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thegreatdivorce · 5 years

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There and back again...

This post is about a lot of things, but it’s mainly about my love for Faramir and Eowyn… and about how the book is always better than the movie. But we have to go back a lil before we can start.

I read Lord of the Rings for the first time when I was 14 years old. It took me a long time to get through it. I think a whole year, maybe more. I had trouble for a few reasons: one, it’s a big story for a young reader, and two, my motivation was probably in the wrong place. I grew up on a healthy diet of C. S. Lewis and J.R.R. Tolkien, my dad read the Chronicles of Narnia series to me as a kid and I read The Hobbit (on my dad’s special collectors edition) not long after that, but I never made it to Lord of the Rings until the films came out. And I only really read the books then because I loved the films so much. Let me repeat that with more emphasis, I loved. these films. so. much. I could recite lines from the movies, yes, but I could also recite lines from the commentary the cast created for each extended edition. I can still recall the jokes, pranks, and memories the cast hold dear almost as if I had lived through them myself as the 10th member of the fellowship. I still call David Wenham ‘Daisy Wenham,’ and if the word ‘wig’ appears in conversation my brain immediately goes to, “your hair changes dramatically from short to long… do you wear wigs?” If you don’t know what I’m talking about, you are not a true fan of the film series. It meant so much to me when I was younger that I think I started the books as a way to stay in that world a lil longer. And I guess constantly comparing the books to a beloved film series is not the best way to read because I didn’t enjoy them as much as I thought I would. To be clear, I didn’t dislike the books, Return of the Kings marks one of the few books to make me cry (Theoden’s death got to me), but the books didn’t impact me in the same way the films did.

Fast forward some 13 years later and something, I’m not exactly sure what, convinced me to read the books again. I have a long book list, one that I am sorely behind on, so choosing a 1000+ page saga (one that I’ve already read before) while other books are waiting to be cracked open for the first time was probably not the most productive decision I’ve made, but I regret nothing. I still own the same copy of LOTR I owned when I first read the series and man, there’s something about the smell of a book that can bring you right back to where you were when you first opened it because that’s exactly what happened when I started re-reading it. There is something nice about feeling like you’re 14 again… feeling like your whole life is ahead of you, but the only thing you have to worry about is reading this one book.

Although the smell of the book felt the same, other things felt different. Aragorn does not struggle at all with the idea of his kingship like Viggo does in the film, Sam feels a bit more of a simpleton in the books, and Frodo seems older and wiser than the 19-year-old Elijah Wood feels in the movies. All of these things are small differences and as I was reading book one and book two, I found I still liked the movies for what they are and tried to be (although that scene where Frodo tells Sam to leave just before Shelob’s lair, that he doesn’t need him anymore, will never make sense to me), but for the most part I liked both film and book fairly evenly. But entering into book three, I realized how certain characters got the short end of the movie stick. Particularly Eowyn and Faramir. I’ll be frank, I don’t know how you would have written more of them into the story without bogging down the pacing of the rest of the movie, but that’s kind of my point, Eowyn’s story is so good she needs her own dang movie so everyone can discuss how amazing and complex she is. And Faramir too, but we’ll get to him in a moment.

Eowyn in the movie is played wonderfully by Miranda Otto. Seriously, the casting of this series is pretty near perfect. Her part is relatively small, but they touch on all the main points of her character. She’s a fierce warrior, but she feels stuck in a cage staying at home having to care for her people and the man she considers a father all by herself, she falls for Aragorn, he doesn’t return her love, she wants to ride to war, she does so secretly, she kills the Witch-King, she receives the honor and valor she has always wanted, she marries Faramir, bada bing, bada boom, done. It’s a nice lil package, but it’s the highlight reel because there is so much more to Eowyn than that...

So to know Eowyn, we have to know the people of Rohan. Faramir does a nice job summing them up when he refers to them while talking to Sam and Frodo in The Window on the West, “If the Rohirrim are grown in some ways more like to us (the people of Gondor), enhanced in arts and gentleness, we too have become more like to them. For as the Rohirrim do, we now love war and valor as things good in themselves, both as a sport and an end. We esteem a warrior, nonetheless, above other crafts.” Faramir continues to talk of war “as is the need of their day,” a necessary evil, but you can tell... he’s really not into it. This is shown in a few different ways throughout the books (his relationship in contrast with his brother/father as one example), but the place it really hits home happens earlier in the same chapter when he states this zinger, “War must be, while we defend our lives against a destroyer who would devour all; but I do not love the sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.” (Side note, Faramir is the best and I know everybody loves fawning over King Viggo Aragorn, but y'all are sleeping on the best man in the whole series! Faramir is where it is at. He’s far more complex than Aragorn and I will fangirl over him more later on, but we’re still on Eowyn, so I’ll continue.) So the people of Rohan are a proud, fierce, war-loving crowd. They actually sing songs as they are killing people in battle. Think “whistle while you work,” but fiercer and more insane. But Faramir is not dissing them; he is not implying they are war-hungry, or war-mongers, simply the Rohirrim believe proving themselves in battle is a right they deserve.

Enter Eowyn. In contrast to Faramir, who seems to have a sober understanding of war and battle, Eowyn finds her worth in it. We can see this most obviously in her attraction to Aragorn. In the movie, their attraction seems to develop in a natural, innocent way. I vaguely remember Miranda Otto mentioning in some interview for the DVD special features that part of the reason why it’s so tragic that Aragorn turns Eowyn down is that he knows they would make a good match. Essentially if Aragorn hadn’t met Arwen first, Aragorn and Eowyn could be together. Honestly, with how the movie presented their relationship, yah, I get it. Except that’s not how it is in the books. Aragorn, in The Houses of Healing, looks to Eomer and says, “I say to you that she loves you more truly than me; for you she loves and knows; but in me she loves only a shadow and a thought: a hope of glory and great deeds, and lands far from the fields of Rohan.” Eowyn desires the great deeds of war, not like Faramir does: as a means to protect a people, but as a way to prove herself. Faramir seems to find an honor in all crafts and positions, but Eowyn, although protective of them, talks lowly of her own people, consistently stating she is not a “dry-nurse” or a “serving-woman” but higher above them as a member of the House of Eorl. Eowyn speaks of a hierarchy within Rohan, consistently placing herself above the other women who are care-takers or mothers. What makes this even more tragic is that it’s not entirely her fault that she has come to this thinking. Gandalf, again in The House of Healing, explains to Eomer, “Think you that Wormtongue had poison only for Theoden’s ears? ‘What is the house of Eorl but a thatched barn where brigands drink in the reek, and their brats roll on the floor among dogs?’ Have you not heard these words before? My lord, if your sister’s love for you, and her will still bent her duty, had not restrained her lips, you might have heard even such things as these escape them. But who knows what she spoke in the darkness, alone, in the bitter watches of the night, when all her life seemed shrinking, and the walls of her bower closing in on her, a hutch to trammel some wild thing in?” It’s tragic. And what’s worse is Eomer’s shock in thinking about his sister in this light. He never really knew her. No one did. Eowyn has always been fighting alone. Which is what makes her conclusion so satisfying...

Eowyn rides into the Battle of Pelennor and kills the Witch-king (with the help of Merry). As I mentioned before, this is covered very well in the film, there is the great “I am no man” line which is taken from the book and although Eowyn is injured it seems she finally got her chance to defend herself in battle, like the other able-bodied men, so we’re meant to rejoice at her triumph, which I did when I saw the film. Except, again, that’s not the point in the book. Obviously, it’s great that the Witch-king is dead, but that event is the rising action leading into Eowyn’s healing, not her resolution… because Eowyn still wants to die in battle. She survived the Witch-king, she is being forced to heal her wounds in the House of Healing, but all she wants to do is die. Die as King Theoden has just done in battle (crushed by the body of his own horse) because this is the only way she can achieve the honor she feels she deserves. Because, again, Aragorn won’t give her that honor. And Faramir challenges this notion directly to Eowyn when they meet each other in the House of Healing, “You desired to have the love of the Lord Aragorn. Because he was high and puissant, and you wanted to have renown and glory and to be lifted far above the mean things of that crawled on the earth. But when he gave you only understanding and pity, then you desired to have nothing, unless a brave death in battle.” And it is only here, with Faramir, the first person to really see Eowyn and challenge her openly, does she acknowledge the truth, and her darkness (her desire for death) passes. It’s so beautiful. Eowyn exclaims, “Behold, the shadow has departed! I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.” And if you find a sadness or a disappointment in Eowyn’s proclamation of a life of peace than you are not paying attention to what Tolkien is putting down.

This is important because I’ve heard this complaint before… Tolkien is not saying that it is wrong for Eowyn to participate in battle, to be a shieldmaiden, because she is a woman, (there are multiple instances in the book where Eowyn is described as a worthy warrior alongside her male companions. Hamma, may he rests in peace, nominates Eowyn as the person to manage the. whole. kingdom in place of the king when Theoden and Eomer leave for Helms Deep. So there’s that.) Tolkien is saying it is wrong to glorify battle, death, and destruction. full stop. No matter who you are. It is a point that is continually being made time and time again throughout the whole series by almost every character. And it should be no surprise coming from a man who fought in the first world war and then lived through the second. “I will not take joy only in the songs of slaying,” is really what Tolkien is trying to drive home here. Eowyn is still a warrior. Right after she accepts Faramir’s proposal and Aragorn is crowned king, Eowyn is like, “Faramir, I love you. I’m gonna marry you. But I have some important business to take care of back in Rohan with my brother, so I’m gonna leave… I’ll be back in like a month probably. Bye.” Yes, girl! That is the moment we should be applauding. Not the moment where Eowyn kills the Witch-king, but the moment where Eowyn realizes herself as a warrior but also a healer and there being a time and honor in both of those crafts if they have a proper foundation. It’s the moment when Eowyn finally sees and knows herself. And you know what Faramir says in response to Eowyn’s leaving? Nothing. He lets her go to do her thing because he is the best and I love him.

On to Faramir!

Ok. So. I’ll be brief here. Or I’ll try to be. One, because I think I’ve already shown a fair amount of Faramir’s great qualities, but also because I think his character in the film shows a stronger resemblance to the book than Eowyn’s. If we can all ignore that scene where Faramir drags Frodo and Sam to Osgiliath (because that never happens *eye roll*), and focus on the dialogue dealing with his dad, we’re getting pretty faithful Faramir content as pretty much all of the Faramir - Denethor dialogue is taken directly from the book, and it’s all golden. And when I say golden, I mean deadly. The, “‘Since you were robbed of Boromir, I will do what I can in his stead. If I should return, think better of me, Father.’ - ‘That will depend on the manner of your return.’” exchange between Faramir and Denethor is brutal. To say that Faramir has daddy issues is an understatement. But that brings us up to an important point. Faramir is just as broken as Eowyn is and their meeting is not so much so Faramir can save Eowyn but for them to find healing in each other.

Faramir’s dad is insane. Literally. By the end of the book, Denethor loses his mind and tries to kill both him and his son by burning them alive. Faramir is not fully aware his dad is trying to kill him because by the time Denethor is building a funeral pyre, Faramir is slipping in and out of consciousness due to his battle wounds (to clarify, Denethor thinks his son is already dead, which is why he wants to share the funeral pyre with him. It doesn’t make it better, but it’s the facts). So the last thing Faramir hears, in full conscience, is that his dad wishes that he had died in his brother’s place and the only way he can prove his worth is sustaining victory in battle. Which he knows he cannot do. So Faramir goes to battle, is injured, and ultimately wants to die. Sound familiar? But he doesn’t. Aragorn calls him back to health in the House of Healing and he meets Eowyn.

Faramir likes Eowyn from the moment they meet but can see she is struggling and doesn’t know the exact cause of her pain. So he talks to the best wingman in Middle Earth, Merry, and puts all the details together that Eowyn is still pretty hung up on Aragorn, and for all the wrong reasons. Faramir decides to gently pursue Eowyn which, if you think about it, is quite the courageous thing to do considering Faramir’s past. Faramir’s whole life consists of being left behind, the man that is not chosen. As we established above, his own father chose and loved his brother, Boromir, over him. Boromir was chosen to join the Fellowship of the Ring, not Faramir. It’s even in his job description to be picked over. Faramir is a Steward of Gondor, he’s to hold court until the proper king appears and then literally step out of the way. Here is another area where potentially someone is going to choose someone else in place of him. Faramir questions Eowyn about her love for Aragorn asking, “[I’m assuming] you cannot choose between us. Eowyn, do you not love me, or will you not?” Ugh, tragic. She admits, “I wished to be loved by another, but I desire no man’s pity.” Faramir clarifies, “I do not offer you my pity. For you are a lady high and valiant and you yourself won renown that shall not be forgotten; and you are a lady beautiful, I deem, beyond even the words of the Elven-tongue to tell. And I love you. Once I pitied your sorrow. But now, were you sorrowless, without fear, or any lack, were you the blissful Queen of Gondor, still I would love you. Eowyn, do you not love me?”

It’s actually nerve-wracking when you leave out Eowyn’s response to this question; to know Faramir is asking someone he loves dearly for love in return, something he was rarely afforded in his life, especially in the beautiful way in which he asked it. He sees Eowyn for who she truly is, someone even she doesn’t fully recognize yet, and who she can be: a valiant queen. And not just any queen, Faramir says the Queen of Gondor, Aragorn’s wife. Faramir basically admits, “I know there’s a chance you could still be with Aragorn, but even if you did, I would still love you regardless.” It’s so courageous and beautiful, and in a lot of ways, the ultimate test to see if Faramir has really healed over the wounds his father has left. The wounds of being left unchosen. But Eowyn does choose, she chooses to be with him, and they ultimately provide healing and understanding to each other.

And that’s all left unsaid in the films. None of it is really in there which is such a bummer because it’s so good. And this whole story has been waiting for me to re-discover it on my shelf for the past 13 years and I’ve finally made my way back. Can’t believe I almost missed it.

Anyhow, thank you for coming to my TED Talk on why Faramir and Eowyn are the best and why reading books is cool.

I probably could write more, but I’ve taken a brief break in reading the dang book to write this essay and I still have a few more chapters to go to finish the whole thing.

Good day.

#lord of the rings #faramir #eowyn #rohan #gondor #JRR Tolkien #aragorn #reading is cool #return of the king

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hysmpod · 5 years

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Transcript: Have You Seen Me? Episode One: Kitty Scott is Missing

Hey listeners! Sorry this took us a while. We at HYSM? are dedicated to accessibility in the audio drama community and will always make transcripts free to everyone. If you are interested in viewing annotated scripts, though, they are soon to be available to patrons! For as little as $1 per episode, you can get early access to episodes as well as these annotated scripts and other goodies. Click here to learn more.

Without further ado, here is the transcript for Episode One: Kitty Scott is Missing.

SFX: A cassette tape click. OPHELIA takes a deep breath, a second. When she speaks it is with a slight tremble.

OPHELIA

This is going to be difficult to say. When I first started using this recorder, I never thought I would be doing anything serious with it. Not like this, I mean. I always thought our investigations were serious and important, like it mattered that we were proving something’s existence. I mean, ghosts are real, but of course we knew that way before we put it on cassette. We agree that if Bigfoot does exist, and we aren’t saying that they do, they should just be left alone. Three-eyed deer who will draw you into the woods to great fortune or great peril… again, some of us remain unconvinced, but I myself am a believer.

I… The date is April 19th. My best friend, Kitty Scott, has been missing for almost 48 hours. And I have no idea where she is.

To say it’s unlike her would be a gross understatement, but I guess that’s what a lot of people say, right? When people go missing? “It seems so unlike them. I can’t imagine why. You think you know somebody.”

The thing is that I do know Kitty. I know her better than I know anybody in the world, even Isaac, even myself. Her brother James--who can go straight to you-know-where at his earliest possible convenience--he says that she skipped town. And that’s what everybody thinks, but it isn’t true. I’m sure of it. Kitty wanted to leave, but she wouldn’t. She’s still here. Somewhere.

So, who’s on my side? Isaac, for sure. He’s known Kitty for her whole life--well, everyone here has--but she’s basically lived here for the last two years. He not her best friend, but he is her best friend’s uncle and legal guardian, so close enough.

Sheriff Hayle will back me up, I bet. She’s something of a mystery herself, sure, but when it comes down to it she is smart as anything and hates James just about as much as I do. Not great for mayoral-police relations, but I don’t think anybody really cares that much. If I tell her what I know, she’ll believe me. Oh, maybe she’ll even let me work the case with her! Oh my god, Kitty will think it’s hilarious. “Detective Ophelia Joy, Amsterdam PD! Pew pew pew pew pew!” Yeah, I like it.

And then there’s the new kid. He’s already offered to help, which is great news. It’s kind of hard to get a read on him, but he seems honest enough. Pretty sharp. Nice and all.

Maybe I’m not giving him enough credit. We never get new folks in town, so I don’t really have a lot of room for comparison. Everyone I know is someone I’ve known for years. And someone who’s known Kitty for years, which will either be very good or very, very bad. She has a very unique… and… strong personality. That I love, obviously.

But I guess that’s the team. Isaac, Sheriff Hayle, the new kid, and me. Now I guess we do what detectives do; we look over what we know. We investigate what we don’t. We solve the case!

Let’s break it down.

SFX: A click as the tape ends.

After a moment:

KITTY

Bug, I love you, but that’s the dumbest shit I’ve ever heard in my life.

OPHELIA

Just think about it--

KITTY

Ghosts? Why not. Werewolves? Okay, fine. I’ll even take a stab at fairies if they aren’t the Tinkerbell kind. But what you’re spouting is bullshit, babe.

OPHELIA

What is so hard to believe about a three-eyed deer?

KITTY

(Dramatically) The three-eyed deer, eerie in its grace, its centerfold eye radiating gold. Beware its gaze, or it may steal thine soul! “Hear it not, Duncan, for it is a knell / That summons thee to heaven, or to hell.”

OPHELIA

...Well when you quote Macbeth you make it sound stupid.

KITTY

Shakespeare was right about a good many things.

OPHELIA

But this is real. I’ve been doing research at the library archives, and--

KITTY

You’ve been sneaking into the library archives when Mrs. Fumero isn’t looking.

OPHELIA

I’ve been sneaking into the library archives when Mrs. Fumero isn’t looking. And there have been multiple accounts of these deer. Not like, on the front page, but still. A lot of people say they felt compelled to follow them into the woods, where great danger surely awaited… or greatest fortune.

KITTY

You see? How does that not sound fake?

OPHELIA

Truth is stranger than fiction, dear.

KITTY

(Tsks) Listen to us, sounding like an old married couple. And you know what wives do for their wives? They tell them how the Scottish play ends.

OPHELIA

They tell them how the Scottish play ends?

KITTY

Oh, would you? You’re a doll.

OPHELIA

You can memorize it--not even one of the best lines--but you can’t bother reading all of it?

KITTY

Please don’t question my genius, Bug. And I know you didn’t read it either. You just watched some high school performance on YouTube!

OPHELIA

It was meant to be seen and not read anyway.

(She sighs)

Pretty much everyone dies because MacB isn’t fit to be king. Um, Lady MacB gets obsessive about washing her hands clean of blood and then dies. The witches give ole Mickey a prophecy that no man born of a woman can kill him, so Macduff kills him because his mother had a C-Section, so he wasn’t technically born, so he can kill Macbeth.

KITTY

Wow. That shit’s depressing.

OPHELIA

What do you think “the Tragedy of Macbeth” means? It’s on the front cover!

KITTY

Bold of you to assume I read what I don’t have to. As exciting and invigorating as this is, I better get going. It's, like, ugh, midnight, and that essay’s due first period. It’s not going to write itself! I would know, I’ve bet on that happening before.

That ending’s kind of stupid, anyway. Lady MacB could have killed him. She’s not a man of woman born, right? A little stab there, a little “I am no man!” Lord of the Rings, baby!

OPHELIA

Eowyn could take me out, honestly.

KITTY

Like a date, or with her sword?

OPHELIA

I’m impartial.

KITTY

I feel it. Hey, we’re gonna meet at the Igloo after school, right? You promised a birthday sundae, and if you fail to complete your end of the bargain, well… (Her voice drops) You may meet an unfortunate accident.

OPHELIA

(Laughs) I won’t let you down, boss.

SFX: Kitty leaves and walks down the stairs

Hey, what do I get out of this?

KITTY

(Distantly)You get to hang out with me! Love you, Bug!

SFX: The door slams behind her.

OPHELIA

Love you too.

SFX: A cassette tape clicks.

OPHELIA

I hate the phrase “the last time I saw her.” Let’s call it the most recent time instead. It seems more confident. It was the night before her birthday, the 17th. Well, April 17th, and she turned 18 on the 18th. Oh, this could get confusing. Okay, so let’s call April 18th the day of the incident, which is also her birthday. But, come to think of it, we don’t know whether whatever happened… happened on the day of the incident, the 18th. It could have happened very late on the 17th, when I saw her most recently.

Oh my god, this would be way clearer written down. Curse my dyslexia! Pens are way too slow, and the computer is even slower. Tape, you are the only constant in life. I owe it all to you, buddy.

In any case, we don’t know when the uh… the incident, uh, incited. I used to ask her to text me when she got home, but she always forgot, so I kind of gave up. I haven’t talked to James or Lizzie yet. Which is to say that they’ve tried their best not to talk to me. Sometimes I forget that Lizzie used to be my babysitter. She used to be so cool before she married that d-bag.

It’s like once they got married they started sharing all of his baggage. I’m an only child, so maybe I just don’t get it, but aren’t you supposed to love your siblings? Maybe that’s a lie fed to me by years of TV, but I thought the worst it was supposed to be was a few pranks, maybe a scuffle. I’ve never seen people with as bad of a relationship as Kitty and James. I don’t think he’s ever given a crap about her, and she knows it. It’s a wonder the whole town doesn’t know it, but he’s the golden child. He could probably kill someone and they’d forgive him for it.

(Pauses) He wouldn’t, would he?

Okay, maybe I need to get a little perspective before I accuse the mayor of murder. He probably didn’t do it, but I wouldn’t put it past him, morally speaking. Can you hire a hitman in Ohio? I don’t think so, but it might be worth looking in to.

(She clears her throat)

Back on the case. At first I didn’t realize that anything was wrong. We don’t have any classes together before lunch, but I didn’t see her at our usual table. I asked around, but Cassidy B said that she didn’t see her in geometry or English. I texted her during lunch, but she didn’t respond in time for the next class.

Now, when your friend doesn’t show up to school one day, typically your first thought is that she’s sick. Maybe she’s throw up, or she has a fever. Say it’s her birthday, which it was; Maybe she’s skipped class to play video games all day. It wouldn’t be out of character.

I, on the other hand, had the initial thought that she had been kidnapped. After she left that night, I admit that I watched a few… or a lot of true crime videos online. I can’t stop thinking about the case about this girl from the early 2000’s. She was a child genius, she played a ton of instruments, that kind of thing. Then one night, a man that once did construction on her family’s house broke in through her window and kidnapped her. It took them months to find her, and among the other unspeakable things that happened to her, she had been hidden in plain sight. Her kidnapper would dress her up in a disguise--you know: glasses, a wig, a veil--and called her his wife, and hardly anyone was the wiser.

The whole thing is pretty scary. No, it’s more than that. The idea that it could happen to you, or to anyone, even, it keeps you up at night. The idea that there’s just something right in front of you, and you just can’t see it.

Better keep my eyes open, I guess.

SFX: A click as the tape ends.

SFX: A voice mailbox tone.

SFX: Bird chirping.

KITTY

This is Kitty. Leave a message, or don’t. The choice is yours. Use it wisely.

SFX: A voice mailbox tone.

KITTY

This is Kitty. Leave a message--

SFX: A voice mailbox tone.

KITTY

This is Kitty--

SFX: Bells jingle as Ophelia walks into the Igloo. Birdsong fades.

EMPLOYEE

(Bored to death) Sorry man, cash only.

LIAM

Wait, for real?

EMPLOYEE

That’s what it says on the sign. We don’t even have a card reader.

LIAM

(Stumbling over his words) Okay. Then you can just--keep it, I guess.

OPHELIA

Hey, wait! I can cover it for you.

LIAM

Really?

OPHELIA

Yeah. It’s, what, a tornado with M&M’s? Those things are like, two dollars. It’s not a big deal.

LIAM

I can pay you back, I promise.

OPHELIA

Deal. And can I get two sundaes, the works?

EMPLOYEE

Sure thing, ‘Felia.

LIAM

Felia?

OPHELIA

Oh, it’s a nickname. The whole thing is Ophelia Florence Joy, which is exactly why I go by Fee.

LIAM

Yeah, that checks out. I’m Liam. Summers. Liam Ferdinand, if you want the whole thing.

OPHELIA

I must say, that’s a pretty good one.

LIAM

Thanks, I picked it out myself and everything.

OPHELIA

You’re not from around here, are you? Not to be weird, but I would remember seeing you. We don’t get a ton of fresh faces outside of summer fair season.

LIAM

I was hoping it wouldn’t be so obvious, but yeah, my parents and I just moved here. Yesterday, actually.

OPHELIA

I didn’t see any moving trucks. Um, where are you...

LIAM

Birch street. On the other side of downtown from here, I think.

EMPLOYEE

(In the background) Two sundaes, plus the tornado, that’s seven.

OPHELIA

Here. That’s a really nice area. You might be neighbors with my best friend. Have you met Kitty yet?

LIAM

You’re actually the first person I’ve really talked to here. We just got to town last night, and we had to switch banks when we moved here, right? So I don’t have an account at the new bank and I spent all my cash on road trip snacks. Hence, the credit card fiasco and my debt to you.

OPHELIA

(Sighs) I was kinda hoping you’d met her. She hasn’t been responding to me all day.

LIAM

Is she sundae number two?

OPHELIA

Yep. You know, this could really work out well for both of us. Want a ride home?

SFX: The recorder clicks on.

OPHELIA

Like I said, the new kid is pretty cool. He’s from New York--the city, not just the state--which automatically makes him the coolest person I know. Kitty would kick me for even daring to imply that it isn’t her, but she’s never even left this town, so that’s that. I mean, aunt Jen is from Jersey, but it’s not quite the same.

You technically aren’t supposed to be on the phone while you’re driving, but I figured I would make an exception while I drove the new kid home to call James’ office to see what was what. His assistant, Janet, definitely knows that he has something out for me. She didn’t even bother giving me some dumb excuse, like “he was in a meeting.” She just put me on hold for the whole ten minute drive to Birch Street. Birch… you know, there’s a scathing rhyming joke I could make, but hey, high road.

As I guessed, Liam now lives right next door to the Scott residence. I say right next door as if there isn’t three acres between every house on that road. It isn’t a very neighborly area, but then again, neither is my house, so I have no room to talk.

Macey answered Kitty’s door. She’s about six or seven now, and she’s already really smart. Kitty loves those kids, Macey and Junior. Which is why, when Lizzie came to the door and told me that Kitty hadn’t come home that night, I got out of there pretty quickly. I think kids understand more than we give them credit for.

SFX: Recorder clicks off.

SFX: The sounds of light traffic.

SFX: A door slams, followed by...

SFX: the sound of running as Ophelia approaches the police station.

OPHELIA

Sheriff Hayle! Sheriff Hayle!

SFX: She trips over gravel.

Sh--I’m fine! I’m fine.

HAYLE

Jesus, kid. Almost made me drop my tea. What’s got you screaming?

OPHELIA

I--She, Kitty, she--

ISAAC

Fee, what’s wrong?

OPHELIA

She--Uncle Isaac, what are you doing here?

ISAAC

I got off early. I’m having tea with a friend. Ophelia, what’s going on?

OPHELIA

Kitty didn’t make it home last night. Sheriff Hayle, she was over at my house until maybe midnight, and then she left, and then I didn’t hear from her, and her sundae melted, so I went to her house and Lizzie said she didn’t come back, and I-- You know, not to jump to conclusions but--

HAYLE

Let’s take a deep breath, okay? You’re not just jumping, you’re headed for the trampoline. You sure she’s not just at a friend’s house?

OPHELIA

Sheriff, you know Kitty and I aren’t the kind of people to have two whole friends. We refer to those as “backup buds.”

HAYLE

Have you talked to James?

OPHELIA

I tried. It went about as well as you wouldd expect.

HAYLE

I’ll probably have better luck. You said you saw her last night?

OPHELIA

Yeah. Hey, here's an idea; I’ll head along Mulberry, see if I can spot any clues, maybe talk to some neighbors? I bet Angela Bryant saw her drive by, that woman is always up late--

HAYLE

I don’t think so. Isaac’s gonna drive you home, and you’re gonna stay there. You’ve had enough excitement for today, I think.

OPHELIA

Um, sorry? I’m not going to sit down while Kitty’s god-knows-where! What if she’s hurt, or, or scared?

HAYLE

Young lady, are you doubting my ability to do my job?

OPHELIA

(Quietly) I mean, a little.

HAYLE

Ophelia, I’ve known you for a long time, and I like to think I know you pretty well, you and Kitty both. And if there’s one thing I know, it’s that you’re going to try to take this into your own hands. How many times have I caught you hopping my back fence?

OPHELIA

Only, like, three times. Four, tops.

HAYLE

This isn’t the case of the missing garden rake, you hear me? We don’t know quite what this is yet, but if it’s serious business I can’t get a civilian tangled up in it all. Not only for your sake. I need you to think of Kitty. If you start poking your nose where it doesn’t belong, I don’t know what could happen.

OPHELIA

Sounds like a threat.

HAYLE

Jesus, Joy. You know I didn’t mean it like that!

ISAAC

Come on, both of you. Nothing’s getting done just standing here.

OPHELIA

Fine. But you’ll let me know if you find anything, right?

HAYLE

Sure, kid. Sure.

SFX: Ophelia and Isaac walk across gravel.

SFX: Car doors open and shut.

SFX: Street noises fade.

SFX: The engine starts.

ISAAC

How about we go home? I think there’s some pizza in the fridge.

OPHELIA

Okay.

ISAAC

(The most awkward man alive) Just watch, Ophelia. Things are… They’re gonna be okay.

SFX: Recorder clicks on.

OPHELIA

As you can probably guess, I didn’t get a lot of sleep that night. Maybe three hours, tops. I didn’t hear from Sheriff Hayle that afternoon, but later that night Isaac told me that James had no idea where she was, either. They didn’t find her car, cell phone. Nothing. It’s like she was whisked away. Not in Kansas anymore. Now there’s just… hoping and waiting.

Wow, I couldn’t even convince myself for five seconds, huh? I know the sheriff has good intentions, but she’s got to be the dumbest person alive if she thinks I’m going to sit back like a good little girl while she does all the work. I’ve got a good brain and a car and a tape recorder. I know Amsterdam like I know my own brain, and I know Kitty even better. I’ve got, you know, goodness and the power of love on my side. That’s all it takes, right?

Let’s get ‘er done.

SFX: Recorders click off.

SFX: The light chatterings of a crowd.

HAYLE

I’d like to thank everyone who came out to this preliminary search. As you know, Kitty Scott has been declared missing as of yesterday, presumably since very early that morning. Now, Kitty is no longer a minor, so no Amber alert has been issued, but her safe recovery is still an APD priority.

We will now be breaking into small groups of two or three to comb the area between the Scott residence on Birch Street and Foxhole Road. We’ve passed out maps with individual areas highlighted. Those will be your search areas. The whole thing should be about five square miles. If you find anything suspicious, please let the police department know as soon as possible, and an officer will be dispatched. Sound good?

SFX: Murmurs of agreement from the crowd.

LIAM

Hey, Ophelia! Uh, Fee!

OPHELIA

Liam? Hey.

LIAM

Do you have a search partner yet?

OPHELIA

Well, I was with my uncle, but I think he’s gone off somewhere. You can be with me, if you want.

LIAM

Great, thanks.

SFX: They start walking.

SFX: The sound of the crowd disappears.

I just wanted you to know that I’m sorry. About this whole thing. I know you’re best friends and all.

OPHELIA

Yeah, we’re pretty iconic. Dynamic duo, kind of thing. Sundae number two.

LIAM

It really sucks, then. That she would just leave like that.

OPHELIA

So that is what people are saying. That she’s a runaway.

LIAM

I mean, yeah. Just from what I’ve heard, it doesn’t seem like she had a lot of Amsterdam spirit.

OPHELIA

That much is true. She doesn’t.

LIAM

But you don’t think she ran?

OPHELIA

Even better. I know she didn’t.

LIAM

Then what happened to her? Maybe it’s just me, but if it were my best friend, I would rather she have run away than anything else. Better out there and free than here and hurt, you know?

But I’m sure she’s fine!

OPHELIA

I know that Kitty wouldn’t leave voluntarily because I’m still here. She wouldn’t run away. Not without me. Kitty is in Amsterdam, and I’m going to find her. Just watch.

SFX: Outro music.

NARRATOR

This episode of Have You Seen Me? was written by Emma Quinn and directed by Lauren Miles. It starred Emma Quinn as Ophelia Joy, Tobias Paul as Liam Summers, Gina Moravec as Sheriff Hayle, Jared Bruett as Isaac Joy, Lauren Miles as the Igloo Employee, and featured Kashia Ellis-Taylor as Kitty Scott. This episode was recorded at Redhawk Radio with sound production by Mikel Prater.

If you like what we do and want to support us financially, please consider becoming a donor on Patreon for as little as $1 a month. [EDITOR’S NOTE: We have now switched over to a per-episode payment schedule] Go to patreon.com/hysmpod to learn more. If you would like to support us emotionally, consider leaving us a rating and review on iTunes. Follow us @hysmpod on Twitter, Instagram, and Tumblr, or at Have You Seen Me? Podcast on Facebook. We would love to hear from you.

Thank you for listening, and keep your eyes open.

SFX: Outro music fades.

#hysm pod #hysm #Have you seen me #have you seen me podcast #transcript #podcast transcript #everyone does all their lines so neatly #except for me (emma) lol #the burden of talented friends

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