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trylonandperisphere · 4 years

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TATIANA MASLANY ON 'SLIPPERY' CHALLENGE OF SLIPPING BACK INTO CHARACTERS FOR ORPHAN BLACK REUNION

Tara Bennett

May 14, 2020

It’s been three years since BBC America’s Orphan Black ended its five-season run, but the Clone Club is still beloved and not forgotten. And that’s especially true for Tatiana Maslany and the cast of the series, so she’s reuniting the Clone Club on Sunday to use their seestra powers for good.

In a turn of events we’re sure not even Cosima could have imagined, the global pandemic has created hardship for everyone, including those marginalized in the LGBTQ community. With that in mind, Maslany and the show’s cast and creators are welcoming fans to join them for a two-episode table reading that will be streamed on the official Orphan Black Facebook page Sunday, May 17 at 3:00 p.m. ET.

Tatiana Maslany on rejoining the sestrahood with Orphan Black: The Next Chapter

WTF Moments: Orphan Black's Helena dances with a severed human tail, proving she's the best clone

“There’s definitely a feeling of what can we do to help, and also to be creative right now,” Tatiana Maslany told SYFY WIRE today about how the event came to fruition. “We were inspired by the Big Mouth, Parks and Rec, and the Queer as Folk casts getting back together to raise money for charity and to also create community. It felt like a no-brainer.”

Despite the cast residing all over the globe, Maslany says it wasn’t a big challenge to get everyone back together. “Everyone was gung-ho to do it and it was pretty easy to get it into motion when everyone said yes. We really valued our time on Orphan Black and valued the Clone Club and just wanted to do it.”

To read the Season 1 episodes “Variations Under Domestication” and “Parts Developed In An Unusual Manner,” Maslany will be joined by Maria Doyle Kennedy (Mrs. S), Jordan Gavaris (Felix), Kristian Bruun (Donnie), Kevin Hanchard (Detective Art Bell), Dylan Bruce (Paul), Evelyne Brochu (Dr. Delphine Cormier), Josh Vokey (Scott), Michael Mando (Vic), Inga Cadranel (Detective Angela DeAngelis), Eric Johnson (Chad Norris), Natalie Lisinska (Ainsley), Kathryn Alexandre, creators Graeme Manson and John Fawcett, executive producer Kerry Appleyard, writer Will Pascoe, and co-producer Mackenzie Donaldson.

For how they settled on those two particular scripts, Maslany says, “It was tough to find one [episode] that was juicy for everyone, so doing two episodes was the only way to do it. 'Variations Under Domestication' was so fun and light, and highlighted the different dynamics of Donnie and Sarah. And Cosima and Delphine have a lot of budding relationship stuff that became beloved by the fans, and we wanted that to be highlighted. 'Parts Developed in An Unusual Manner' has gorier stuff and some beautiful stuff with Mrs. S and Art. So, it was all about a balance.”

And to add a little intrigue to the whole affair, Maslany also hints that there will be some surprises about just who will read what parts on Sunday. “I cast a few people in roles that they didn’t play in the show, so I’m really excited to see what they bring to it, and for the Clone Club to see them in parts that weren’t for them, so I hope they get a kick out of that.”

Maslany also asks for some patience from the fans because she admits slipping back into the skins of Sarah, Cosima, Alison, and Helena again was not just like riding a bike. “Even just looking at the scripts now and working through them in prep for Sunday is way harder,” she laughs. “The muscle memory has softened, but it’s fun to go, ‘Oh, right’ with the voices, or the accents. It’s all slippery but it will be fun for people to see where it falls off the rails here and there.”

While the streaming event is free, Maslany encourages fans to support the two charities they’ve selected all the proceeds go towards: CenterLink and Sistering.

“Our LGBTQ fanbase has always been so deeply important to us,” Maslany explains. “We realized really early on the show was striking a cord with LGBTQ youths and adults finding themselves and seeing themselves reflected back. It was eye-opening to feel that response, and how impactful it could be, and how important it was to people. We felt protective of the community and aware of them in our writing. So, getting to work with CenterLink, an organization that helps over 250 LGBTQ community centers around the world, is so important to us. They are disproportionately affected right now due to stigma or having to be isolated with family members who are unsupportive or even violent. There’s a loss of community which is so incredibly important to identity and feeling safe.”

She continues, “And then the other charity is a smaller charity in Toronto called Sistering. It’s a group that helps women and trans people across Toronto who are precariously housed or homeless. It’s also a community that is deeply impacted right now. Our show has always had feminist ties and we wanted to ally ourselves with a charity protecting women and trans people in this time.”

As for how she’s personally dealing with the lockdown, the actress admits it’s been a real challenge for a “deeply social person” like herself. “I’m missing that for sure. But what was so obvious to me when we were putting this together is the deep need for artists to create. And at the same time, I’ve held the opposite to be true and have felt deeply unmotivated to create because there’s so many other places your brain and your heart are trying to process and contend with. I think if you do feel that impulse, it’s wonderful to know that there are so many other people who want to get on a Zoom and read a play, or writing something with a friend at a distance, or whatever is available to us. But at the same time, I’ve had to let myself off the hook, when I feel completely disconnected from that. And that’s OK too, because we’re just surviving.

“By all accounts, I should be reading novel after novel right now, but I have no capacity for it,” Maslany says, laughing. “But the one thing I do feel connected to is dance classes. Ryan Heffington, who is the choreographer of Sia’s music video 'Chandelier' and The OA, has been doing these classes on his Instagram live three times a week. He’s a choreographer that most of us would never get to work with so it’s crazy to get to do his classes. And in L.A., I used to do Dance Church, which is Kate Wallich’s creation. She does two a week and it’s saving my life. I feel like there’s so much anxiety in our bodies, and you don’t want to have to talk, so it’s a great way to express. Also, both teachers allow for a lot of emotion in it. Get it out and whatever feeling is OK. It’s deeply connective.”

As the Clone Club knows, even when it’s a party of one, there’s never a bad time for a dance party…

#orphan black #tatiana maslany #she's a good egg #tmas #charity #table read #clone club #centerlink #sistering

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junker-town · 4 years

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The start of Western Illinois’ NCAA tournament run in Year 22, continued

The Leathernecks enter the NCAA tournament as a No. 11 seed with an impossibly tough draw.

Welcome back to our simulated dynasty with the Western Illinois Leathernecks in College Hoops 2K8. You can find a full explanation of this project + spoiler-free links to previous seasons here. Check out the introduction to this series from early April for full context. As a reminder, we simulate every game in this series and only control the recruiting and coaching strategies.

We pick up with the Leathernecks in the first round of the 2029 NCAA tournament, but first here’s a recap of everything that’s happened so far this season.

Coming off a disappointing loss in the round of 32 to No. 1 seed Xavier last season, the Leathernecks enter the new year ranked No. 19 in the preseason polls. We have three new starters.

We went 6-5 in the non-conference schedule before sweeping the Summit League and winning the conference tournament once again. We earned a No. 11 seed to the NCAA tournament, entering at 27-5 overall.

We recruited for one scholarship, but didn’t land anyone yet.

Read: Western Illinois, Year 22, 2028-2029

Here’s a look at our roster heading into the NCAA tournament:

No one can doubt the overall talent level of this roster. We’re rated as a 100 overall for a reason — we have a great combination of experienced top-end talent plus depth. It is fair to wonder who are takeover scorer is going to be, though.

I have full confidence in Kevin Brazzle, the 7’2 junior center and projected top pick in the NBA draft. He’s put up numbers all year and figures to give a consistent scorer and rebounder inside. Who steps up on the perimeter is a better question. Wilbur Ager, our lone senior, has had a good career thus far, but he’s never had to be the man in the shadow of Allen Cunningham and others. Now we need him to play like a star. Does Ager have a Wilky Henry-like run in him? The spotlight is also waiting for Mathew Alloway, now a junior and a starter every year he’s been eligible. Alloway has the size (6’7), he has the shooting, and he brings it defensively. We’ve had him circled as a future star for years. The future is here.

Point guard Jamie Burke and power forward L.F. Neal, both first-year starters as juniors, are less accomplished but still talented. Our bench has a 300-pound center in Artie Snipes, a 6’10 wing in Jitim Dupree, and our best three-point shooter in 6-foot guard Koko Reeves. We’re good enough to lean on a star-by-committee approach, but someone is going to have to step up against an incredibly formidable UConn team.

The Huskies have been killer throughout this sim, one of only four programs to win two titles (the others: Louisville, Maryland, UCLA) while we have three. UConn knocked us out in the Elite Eight back in Year 18. They have a loaded roster once again. Both teams enter the game rated as a 100 overall:

Maryland is likely waiting in the round of 32 and top-seed Xavier is likely waiting in the Sweet 16. Our Leathernecks are used to getting shafted by the committee, and it happened in a major way this year. This might be our toughest draw ever.

We watched this game on Twitch together on Sunday night. As always, I’m not controlling Western Illinois during the game, we’re watching a simulated game. Unfortunately the video transfer to YouTube is taking forever and still isn’t fully uploaded even after 12+ hours. I’ll add videos in this post when it’s complete.

Let’s go!

***

Win, 103-89! Second half team!

This was getting dark for a minute there. Led by my long-lost relative Donny O’Donnell (36 points), UConn opened up a double digit lead late in the first half. That’s when I switched us into a 1-2-1-1 zone full court press defense. We started forcing turnovers, which led to easy offense, which led to us taking control of the game. We dropped 65 damn points in the second half, which is just amazing.

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I loved what I saw out of Alloway, finishing with 19 points on 3-of-3 shooting from three-point range. Ager struggled to shoot the ball from the outside (1-of-5 from three) but still found a way score 17 points and also had four steals.

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Our front court gave us a great complement next to our guards. Neal played the game of his life: 20 points, 11 rebounds, and five stocks. He’s had a quiet career so far but we don’t win that game without him. Brazzle continues to be the picture of consistency by going off for another fat double-double of 17 points and 16 rebounds.

Less good: point guard Jamie Burke, who finished with eight turnovers turnovers and 0-of-4 shooting from three.

We absolutely would have lost this game without the switch to a full court press defense. The final scoreboard says we won by 14, but man does it feel like that’s a game we easily could have lost. Even still, it feels great to beat UConn in the tournament. Unfortunately, it isn’t getting any easier from here.

Our next opponent in the next our is No. 3 seed Maryland, who beat No. 14 Samford in their opening game.

No. 11 seed Western Illinois vs. No. 3 seed Maryland, round of 32, 2029 NCAA tournament

Maryland has been one of the better programs in the country throughout this sim. Like UConn, the Terps have two national championships while consistently being a factor late in the tournament.

Maryland enters the game as a 100 overall — the same rating as us. Here’s a look at their roster:

You can see that Maryland doesn’t have a ton of size, with no one taller than 6’7 listed on the first page of the roster. In a lot of ways, this Terps roster reminds me of the Xavier team that knocked us out in the round of 32 last year: lots of dynamic guards and wings who can knock down shots. Like us, they have six players rated in the 90s.

Let’s cut down on the turnovers, defend the three-point line, and feed Brazzle inside when we have the ball. We’re going to need to play better than we did against UConn to win this game.

We watched this game on Twitch on Sunday night. Once again: it’s a simulated game; I’m not controlling Western Illinois on the court.

This group knows the pain of losing in the round of 32 because it happened to us last year. A win here and we likely get a rematch against Xavier, who knocked us out last season. We want a rematch. Let’s go!

***

Win, 95-91! We juuust had enough to hang on there in the second half.

We were in control for most of that game and I was feeling pretty good about it. We took a nine-point lead into the half on a Wilbur Ager tip-in. We pushed that lead to 16 points early in the second half, but credit Maryland for refusing to go away. The Terps went on a run in the last five minutes and hit a three-pointer with 17.5 seconds left to make it a three-point game. It was a two-point game with 4.5 seconds left when Jamie Burke missed the front end of a 1-and-1 at the foul line. Fortunately, Alloway grabbed the offensive rebound and iced the win at the line.

While I didn’t switch to a full court press defense in this one, we actually had more steals (12) than we did vs. UConn (10). I thought our defense set the tone once again. It had to be that way considering we couldn’t get a good look from behind the arc all night. Maryland hit 10 more three-pointers than us — 13 to three — but we were able to stay alive by attempting three times as many free throws. It wasn’t a pretty offensive performance for us, but it was enough to get the win.

Brazzle was a monster and really does feel like the trump card during this tournament run. It is so nice to have a 7’2 center we can consistently go to when we need a bucket. He was excellent to finish with 27 points and 14 rebounds on 13-of-20 shooting from the field. That performances locks him in as a top-five center in program history, I think. We lose without him because no one really got going.

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Alloway, Ager, and Neal were all solid but unspectacular. Maryland’s star wing Ross Pasco ran all over us, going off for 33 points on seven made threes. That’s two wings putting up massive individual scoring games on us so far. Something to monitor.

Ager still made big plays when we needed him to.

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I am officially worried about Burke at this point. We’ve had so many subpar point guards over the years and there’s no way to really know until you see them out there. Burke was a very solid four-star recruit at No. 71 overall in his class — the type of player we’d take every time. He has succumb to the same issues as Armien Amous and Angel Keita before him though: too many turnover. After eight turnovers against UConn, he had five or six this game. We need to take better care of the ball.

As we sim to the next week, we have some shocking news: No. 7 seed Richmond stunned top-seeded Xavier in the round of 32! That means we face the Spiders with an Elite Eight trip on the line!

No. 11 Western Illinois vs. No. 7 Richmond, Sweet 16, 2029 NCAA tournament

Every deep NCAA tournament run requires at least a little bit of luck, and there’s no doubt we got it in a big way with this matchup. Xavier appeared to have the most players rated in the 90s — seven — of any team in the tournament this year. They also demolished us on this stage last year. I am feeling so much more confident against Richmond.

How the hell did the Spiders beat Xavier? Xavier was a 100 overall and Richmond is a 91 overall. Here’s a look at Richmond’s roster, with only one player rated in the 90s.

This is a game we should win, but I’m sure Xavier thought that, too. One win away from the Elite Eight, let’s get it.

We also watched this game on Twitch on Sunday night, the first time we’ve ever streamed three games on the same night. Why stop now? Standard disclaimer goes here: I’m not controlling WIU, we’re watching a simulated game.

Let’s go!

***

Win, 136-71. Absolute domination out of our ‘Necks. We’re going to the Elite Eight!

This was a beatdown from the opening tip. We got out to a 10-point lead in the first seven minutes and never looked back. We were up 30 by halftime and had already pulled our starters.

First things first: shout-out to our embattled point guard Jamie Burke. who finished with an exquisite line of 12 points, 11 assists, zero turnovers. He also hit 4-of-6 shots from three-point range. Exactly what we want out of our point guards. Just a textbook great PG performance.

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Ager was also awesome to finish with 19 points. He was super aggressive from the jump and it looked like he knew no one on Richmond could match his physicality. That was tight. Alloway also played an efficient and wonderful game with 14 points on 6-of-8 shooting, all in the first half I think.

How about our defense? We had 17 steals, a new high for this tournament run. Unreal.

Looking back through the records, that’s our biggest win ever. 65-point win! The bench also beat Richmond by 30 in the second half. Just ridiculous.

I thought the future of the program was on full display as the bench got some run with a big lead. Wow, were they great. Jitim Dupre: 22 points, 10 rebounds, four steals, three makes from deep. Edwin Wolfe led us in scoring!?! I never would have guessed. The former five-star JUCO recruit is now a RS sophomore and rated an 80 overall. That’s disappointing by our standards, but he played so much better than his ratings in this game. Wolfe finished with 26 points on 10-of-16 shooting from the field and 6-of-12 shooting from three.

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Artie Snipes also deserves a shout-out with 20 points off the bench. He’ll be our starting center once Brazzle bounces to the draft after this year and it feels like we won’t be losing much at center with him in the lineup.

That sets up a game vs. No. 8 seed Tennessee. The Vols stunned No. 1 seed Stanford in the round of 32 and then took out defending national champs BYU in the Sweet 16 to force their way into the Elite Eight. If you had this game on your bracket, more power to you.

No. 11 seed Western Illinois vs. No. 8 seed Tennessee, Elite Eight, 2029 NCAA tournament

The Elite Eight has been a nightmare round for us in the past — most memorably when we saw three straight seasons end in this round from Year 16, Year 17, and Year 18. The allure of the Final Four is so strong that guys start to get tense. You can’t really blame them, but we need to be better today.

Tennessee looks solid but not overwhelming from a talent perspective. I think this is the first time we’ve ever played them? Here’s a look at the Vols’ roster:

Guess what? We playing this game out too. A four-game stream. Win or lose, this will be our last game of the night.

I’m not controlling WIU, but you know that by now.

Final Four on the line. Let’s goOoOoOoO!

***

Win, 100-92! We’re going to the Final Four for the fifth time in program history, and we will be looking for our fourth national title once we get there.

Ohhhhh my gosh, that was close. The second half felt as tense as any game we’ve ever played in this dynasty. Tennessee refused to go away, hitting threes, getting and-ones, forcing steals — they really made us work for it. Shot of the night goes to our senior, Wilbur Ager. With our Leathernecks up two points with 18 seconds left and about five seconds separating the shot clock from the game clock, Ager fired a catch-and-shoot three-pointer that was cash to seal the win.

I was so nervous when he shot this, and elated when it went in.

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What a shot. If he misses, the Vols have the ball and a chance to win the game on the last possession. Instead, it goes in, Ager is the hero, and we advance to the Final Four. Wow.

I felt like Nick Nurse in this game: I was riding my starters until the very end. All of them were excellent. Burke went all 40 minutes and only scored one point, but he finished with 13 assists and limited his turnovers. Alloway played like a flat-out star with 28 points on 12-of-17 shooting. Ager hit a very nice 6-of-9 shots from deep. Brazzle had another ridiculous double-double with 25 points and 15 rebounds.

L.F. Neal also made two super tough field goals in crunch-time to help seal the win:

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Unreal. I never thought this team would make the Final Four, not after losing three starters and potentially the GOAT Leatherneck in Allen Cunningham. I thought our tournament draw was far too difficult for a run like this. I’m so happy I was wrong.

We’ve been to the Final Four four other times. Three times we won the national title. Let’s go back banner No. 4.

Our opponent in the Final Four is No. 1 seed George Washington. GW has a created player at center in former bracket contest runner-up Steven Frye. We made Frye as a three-star recruit back in the day but he’s really developed into a great player. Frye vs. Brazzle will be a signature matchup inside. GW is rated as a 98 overall, so this won’t be easy.

We’re going to stream this game on Wednesday, September 16 at 8:30 p.m. ET on Twitch. Here’s how you can watch the game:

How to watch Western Illinois vs. George Washington in the 2029 Final Four

Game: No. 11 seed Western Illinois vs. No. 1 seed George Washington, Final Four, 2029 NCAA tournament

How to watch: My Twitch channel

Date: Wednesday, Sept. 16

Tip-off time: 8:30 p.m. ET // 7:30 p.m. CT. The stream will start a little earlier.

If we win: The national championship game against the winner of No. 1 Kansas vs. No. 9 USC will follow immediately after.

What about the bracket contest?

Bracket contest results are up on Sean’s app — which works on desktop and mobile. Someone named Doop is currently winning. Way to go, Doop. Thanks to Sean again for running the bracket contest — follow Sean on Twitter at @hoopsinsight.

I’ll see you Wednesday night. Let’s hang banner No. 4.

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bongaboi · 7 years

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59th Annual Grammy Awards Winners Part 1

General

Record of the Year

"Hello" – Adele

"Formation" – Beyoncé

"7 Years" – Lukas Graham

"Work" – Rihanna featuring Drake

"Stressed Out" – Twenty One Pilots

Greg Kurstin, producer; Julian Burg, Tom Elmhirst, Emile Haynie, Greg Kurstin, Liam Nolan, Alex Pasco & Joe Visciano, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers

Beyoncé Knowles, Mike Will Made-It & Pluss, producers; Jaycen Joshua & Stuart White, engineers/mixers; Dave Kutch, mastering engineer

Future Animals & Pilo, producers; Delbert Bowers, Sebastian Fogh, Stefan Forrest & David LaBrel, engineers/mixers; Tom Coyne, mastering engineer

Boi-1da, producer; Noel "Gadget" Campbell, Kuk Harrell, Manny Marroquin, Noah "40" Shebib & Marcos Tovar, engineers/mixers; Chris Gehringer, mastering engineer

Mike Elizondo & Tyler Joseph, producers; Neal Avron & Adam Hawkins, engineers/mixers; Chris Gehringer, mastering engineer

Album of the Year

25 – Adele[Note 1]

Lemonade – Beyoncé

Purpose – Justin Bieber

Views – Drake

A Sailor's Guide to Earth – Sturgill Simpson

Danger Mouse, Samuel Dixon, Paul Epworth, Greg Kurstin, Max Martin, Ariel Rechtshaid, Shellback, The Smeezingtons & Ryan Tedder, producers; Julian Burg, Austen Jux Chandler, Cameron Craig, Samuel Dixon, Tom Elmhirst, Declan Gaffney, Serban Ghenea, John Hanes, Emile Haynie, Jan Holzner, Michael Ilbert, Chris Kasych, Greg Kurstin, Charles Moniz, Liam Nolan, Alex Pasco, Mike Piersante, Ariel Rechtshaid, Rich Rich, Dave Schiffman, Joe Visciano & Matt Wiggins, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers

James Blake, Kendrick Lamar, The Weeknd & Jack White, featured artists; Vincent Berry II, Ben Billions, James Blake, BOOTS, Jonny Coffer, Dannyboystyles, Michael Dean, Alex Delicata, Diplo, Derek Dixie, Kevin Garrett, Diana Gordon, HazeBanga, Hit-Boy, Just Blaze, King Henry, Beyoncé Knowles, Ezra Koenig, Jeremy McDonald, MeLo-X, Mike Will Made-It, Pluss, Jack White & Malik Yusef, producers; Mike Dean, Jaycen Joshua, Greg Koller, Tony Maserati, Lester Mendoza, Vance Powell, Joshua V. Smith & Stuart White, engineers/mixers; Dave Kutch, mastering engineer

Big Sean, Diplo, Halsey, Travis Scott & Skrillex, featured artists; The Audibles, Axident, Justin Bieber, Big Taste, Benny Blanco, Blood, Jason "Poo Bear" Boyd, Scott "Scooter" Braun, Mike Dean, Diplo, Gladius, Josh Gudwin, Nico Hartikainen, Mark "The Mogul" Jackson, Steve James, Ian Kirkpatrick, Maejor, MdL, Skrillex, Jeremy Snyder & @ S O U N D Z, producers; Simon Cohen, Diplo, Mark "Exit" Goodchild, Josh Gudwin, Jaycen Joshua, Manny Marroquin, Chris "Tek" O'Ryan, Johannes Raassina, Gregg Rominiecki, Chris Sclafani, Skrillex, Dylan William & Andrew Wuepper, engineers/mixers; Tom Coyne & Randy Merrill, mastering engineers

dvsn, Future, Kyla, PARTYNEXTDOOR, Rihanna & Wizkid, featured artists; Brian Alexander-Morgan, Axlfoliethc, Beat Bully, Boi-1Da, Cardo, Dwayne "Supa Dups" Chin-Quee, Daxz, DJ Dahi, Frank Dukes, Maneesh, Murda Beatz, Nineteen85, Ricci Riera, Allen Ritter, Noah "40" Shebib, Southside, Sevn Thomas, Jordan Ullman, Kanye West, Wizkid & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell, Seth Firkins, David "Prep" Bijan Huges & Noah "40" Shebib, engineers/mixers; Chris Athens, mastering engineer

Sturgill Simpson, producer; Geoff Allan, David Ferguson & Sean Sullivan, engineers/mixers; Gavin Lurssen, mastering engineer

Song of the Year

"Hello"

"Formation"

"I Took a Pill in Ibiza"

"Love Yourself"

"7 Years"

Adele Adkins & Greg Kurstin, songwriters (Adele)

Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)

Mike Posner, songwriter (Mike Posner)

Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)

Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)

Best New Artist

Chance the Rapper

Kelsea Ballerini

The Chainsmokers

Maren Morris

Anderson Paak

Pop

Best Pop Solo Performance

"Hello" – Adele

"Hold Up" – Beyoncé

"Love Yourself" – Justin Bieber

"Piece by Piece" (Idol Version) – Kelly Clarkson

"Dangerous Woman" – Ariana Grande

Best Pop Duo/Group Performance

"Stressed Out" – Twenty One Pilots

"Closer" – The Chainsmokers featuring Halsey

"7 Years" – Lukas Graham

"Work" – Rihanna featuring Drake

"Cheap Thrills" – Sia featuring Sean Paul

Best Traditional Pop Vocal Album

Summertime: Willie Nelson Sings Gershwin – Willie Nelson

Cinema – Andrea Bocelli

Fallen Angels – Bob Dylan

Stages Live – Josh Groban

Encore: Movie Partners Sing Broadway – Barbra Streisand

Best Pop Vocal Album

25 – Adele

Purpose – Justin Bieber

Dangerous Woman – Ariana Grande

Confident – Demi Lovato

This Is Acting – Sia

Dance/Electronic

Best Dance Recording

"Don't Let Me Down" – The Chainsmokers featuring Daya

"Tearing Me Up" – Bob Moses

"Never Be Like You" – Flume featuring Kai

"'Rinse & Repeat" – Riton featuring Kah-Lo

"Drinkee" – Sofi Tukker

The Chainsmokers, producers; Jordan Young, mixer

Bob Moses, producers; Mark "Spike" Stent, mixer

Harley Streten, producer; Eric J Dubowsky, mixer

Riton, producer; Wez Clarke, mixer

Sofi Tukker, producers; Bryan Wilson, mixer

Best Dance/Electronic Album

Skin – Flume

Electronica 1: The Time Machine – Jean-Michel Jarre

Epoch – Tycho

Barbara Barbara, We Face a Shining Future – Underworld

Louie Vega Starring...XXVIII – Little Louie Vega

Contemporary Instrumental

Best Contemporary Instrumental Album

Culcha Vulcha – Snarky Puppy

Human Nature – Herb Alpert

When You Wish Upon a Star – Bill Frisell

Way Back Home: Live from Rochester, NY – Steve Gadd Band

Unspoken – Chuck Loeb

Rock

Best Rock Performance

"Blackstar" – David Bowie

"Joe" (Live from Austin City Limits) – Alabama Shakes

"Don't Hurt Yourself" – Beyoncé featuring Jack White

"The Sound of Silence" (Live on Conan) – Disturbed

"Heathens" – Twenty One Pilots

Best Metal Performance

"Dystopia" – Megadeth

"Shock Me" – Baroness

"Silvera" – Gojira

"Rotting in Vain" – Korn

"The Price Is Wrong" – Periphery

Best Rock Song

"Blackstar"

"Burn the Witch"

"Hardwired"

"Heathens"

"My Name Is Human"

David Bowie, songwriter (David Bowie)

Radiohead, songwriters (Radiohead)

James Hetfield & Lars Ulrich, songwriters (Metallica)

Tyler Joseph, songwriter (Twenty One Pilots)

Rich Meyer, Ryan Meyer & Johnny Stevens, songwriters (Highly Suspect)

Best Rock Album

Tell Me I'm Pretty – Cage the Elephant

California – Blink-182

Magma – Gojira

Death of a Bachelor – Panic! at the Disco

Weezer – Weezer

Alternative

Best Alternative Music Album

Blackstar – David Bowie

22, A Million – Bon Iver

The Hope Six Demolition Project – PJ Harvey

Post Pop Depression – Iggy Pop

A Moon Shaped Pool – Radiohead

R&B

Best R&B Performance

"Cranes in the Sky" – Solange

"Turnin' Me Up" – BJ the Chicago Kid

"Permission" – Ro James

"I Do" – Musiq Soulchild

"Needed Me" – Rihanna

Best Traditional R&B Performance

"Angel" – Lalah Hathaway

"The Three of Me" – William Bell

"Woman's World" – BJ the Chicago Kid

"Sleeping with the One I Love" – Fantasia

"Can't Wait" – Jill Scott

Best R&B Song

"Lake by the Ocean"

"Come and See Me"

"Exchange"

"Kiss It Better"

"Luv"

Hod David & Musze, songwriters (Maxwell)

J. Brathwaite, Aubrey Graham & Noah Shebib, songwriters (PARTYNEXTDOOR featuring Drake)

Michael Hernandez & Bryson Tiller, songwriters (Bryson Tiller)

Jeff Bhasker, Robyn Fenty, John-Nathan Glass & Teddy Sinclair, songwriters (Rihanna)

Magnus August Høiberg, Benjamin Levin & Daystar Peterson, songwriters (Tory Lanez)

Best Urban Contemporary Album

Lemonade – Beyoncé

Ology – Gallant

We Are King – KING

Malibu – Anderson .Paak

Anti – Rihanna

Best R&B Album

Lalah Hathaway Live – Lalah Hathaway

In My Mind – BJ the Chicago Kid

Velvet Portraits – Terrace Martin

Healing Season – Mint Condition

Smoove Jones – Mýa

Rap

Best Rap Performance

"No Problem" – Chance the Rapper featuring Lil Wayne & 2 Chainz

"Panda" – Desiigner

"Pop Style" – Drake featuring The Throne

"All the Way Up" – Fat Joe & Remy Ma featuring French Montana & Infared

"THat Part" – ScHoolboy Q featuring Kanye West

Best Rap/Sung Performance

"Hotline Bling" – Drake

"Freedom" – Beyoncé featuring Kendrick Lamar

"Broccoli" – D.R.A.M. featuring Lil Yachty

"Ultralight Beam" – Kanye West featuring Chance the Rapper, Kelly Price, Kirk Franklin & The-Dream

"Famous" – Kanye West featuring Rihanna

Best Rap Song

"Hotline Bling"

"All the Way Up"

"Famous"

"No Problem"

"Ultralight Beam"

Aubrey Graham & Paul Jefferies, songwriters (Drake)

Joseph Cartagena, Edward Davadi, Shandel Green, Karim Kharbouch, Andre Christopher Lyon, Reminisce Mackie & Marcello Valenzano, songwriters (Fat Joe & Remy Ma featuring French Montana & Infared)

Chancellor Bennett, Ross Birchard, Ernest Brown, Andrew Dawson, Kasseem Dean, Mike Dean, Noah Goldstein, Kejuan Muchita, Patrick Reynolds, Kanye West, Cydel Young & Malik Yusef, songwriters (Kanye West featuring Rihanna)

Chancellor Bennett, Dwayne Carter, Rachel Cato, Peter Cottontale, Tauheed Epps, Jonathan Hoard, Cam O'bi, Ivan Rosenberg, Conor Szymanski, Lakeithsha Williams & Jaime Woods, songwriters (Chance the Rapper featuring Lil Wayne and 2 Chainz)

Chancellor Bennett, Kasseem Dean, Mike Dean, Kirk Franklin, Noah Goldstein, Samuel Griesemer, Terius Nash, Jerome Potter, Kelly Price, Nico "Donnie Trumpet" Segal, Derek Watkins, Kanye West, Cydel Young & Malik Yusef, songwriters (Kanye West featuring Chance The Rapper, Kelly Price, Kirk Franklin & The-Dream)

Best Rap Album

Coloring Book – Chance the Rapper

and the Anonymous Nobody... – De La Soul

Major Key – DJ Khaled

Views – Drake

Blank Face LP – ScHoolboy Q

The Life of Pablo – Kanye West

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#grammy awards

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