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garadinervi · 8 months

Text

Jannis Kounellis walking in the streets of Napoli, 1996 [Walker Art Center, Minneapolis, MN. Image Courtesy The Estate of Jannis Kounellis. Photo: Michelle Coudray]

Catalogue: Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022. Edited with text by Vincenzo de Bellis. Foreword by Mary Ceruti. Texts by Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian. Designed by Ben Schwartz [Design Director: Emmet Byrne]

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onlinebookshoppak · 6 years

Text

The Idea of Pakistan by Stephen Philip Cohen

Book Name

The Idea of Pakistan

Edition: 2004

Author:Stephen Philip Cohen

Book Publishers

brookings institution press washington, D.C.

Publish Date: 2004

Language. English

Category ?

Book Code 246

Pages 396

Rs 1400

Book Quality Black Paper

Whatsapp +92312-9775152

E-mail [email protected]

About

In recent years Pakistan has emerged as a strategic player on the world stageboth as a potential rogue state armed with nuclear weapons and as an American ally in the war against terrorism. But our understanding of this country is superficial. To probe beyond the headlines, Stephen Cohen, author of the prize-winning India: Emerging Power, offers a panoramic portrait of this complex countryfrom its origins as a homeland for Indian Muslims to a militarydominated state that has experienced uneven economic growth, political chaos, sectarian violence, and several nuclear crises with its much larger neighbor, India. Pakistans future is uncertain. Can it fulfill its promise of joining the community of nations as a moderate Islamic state, at peace with its neighbors, or could it dissolve completely into a failed state, spewing out terrorists and nuclear weapons in several directions? The Idea of Pakistan will be an essential tool for understanding this critically important country.

CONTENTS

Preface vii

Introduction 1

one The Idea of Pakistan 15

two The State of Pakistan 39

three The Army’s Pakistan 97

four Political Pakistan 131

five Islamic Pakistan 161

six Regionalism and Separatism 201

seven Demographic, Educational, and

Economic Prospects 231

eight Pakistan’s Futures 267

nine American Options 301

Notes 329

Index 369

Preface

It has taken me forty-four years to write this book—the

length of time I have been studying Pakistan (and India). My early inter-

ests were in the role of the military, but I was unable to visit Pakistan until

1978, as an earlier application for a visa had been turned down by the

government of Zulﬁqar Ali Bhutto.

When I did visit Pakistan for the ﬁrst time I was surprised to discover

that my personal “idea of Pakistan” was wildly inaccurate: not better, not

worse, just different. That trip led to a book, The Pakistan Army. Research

for that book was made possible by General Zia ul-Haq, who promptly

banned it, although he eventually told an aide to “let the professor’s book

be published.” Zia’s decision was only one of the many paradoxes I

encountered in studying Pakistan, and the mixture of hope and frustration

reﬂected in The Pakistan Army is to be found here as well.

This book is not quite comparable to India: Emerging Power. It focuses

primarily on internal dynamics, not strategic policy. One important dif-

ference between the two states is that Pakistan’s domestic and external

policies are more entwined than those of India, partly because of Pak-

istan’s more perilous geostrategic position and partly because the domi-

nant Pakistan army looks both inward and outward. Writing this book

provided me with the opportunity to extend my knowledge of Pakistan

beyond the army and to gain a fuller understanding of the country’s polit-

ical parties, Islamists, civilian elites, and various ethnic, linguistic, andsectarian minorities. Above all, I have learned more about the contested

idea of Pakistan.

Many individuals and institutions have assisted me on this journey.

First and foremost, I wish to thank those Pakistanis who have given their

time in innumerable discussions and meetings. My Pakistani friends have

always been courteous and considerate, even when we have disagreed; I

hope that they will ﬁnd here an accurate representation of their views. In

particular, I would like to thank Moonis Ahmar, Samina Ahmed, Qazi

Hussein Ahmed, Akbar Ahmed, Benazir Bhutto, Pervaiz Iqbal Cheema,

Mahmud Durrani, Ejaz Haider, Husain Haqqani, Pervez Hoodbhoy,

Mushahid Hussain, Rifaat Hussein, Jehangir Karamat, Shaukat Qadir,

Ashraf Jehangir Qazi, Ahmed Rashid, Hasan Askari Rizvi, Najam Sethi,

Aqil Shah, Mohammed Waseem, and innumerable other civilians and

serving ofﬁcers and ofﬁcials of the Pakistan government. Some Pakistanis

may disagree with the arguments and conclusions of this book; I hope that

in such cases it will lead to the beginning of a dialogue and not the end of

a friendship.

Many Washington friends and colleagues have generously shared their

knowledge and special insights. Chief among these are Marvin G. Wein-

baum, now of the Middle East Institute and a friend and colleague for

forty years; Nisar A. Chaudhry; Selig Harrison; Rodney Jones; Anatol

Lieven; Polly Nayak; and former ambassadors Dennis Kux, William

Milam, Robert Oakley, and Howard and Teresita Schaffer (whose own

Pakistan project helpfully paralleled the writing of this book).

Brookings has provided me with admirable support and a lively intel-

lectual home for over six years, and I would like to acknowledge the spe-

cial help of my two junior colleagues, Sunil Dasgupta, who provided much

of the research support, and Tanvi Madan, who helped bring the book to

completion. We have been assisted over the years by diligent and hard-

working associates, Azeema Cheema, Meena Mallipeddi, Zaid Safdar,

Taylor Sherman, and Moeed Yusuf. Strobe Talbott contributed, among

other things, the book’s title, and Jim Steinberg provided a meticulous cri-

tique. At the Brookings Institution Press, Vicky Macintyre very ably edited

the manuscript, while Inge Lockwood handled proofreading, and Enid

Zafran indexed the pages. Larry Converse and Susan Woollen were help-

ful in developing the cover and getting the book to print. Generous

viii Prefacesupport for the research and writing of this book was provided by the

Smith Richardson Foundation and the United States Institute of Peace.

As ever, I wish to thank my wife, Roberta, for her unfailing support and

for being my ﬁrst and best reader and critic.

Finally, I am deeply grateful to my own students, past and present,

including the hundreds of young Pakistanis, Indians, and Chinese who par-

ticipated in the Summer Workshops on South Asian Security issues held

since 1993 in Pakistan, India, Sri Lanka, Nepal, and China. They reinforce

the wisdom of the Latin, docendo discimus (we learn by teaching).

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garadinervi · 8 months

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Jannis Kounellis during the installation of ‘Kounellis: Die front, das Denken der Sturm’, Halle Kalk, Museum Ludwig, Köln, 1997 [Walker Art Center, Minneapolis, MN. Image Courtesy The Estate of Jannis Kounellis]

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garadinervi · 8 months

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Jannis Kounellis during the installation of 'Kounellis: Die front, das Denken der Sturm', Halle Kalk, Museum Ludwig, Köln, 1997 [Walker Art Center, Minneapolis, MN. Image Courtesy The Estate of Jannis Kounellis]

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garadinervi · 8 months

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Jannis Kounellis at Theaterverein Odeon, Wien, 1998 [Walker Art Center, Minneapolis, MN. Image Courtesy The Estate of Jannis Kounellis]

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garadinervi · 8 months

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From: Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022

Edited with text by Vincenzo de Bellis Foreword by Mary Ceruti Texts: Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian

Design Director: Emmet Byrne Designer: Ben Schwartz Editor: Pamela Johnson Publications Manager: Jake Yuzna Indexer: Enid Zafran Image Specialist: Colour & Books

Printed by Musumeci, Italy Typefaces: Linotype Vega; Bistream Geometric 212

Paper: 100 gsm Munken Pure rough 1.4

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garadinervi · 8 months

Text

Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022

Edited with text by Vincenzo de Bellis Foreword by Mary Ceruti Texts: Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian

Design Director: Emmet Byrne Designer: Ben Schwartz Editor: Pamela Johnson Publications Manager: Jake Yuzna Indexer: Enid Zafran Image Specialist: Colour & Books

Printed by Musumeci, Italy Typefaces: Linotype Vega; Bistream Geometric 212

Paper: 100 gsm Munken Pure rough 1.4

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garadinervi · 8 months

Text

Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022

Edited with text by Vincenzo de Bellis Foreword by Mary Ceruti Texts: Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian

Design Director: Emmet Byrne Designer: Ben Schwartz Editor: Pamela Johnson Publications Manager: Jake Yuzna Indexer: Enid Zafran Image Specialist: Colour & Books

Printed by Musumeci, Italy Typefaces: Linotype Vega; Bistream Geometric 212

Paper: 100 gsm Munken Pure rough 1.4

→ #jannis kounellis in six acts

25 notes · View notes

garadinervi · 8 months

Text

From: Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022

Edited with text by Vincenzo de Bellis Foreword by Mary Ceruti Texts: Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian

Design Director: Emmet Byrne Designer: Ben Schwartz Editor: Pamela Johnson Publications Manager: Jake Yuzna Indexer: Enid Zafran Image Specialist: Colour & Books

Printed by Musumeci, Italy Typefaces: Linotype Vega; Bistream Geometric 212

Paper: 100 gsm Munken Pure rough 1.4

→ #jannis kounellis in six acts

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garadinervi · 8 months

Text

Jannis Kounellis in Six Acts, Walker Art Center, Minneapolis, MN, 2022

Edited with text by Vincenzo de Bellis Foreword by Mary Ceruti Texts: Michelle Coudray, Claire Gilman, Kit Hammonds, William Hernández Luege, Jannis Kounellis, and Ara H. Merjian

Design Director: Emmet Byrne Designer: Ben Schwartz Editor: Pamela Johnson Publications Manager: Jake Yuzna Indexer: Enid Zafran Image Specialist: Colour & Books

Printed by Musumeci, Italy Typefaces: Linotype Vega; Bistream Geometric 212

Paper: 100 gsm Munken Pure rough 1.4

→ #jannis kounellis in six acts