#estonian national symphony orchestra

[insidecroydon]

Our readers set to enjoy a brief encounter at Fairfield concert

Three Inside Croydon readers, each accompanied by a guest, will be going to next week’s gala concert at the Fairfield Halls by the Estonian National Symphony Orchestra. Concert night: our three winners will be enjoying an evening of top-flight music Paul Romain, Ethel Corduff and John Chandler have each won a pair of tickets for the concert, where they will be greeted with a glass of fizz, all…

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#Barry Douglas #Estonian National Symphony Orchestra #Fairfield Halls #Olari Elts #Rachmaninov #Sir David Lean

[garudabluffs]

Bjork interviews Arvo Part Dec 12, 2014

50 Comments

Cantus in memoriam Benjamin Britten ·

Paavo Järvi · Estonian National Symphony Orchestra Pärt: Summa, Trisagion, Symphony No. 3, Fratres, Silouans Song, Festina lente & Cantus in Memoriam Benjamin Britten ℗ A Warner Classics/Erato release, ℗ 2002 Parlophone Records Limited Orchestra: Estonian National Symphony Orchestra Conductor: Paavo Järvi Composer: Arvo Pärt

#music video Arvo Part #Bjork #interview #https://www.youtube.com/watch?v=YfqEAZCYcHI #Youtube

[lesser-known-composers]

Artur Lemba (1885-1963) - Piano Concerto No. 1 in G Major.

I Allegro moderato, ll Andante con espressione, III Allegro

LAURI VAINMAA, PIANO

ESTONIAN NATIONAL SYMPHONY ORCHESTRA / ARVO VOLMER, CONDUCTOR

#Artur Lemba #piano concerto #classical music #Youtube

[jeremyesteban]

Arvo Pärt: Cantus in Memoriam Benjamín Britten.

Estonian National Symphony Orchestra.

#arvo pärt #Benjamín Britten

[germangholami]

Hire Opera Singer | German Gholami

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Visit us: https://www.tenorforhire.com/opera.php

#soprano singer for hire #german gholami #opera singer for hire #hire opera singer

[thisyear2023]

Pärt, Arvo (b. 1935) Cantus in memoriam Benjamin Britten

Rachmaninov, Sergei (1873-1943) Piano Concert 3

PERFORMERS

Olari Elts Conductor

Barry Douglas Piano

Estonian National Symphony Orchestra

24/05/23

[marklawson]

Hey Ya’ll! Really happy to be a part of this, Matt and cie are all swell humans! Thanks ! From @mattholubowski ———————- Every release is a new opportunity to be reminded of just how fortunate I am to be surrounded by so many insanely talented and inspiring people. I have learned much from each and every one of them, and I'm so grateful for their time, talent and wisdom. Here are the full credits for the latest song, ''My Burrow’’. — Chaque sortie est une nouvelle opportunité de me rappeler à quel point j'ai de la chance d'être entouré de tant de personnes incroyablement talentueuses et inspirantes. J'ai beaucoup appris de chacun d'entre eux/elles, et je suis tellement reconnaissant pour leur temps, leur talent et leur sagesse. Voici les CRÉDITS complets de la dernière chanson, ''My Burrow’’. MUSIC Words & Music by Matt Holubowski Produced by Pietro Amato Co-Produced by Matt Holubowski Engineered by Pietro Amato Mixed at HQ by Mark Lawson Mastering by Harris Newman Recorded at Skybarn, Chez Marcel, and various cottages Marc-André Landry : Bass Marianne Houle: Vocals, Cello Matt Holubowski: Vocals, Piano, Op-1, Yamaha PS-20, Guitars Pietro Amato: Piano, Farfisa Simon Angell: Guitars (solo!) Stéphane Bergeron: Drums String Arrangements: Owen Pallett Strings: Estonian National Symphony Orchestra VIDEO Director : Véronique Audet-Gagnon Director and director of photography : Lucas Harrison Rupnik Art director : Véronique Audet-Gagnon Camera assistant : Raoul Fortier Mercier Production: Stéphanie Robillard Accessories, costumes, hair and makeup : Véronique Audet-Gagnon Editor : Lucas Harrison Rupnik Graphic designer : Valéry Lemay Colorist : Beatrice Tremblay *Poster Design: Valery Lemay https://www.instagram.com/p/CopwI4AJIcQ/?igshid=NGJjMDIxMWI=

[istmos]

Arvo Pärt, Trisagion, by Estonian National Symphony Orchestra

#arvo pärt #trisagion #summa #estonian national symphony orchestra

[dailyclassical]

Sibelius - Hymn to the Earth (Maan Virsi), Op. 95, cantata for mixed choir and orchestra, composed to texts by Eino Leino

Performed by the Ellerhein Girls’ Choir, Estonian National Male Choir, and Estonian National Symphony Orchestra, with Paavo Jârvi conducting

#Sibelius #Hymn to the Earth #Maan Virsi #classical music #Modern period #Finnish composers #Ellerhein Girls' Choir #Estonian National Male Choir #Estonian National Symphony Orchestra #Paavo Jarvi

[realisaonum]

Trisagion - composed by Arvo Pärt and preformed by the Estonian National Symphony Orchestra, directed by Paavo Järvi

#trisagion #arvo pärt #estonian national symphony orchestra #paavo järvi #pärt #music #dirae musicae sacrae #this piece is so powerful #i love listening to it while i write; it's got enough sonic versatility to keep my brain from trying to play other music lmao #meeting arvo was one of THE happiest experiences of my life #his music is so important to me

[insidecroydon]

WIN!!! Tickets for Estonian orchestra's Fairfield Halls concert

Top performers: the Estonian National Symphony Orchestra, performing in Croydon later this month Inside Croydon subscribers can win a pair of tickets – worth almost £90 – for the next big international concert being staged at the Fairfield Halls’ world-renowned Concert Hall, by the Estonian National Symphony Orchestra on Thursday, May 25. The Estonian National Symphony Orchestra, conducted by…

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#Barry Douglas #Estonian National Symphony Orchestra #Fairfield Halls #Olari Elts #Rachmaninov #Sir David Lean

[garudabluffs]

Cantus in memoriam Benjamin Britten · LISTEN 6:48

Paavo Järvi · Estonian National Symphony Orchestra

Pärt: Summa, Trisagion, Symphony No. 3, Fratres, Silouans Song, Festina lente & Cantus in Memoriam Benjamin Britten ℗ A Warner Classics/Erato release, ℗ 2002 Parlophone Records Limited Orchestra: Estonian National Symphony Orchestra

Conductor: Paavo Järvi

Composer: Arvo Pärt

Best Of 800% Slower #3 - Cantus in Memoriam Benjamin Britten by Arvo Pärt

LISTEN 42:01

Quoted from: http://jayarava.org/cantus.html

"Arvo Part's biographer suggests that "how we live depends on our relationship with death: how we make music depends on our relationship to silence". [9] It is death that sparks this piece. The characteristic Buddhist response to death is to search for the deathless. In the story of the four sights the Buddha-to-be goes forth into homelessness, into the unknown, in order to solve the problems of old age, sickness and death. In listening to Cantus, especially for the first time, we go into the unknown. The bell heralds death, it is the funeral bell and the initial response is instability. The first few bars seem to teeter on the edge of chaos, and we may be asking ourselves: "is this going to be one of those discordant, morbid, 'modern' works?". But soon things settle into a more recognisable pattern, and the entry of the lower voiced, slower moving instruments provides much needed stability. The quest has begun, each voice begins searching downwards, repeatedly pushing lower and lower, seeking something. The result is a sonorous tapestry, swirling with colour and unexpected conjunctions of tension and relaxation, which result not from the whim of the composer, but come from the structure of the canon itself. And then one by one each voice finds the pitch it has been seeking, sustains it until the end, which is more than 250 beats in the case of the 1st violins. The spiritual life is like this. We search around looking for answers to the big questions. Then when we find the Dharma, we don't get answers, but we get practices which can take us to a place where the questions are transcended. Once we have the practices it's just a matter of sawing away until we reach the goal. We do this on an ever deeper level until at last the light of Bodhi dawns, and we are transformed in the deepest level of our being. As the double basses finally hit their note there is a palpable sense of relief, of relaxation combined with energy. And then suddenly the music stops - or almost. In this moment there is a sense of spiritual death. As Bodhi dawns we die to our old self, our old self-centeredness. But with spiritual death there is spiritual renewal, and even though we don't hear the striking of the bell, it is struck, and rings on after the reverberations of the strings have died away. This last bell is the opening of the door to the deathless, or perhaps more prosaically it is the opening of the imagination to the possibility of the deathless. At this point there is little more to be said, since Nirvana is ineffable. And so we return to silence, once again written into the score. But this is not the silence of the absence of sound. It is the silence that is sound, and the sound is silence."

36 Comments

#music video Cantus in memorium Benjamin Britten #Arvo Part #Youtube

[lesser-known-composers]

Eduard Tubin (1905-82) - Symphony No. 3 in D Minor: I. Largo

Orchestra: Estonian National Symphony Orchestra, Conductor: Arvo Volmer

#Eduard Tubin #symphonic music #classical music #Youtube

[theflamingones]

Arvo Pärt - Summa 

Orchestra: Estonian National Symphony Orchestra 

Conductor: Paavo Järvi

#arvo pärt #paavo järvi #estonian national symphony orchestra

[morannon]

Ten Songs

I was tagged by @monster-bait to list ten songs I’ve been listening to a lot lately. Thank you for the tag!   

Baltimore / Lianne La Havas Õnnis on inimene / Cyrillus Kreek, Estonian National Symphony Orchestra Bless the Lord, O my Soul / Choir of the Moscow Church Chamber Music / Ballaké Sissoko & Vincent Segal The Mandalorian / Ludwig Goransson

Plus basically everything I have been able to get my hands on from the score of Cave of Forgotten Dreams. Which is sold out everywhere and no one will sell it to me and even the company that released it doesn’t have any more and I want it and it’s driving me nuts.

Other than that I haven’t been listening to many things on repeat. Currently most of it is either prog rock, classical or folk music, but I’m also trying to discover new things.

Tagging: @rantingdinguslady, @smut-hamster, @gubblebum, @the-torie, @not-so-lost-after-all

[c4891]

#arvopart