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d-criss-news · 3 years

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The Glee star and Emmy winner for The Assassination of Gianni Versace: American Crime Story, Darren Criss, 34, will be releasing his first album of Christmas songs, titled A Very Darren Crissmas (October 8). It includes duets with Adam Lambert, Evan Rachel Wood and an original song, “Drunk on Christmas,” featuring Lainey Wilson.

What was your goal with this Christmas album?

To reintroduce familiar songs in a new way. But I also wanted to take lesser-known songs and make those feel more familiar. And, most importantly, I wanted to take songs that people don’t associate with Christmas but I do—like Leonard Cohen’s “Hallelujah”—and try to make them feel like Christmas songs.

What inspired you to write “Drunk on Christmas”?

It’s about the end of Christmas when everything’s been done. There’s wrapping on the floor, you’ve cleaned things, the in-laws have left and there’s nothing else to do. It’s two people having a sit-on-the couch moment, sipping a glass of cocoa with some SoCo [Southern Comfort] in it.

What is it about Christmas music? Why did you want to do the Christmas album?

Christmas or the holiday season is something that, whether we like it or not, we experience every year, and that comes with a litany of wonderful songs and music that again, whether you have been proactive about listening to it or not, it’s pretty hard to avoid. It’s permeated our cultural consciousness for our entire lives. So if you happen to be someone like me who consumes music at a hyperactive level, I’ve always adored Christmas music.

People say this because of the way that it makes them feel and the things that it reminds them of. There are so many layers to why people enjoy Christmas music. It’s nostalgic, it is very romantic, at least in the true dictionary meaning of the word romantic. And to me, I’ve always loved it for a much more anthropological reason, which is for one month or several weeks out of the year we suddenly subscribe to a certain sentiment that the other 11 we don’t really dial into. We want it all, then we want it to just go away.

What makes Christmas songs different?

As a musician I’ve always loved that Christmas music can employ certain musical elements that otherwise aren’t very popular. To me, it’s incredible that without a doubt the estates of many artists are guaranteed placement on the radio even though many of them have been deceased for many years. The pop charts are dominated by whatever contemporary, awesome artists there are nowadays, but in December you can guarantee that Burl Ives and Dean Martin will be on the radio with the best of them. I find that so charming. It’s because people really, really love this music.

And those songs don’t sound like the sounds that we’re hearing on the radio, sonically, harmonically, rhythmically. They employ a lot of “classic” sounds that evoke the feeling of Christmas. I’m a self-proclaimed genrephile—this is a term I use for myself throughout all the stuff that I do. I can’t help but be so enchanted by this idea that artists have license, and by license I mean an excuse to do things that you ordinarily wouldn’t be encouraged to do, or that audiences wouldn’t necessarily be as quick to absorb.

So, when you’re talking about classic Christmas writing, for lack of a better word, you use clichéd Christmas terminology, you use certain chords, and harmonies, and instrumentations that you just wouldn’t do throughout the year. It leans on the slightly more sophisticated, slightly more musical, and that is really exciting for someone like me.

How much does the fact that your last name is Criss play into this?

If you play music and your last name is Criss, every year someone says, “You know what you should do?” as if they’re the first person who’s ever thought of this idea. So I’ve always wanted to do this; it was just a matter of time. And I also didn’t want it to be phoned in, I didn’t want it to seem like, “Oh, here’s some songs that you know already.”

I wrote this in my liner notes that my favorite thing to do with art, but particularly music, is curate, interpolate, create and personalize. That’s my main thing. I’m an OK singer, I’m an OK musician, but what I really think I have a yen for is trying to interpolate something new that people didn’t know before.

If you think about a song like “Jingle Bells,” it was not written for Christmas. It was a song from 200-something years ago that bears no mention of Christmas whatsoever, but we associate it so heavily with Christmas. Lately I hear Leonard Cohen’s “Hallelujah” come up on Christmas playlists. I think it must have something to do with the Christian angle of the song and the reverence of the word “hallelujah,” but there’s no mention of Christmas.

So there’s a lot of different things that can make people feel like Christmas if you arrange it a certain way, and that’s what I wanted to do. I wanted this cocktail of songs that people didn’t know and I might be able to introduce to them in a really new, interesting way.

You duet with Adam Lambert, Evan Rachel Wood and Lainey Wilson. These people couldn’t be more different. How did you select your song partners for this?

Honestly, people are busy, so I leaned on friends of mine. The album is called A Very Darren Crissmas, and I wanted to make it just that. Songs that are very, very me, doing things that are very me, and using the talents of people who are legitimately in my life. Adam has been a pal for a long time. We’ve known each other from just adventures in Hollywood, but he, of course, was on Glee with me. Evan Rachel is a dear pal of mine; we’ve done some things together. She’s played my festival, and I’ve done comedy sketches with her and stuff. These are all extraordinarily talented singers. As I told them when I asked them to be a part of it, “I’d be very lucky to have you on this record.”

I had not met Lainey Wilson before I started this. But when you’re in Nashville, you are in the Olympic tent of USDA certified prime country singers. And that’s a bit of a blind spot for me as far as who’s on the up and up, who’s somebody that can really give a level of authenticity, legitimacy to a more classic ’50s Nashville sound, which is the song that I wrote called “Drunk on Christmas.” My producer Ron Fair, who has been living in Nashville for a while, suggested Lainey and we got on like a house on fire. She’s an extraordinary talent and I was happy to have her. These were all people that were part of this grassroots friend to friend thing. That’s how I got them and I’m very lucky that they’re on the record.

There are hundreds of Christmas songs. How did you choose what to include?

Choosing was extremely hard. I had a list of about 100 songs. I’m not done; this record is only phase one in my mind. There are so many songs that it will make your head spin. If you go, “Did you think about this song?” The answer is yes, and I absolutely had to deliberate which ones I had to triage out of the sequence.

I even said no to “The Christmas Song,” which is on the album. I didn’t want to do it because I was like, “Everybody knows it; it’s perfect by Nat King Cole,” and Mel Tormé [who wrote it] is one of my favorite artists of all time, much less songwriters and musicians. So I was like, “I don’t want to have to do that.” And on the day when we were there, we just had a guitar and said, “Let’s just do it for fun,” because I love singing that song. But I was like, “It’s been done perfectly too many times, I really don’t want to have to put myself up against that.” But we had a nice take, it’s live in the room. And hey, come on, it’s Christmas. So I left it on there.

If we were to come to your house during the holidays, what would you be listening to?

I’d probably sit you down and play you my favorite songs that you’ve never heard that I think are great Christmas songs. But what’s nice is I’ve now put those songs on this album, hopefully, in a perhaps delusional effort to standardize these songs in the Christmas pantheon. There has to be an air of delusion to being an artist in the first place. If one of these songs that no one’s ever heard before catches on with a family or a person and becomes part of their Christmas playlist every year, then I will have succeeded in my efforts.

What did the Emmy you won for The Assassination of Gianni Versace do for your career?

Although the Emmy has just my name on it, the number one thing that I’m most proud of is it’s more symbolic and representative of the work of the whole team. It is a validation and celebration of the really hard work of people that I spent a lot of time and energy with creating this role.

You have a couple voice roles coming up—in Trese and Yasuke—but what are we going to see you in next, not just hear you?

I don’t know. Let me know if there’s any opportunities. A huge reason for why this album was made was because I had the time. Making records takes a lot of time, and I’m envious of people who are just singers. I don’t know how people do that, that’s just not who I am. I’m a producer, I’m a writer, I’m a musician. It takes so much out of me to make a body of music because someone doesn’t say, “OK, here are the songs, show up on a Tuesday, you sing it and then you leave.” Not that there’s anything wrong with that. Some of my favorite artists can do that and are blessed enough to be able to just do that. I can’t.

It takes so much time for me to really get in the weeds, arrange, edit vocals, edit instrumentation, mix tracks, really getting in the jungle of music production. I can’t function any other way and that takes an extraordinary amount of time. Even when there was a global pandemic, I still had deadlines that we could barely make to finish this album because that’s just how my brain works.

So I haven’t been able to act. I haven’t had an acting job in almost two years. That’s not entirely true. I’ve had little bit things during the pandemic, but no big series or films or anything like that. It’s just been mostly working from home and being as proactive as I can be. I started a weekly podcast with a friend of mine, I put out an EP. I’ve been extremely busy with high output and low visibility. I’m waiting for the next thing, but I’m not one to sit still. If you give me time, I’m going to fill all the spaces out. So I did that with music this past two years.

Are you going to go back to Broadway now that it’s opening again?

I don’t want to say anything that is not perhaps confirmed 100 percent, but I will say with full confidence that I have always had the intention of going back exactly where we started. I’ll let them announce what’s happening because every show is in its own unique holding pattern. But, yes, right before the shutdown I was doing American Buffalo in New York, and talk about the actor’s dream, that is right up there. Doing a great American play that I’ve always wanted to do. I’ve had a long history with that show, and I finally get to do it for real with two of my favorite actors—Sam Rockwell and Laurence Fishburne. They are two acting heroes of mine.

So I was in rehearsals for that. We were about to go into tech, and things got shut down. But we’re in a very fortunate position where you’ve got two huge movie stars, you have a very well-known play and you have a fixed set and just three guys. There are musicals that have orchestras, big choruses and huge set pieces, and the overhead and upkeep of these productions is quite complicated. And a lot of them, for that reason, fell by the wayside during the pandemic, and it’s an awful tragedy. But our set and our billboard and our posters are exactly where we left them. It’s kind of a trip. If you go to Circle in the Square, I keep telling people it’s the longest I’ve ever been on Broadway because it’s just sitting there dormant, waiting to be resurrected.

I think all of us are planning on going back. I think the show is scheduled to reopen almost to the day that it was supposed to open in 2020. We’ll see how the schedule ends up, but you have three guys whose heart and soul is the theater. I don’t want to speak for the other two guys, but I’m almost positive that all three of us would rather be doing that play on Broadway than anything else. So when I say I haven’t had an acting gig in two years, it’s been a comfort to know that that was waiting for me on the other end. I’m keeping my fingers crossed that we’ll be able to do it. We’ll have to make sure that everything is hunky-dory with theater audiences, et cetera, et cetera, but that’s the idea.

How did Ryan Murphy casting you in Glee change your life?

I said during my Emmy speech that actors are only as good as the moments they get. I used to say actors are only as good as the parts they get. Take that with a huge grain of salt, obviously, it’s not entirely true. But in context of that moment, certainly you can understand what I meant. Acting is a proactive craft, but in many respects it’s a passive career, where you have to hope and wait for a benefactor, a patron, a supporter to say, “OK, all right, kid, you’re up. I think you can do it.”

I think any artist’s life is a constant compromise between knowing what you can do and what you want to do, and having other people, audiences and creative authorities alike, have an idea of what you can do. You have to have that balance of somewhere in the middle, where hopefully you can rise to an occasion that you know you can do, that somebody’s going to give you the opportunity to do. But you’re not in control of that relationship, and so you have to sit and hope and pray that someone is going to give you that moment and that opportunity. That was something that I’m fully indebted to with Ryan.

Because he did say, “All right, kid, you’re up,” and gave me that shot. We talked about the The Assassination of Gianni Versace: American Crime Story series for years before we did it. I didn’t think he was ever going to do it. By the time we started shooting, he probably mentioned it to me three or four years prior. And I kept asking about it like, “Hey, you still want to do this thing?” I think he was just always obsessed with the fact that I was half Filipino and that I bore a certain resemblance to the guy. Age and everything, it seems pretty spot-on. But he was a man of his word, and he really did end up making it. So I’m incredibly indebted to him and I’ve always been very effusive about that.

Now that you have this modicum of fame, what would you like to use it to accomplish?

For me, there are so many things that I love in this world that I don’t think other people are familiar with. One of the things about having a modicum of a platform is hopefully embracing that to use it as a gateway drug for stuff that people might not be familiar with. I don’t know if they’re going to like it as much as I do, but I’m looking at this track list and there are songs that I guarantee that you don’t know.

These are all things where I go, “OK, I have this moment of people’s attention, hopefully, this is a fun way to have them have eyes on something that I think is deserving of eyes, and not because of me, but because of other people who have made something amazing.” And, hopefully, they have the same proactive curiosity that I had growing up where I look at the liner notes and see who wrote the songs and where they came from. But we’ll see. We’ll see if people have that reaction.

You’ve accomplished so much. What’s the dream going forward?

The dream is to keep doing me, really. I think all you can do is be as true to yourself and try and do as accessible and as valuable work as you can. And, hopefully, in so doing, represent people, giving them visibility and encouragement towards their own place in the cultural conversation.

#darren criss #parade magazine #a very darren crissmas #press #oct 2021

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iobottle · 5 years

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atissi

replied to your post

“it kinda makes me sad when artists giving out tutorials on character...”

oh could you talk more about this? :o

ABSOLUTELY thank u for enabling me to go off about designs i love this shit this may get a bit long so its going under a readmore (sorry if ur on mobile i hope it works)

gonna start this off with im no expert Nor have i taken any sort of official art class this is me just analyzing characters from what i found that makes them memorable to ppl (most of these examples are going to be from games sorry i got them on my mind)

ok so basically making a memorable revolves around personality and appearance now theres different ways to go about showing these things and i think from consuming media you like will help narrow down how you wanna go about it, basically thinking about your character inside and out!

SO shapes and hyperstylization is a good way to get a fun appearance across in a cartoon esp media and is often what a lot of artists stress on an example of using shapes and a good silhouette to make a memorable character is sonic!(specifically comic sonic)

(had to google idw sonic for a non...u know image)

but not only do they use lots of triangles for this hedgehog they also made him blue! you’d be more likely to remember a blue headgehog over a realistically colored one!(also almost all of the sonic characters have a combination of fun shape + unusual color to help you remember them! the designs werent afraid to use color to make a bold statement)(he’s also segas mascot so of course they put a lot of work in his design)

now sonics appearance is not the only reason why people like him or remember him so much he’s also got personality! he’s cocky, fast, always getting into trouble, “you’re too slow!”, accompanied by shitty butt rock and a cool guy persona ie he’s got personality! and they weren’t afraid to give him some weird interests(see the butt rock) and he’s not perfect( see arrogance) if youve ever played a sonic game you have almost always remembered the crush 40 theme that went with it

all in all to go with his unusual appearance he’s got some unusual traits! it helps make him believable! admittedly he’s not the most embarrassing of the sonic crew (see knuckles or shadow) but he’s definitely rounded and not boring from an objective standpoint(you can not like sonic or his games i dont care)

(another example of something that requires good shapes is pokemon altho they arent really like very depthy since there are 600+ and some only have like a pokedex entry worth of info but still they have good and memorable designs)

NOW something that doesnt have the most “good shapes” design off the top of my head is link

now in the most recent zelda game his most memoriable physical attribute is that he’s on the androgynous side w his longer hair and smaller build but in his older designs he looked something like this

(art for a loz:link to the past)

not really that much of a striking silhouette, but what do we look at and kinda leaves an impression on us? his hair and hat! its very silly to see someone in such a big green hat with that big of bangs/mullet, the hat at least became so ridiculous of a look that in botw nintendo didnt include his hat in links main outfit bc it was too hard to make look good, its silly! thats good! its fine to have a normal human looking characters because sometimes stories are about humans, but if you want us to remember them include something that will strike us as strange for them

also probably a good thing to note is the noises link makes when he swings his sword, jumps, pushes something, ie any action they have always been something that has stuck with me

(another example similar to this is in mgs solid snake in mgs is this cool super spy but is rocking a full on mullet which is considered a joke hairstyle. this leaves an impression on us. a spy with a mullet! how ridiculous! another example is raiden who was specifically made bc a woman wrote that she didnt want to play as an “old man” so the protagonist of the super spy game is a longer haired pretty boy (with a huge ass))

now ive explained a little on a character with good shapes and personality and a character with a more “boring” shape design that makes up for it with almost quirky design choices but i feel like theres another series thats what originally got me thinking about how even a memorable silhouette doesnt need hyperstylization

ace attorney! (which is out on switch now if u havent played it i would def recommend it)

if you dont know the protagonist is the guy in the blue suit(phoenix), which well he looks like just a guy...with ridiculously spikey hair enough so that in his silhouette you can recognize him but also his posture (the pointing) makes for a sticking recognizable image bc if you’ve played the games you can practically hear objection just from looking at phoenix’s silhouette

which is another thing id like to talk about! not only are a good shape a way to have a good silhouette but posture is also important! how the character holds themselves can say alot about them just from a glance! such as meekness, arrogance, confidence, sadness, anger, happiness its a very important too especially when you arent relying on stylization

now onto the characters of ace attorney ive gone over phoenix's design a bit but theres a few others id like to look at with some Weird style choices that make us remember them(just going to glance over them since this post is so long)

now, this woman, franziska von karma, she dresses kind of strange for a prosecutor but her outfit is not too out there and her silhouette is not striking

but you see that whip? remember how i said she was a prosecutor? yeah she will strike people in court for getting off topic and will even hit phoenix when he starts breaking down her witnesses testimonies, which what literally strikes up about her

another prosecutor, godot, now his hair could provide a somewhat memorable shape but what we first notice is the strange mask on his face which is weird, but not the Same weird as franziska bringing a whip to court thus having both of these prosecutors being Weirdly memorable for different things (another note is his liking of coffee that he does not give up even in court ha ha)

now onto the other protag for the aa games

apollo! who also has weirdly spikey hair, but even if you put a silhouette of him next to phoenix you could tell there some was a difference between the two! its showing a pattern with the protags while also keeping them distinct enough to be able to tell who is who! although you cant say the pointy haired guy from ace attorney and not get just One answer unlike saying the prosecutor who has a whip but still they are distinct to people who have little experience with the series

sorry i dont have any sort of conclusion on this this was just sort of me rambling on about character design, but my main point is if you are discouraged bc all your characters dont have wildly different silhouettes thats ok! there are other ways to establish a good memorable character! dont be afraid to make them a little weird! give your character pink hair in a medieval setting, have them be ridiculously in love with tigers they have a striped shirt and pants, let them love childrens tv shows and have them never miss an episode, give them wacky hair or an extreme love of gum, show us some personality!! but dont forget about how they act and their values and dont forget that posture can go a long way for establishing a first impression

there are also many other methods to making a good character! like colors and dress!

silly is the way to go! have fun with it!!

there isnt just one way to make a good character!! theres plenty of more series that have good character design that i didnt mention pay attention to why you like the characters you like! also watch this video bc its really good

#atissi #im sorry this is so long and incoherent #im sure this is hard to parse so im realyl sorry if i end up confusing ppl

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neurunique · 5 years

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Hopefully this app don’t crash

Cause I’m about to write a RitalinRealisation🌈

First things first, I write so much shit before I get to the final point. So if ya get impatient skip to the end but trust me it’ll be WORTH IT.

was sitting in bed studying chemistry work when I realised something.

So for most of my life up until I started medication, I had symptoms of “bipolar 2”, ADD, autism spectrum, obsessive compulsive... etc. let’s just go short version and say I’m on the spectrum with a bit of manic depression occasionally (it’s honestly so rare I tried medication for it once and I turned into a zombie and I’ve received cognitive therapy for it so I’m STABLE that’s the main part) with VERY TEMPORARY and STRANGE attention span.

So let’s talk like... obsessions or “special interests”.

Whole life filled with obsessions where my brain just would. Not. Even. Try. To pay attention to ANYTHING other than the special interest; every conversation dictated by it etc, people be like can you talk about anything else? Like looool. Funny to look back at that (I still do it occasionally. It ain’t a bad thing I love it just damn it had some impact on those around me) and so when I got super obsessed my BRAIN would be like I Am SO HAPPY, I HAVE SO MANY IDEAS, THIS IS SO INTERESTING! TIS IS MY LIFE NOW. EVERYTHING REVOLVES around it, and it’s all I want to do, EVER. So like naturally my school grades were up and down during obsession phases, like, sometimes I’d get straight A in assignments I could relate TO THE OBSESSIONS. Like fuck me the train of thought would just COME. So I was good at that, most reports from school were like “Petal is amazing at what she’s INTERESTED IN but won’t even THINK about trying what she isn’t” (could’ve used Ritalin a long time ago tbh but irrelevant). Anyway anyway . DOPAMIne. That’s what I realised today. DOPAMIne and obsessions ! I draw write sing imagine... to do with the obsession and then bam dopamine. High of life . Who cares why, fights at home or rejection from peers it’s FINE I just DOPAMINE. It’s all I needed. And so yes, whenever I GO OFF MY MEDS IVE NOTICED

That like (why is Tumblr’s enter gap so huge ) I get that obsession mindset again, like I can’t do anything without the special interest. With my meds, the interest is still there, but my dopamine or mood is like LEVEL and not DEPENDENT on the obsession. Like I can do shit, study and converse and socialise and learn social skills I never did , with the dopamine levelled our. So like Ritalin doesn’t give me skills, it gives me balance . and when I go off it, I get “manic” as others see it, however it’s literally just the increase of dopamine due to the obsession dependence returning (literally opposite of drug dependence; the drug is the antidote and my brain is the dependence)

I’m literally just Sherlock Holmes addicted to my brain like a narcissist

AnywAaaay

So the times I’ve written bullions of fanfics about sonic? ~”manic episode” as they say MORE LIKE SUPER INVOLVED IN MY SPECIAL INTEREST

Gaming for ten hours to make one goal? Not manic just hyper focused because I love the game and the act and the repetition .

So yep. The conclusion is essentially this: my special interests are pervasive as fuck and luckily I can manage them with the use of awareness of sugar intake and dopamine levels otherwise influenced by things apart from medication; Ritalin helps me regulate dopamine but to be honest it sends me to sleep half the time (probably cu when I have the dopamine already, it’s like no sleepy time no mania for you); and it helps me be human - for the most part! I still burn out like a motherfucker, even on it - social interactions are draining during times of adjustment or stress (mostly always); I can only manage one or two a day now that I live with my partner. I could literally achieve a fucking whole novel if it was about my obsession (current ones are seven deadly sins and sonic of course although that ones kinda melting a bit, BAN FOR LIFE) without Ritalin to regulate myself, like I don’t feel dead inside on medication as some peopl describe it , I more feel like I can put aside those intense urges and addictions towards my obsessive behaviours and just carry on and FOCUS on things that aren’t the obsessions

Honestly if it wasn’t for the fact I get special interests, most of my symptoms would just be ADD. But ASD INCLUDES like special interests and social cues deterance (I been learning thougu, thanks to focus being level). So yeppp.

Oh also, Ritalin is more effective for me than Dexies because:

Dexies actually increase dopamine directly whereas Ritalin is simply a “dopamine reuptake” so like in my mind I feel like it doesn’t release dopamine , it simply does what the brain needs (my brain). Hence why people probably prefer aderall over Ritalin for study drugs whereas Ritalin helps me actually function,

If I’m tired, it’ll wake up a bit. Or it’ll send me to sleep. If I’m deep in mania or dependence on obsess, it’ll send me to sleep or bring me back to reality.

Antipsychotics don’t work on me; they make the world blurry and fuzzy and confusing; I am not psychotic and it doesn’t calm me down and it just makes me more anxious.

Tried to ask for benzos for when I’m anxious but doctor was like no ;.; good thing I am relearning my therapy skills.

I am extremely high functioning as an aspie, but the requirements to work thirty hour week jobs or 9-5 will just never be there for me. In terms of social burn out, even once I’ve leRned all I can about people and friendships, my brain will not be able to process it. If I live alone it’s easier but I love my partner So. I need so much alone time and he knows that, sometimes I feel bad but it’s just who I am. And I have tried to work normal hours before but I just can’t. Inwant to be able to work from home one day, whether it’s art (gosh I wish) or research... people mistake me for having depression or social anxiety but while I have a few symptoms of both at times (anxiety is super severe tbh) it originates from things like social burn out and claustrophobia. I am managing though and doing therapy SOON yay. I just had to write all this cause I’m trying so hard in real life not to explain my Behavior, something I done my whole life; now that I have been screened and I’m being officially diagnosed with spectrum disorders it’s just so tempting to rigt my wrongs with people by saying hey! This is why I did stuff that was confusing!

Aspergers doesn’t define me though nor is it my identity; I’m still ME the me I’ve always been; it’s great to get help for it but I really have to pay attention to my strengths and meet goals. Cuz it’s so exciting to have these revelations !! Hence text post!! But when I say it in person I speak too fast or too slow or I mumble and people think I’m MANIC (yes I appear manic but honestly just excited orndopamine releaze) by the way don’t ever tell someone they come across as manic unless you know the legit symptoms and you can differentiate between someone who’s excited about a special interest or realisation, or whatever, and actual manic episodes (they tend to last over a week and are accompanied by many symptoms including no sleep or food aswell as sometimes a lot of things beyond physical capabilities; sitting on the toilet writing an essay while relaxed and in the middle of assignments ain’t mania Jsyk) lots of my aspie friends get super happy about stuff or connection and we seem manic but we ARENT so just listen to the exact words we use and respond accordingly. Like... that’s just me tho. Sometimes I’m upset and it’s different, that’s just regarding conversation about shit I’m excited about~~~

SO YEP 👍 THATS MY RANT THank you Edit: I am manic bipolar

#personal #this definitely doesn't represent everyones brain #its just mine #everyones brain is different #neurunique #asd #aspergers #autismspectrumdisorder

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