#greta hofmann

[fishareglorious]

AAAAAAAAAAAAAAAAAAAAAAAAAAA

#reverse 1999 #greta hofmann #i am a shrimple person. can i hit madam hofmann #i want her in a way that is not godly #the gray streaks in her hair.... i think i hauve covid #i will simply not see what happens in chapter 6. i will simply close my eyes😌. i will simply not see. i will simply not. i do not see. #my eyes remain forever closed. forvever may i remain blind to the reality. ignorance is bliss. the lack of knowledge saves lives #^^^op is coping so fucking hard #certified storm moments

[schneiderenjoyer]

Just taking you socially anxious kid out to fish.

#reverse 1999 #greta hofmann #reverse 1999 marcus

[l3xdrigo]

Hold on, let me lay down and cry for a moment-

#reverse 1999 #Marcus #greta hofmann #1.7 spoilers #this image #im going to have a breakdown rq

[mugoki]

[Wallpapers]

#reverse 1999 #rev1999 #greta hoffman #greta Hofmann #greta hoffmann #if she die imma lose it

[deepfriedtrout]

Sometimes u and ur estranged sibling spend time in the same space for the first time in years in the back of the Foundation headquarters to indulge in ur respective vices without judgement because there’s literally a time apocalypse happening like who gives af

#enigma #greta hofmann #reverse 1999 #snippets #bluepoch..... psspsspss give us hofmann siblings lore.... #where they always distant or where they closer at one point...if they were close why did they drift apart... what does he feel post 1.7.... #enigma canonically drinks but smoker greta only hit me while writing this... something something twitter post ‘can yuo put that uot on me’ #i am horrifically down bad for her just let me have this #let that woman smoke its not like [REDACTED]

[rena-yume]

Greta Hofmann sketch

#drew this while half asleep I could barely see anything #reverse 1999 #art #Greta Hofmann #r1999

[sad-little-jester]

lesbians

#reverse 1999 gretta hoffmann #reverse 1999 #reverse 1999 greta hofmann #reverse 1999 fanart #reverse 1999 kumar #greta hoffman #greta hofmann #kumar

[sodairine]

i play on global server but i got curious about chapter 6 and decided to watch the walkthrough. trust me when i say my curiosity killed me...... small compilation of my sketches with greta and marcus. more incoming probably because im still trying to cope 💔

#reverse1999 #i loved their interactions so much.. im powerless against the woman beaten down by life and the child she has to look after type of dynamic #im powerless against greta hofmann herself ok. like have you ever seen this woman. #reverse 1999 #sdrnart

[arabellas]

finally started watching all the light we cannot see!!!

#louis hofmann i've missed you my boy #greta talks #all the light we cannot see

[fishareglorious]

Man, I sure hope that this field mission with my mentor to Vienna that happens on my birthday will be life changing!

#marcus #greta hofmann #reverse 1999 #fish doodles #i like greta's little ponytail she is so scruffy #every time i remember chapter 6 mostly happens in jan 12 i cry and punch a wall

[clement-d-nocto]

Communiqué automatique à consommer sans modération : Prenez vos possibilités. Tenez vos responsabilités. Vous êtes unique. Vous êtes important. Possibilités importantes. Responsabilité unique. Fumez moins. Faites du sport. Que deux verres de vins La rébellion sur le décors. En poster, pas trop dehors. Souriez au travail Soyez de taille. Faites vous aimez. A noël, les anniversaires Mais Soyez très concernés Par l’écologie et les guerres. Souriez, vous êtes enregistré. Sur les databases, êtes-vous un bon fichier ? N'oubliez pas la ceinture de sécurité Si vous êtes fatigué, nous importons le café. En cas de danger, concertez les cameras Vous êtes en sécurité. Vous pouvez aussi filmer. Vous avez tant de possibilités. En cas de douleur, faites vous soigner. Doliprane. Nurofen. Diazepam, vitamine, fer Magnesium 404/? Marijuana, méthadone Teva, Arrow Hofmann !/404 En cas de crise d'identité Nous avons l'Histoire. Marché sereinement. Nous avons déjà nettoyés, Pour cela. De beaux couloirs ! Exploitez vous pleinement. /NOUS/ Hiroshima, Nagazaki. Rwanda, Turquie. Capitalisme vert, Héros nationaux Greta, Greenpeace. Charité excessive. Thelethon, expérimentations Sur l'animal. Les chiens mais pas les vôtres. /404/ /!!!Pas pour les SDF, le bio. Viols collectifs. Religion, ethnies, fierté, Pray for Paris. La fête, Voltaire. Algérie, Cayenne!!!/ /VOUS/ Étatisme sécurisé. Lieux aménagés pour croire. Des algorithmes pour ne pas perdre de temps. Nous avons tout stérilisés. Une vie plus longue, c'est de l'art. Dormez paisiblement. Croyez en votre humanité Notre sas de décontamination C'est votre citoyenneté. N'oubliez pas de faire des enfants. Si possible à moins de trente-cinq ans. Nous avons tout prévus pour eux. Le bonheur d'avoir des possibilités Il vous faut plus de responsabilités. /404! /!!!Vous êtes unique. Vous êtes important.!!!/ !404/ Souriez ! Pour un post-décès émouvant. Location dans le cimetière Pour les descendants. Vous êtes unique. Vous êtes important. Clément Dugast (nocto)

#consommation #humain #citoyen #communiqué #fake #safe #Dugast #Clément #nocto #bouffonerie #poésie française #prose française

[korrektheiten]

Nachgerechnet: Klimawandel – aus dem Weltall gesehen

Tichy:»Diesmal stellt der Physiker Dr. Hans Hofmann-Reinecke in seinem Video eine ganz neue Herangehensweise an das Thema „Klimawandel“ vor – und wechselt dabei die Perspektive: Was ist dran am Klimawandel, betrachtet aus dem Weltall mit den Augen intelligenter Außerirdischer? Die Außerirdischen schauen sich im Rahmen ihrer Forschung den Planeten „G“ (wie Greta) genauer an. Wie Der Beitrag Nachgerechnet: Klimawandel – aus dem Weltall gesehen erschien zuerst auf Tichys Einblick. http://dlvr.it/SKKjKp «

[leaconnert]

Head of Production | Hajusom e.V. | Azimut | Kampnagel Hamburg, Sophiensaele Berlin | 2019

Link zu den Videos

Link zu den Fotos

Link zur Presse

Nie zuvor in seiner 20-jährigen Geschichte ist Hajusom so tief in die Vergangenheit seiner Performer navigiert wie im aktuellen B��hnenstück AZIMUT dekolonial – Ein Archiv performt *. Die jungen Darsteller zwischen 9 und 34 Jahren entdecken das Thema Kolonialismus in der Welt, in sich selbst, in ihrer Geschichte. Manche sind dafür erstmals in ihre Herkunftsländer gereist und haben Erzählungen mitgebracht, manche haben eigene Erinnerungen in Bewegung und Klang und Licht umgesetzt. Die Performer sind das Archiv, aus dem durch eine begehbare Installation, in Story-Boxen, Videos und Skulpturen ein Parcours entsteht. Der Zuschauer kann nach Belieben zusteigen und mitsegeln, Himmmelsrichtung Zukunft.

*AZIMUT –von arabisch  السموت , as-sumūt, die Wege – ist ein Terminus aus der Astronomie. Er  bezeichnet einen nach Himmelsrichtungen orientierten Horizontalwinkel und dient der Kursbestimmung. - Aber sehen wir dieselben Sterne?

Von und mit Ensemble Hajusom Hamed Ahmadi, Aboubacarine Badi Maiga, Inoussa Dabré, Angelina Akosua Darko, Yaa Julia Darko, Farzad Fadai, Elmira Ghafoori, Katalina Götz, Malihe Hashemi, Youssouf Madougou, Arman Marzak, Nebou N'Diaye, Ishika Popat, Dennis Robert Ebhodaghe, Fares Wadi Gastperformer: Mimpamba Thomas Combari 

Künstlerische Leitung und Regie: Ella Huck, Dorothea Reinicke Workshops und konzeptionelle Mitarbeit: Latai Taumoepeau (Tonga), Martin Ambara (Kamerun), AK Hamburg Postkolonial   Choreografie: Josep Caballero Garcia, Jochen Roller Komposition, musikalische Leitung: Viktor Marek Musik: Sergio Vasquez Carrillo, Carlos Andres Rico und Sedah Hajusom Video: Nina und Adnan Softić Mitwirkung Video: Raphael Hähni, Vera Charlotte Petermann Ausstattung: Michael Böhler, Markus Lohmann   Kostüm: Nadira Nasser Technische Leitung: Ricarda Schnoor Lichtdesign: Ricarda Schnoor, Marek Lamprecht Tondesign und Videorealisierung: Manuel Horstmann Produktionsleitung: Lea Connert Projektkoordination: Julia zur Lippe Presse und Öffentlichkeitsarbeit: Ania Faas  Regieassistenz: Valentina Wyss Produktionsassistenz: Stefanje Meyer Projektassistenz: Gabriela Vasileva Praktikantinnen: Mariam Goharpour, Greta Köhne Dank an: Lore Hofmann und Satenik Danielyan!

AZIMUT dekolonial – Ein Archiv performt ist eine Hajusom-Produktion in Koproduktion mit Kampnagel Hamburg, MARKK, Theater im Pumpenhaus Münster, FFT Düsseldorf und Sophiensaele Berlin

Gefördert durch: Kulturstiftung des Bundes, Behörde für Kultur und Medien Hamburg Die Reise von Thomas Combari wird gefördert von Kirchlicher Entwicklungsdienst, Norddeutsche Stiftung für Umwelt und Entwicklung sowie Behörde für Kultur und Medien Hamburg/Internationaler Kulturaustausch

#hajusom #kampnagel #markk #fft düsseldorf #sophiensaele #theatre #performing arts #dance #producing #postcolonialism #decolonialism

[mugoki]

(source)

#greta hoffmann #greta hoffman #greta hofmann #reverse 1999 #rev1999 #reverse: 1999 #gacha game

[escapeintocontemporaryart-blog]

Luigi Pericle: a rediscovered and returned artist to the world

WHO IS LUIGI PERICLE Luigi Pericle is an atypical figure in the art scene of the second half of the 20th century. Born in Basel in 1916, from Italian father and French mother, he was a painter, illustrator, literary, intellectual and multifaceted mind that escapes any classification. His works entered the European art circuit of the 1960s thanks to the support of Martin Summers, gallerist and curator at the Arthur tooth & Sons Gallery in London, but also thanks to the admiration of collectors and art critics, such as Sir Herbert Read, co-founder of the Institute of Contemporary Art in London. 

The artist also experienced success as a cartoonist when in 1951 he invented “Max”, the marmot protagonist of the comics without text and destined to become famous in Europe, the United States and Japan.

After many successes, at the end of the Seventies, Luigi Pericle decided to abandon the world of art and exhibitions to devote himself to his artistic research, free of constraints and a lifestyle of vernissage and worldliness. His voluntary isolation is consistent with his aspiration to a life of study and meditation, but characterized above all by a continuous creative search, which leads him to creation, between the Seventies and Eighties, of a series of works on canvas and masonite, chine and drawings.

The life of Luigi Pericle passes, therefore, from a worldly life of exhibitions and important art galleries to a golden imprisonment, characterized by a fervent artistic, literary, astrological, philosophical and theosophical productivity. His house, closed for fifteen years after his death, kept the memory of an artist and his works but also an immense library, notebooks full of quotations and Japanese ideograms, Astronomical symbols, homeopathic combinations and an autobiographical novel that retraces his life and his artistic and spiritual formation. An incredible treasure that has now returned to the world.

THE REDISCOVERY OF LUIGI PERICLE “The real discovery is not to find new territories, but to see them with new eyes” – Marcel Proust It is with this quote that curator Chiara Gatti introduced the first world retrospective dedicated to Luigi Pericle at the Fondazione Querini Stampalia in Venice. This sentence perfectly describes what happened when Andrea and Greta Biasca-Caroni saw what guarded the house they had just purchased. When the works of Luigi Pericle re-emerged from the rooms and cellars of his house in Ascona it was indispensable that the eyes of those who discovered this treasure of art could recognize him, to understand what history was hidden behind those canvases, those drawings, those notebooks full of annotations.

His painting technique was very refined and made me doubt that it really was painting when I saw the works on display. I had to approach them, observe them in detail, look at them in the light to understand that Luigi Pericle, through overlapping veils, wanted to represent the immaterial and the essential. When I saw the works of Luigi Pericle and discovered his history I could not help but think of the fascination for the spirituality that characterized the avant-garde of the early 20th century. The book“the spiritual in the art” of Kandinsky is the most striking example of this close relationship between art, philosophy and spirituality, in which the artist proposes himself as the prophet of an art that is the expression of the intangible world and of the interiority.

For Kandinsky the first years of the twentieth century coincide with the birth of a new art, which necessarily should have been a spiritual art. Then, however, will come the abstract, the Second World, abstract expressionism, Pop Art and many other ways of making art, which seem to forget that tension towards the essential. Luigi Pericle was born six years after the publication of Kandinsky’s book and, in a certain sense, he confirms that a philosophical and deeply spiritual thought has never abandoned the world of art. Luigi Pericle was influenced by esoteric theosophy and doctrines, alchemy and Eastern cultures. He breathed the mystical air of Monte Verità, the hill above Ascona and the place he chose for his retreat. A territory full of spirituality and where, already in the early twentieth century, the famous community of Ida Hofmann and Heinrich Oedenkoven was created, who preached a way of life in harmony with creation and in contrast with industrialized society.

On the Hill of Mount Verità landed all the European counterculture of the time, from Herman Hesse to Paul Klee. A group of pacifists, anarchists, theologians, poets, bohemians, vegetarians and much more who left an indelible mark in that place and whose charm Luigi Pericle could not resist, despite having arrived in Ascona when by now the community of intellectuals and idealists had dissolved. His home, then, was perhaps the last bastion of a’deeply spiritual art, which spanned all the twentieth century and spoke to the soul of the spectators opening wide the doors to emotions.

[sad-little-jester]

I thought about them all day yesterday and today I drew them

#reverse 1999 #reverse 1999 kumar #hofmann reverse 1999 #reverse 1999 gretta hoffmann #reverse 1999 greta hofmann