago I downloaded the app. How do I know it was 42 days ago? Because that’s my current streak! So far the progress is at:
Excuse-moi, comment tu t’appelles?
Elle est Anglaise.
Tu travailles beaucoup.
So, if you ever meet an English woman who works a lot and you need to know her name, I’m your gal! I don’t know what I’m ever going to do with this. It’s nice to know another language, I guess, that in no way benefits my career. It’s what I like!!!
Read 10 novels
I’ve gotten so bad about reading. Three years ago I read 50 books. Two years ago I read 20. Last year and this year? Zero. I reblogged something recently that said reading a ton as a kid/young adult, for a lot of us, was to escape, but now that we have so many ways of escapism available to us (and mine is fic writing and my Firestick), taking the time to stop and read doesn’t seem to happen much. I tried audiobooks once, and I can’t listen while trying to work or multi-task. Inevitably, I focus too hard on the other thing I’m doing and before I know it, I’m lost and have to rewind. So, it’s back to the tablet or the 56849675656 physical books I have. Ten isn’t a big goal. That’s not even a whole novel every 30 days. I’m trying to decide what to read first even though my to be read list is massively long. Let me know if you have any suggestions!
Write more handwritten notes to send in the mail.
The stationary is bought! This is something I want to get better at because...God, who doesn’t just need happy things in the mail sometimes? Is it faster to send an email? Sure, buuuut, there’s just something about sitting down and actually writing out your thoughts to a person. And there’s really nothing like getting old-fashioned correspondence in the mail. You can dramatically read it by a window with only a single candle as your light. Anyway, I have names and addresses and I’m gonna do this.
OKAY, NOW WE’RE TO THE WRITING ONES!!!!!
Write at least 100 words per day.
I wouldn’t only write 100 words per day, of course, but every day I will write that amount as a minimum. Sometimes it will be bad. Other times it could be good and might even turn into something. The simple point is just to write, and I’ve bought a couple of creative tools to help with that. I don’t even know who I would share those 100 words with or if it would be worth it. In any case, by the end of the year, no matter what, I should have 36,500 words total. We’ll see!
Get better about responding to AO3 comments.
I am notoriously bad at this and don’t mean to be. I worry that I sound repetitive or that my appreciation doesn’t sound genuine. I don’t really know how to respond to praise, so if you ever get a reply from me that’s just a heart or just a simple thank you, I’m sorry that I’m not 10x more eloquent in accepting thanks and at this point I’m just grateful people leave it.
Let go of the pressure
I guess that’s self-explanatory, but this fall was not great in my own head surrounding fic. I let a lot of things that were not true make me believe I could only write one thing or nothing at all. Once I let go of that, the one-shots started flowing. I’m happy with my writing right now; not because I think it’s super great, but because I’m feeling it. That may not make sense to anyone else and that’s okay. I was never happy with anything I wrote from August - November. It feels really good to not feel that way anymore and all because I finally listened to my wife and Danielle and took their advice. If the two of them ever gang up on me I don’t stand a chance.
That’s it, I think! Earlier in the month, I thought I wanted to get into meditation; I changed my mind after trying every day for 2 weeks. I also thought this was the year I wanted to start learning ASL, but I can’t figure out a place/time to practice and I don’t want to scramble and stress over something that should be a fun exercise. I have a few other super personal goals that may get talked about at a different point! This is long; if you read it we’re probably actually friends or you are also my wife, in which case please come kiss me.
Happy end of the decade! Hello, 2020.
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marshmallowgoop · 5 years
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So have you watched the other stuff Studio Trigger has made (Little Witch Academia, Darling in the Franxx)? If so, what are your thoughts?
I try to watch Trigger’s original series at least! I got tags for Kiznaiver, Space Patrol Luluco, Little Witch Academia, SSSS. Gridman, and the A-1 Pictures/Trigger collab, DARLING in the FRANXX. For some of these shows, I’ve written about my thoughts fairly extensively:
DARLING in the FRANXX
Goop Watches: DARLING in the FRANXX
Episode 1: Alone and Lonesome, More
Episode 2: What It Means to Connect, More
Episode 3: Fighting Puppet
Episode 4: Flap, Flap, More
Episode 5: Your Thorn, My Badge
Episode 6: DARLING in the FRANXX (Outline Only)
Do You Think DARLING in the FRANXX Will Have Several Tone Shifts?, DARLING in the FRANXX Has a Lot of Heart
Do You Think the FRANXX Will Only Operate with Certain Pistils?
English Simuldub
Ending Thoughts, Thoughts on Endgame Couples, Thoughts on Hir02
Episode 1: “And you weren’t frightened by my horns.”
Episode 3: “The hand she held out and the smile she offered to me alone came at a price.”
Episode 12 Quick Thoughts, Responses
Episode 13: Amazing Piece of Animation
Episode 13: Does Zero Two Recognize Hiro?
Episode 13: Zero Two Biting Hiro (and Hiro’s Response)
Episode 14: Reaction
Episode 14: Thoughts on the Ichigo Hate Train?
Favorite Moment from Kill la Kill and DARLING in the FRANXX?
Human/Non-Human Romance
Third Ending Sequence: Lily Flower Symbolism and Ikuno
Why Watch DARLING in the FRANXX?, Would You Recommend DARLING in the FRANXX?, Would You Recommend DARLING in the FRANXX and Kill la Kill to Someone Who Dislikes Fanservice?
X Symbolism
Zero Two: Manic Pixie Dream Girl?
Kiznaiver
Flower Symbolism in Kiznaiver’s Ending Sequence, Revised
Kiznaiver Episodes 1 and 2: Thoughts and Impressions
What is Kiznaiver About, Exactly?
SSSS. Gridman
AX Premiere Thoughts
Space Patrol Luluco
Episode 7
Space Patrol Luluco and Kill la Kill Crossover Idea
Space Patrol Luluco’s Finale vs. Kill la Kill’s Finale ☂
Buuuut I know that’s a lot, so:
tl;dr?
Inferno Cop: Okay, I admit it. YouTube-Poop-styled humor is ridiculously amusing to me. (I once did a whole final project in college about YouTube Poop. Yes, really.) 
And the horrible cut-out animation will never fail to make me crack up. Inferno Cop is truly a masterpiece.
Space Patrol Luluco: Hey, I actually finally picked this one up at Comic Con about a month ago! While I wasn’t expecting to enjoy Luluco much, I think it’s actually my second-favorite Studio Trigger series after Kill la Kill. It’s just really cute and silly and fun. As I realized in excruciating detail at a Comic Con panel I went to, most anime humor honestly doesn’t do much for me, but when the panelists showed a clip from Luluco? That got me smiling. Things can get mean-spirited at times (which isn’t my cup of tea), but overall, I think Luluco has some real heart. And it’s adorable.
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Kiznaiver: Oh, I was so excited to love this show! I was lucky enough to see an advanced screening of the first two episodes, and I was totally hooked. It was drop-dead gorgeous—and probably the prettiest series Trigger has ever put out—and I was very intrigued by the plot and characters. I remember just coming back to my hotel room at like 3:00 am after the premiere, utterly filled with excitement. I mean, Kiznaiver was directed by Hiroshi Kobayashi, the episode director behind the two episodes that got me hooked on Kill la Kill (episodes 5 and 18)!
But… my excitement quickly died. The story tried to develop way too many characters in way too little time, and I never enjoyed the romantic pairing of Katsuhira and Noriko, finding it shallow, undeveloped, and nonsensical (in a bad way), which… kind of ruins a lot of the series when that’s arguably the heart of the whole thing.
Kiznaiver is still super, super pretty, though. That last episode’s animation got me shook.
Little Witch Academia: I wish I loved this one more than I do. I really, really admire Yoh Yoshinari as an artist and director, and I know LWA is totally his baby, and the animation in both the series and shorts is so good, and I don’t know if I’ve ever related to any character ever as much as I relate to Akko Kagari, but… I just… don’t really have any strong feelings one way or another about the work on a whole.
Maybe my issue is that Little Witch Academia comes off as rather meandering to me. I’ve always felt (perhaps very wrongly!) that the focal point of the story is the relationship between Akko and Ursula/Chariot, but there’s just… so much else going on. 
I can relate, though. One of my babies is the first novel I ever wrote and completed back when I was 13. There are so many ideas I have for the story, and I’ve tried to stuff everything into my drafts. But you end up with an unfocused narrative without a solid core when you do that, and I sadly feel that that’s what happened with Little Witch Academia. There’s a lot of good stuff, but it’s just too much for one story!
I will say that I enjoyed both OVAs more than the series, though, and the first OVA is my favorite.
DARLING in the FRANXX: Oh, DARLING in the FRANXX. While I definitely had the obvious problems with this show when it started, the promise of a legitimate human/non-human romance was more than enough for me to keep watching anyway.
But after episode 15… everything fell apart. The romance I was there for became boring and bland, with the leads nauseatingly reiterating how in love they were instead of actually talking to each other or dealing with any of their problems. So much potential character depth got swept under the rug, and to make matters worse, the world building revealed itself to be even more ludicrous than imagined, there were some absolutely bizarre and potentially very hurtful messages about love and sexuality that I can’t even begin to make sense of, and the less I say about the ending, the better.
Of course, a poor conclusion doesn’t always spoil what I did like about a work; I still obviously adore Kill la Kill even though I despise the finale and the OVA legitimately makes me feel ill. But DARLING in the FRANXX is one of those stories where my disappointment is so great that I kind of… don’t even want anything to do with it anymore. The stuff I had loved is soured by how everything ended up.
I still have some great DARLING content in my queue that I definitely intend to post because it’s not the fault of any fan that the final product came out so lackluster. But I’m personally just pretty done with this one.
If there’s anything I’ve learned from DARLING in the FRANXX, though, it’s that I probably should hold off on buying merchandise until I’m sure I actually really like the thing. I certainly didn’t spend anywhere near as much on this show as I have for Kill la Kill, but I still dropped a fair amount on stuff that’s kind of wasted on me.
Live and learn…. 
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SSSS. Gridman: I got the chance to see the premiere of the first episode at Anime Expo last year, but I unfortunately can’t say I was all too fond of what I saw. I’m slow to warm up to comedies, and while I love cliches and the series definitely acknowledges and has fun with its cliches, the characters didn’t stand out enough for me to find the cliches particularly endearing.
Also, there’s absolutely no deep or meaningful reason behind it or anything, but I do not like what I’ve seen about Akane. That kind of character archetype annoys the crap out of me.
But Gridman is really neat from a directorial and compositional point of view; I really liked, for example, how there weren’t just a bunch of boring shot-reverse-shot conversations, but conversations that spent time focusing on the backgrounds and scenery and environment instead. I also feel like I’ll really, really enjoy Gridman if I actually watch it past episode 1, but… I’m bad at doing things.
I think when I do watch it, though, I’ll do a livebloggy sort of deal?
Others: I haven’t seen anything else from the studio (unless you’re counting stuff animators from Trigger have worked on, like Takafumi Hori’s contribution to Steven Universe, which are always excellent, expressive, beautiful animations), but I’m moderately excited for the upcoming Promare. The fact that it’s apparently a family-friendly film has got my interest.
And I got a kool Promare sticker already from Kumoricon last year, too!
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lizzybeth1986 · 6 years
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Really, Really Slow Thoughts on TRR Book 3, Chapter 3
• This QT took two days. Because my pace has been sluggish. Because my thoughts on this chapter have been sluggish.
• This chapter is the only time in the entire series that I was barely invested. That’s only ever happened to be at the beginning of Book 1, and only because I didn’t think it would amount to anything beyond a Cinderella story. I haven’t been in that space with a single chapter in this book since Book 1,Chapter 8. I’m just…bored.
• Title: Allies among Enemies. Sounds very Kenna and Luther, no? But I doubt Kenna ever had to sit and play marriage counselor to a squabbling couple.
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Esther asking all the relevant questions.
I mean, sure, Bertrand, I get it: I need to make a tour and that involves visiting other duchies, Justin thinks Madeleine would make a bomb press secretary, and I have to play matchmaker for her parents –
Wait what. Why do I need to resolve a personal fight because Madeleine’s parents? I know it’s all about reaching out and getting allies and making connections but playing armchair therapist just sounds extremely silly.
• I like that they’re carrying over the “house colours” strategy from TCaTF. Kenna occasionally did this during alliances, especially when meeting with the Nevrakis family.
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So I have a dress “as green as Madeleine’s envy towards me and black as her shrivelled heart” (bomb analogy, Maxwell!). Buuuut I’m taking part in a court event. A formal ball. Why is the dress style more like what I wore in the club for Madeleine’s bachelorette and Liam’s bachelor party???
• Also can you imagine how awkward waltzing would look in this dress? Ballroom dresses are long and flowy for a reason. Part of the beauty of your twirl comes from how your skirt flows when you’re turning, esp in a dance like the Cordonian Waltz where the twirl is the highlight.
• So I’m supposed to ensure Adeleide comes for the wedding. Loooogically the story should make this easier on me because I already did the hard work of winning her over the last book right? Wrong. Because the story doesn’t care. It doesn’t care which Liam I chose, whether I’ve ever worn pepto bismol in my life or not, whether I charmed the pants off Adeleide (not literally). Nope. I still have to start from scratch (wouldn’t be the first time tho. I won over Kiara and Penelope in Book 1 only for them to ditch me next book [even though Penelope knew it wasn’t my fault. You owe me big, sister]).
• Soooo Godfrey, Madeleine’s dad, is an English nobleman. His marriage to Adeleide was a political alliance and he doesn’t actually give a shit about Cordonia unless his daughter is the goddamn country’s queen.
• Hmm. So Madeleine is half Cordonian too. Jesus Christ for a country that doesn’t like foreigners very much, a lot of its major players seem to have at least one non-Cordonian parent: Liam (possibly), Madeleine, Drake, Hana…
• I was a little confused because Book 1 mentioned that Madeleine is “practically royalty” from her father’s side - but it’s possible that’s more a hint towards his English roots. I guess we can rule him out for who the enemy is rn because this dude genuinely doesn’t give a shit.
• So Liam, whose interactions with Godfrey have been few and far between and who admits he has never really met him in a social setting, is the one who provides us inputs on how to deal with the Duke. Turns out this advice is pretty helpful, coming from someone who barely knows the man.
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Savour this moment, Liam stans. This - and the “we need to avoid this lack of crowd at our wedding” exchange, are the only times we will get to properly interact with him today.
• I know this decor looks like a piñata threw up over the ballroom but I love the purple and the soft lighting xD
• So the first event post Homecoming is super empty, which is quite dishearting. It’s enough to make even our resident bar-hopper Adeleide upset.
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Is it just me or does “STOICISM RULEZ!!!” Regina sound like she gives zero fucks today? I mean sure it could just be her usual irritation around Adelaide but here even Constantine seems a little taken aback. And besides, it’s not the Krona duchy that needs anything from the Crown, it’s the Crown that needs something from them. Your arrogance doesn’t have any legs to stand on, Regina.
• Also idk but am I the only one getting a different vibe from Regina this book? In the debriefing meeting she wasn’t there at all, and this is someone who has been a part of every meeting we’ve seen in the books. Then she comes here, to an event where if anything SHE needs to be begging her cousin to come for her stepson’s/some random noblewoman’s wedding, and she’s busy making snappy comments about the appetizers (and let’s be honest, everyone else found their spread incredibly good. Even Drake. DRAKE)
• Madeleine’s dad is essentially Madeleine Sr.
• “Magic Friendship Dust” my ass.
• Madeleine’s reaction to this “be my press secretary” thing is “I told you so” followed by a resounding (implied) “fuck you”. What else were you expecting, Esther?
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It’s great that they say this, but I would have preferred if they showed it. It really isn’t that hard. Show him talking independently to a noble or two (you don’t even have to show their faces) - winning some over and not managing to sway some others. The reason a lot of Liam fans are upset is that not only does the writing make weak excuses to keep him from working WITH the MC, we aren’t even given a proper glimpse of what he IS doing!
I’ll return to this point later, because I have a LOT to say 😠
• …cheeseburgers aren’t appetizers, Drake.
• I’d agree with you about the buffalo wings tho.
• Nomnom that pasta looks good.
• I’d betray me for a plate of truffled penne too, Esther.
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Back in the essay I wrote on the Balcony Scene, I spoke of how Liam’s mother’s story seemed like a mirror to the MC’s (I mentioned that she might be a foreigner, though, and given that Neville and Drake make the comparison between the MC and her, and that her son is customizable by ethnicity, I still think there are chances that is true). Called it! xD
• Neville is still as big a creep as he ever was and this scene was extremely ugly, especially with regards to Drake. But it was also extremely powerful because the group gets to rally around and protect him, and show Neville that Drake has people who will support him no matter what. It was a scene I felt was needed because it gives you a much better idea of what Drake has had to deal with in court. (also I know he’s taking the tour coz he wants a wife [good luck getting one with THAT level of creepy, asshole!] but I’m suspicious about him following ppl he doesn’t even like around).
• This is also amazing buildup to the dancing scene. The version of the scene I got was automatically platonic, which I loved, and I got more comfortable with this scene than I have ever felt with any non-Liam-LI scene so far (you know how you keep stressing about accidental romance points? That).
• In my playthrough, Esther keeps it professional, gives him encouragement, teaches him how to glide using a mental image. Drake points out he needs to give Liam adequate support and he will need to actually prove himself to other nobles for that. As a romantic scene, it really shines (and indeed it should, given that the Cordonian waltz is primarily romantic) but it works very well on a platonic level too.
• I also really, really loved the comparison Drake made between his situation and hers: that the MC is proof that he can hold on to who he is even if he becomes a part of the nobility/has endured this much from them. Drake’s character arc is built heavily on his fear that being part of the nobility can change people, based on very valid experiences. We’ve seen in this chapter how desperately some nobles cling to their titles, almost using it to make up for their lack of personality (I’m looking at you, Neville and Godfrey). But he has proof all around him too, that you don’t need to lose who you are through a title. In a lot of ways this plays really well into his “letting go” arc as well.
• Okay so I went with Godfrey first. He’s talking to Liam, who again makes a disappearing act (I don’t mind, because the MC specifically stated she wanted to speak to the Duke alone). I’m not surprised Liam wasn’t making much headway. This is the second dude to dump Madeleine after all, and worse still he’s brother to the first dude to dump her. No wonder Liam’s sticking to safe subjects like choice of scotch!
• YIKES @ Godfrey’s constant harping of successes and defeats. Why don’t we talk about what a failure YOU are as a dad, Duke Karlington, since you’re only ever there for Madeleine to tell her what a failure she is!
• I like the exchange they show us between Adeleide and Regina before the MC steps in. Regina’s care and concern for Madeleine has pretty much been there from the beginning and for what it’s worth, it has been genuine.
• Oh man. I want to give Adeleide a hug and some champagne. I mean I don’t exactly envision her winning the “best mother” award anytime soon, but she’s trying. Perhaps a little too pushy and a little too focused on her own coping mechanisms, but still, she cares enough about Madeleine to want to be there for her no matter what. Which is more than I can say for Godfrey, who thinks being a father means paying an annual visit to his goddamn FAMILY and judges people for failing when he’s perhaps the biggest failure in the room.
• Waltz time!
• Though between Esther not having a twirly skirt and Drake having an injured shoulder I’m not sure they even looked that good.
• WTF ESTHER WHAT IS WRONG WITH YOU DOES THAT LOOK LIKE A MAN WHO IS IN ANY CONDITION TO MANAGE A LIFT
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HE’S NOT JOHNY CASTLE AND THIS ISN’T DIRTY DANCING. STOP PUTTING DRAKE IN A CORNER.
• AT LEAST BABY DIDN’T MAKE JOHNY LIFT HER ON AN INJURED ARM. AND AT LEAST THEY AGREED TO DO IT TOGETHER NOT SPRUNG IT ON HIM LIKE A FUCKING JACK-IN-THE-BOX.
• “He winces at the pressure on his arm, but smiles through it”. …damn I’m angry at my own MC now.
• Drinking game time!!
• I’m not going to comment much on the scene because it’s going to be part of my group scenes essay, but I *will* say I’m so happy Hana gets her due in this one. She really shines in terms of character development in this scene and she gets the best line this whole chapter xD xD xD
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• I think Hana has had this burn simmering in her pressure cooker ever since the bell-pepper episode in Shanghai 😂😂
• “You all know there’s more to me than liking whiskey, right?”
This is unfair and inaccurate, people. Of course there’s more. He likes cheeseburgers and pasta and greasy junk food too, cmon.
• I recall speaking not too long ago about how Madeleine and Hana had very different approaches to similar issues (family pressure, feeling like they are failures, broken engagements with men they didn’t love), and that Madeleine very possibly faced a lot of family pressure (I was wrong about the source being Adeleide, though). To me this forms part of why Hana can see Madeleine the way no one else can, and why it’s essential to have her around when Madeleine opens up.
• This doesn’t really change my opinion of Madeleine, though. It makes sense of some things, but in my mind nothing can really justify the sick pleasure Madeleine gets out of breaking people. She makes excuses for herself by calling it “not tiptoeing on other people’s fragile feelings”, but that would imply she was just being honest and not actively working towards making people feel like shit. In both Hana and Penelope’s cases she was actively working on making them feel like they were beneath her, and enjoying doing that. To me what she did, especially to Hana, was emotional abuse. Speaking ecstatically about “breaking” a human being who has harmed you in no way, is abusive. No more, no less.
• Please don’t tell me a Madeleine and Hana ship will be a thing now. No. Eww. I’d rather not pair Hana with someone who was actively trying to break her. I don’t care how much of a “crush” Madeleine seems to have.
• No matter how misguided Adeleide’s attempts to parent Madeleine are, to me she clearly wins the parenting stakes hands down. She may have made Madeleine feel like she couldn’t mourn what happened to her, but at least she views her daughter as more of a human being than a prize horse.
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Didn’t lie to get her way? Was saying “I’m allergic to chocolate and you could have killed me” just a figment of my imagination then???
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• You have to be fucking kidding me. The MC is a duchess now. The Beaumonts are supposed to be helping her. These three should be at the top of their itinerary right now, not throwing things together at the last minute every chapter. Isn’t this Unity Tour supposed to be about knowing your allies and enemies, and preparing accordingly? Being unprepared (somehow, barely) made sense to some extent in the first two books, but things are different now.
• Penelope next week! That woman owes us big time.
General Thoughts on this Chapter:
• Things I feel might come up in Penelope’s estate:
1. Penelope’s anxiety and her parents’ fears about sending her back to court
2. Personal issues within the family maybe? Perhaps Penelope’s desire to take up pet couture designing and her mother’s disapproval of the same might feature.
3. At some point there may be some sort of redemption arc for her where she gets reminded of her involvement in what happened to the MC earlier. Penelope clearly owes the MC a great debt for letting her off the hook so easily.
4. I’ll be damned if I have to play therapist for these people too 😠
• This whole idea of “meddling” is stupid. These people are adults. Grown people, who should be expected to know how to handle their own lives and talk to each other. The royalty/the MC shouldn’t be expected to babysit them. That’s not what we came here for.
• It stings even more when you take into account that the common public is feeling pretty terrified at the moment, and having their own, and here we are busy resolving the family squabbles of rich people.
• It highlights even more strongly what’s wrong with the whole idea of a Unity Tour. I’m hoping this “resolving-aristocrat-issues” thing won’t become a pattern because it’s beginning to look ridiculous.
• @ladynevrakis mentions in her excellent write-up on this week’s chapter that this chapter is a lot better if you’re a non-Liam shipper, and extremely frustrating if you are.
Correct on both counts. As the MC you’re just starting out as a noblewoman, and you will need all the support you can get. If you’re with Drake (especially Drake), Hana or Maxwell, you get plenty opportunities for support from all of them. With Liam, you barely get a few lines here and there before he’s completely MIA. There is no opportunity for Liam or his fiancee to talk properly, or work together as a team. And this house is unquestionably the toughest one, so why does the writing not give Liam any chance to truly be there for her when she needs it???
• I can understand why he wasn’t there for the most part. In the Neville sequence he isn’t there precisely because the writers need to highlight how people treat Drake when Liam isn’t around (and to show what people say about Liam behind his back), and there is no way you could have Liam around in either the group scene or the final scene with the family without making things worse (daughter’s former fiancè, hello?). Plus if the MC is not engaged to him, it would look weird for him to be present at some of these conversations.
STILL, there were a whole range of ways you could write him without him actually being involved in the patch-up, and still do justice to his character:
1. Eat with the group: The group eating scene could have been a perfect time to have Liam come, speak about his progress with convincing ppl, bond with the group over the delicious spread, and leave before Neville enters.
2. Check in periodically: Liam is my MC’s fiancè. They are here together on their first tour as a couple. They’re doing this tour for his people and his country. She is a newcomer and it is essential he has her back. It wouldn’t have hurt to have him come in on occasion and ask her how she is holding up. It wouldn’t have taken more than a scene or two, really, and it could have worked perfectly both on a neutral and romantic level. If you’re going to make Drake such a huge presence in this chapter that you’d go the extra mile and write him two ways, you can very well do the same for Liam. It’s even more essential in his case because he is the King of Cordonia and pretty damn invested in making this tour work.
3. Have the MC notice what Liam was doing independent of her: The writing team is no stranger to writing conversations that don’t involve the MC’s presence at all. We know Liam was spending time speaking to the few nobles in attendance, but we’re never shown how he does this or whether he succeeds. I know he’s as hard at work as the MC is, but I don’t see what he’s doing. Could you really blame readers for thinking he is less involved, then?
4. The Little Things: A gentle touch here, a smile there if he’s your fiancè. Things you would do with your partner when you don’t have much time together but still want to show them they care.
It’s not like the writers don’t know how to involve Liam. They’ve done a really good job of this in the past. The entire social season saw Liam working behind the scenes to ensure the MC was protected and cared for, even when he couldn’t be involved. The engagement tour had him pitching in to help whenever it didn’t seem too suspicious to. In all these instances they kept in mind Liam’s role and limitations, and STILL managed to make him proactive.
The writers had plenty opportunity this chapter to have Liam be there for her in small ways, but hardly bothered to involve him. I appreciate wanting to make his interactions as neutral as possible but that doesn’t mean you don’t put any effort into writing him at all.
To add insult to serious injury, this chapter follows another one where the MC practically takes over Liam’s speech (post the video), leaving Liam with little space to do anything besides agreeing with her. It’s essential - now more than ever - to portray Liam as decisive and proactive, yet the writing has him take 10 steps backwards in terms of character development. The MC is his fiancèe/close friend now. She should be able to see him properly as a politician and a leader at this point. If that doesn’t get resolved soon, we’re in danger of screwing up an interesting character who has a lot of potential.
• I’m still holding out on this book, because it’s still early and I believe they can turn things around and ensure there is a fair balance between the LIs. They are taking what we say into consideration and they have worked hard to make our other LIs’ interactions with us as safe and platonic as possible. I think this is a matter of balance, and I still think they can manage to do a good job of it once they ensure there is a balance.
• But this chapter? I’m not going pretend I’m happy.
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