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theonceoverthinker · 5 years

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Season 3 Overview

Another season has come and gone. And now that the season is over and I’m all Smash Bro’d out, it’s the perfect opportuni-THREE to talk about it! XD

Season 3 was a whirlwind, but in the best way possible. Once Upon a Time really took this season to come into its own, blending the real emotions of a drama with the fantastical elements of a fairy tale. And with two seasons of developed dynamics at its back and the buildup of having all of our main characters finally on the same side though still with the same qualities that allowed for real and interesting conflict, this was shaped up to be an incredible season.

And what an incredible season it was!

Damn, it feels so sad closing the book on Season 3. Look, this is my favorite season, both critically and emotionally and rewatching it only proved that twice over for me. In terms of its final score, it got 94%, the highest of the three seasons I’ve reviewed so far. Additionally, HALF of the season scored Golden Apples, the highest honor I can bestow on an episode!

So, with all that, what more specifically did I like about it and what (if anything) went wrong? Well, let’s get into it under the cut with our Pro/Con lookback!

Pros

The Concept of Belief - Often in other seasons, belief is something that acts as a platitude and while it doesn’t bother me as much as other platitudes on the show, it wasn’t especially effective either. However, Season 3 did something different. Here, belief was made both tangible and intangible. To elaborate, it’s more than a meaningless platitude. It’s belief in something real and exuding the energy to make it happen. In Neverland, believing in each other was a strong point and that belief came through trusting others that they normally wouldn’t in pursuit of a grander cause (Saving Henry). It’s the belief that everyone wants the same thing and that there might be some strength in the others’ mindsets. This continues in the Wicked Witch Arc and it’s the reason why Regina is able to defeat Zelena with light magic. This concept is present all throughout the season and the practical terms and language that the characters use as well as the actions that follows them transforms that belief into something that can actually be used to solve problems rather than something vague that is just said because it sound right. It’s like Tiana’s dad says in the opening of “The Princess and the Frog,” wishing is only half the deal. You have to make the rest happen and by trusting each other, that’s exactly what the Nevengers did.

Villains – Season 3 had the best villains, plain and simple. I wrote an entire essay about Pan and I wanted to write one about Zelena, but to put it simply, both villains had big and hammy personalities that made them intimidating and memorable, strong connections to our main cast that allowed for them to be characters in their own right with a thematic presence, strong effects on both the plot and story, interesting motivations that lent themselves to high stakes, and satisfying defeats and “deaths.” Rebecca Mader and Robbie Kay both additionally contributed performances that positively OWNED their interpretations of The Wicked Witch of the West and Peter Pan. They were intimidating, but at the same time, had their own bits of charm that still made them villains that I wanted to see on screen. Like, they still did terrible things – their villainy was never questioned – but at the same time, I never felt an urge to fast forward past their scenes because it was so engaging to watch them do their things.

Redemptions – I feel like I could talk so much about Rumple, Regina, and Killian’s individual redemption arcs in Season 3. There’s this understanding among the writing staff of the people these characters are and what they want them to be and with that cohesion, they put their all into making that happen this season. Because of that, all three characters got emotionally satisfying developments that were carefully built up over eleven episodes. And, what I like about these developments is that those changes did account for bumps in the road and allowed for some pretty sensible deviations from those roads to redemption. At some point in the season, Rumple, Regina, and Killian do villainous things to some degree that take their redemptions down a few notches, but it doesn’t undo the work they’ve done.

Cinematography and Locations - I feel like Season 3 was the most diverse the series ever got with its locations and camera work. The camera work this season allowed for the locations, moods, and characters come alive. Storybrooke has such a rich geography and so often in later seasons as I was watching this one, we don’t get to see it. The mirror shot lake stands out the most to me and I want to give out more honorable mentions, but…well, this is why you don’t wait so long to do an overview XD! But if you’ve read my reviews, then you know that there were too many locations that I called pretty and amazing and I feel like it’s a failing that a lot of locations in the coming season just stick to the some of the more common places. The woods never look so beautiful afterwards.

Cons

Walsh’s Framing - ...Look, I had very little to complain about this season. Thematically, shit just came together nicely. BUT there was a failing or two, as small as they were and Walsh’s was a really small but strange fuckup. Like, Walsh is supposed to be framed as a bad man who got his just desserts by being turned into a monkey and later killed. The latter part of this works well enough since he does attack Emma before he dies, but the former half…well, it doesn’t. Glinda’s justification for finding Zelena’s punishment of him to be appropriate is that Walsh promised hope he could never fulfill. The only thing is that in the one instance of Walsh being the Wizard that we see, he is not only helping Zelena, but gives her something that physically allows her to do what she wants them to do, only asks for a payment as an afterthought, AND advises Zelena about her jealousy, which is just needed advice for her. He’s not shown to be callous or make unfulfillable promises. He lies about his abilities, yes, but how he keeps up his ruse still enriches the lives of others, and if it’s not, it should have been better shown. Have Walsh not give the advice, or maybe set a deadline for when Zelena has to get the item from Rumple. Like, make him more of a douche! As it stands, I just feel bad for Walsh and hope he moves on to the better place in the afterlife.

The Island of Machismo - This isn’t a critique of Neverland, per se, but dammit, this aspect of the arc was just frustrating! It feels like if one was a male in this series and present on this island, they got affected with a bug far more dangerous than Dreamshade: Machismo. At least once per episode, the men of this show would argue over something stupid for no other reason than showing that they’re a “real man” to either their opponent of the object of their affections. The dumbest example was of course the lighter fight in “Dark Hollow,” but dishonorable mentions to a lot of David’s behavior prior to and during “Good Form” and the attitude of the Lost Boy’s at Pan’s camp. Just...it really shows that this show was made by guys and as a show that normally doesn’t do this, it’s really disappointing.

...And honestly, that’s really it. As I said, in terms of broad strokes, this season gave me very little to complain about. While some episodes or scenes were off in either their framing or the sturdiness of their stories, they were more or less one offs!

Okay! Now that we’re done talking about some of the season’s less than stellar qualities, let’s go back to talking about the good shit again! That’s right, it’s time to talk dynamics! Now, like last season, these are in no particular order, and that’s because...well, when you spend the better part of two weeks playing Smash Bros, you kind of forget some of the intricacies of dynamics and thus which ones you think are better! XD But honestly, there were so many good ones this season that I could’ve extended this to a top ten without even trying (Honorable mentions go to Emma and Regina, the Charming Family, Zelena and Regina, Regina and Snow, and Killian and Henry).

Captain Charming - Killian and David’s dynamic is mostly a dynamic that develops under the surface, save for “Good Form” where it’s given its day in court. What I like about it is how David’s never portrayed in a negative light for his distrust of Killian. It comes from a sensible place given Killian’s misdeeds, but is still shown as something that he’s better off for moving on from. And Killian’s struggle to get his approval is not without its merit. Killian’s real effort is portrayed. Additionally, they have a nice bit of snark between them. Seeing these two guys grumble as they work together and comment on their budding friendship is funny and quickly becomes endearing as the snipes become just a little kinder over the season. I finally want to point out how David warming up to Killian is one of the few instances of The Island of Useless Machismo failing in that regard as by the end of “Good Form,” they trust each other enough to let the fucking toxic masculinity go for half a second.

Swan Believer - Believe it or not, a lot of what makes the Swan Believer dynamic so good is the fact that Emma and Henry are separated for so much of it. Through each other’s absences, we see so much of their feelings for each other come through. That’s not to say I like them apart but every moment that that was the case, we saw further just how much that separation made Emma determined. Henry blatantly informs every decision she makes and allows for her character to explore her magic, understanding of morality, and identity. And in the latter half of the season, we get this fantastic mix of frustration and love from Henry as he deals with the truth being kept from him. He knows his mother has his best interests at heart, but every piece of information that he knows isn’t being shared and every time he’s left on the sideline proceeds to make him angrier. And on Emma’s side, no matter what her approach is to where she wants to be, what doesn’t change is how much she wants Henry with her. But when they are together, we see just how close the two of them can be. “New York Serenade” has so many great moments where we see a possible life that Emma and Henry could’ve had and they’re so emotionally comfortable and aware of each other. One can understand why Emma wants to return to their simpler life upon seeing how cozy they were in their New York apartment. To summarize, the Swan Believer dynamic was one of the most subtle and loving dynamics of the season and I happily ate it up!

Regal Believer - Like with Swan Believer, so much of the season doesn’t involve Henry and Regina being together. But unlike Swan Believer, they get a different means of development. There are certainly similarities between the two, but I want to focus on what makes them unique. First, I’m gonna do that by pointing out a similarity! XD Just like how Henry’s absence informs all of Emma’s choices, the same can be said for Regina’s too. She puts up with the Charmings for far longer than she normally would like to, explores the type of role she can play in the group dynamic (A mentor to Emma’s magical skills and a willing user of dark magic), and faces off against all manner of dangers without a moment’s hesitation. Her determination is so fierce that one can completely understand when she’s had too much of the group and needs to hit the highway. And of course, I have to touch upon the “Save Henry” flashback. We really see that for as much growth as Regina is doing and for as much remorse as she has for her sins, she can never fully regret any of it because she loves Henry that much and we know exactly why. He gave light and purpose to her life and was enough that she was willing to put herself at a disadvantage in order to give him the love that he deserved. And that love, while held back by two seasons of villainy, finally gets to show itself from Henry’s side. Now that Regina’s doing better, Heny reciprocates her love fully. And in the latter half of the season, watching every small interaction between the two of them as Henry doesn’t know his mother, but still really likes her company is so heartwarming and makes the moment where he reclaims his memories and they break the curse together a moment of utter triumph. They fought so hard to be together and now that they are, I couldn’t be happier.

Pan and Rumple - I could go on and on about Pan’s dynamics with practically all of our mains, but let’s focus on the best one. Rumple is a character so steeped in nuance that one has to wonder about his origins. With Pan, that was partially delivered on and so effectively at that! Pan is an utter monster who knows every one of Rumple’s buttons to push and partially because he laid the foundation for some of them. Even as Rumple tries to be noble in order to save his grandson, Pan presses those buttons relentlessly and without mercy, no matter if it comes at the cost of destroying his son’s confidence or severing Rumple’s tepid connection with Neal. Nothing is sacred. And Rumple reaction to this is fascinating as well. His hatred for Pan is without question present, but at the same time, Rumple is not entirely immune to Pan’s powers of suggestion. He nearly falls for the fake Belle’s scheme and when the doll first shows up on the island, Rumple meets it with tears. With the possible exception of Cora, no villain has ever intimidated Rumple like this before. And watching Rumple have to use every supply in his arsenal to take Pan down as it culminates in Rumple realizing the sacrifice he must make is such an integral part of his character growth this season. And every time that happens, Pan just becomes more and more of a threat to the audience. It’s a dirty, disgusting, and utterly despicable dynamics that they share and I love every second of it.

Rumple and Neal - I feel like Rumple and Neal’s dynamic really gets the attention this season that it deserved last season but didn’t get. While their time together was shorter, every second of it counted. Neal’s distrust of Rumple really gets to be explores and it was further kicked into high gear as a result of the urgency of their mission. Because Henry was taken, both an initial alliance was able to take place and in the same breath for that same reason, destroyed. And then, it was rebuilt. Rumple and Neal’s reconstructed parent/child relationship is so satisfying for me because Rumple really has to earn trust back from a situation that he got himself into. That entirely deserved bitterness on Neal’s half is given the attention it’s deserved in an entire episode dedicated to it as well as a few follow up scenes in future episodes. And it’s brutal. Nothing is held back as Neal tells Rumple exactly how he feels and why he’s worried about a chance at betrayal and every word cuts like a knife. Because of that, the moments when Rumple disproves those doubts feel so satisfying to behold and the ensuing reconciliation is applause worthy.

Okay, not that all’s been said and done about dynamics, it’s that time again! Yes, it’s time to tackle the best writer of the season! And may I just say, this season was FANTASTIC for everyone! We had TWO writers get a perfect score and A&E were just one point off from joining them! But as they did not, let’s crown our winners!

And the best writers of Season 3 are…

Christine Boylan and Robert Hull!

Both writers finished off the season so remarkably! When looking back at their work, not only did every episode get a 10/10, but ALL of them received the Golden Apple, a score I reserve for episodes of exceptional quality and a first for writing accomplishments for this rewatch. These are classic episodes like “Save Henry,” “Think Lovely Thoughts,” and “Snow Drifts,” as well as two new absolute favorites of mine like “Nasty Habits” and “The Tower.” All of these episodes have powerful and effective themes, compelling character interactions, and risks that take the story to new heights.

Well, that’s everything for you. We can close the door on this season and move on forward!

So now that Season 3, often regarded as OUAT’s best season (By myself included) is over...where do we go from here?

I love the Frozen Arc, and I’m really excited to watch it again. In fact, I’ve already started it, and I just finished reviewing “White Out!” XD The Frozen cast rocks, I get some fantastic dynamics and storylines out of it, and it feels quite balanced. I’m also excited to start this season as well because this is the point where I started watching the show live when it aired and because of that, I think my reviews and rewatch will transform into more of a discussion of my experiences and changes with these episodes and less as basically reviewing them for the first time. As you’ve already noticed if you’ve been reading my most recent reviews, I’ve condensed the format so that I can spend more time focusing on the core elements of episodes.

That said, I know there is a drop in the quality of OUAT going forward. I’m positive, but not naïve in that regard. That also having been said, I’m going to go into this new season like I always do: With anticipation for the good! And I hope you’ll be there to join me!

Thanks as always to @watchingfairytales and @daensarah! See you all...well partially through the next season! XD Puns, critiques, and gushing galore await you there!

#ouat #once upon a time #watching fairytales #season 3 overview #ouat rewatch #jenna watches ouat

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