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#fridge dhmis
boneinator · 4 months
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MORE doodles I forgot to post 💥💥💥
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mimicmew · 2 years
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Bro look at my teachers im gonna fail this class 
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francarieq · 6 months
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! ! HEALTHY ! !
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saintharvest · 2 years
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@justherefor000 hope its fine to draw ur silly designs of these fellows i love them so much
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E A T
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lyteandronix · 2 years
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DHMIS x Kizclub: Fridge
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queam · 10 months
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Happy june 19
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carehounds · 2 years
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justherefor000 · 2 years
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I made more humanizations!...oh also Fridge, didn't get the mood to fit in after making and redoing so much.
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(Reblogs if you like)
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love-cult-enthusiast · 5 months
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I'm actually shocked that homophobic dhmis fans exist.
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weewoodiam · 1 year
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I FORGOT I MADE THESE HELFOFJLPE
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Pretty sure some of these already exists but yk what ion care kys
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boneinator · 4 months
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Idk. Them
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xxfabulashxx · 11 months
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The toll to the smoll
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francarieq · 4 months
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merry crimbo!!
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What's Fred and david been up to
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David: we're happy that things are going back to normal. The house had been stressed and scared since Roy, Ross and Manny left.
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gnomeniche · 1 year
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the fridge scene and the themes of dhmis
hi. i think the fridge scene is thematically relevant to dhmis and it's about time i explained why. this is a long one because i have a couple different angles i’m bringing to the table.
first, i need to recap how the blackout scenes as a whole function. these are some of the only times we see the students acting in a space mostly free from the show-world's whims. it gives us a lot of insight into the closest thing to "true selves" they have. the music and the lights and even the set itself drops away, and what we are left with is just them. most teachers are ineffectual, glitched, or dead here, so they can express what they think without risk of being hurt.
the fridge scene is set in this brief moment of freedom. this is very important to remember.
now, on with the post.
"i like looking at you": seeing versus knowing
"i like looking at you" is a rare moment of real affection between the main characters, but i want to focus on the word "looking." there are a lot of ways to express affection for someone. why did the writers choose that specific phrasing?
well, the students live in a tv show. the idea of "looking" has a strange sort of intimacy in a tv world, where the students are constantly being subjected to a gaze they cannot control. that gaze dictates what they are allowed to do, and it is often actively hostile to what they are beneath their performance.
but looking at each other is a mutual and willing observance. it's a way to take agency for themselves (to be the one who is looking rather than being looked at, and to have the possibility of being seen as they are) and a way to acknowledge that there may be something more to each other beyond the performance. "i am an equal to you, i like what i can see of you, and i want to see more of you."
however, there's an irony in how this sentiment can only be expressed in the darkness. though they wish to be real friends, they can't in a world like this. they can only look at each other in a place where they cannot be who they are, while they can only reveal themselves in a place where they cannot physically see each other.
despite the power that comes from looking, it is not the same as knowing. it's a desire to know, and that still matters, but their circumstances prevent them from really understanding each other. they like what they are allowed to know of each other, and they would like to know more, but they can never be sure what each other are really thinking because the world won't let them.
and they know that they don't really know each other. red, in initiating the attempt at connection, does so quickly and tentatively, unsure what will happen. duck's reaction is disbelief; he's aware that he doesn't really know what's going on in red's head. but upon realizing that the sentiment is mutual, the two of them try to speak more frankly about their lives and their relationships to yellow. ultimately, even limited as they may be, knowing that someone else wishes to really see them emboldens them both.
the other ones: the will to look closer
there's another way this scene works: it helps to communicate the difference between the warm curiosity that still remains in our guys and the rote coldness enforced by the world.
given the cuts between yellow encountering the ones upstairs and the blackout scenes, there is a noticeable juxtaposition between the showboating cruelty of the other reds and ducks and the understated affection of the fridge scene, isn't there? even the staging is different: while our two are in a massive, dark expanse, the higher floors are each a single room flooded with stage light that reaches into every corner.
so, what's different about our red and duck?
the ones upstairs have lost any inclination to try and see things as they are. they believe they've found the ultimate truth and thus accept what they are given at face value, and they speak in performative, self-consciously grandiose ways. they reject any attempt to reach beneath the surface, whether it's in questioning their lessons or trying to be kind outside the toxic narrative, and they don't show much interest in each other or yellow besides as something that needs to be there for the lesson to start. even when the bigger boys get that one experiment joke, the idea is immediately rejected.
meanwhile, despite their earlier abrasiveness and fear of the unknown, our red and duck want to look deeper. their willingness to break from the lesson brought yellow the batteries he needed to go upstairs and landed them in the blackout in the first place. and in the fridge scene, they come closer than they ever have to finding something true by themselves. they're still not able to fully express themselves; they're limited by how they have been taught, and they can't quite conceptualize something better beyond the house, but they are trying to talk about how they feel and what they want. they are attempting something vulnerable, kind, and unfamiliar as best they can.
the dangers of swallowing harmful "truths" that the world presents you without question and the alienation that results are recurring themes of dhmis. the fridge scene shows that our red and duck, even as incurious as they are in this episode, still have the desire to dig into what they see and reach out toward each other, and dhmis presents that as gentle and honest. the harsh performativity of the higher floors is the consequence of losing the will to look closer; the world wants our red and duck to lose that will as well, but this scene shows that they can and must keep it.
but here's the thing:
the rare affection here shows one way the students could possibly find something better. aiming for escape is possible but risky, but perhaps they can find another way out by uniting.
the only problem is that the world won't let them do either. do you remember what comes directly after the fridge scene?
when the stage light creeps back in, they immediately lose the ability to show themselves to their friends. they never get to talk to or about yellow honestly. they get pulled back into their roles, where they do the single cruelest thing they've ever done to yellow.
"transport" shows how the world subverts physical escape, and "electricity" shows how the world subverts any attempts at unity between the three of them. no matter how much they wish to understand each other and be real friends, the show will always bring them back under its sway. the very sweetness we saw them show makes the ending all the more bitter.
so where do we go from here?
i don't want to end this on this dark note. i just wanted to discuss how the scene functions in the context of the show; what it tells us, what it adds to the themes, and what it does to us. but what it does to us is give us hope for the characters and leave us devastated at the ending.
so… i will turn in a slightly more speculative direction. the world’s aggressive attempts to keep them apart means that the world is just as afraid of the three banding together for real as it is of them escaping. that means, if it turns out that escape to the outside world isn’t possible or desirable after all, the three of them retaining themselves and genuinely bonding will be involved in how they find something better. the way this scene is shown as a moment of freedom from the show's artifice leaves me with no doubt.
so have this one sartre quote about no exit that i keep using for dhmis. i have to believe that they will eventually get to care about their fellow beings.
“Hell is other people” is only one side of the coin. The other side, which no one seems to mention, is also “Heaven is each other”. Hell is separateness, incommunicability, self-centeredness, lust for power, for riches, for fame. Heaven on the other hand is very simple, and very hard: caring about your fellow beings.
tl;dr
thematically, the fridge scene contributes to the idea that a restrictive, performative world like this tries to keep people from understanding and loving each other. however, that means that a way to obtain some kind of control in this world is through love for other people. performance is one thing, but they've got to try to look past that, at each other. REALLY look at each other and understand each other. then, they might be able to break the cycle of their uncaring world and stop hurting each other.
(also, gay puppet rights)
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