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#it also had a killer soundtrack of songs that dont exist
stardustinthesky · 2 years
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continuing the fine tradition of literally going to sleep and dreaming about watching a tv show/movie with the actors portraying my current OTP, i present to you the bruce boxleitner/mira furlan edition:
playboy billionaire turned vigilante and the reporter who investigates him in 80s new york city
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slaygentford · 2 years
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I listened to every Beatles album in order so you dont have to and kept this record as I did. no one asked me to do this and honestly idk how I arrived at it it just sounded interesting after I exhausted the platters who I didnt think to record like this. also im at the point of school where you dont get homework anymore and I miss it so I made a report.
these are graded on a curve, that is, the ratings of each album are calculated in relation to the other albums. prior to this endeavor I had only heard the big beatles songs like in movies and on Wii rockband.
please please me: 3/5. highlight: twist and shout (sorry). lowlight: baby its you. thready ass vocals. leave it to people with talent with the beatles: 3/5. aesthetically identical to prev. highlight: you really got a hold on me. lowlight: please mr postman. why the fuck would you cover this. youre signing up to fail a hard day's night: 2/5. highlight: things we said today. lowlight: sadly, a hard day's night beatles for sale: im gonna keep it real. this sounds identical to albums 1-3 to me and I feel exactly no emotion about it at all. largely inoffensive. 2/5 help!: 3.3/5. highlight: help! killer bass. lowlight: the riff in I need you fills me with a burning, indescribable rage rubber soul: here we begin to experience the epic highs and lows of The Beatles discography. high highs: Norwegian wood and girl. low lows: literally everything else. 2/5 revolver: 3.5/5. these bitches finally woke up! highlight: I'm only sleeping, for no one, Eleanor Rigby is worth the hype, I want to tell you, tomorrow never knows. lowlight: dr robert -- flop attempt at satire. also whatever that one guy was doing to that poor sitar sgt pepper's: I came to a rude awakening when I realized that the wall would not exist without sgt pepper's. humbling. that being said, 0/5. I hated every single second of this. magical mystery tour: epic high following last album's epic low. 5/5. strawberry fields has a BASS DROP??!?!? no skips. I love this album. its such a time capsule as well of like one of the weirdest years in history. i can listen to this album and experience how my parents felt at 16. the callback to she loves you on the last track. I get it the white album: I dont get it. this album tested me like nothing else. I began to flag. I began to question the honor of my quest. I almost shut it off after nearly every song. but let me say: the highs are sweeping. SWEEPING. happiness is a warm gun. blackbird, Helter Skelter, while my guitar gently weeps, back in the ussr, revolution (which is satire which I just realized)... however, the lows are LOW. glass onion is bad; Julia is actually unlistenable (I broke and skipped it); wild honey pie is like getting a transorbital lobotomy; birthday has undone years of my therapist's work vis a vis suicidal ideation. Im so baffled by this I almost want to exclude it entirely. instead I calculated its good song to bad song ratio which landed the album as a whole at a solid D+ (69%)! but that seems like its ignoring the good songs which for any other band even ONE of those would be the song of their career. emotionally the experience was not unlike a bipolar mixed episode. 1/5 yellow submarine: this one was a movie soundtrack. something it has going for it is that it isn't the white album. 4/5 abbey road: yeah. 10/5. I cant even be flippant about this. you live a whole lifetime listening to this one. fine. let it be: set myself up to FAIL with this one. my dad was about to turn 18 the year this came out, which I only bring up because this is the only one of my dads beatles albums I kept. so of course I listened to the record and cried through let it be like a bitch. I like all the studio talking noise. 5/5 for sentimentality
rating overall: 43.8/65, about 66%. but I dont vibe w that honestly. I had a great time doing this and discovered some great music. I also cant ignore their historical significance and the insight it gave me into my parents' youth, which is probably the most interesting thing about the beatles. I choose to recuse myself from assigning a grade and instead, on a pass/fail scale, pass them.
reflection: they were so prolific in 10 years with wildly varying results, but it makes me feel like we need to all create more haphazardly and throw stuff at the wall and see what sticks instead of being so precious about it. because honestly, a monkey at a typewriter with that kind of output WILL eventually write something good. I also think it's the kill baby Mussolini principle in that even if you killed baby Mussolini there would still be the sociopolitical situation which gave rise to Mussolini. so if The Beatles never formed there would've been other band/s who evolved with the upheaval of the 60s who would now serve as this cultural touchstone. but this is what we got and thats quite interesting I think.
takeaway: I cant listen to another beatles song for at least 2 calendar years
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newyorkkiss · 6 months
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it truly does jokerfy me a bit how overlooked they are and have always been. like this is sort of a deep cut so idk how relatable it is, but i remember i would be at the mall in middle school at dELiA*s (who remember!! lmao) looking at their wall of band shirts seeing like the killers, kings of leon, etc thinking shit like, "i dont understand why spoons not up here or why i dont hear them on the radio and people dont know who im talking about when i mention them, but all thats true of these bands. but spoon is better than all these bands is the thing. with the same amount of appeal imo" ...like maybe in a less sophisticated and more annoying middle schooler way, but that sentiment. and i still feel that way! and i get that that is justifiably said of soooo many groups and musicians, truly, across all genres. art and creative fields in general really. but with spoon i think about it especially not just because im particularly sentimental about their work, but also bc i truly feel like they have a really broad appeal. i mean their songs end up on the soundtracks of all sorts of films and tv episodes bc theyre good, they capture a mood, they just have that oomph that a scene needs. but theyre just not very well known. a blessing and a curse i figure, feels like theyll never get the respect and clout theyve rightfully earned for their artistry which is a bit crazymaking but otoh theres allll sorts of downsides and indignities to fame 🥄
exactly like they really do have a Commercial Appeal (pun intended) and they truly do have a wide spread of genres covered, and covered well. it’s interesting they never cracked outside of their scene given they really well could have given the rise of indie rock/pop/general alternative adjacent scene in the main charts. and as you mentioned, they did have a lot of boosts in media that actually helped to catapult a lot of their contemporaries, it just seemed they never managed to bubble above the surface.
tangent after the cut sorry spoon-anon but i have A LOT on my mind. hopefully u stick w me thru this and get where i’m coming from (tho im sure u do)
however, what i mean w cult-status is like in reference to some of their contemporaries like the national, interpol and a lot of the NY scene when i think about it – sort of being viewed as these cult like bands with an actual document of their history straight from the go in some cases.
as u would know spoon has this unique story to them that makes them perfect fodder for this for anybody else reading below the cut: band releases a well received debut album on a cult label (matador), leaves them for a major to release a lauded follow up that does terribly sales wise and gets thrown to the dogs like meat straight afterwards due to horrible mismanagement but somehow defy that and go on to continue to release some of the most critically acclaimed albums of the last 20 years despite the fact they may as well had just given the fuck up.
if that had happened to any of those NY-adjacent bands i feel the history would have been covered so much different if that makes sense? like they’d have somebody down there in the trenches with the band covering this shit for a low quality documentary that’d be like the gospel for fans. imagine seeing footage of britt curled up at the times square hotel pay phones he would call up his lawyer on during his 15 minute breaks at citibank lol trying to shop rough copies of girls can tell to labels because he was that hellbent on getting it released. you can only imagine it because it doesn’t exist!! if it was any other critically acclaimed blog era-band it probably would exist!! hell any kind of proper document of any of their post-sneaks albums would have been so fucking good and so deserved. i feel all we really know about them is merely just crumbs in general as a band imo and a lot of good preservation just doesn’t seem to exist at all. like yeah we have the decent oral history of gimme fiction but i kinda want that for the whole band more thoroughly? i like knowing things! i want some sort of meet me in the bathroom kind of coverage of them. i want them to be respected for the band that they are because they are just that good and utterly destroy their contemporaries in terms of output AND consistent critical acclaim. kinda mad at myself for putting them in the back of my mind for almost decade smh 😔
still i just feel they don’t get even close to enough love or respect from people although their contemporaries are regarded as darlings and have devout groups of fans and that stuff. a good majority of them probably have no fucking idea who spoon are even though the band themselves have probably done something with them or have heard of the band in passing/other media. with all that considered, it’s all very strange to me how they’ve just ended up being some band from austin. maybe that’s just how it was meant to be. i’m not sure.
EDDIIT: i just realized after that last post that arcade fire was actually given more light than hell by merge than spoon were when they were literally on the same label like um where the FUCK was that level of attention for them when they were literally both on par with each other quality wise musically and critically like hello?????? what's up with THAT... much to fucking think about also fuck win butler btw.
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lostacelonnie · 7 months
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Surviving is one thing but befriending the alt girls? Now thats thriving congrats on the friend acquisition. Oh yeah absolutely thats super cool of your mom. To be so chill. More parents should aspire to be so chill. Birds are just chill dudes who exist & you can see them & its great. Fuck gulls though. They're nice to look at but will be bastards if you have food in some places. Ive been trying to learn german here & there and it is. Something. Mood but for english. Who needs grammer rules fuck em. I dont know polish so i definitely cant say. You probably mentioned it that sounds familiar but dang. Well it at least wont be as bad? My joke answer is gay sex would be less gay than whatever bronya/seele & march/stelle have goin on. My serious answer is that but also that was really well paced & written. Svarog my bro. Love him. Cocolia confrontation had killer music & the interaction with preservation was cool too. Love fire stelle abilities. Mobile is tough but just gotta fuck it we ball through it. Ill definitely have to add rain world to my list. Dredge is like. Lovecraftian horror fishing sim. Its really neat. River city girls is a simple beat em up adventure game where you fight through town doin little quests on your way through the main one. Real fun easy controls & the soundtrack is real good. Please do id love to hear your exploits. Yeah i have work a lot & so does she plus her kids so i dont talk to mine much either. Im getting to the point in star rail where i am catching up like genshin so ill probably log in less on that too unless more story happens or an event catches my eye. After next planet story anyways. Im not far enough in simulated universe to do swarm disaster sadly. Just gotta. Level them characters as usual. Ps5 star rail gave me gepard which he's good but like. I want bronya
YEAH ITS GREAT and thank you!! we have different groups this year and im very happy ab this bc most of the popular girls im scared of that i shared a group with last year are in the other one now. so im chillen. yeah shes VERY epic hehehehe!!!!! love her. YEAH frfr i agree.... ab the gulls as well i almost got Physically Attacked by one when i was on a trip on an island near alicante cos i was hanging out in the sea and went towards a small island not far away from the shore. not knowing there was a gull nest on it. but i took the hint when one started Screaming at me like halfway through. god i am scared of these things. theyre cool but from a safe distance. and ahhh good luck with learning german!! i took 4 years of it in primary school and still dont know a thing. but its a very charming language so maybe when i get a solid hang of spanish, ill revisit it. tho it Is funny to joke with my friends ab how i didnt allow ppl to germanize me. german was mandatory under the nazi occupation and theres this one patriotic song with the lines "nie będzie niemiec pluł nam w twarz / ni dzieci nam germanił" [the german will not spit in our face / nor germanize our children] but these days its often used for jokes ab having to learn the language. and yeah i suppose thats true!! it is what it is. anyway. YEAH i actually agree with both the joking and serious part andkfnjjb ESPECIALLY the cocolia boss fight. GOD that was cool. i honestly dont use fire trailblazer abilities that much but yes she does come in handy. good luck with surviving on mobile o7 also keep me updated if you do end up playing it!!!!!! its unbelievably hard but like. in a good way. OOH BOTH OF THESE SOUND VERY FUN!! speaking of which i have so many games i wanna play..... but i literally just spent around 200zł [a bit under 46 dollars] two days ago [wait im gonna tell you how in a second]. which actually connects to dye update: i redid my hair since it washed off pretty quickly [but ah i look so nice in red] for the very event i ended up spending way too much money on. and yeah fair rn im actually going onto genshin more often than star rail bc the fontaine exploration + catching up on sumeru exploration is just. So fun. havent played swarm disaster yet either...... no time...... i have a Lot of stuff to do for school recently. its been like what. 2 weeks. and we already finished the first chapter from history and were gonna have an exam soon. which im Dreading btw bc for some reason i went for extended history in school despite being physically unable to remember dates. but hey at least extended geography is easy [so far]. so fuck it we ball. anyway ah congrats on getting gepard!!! hes pretty overpowered yeah but i want bronya as well [i say barely ever logging into the game]. which is pretty funny bc i already got 3 5* things on standard in star rail while being like 150 pulls in and they were two claras and GEPARDS LIGHTCONE. which i cant even use on march since i run her in clara teams in which i need the taunt on clara. Lol. but whatever. ANYWAY ABOUT THE EVENT uhhh you Might recall that i went to like a. con-adjacent thing last year. its actually just mainly for buying merch but a Lot of people go in cosplays. anyway i went this year as well and got a bunch of prints [of focalors, fischl, signora, silver wolf, kafka, and miku], and some other stuff [charms of himeko starrail, silver wolf, and kafka, as well as bronya honkaiimpact3rd and kafka pins]. and a very cute choker. so YEAH for the sheer amount of stuff i got id say its a very good price but i still feel bad ab spending so much money in one go sjdkgkgjh
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aplpaca · 5 years
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unusual asks: all the odds
under a cut bc long
1. Spotify, SoundCloud, or Pandora? spotify but i have exactly 2 spotify “playlists” and theyre Every Song I Have and Songs That Remind Me Of Characters.  and all the songs on the charcater playlist are also in the first playlist 
3.  what color are your eyes? hezel-y blueish
5.  what is your relationship status? single
7.  what color hair do you have? darker blonde
9.  where do you shop? wherever 
11.  favorite social media account this one
13.  any siblings? 2 younger sisters and a younger brother
15. favorite snapchat filter? i dont have a snapchat
17.  how many times a week do you shower? at least once a day so 7+
19.  shoe size? 10 or 11
21.  sandals or sneakers? depends
23.  describe your dream date idk itd depend on who the other person was
25.  what color socks are you wearing? white
27.  do you have a job? what do you do? nope. im helping on an ecology research thing for credit next semester tho 
29.  whats the worst thing you have ever done? cant pinpoint anything specific really
31.  3 favorite boy names idk about humans but for potential cats its Spook, Chidi, and Spinach (gender neutral)
33.  favorite actor? dont really have one
35.  who is your celebrity crush? dont have one
37.  do you read a lot? whats your favorite book? yes and theres,,,,a lot uuhh,, this is just some of them
all cosmere stuff by brandon sanderson
realm of the elderlings stuff by robin hobb
inda quartet by sherwood smith
if manga count also then pandora hearts by mochizuki jun
39.  do you have a nickname? what is it? paca online but nothing really irl
41.  top 10 favorite songs (idk if id say these are my favorite but theyre whats been on repeat the most recently) 
Sober Up by AJR 
High Hopes by Panic! at the Disco
Lifted Up (1985) by Passion Pit
Hooked on a Feeling
most of the Moana soundtrack
Youngblood by 5 Seconds of Summer
Im Perfect by Passion Pit
When You Were Young by The Killers
Holiday by Green Day
Mamma Mia by ABBA
43.  what is your skin type? (oily, dry, etc) kinda oily i guess?
45.  how many kids do you want? idk
47.  what type of house do you live in? (big, small, etc) small apartment, medium-big house
49.  what was the last compliment you received? grandma said the pic i drew for her to give to a friend was nice
51.  how old were you when you found out santa wasn’t real? figured it out like 4th grade-ish i think?
53.  opinion on smoking? no bueno
55.  what is your dream job? something bio research probably
57.  do you take shampoo and conditioner bottles from hotels? no they usually make my hair feel weird
59.  do you smile for pictures? yeah
61.  have you ever peed in the woods? nope
63.  do you prefer chicken nuggets from Wendy’s or McDonalds? never had the wendys ones so mcdonalds by default
65.  what do you wear to bed? baggy pajamas
67.  what are your hobbies? reading, watching stuff, art things
69.  do you play an instrument? no
71.  tea or coffee? more tea but also coffee if its got a shit ton of cream and sugar
73.  do you want to get married? yea
75.  are you going to change your last name when you get married? idk itd depend on if their last name was decent and if id maybe keep mine for professional reasons. could also just hyphenate tho. idk
77.  do you miss anyone right now? not really atm
79.  do you believe in ghosts? im like a ghost agnostic. with all the hostory of them across like every culture, theres probably something to it but i wouldnt fight someone over their existence
81.  last person you called mom
83.  regular oreos or golden oreos? either as long as theyre the double stuff ones
85.  what shirt are you wearing?  its got bob ross painting a galaxy on it
87.  are you outgoing or shy? shy
89.  do you like your neighbors? dont really know them
91.  have you ever been high? i make too make too many drug jokes for someone who has never actually touched an maurijuana
93.  last thing you ate? peanut butter pie
95.  summer or winter? summer
97.  dark, milk, or white chocolate? milk
99.  what is your zodiac sign? libra
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allofbeercom · 6 years
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The brave new world of the xx, pop’s brooding perfectionists
Solo success, confronting grief, sobering up the feted London trio talk frankly about how the events of the past four years informed their new album, I See You
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The three members of the xx cross from Poland into Lithuania overnight, trying to sleep inside a bus that judders and lurches along an uneven border road. It is December, an unforgiving time to be touring eastern Europe, and snow that was coming in committedly when they left Warsaw still falls when they arrive in Vilnius, the Lithuanian capital. Its cold here, beer-jacket weather, hot-toddy weather, get-messed-up-after-the-gig-to-distract-from-the-bite weather. But the band Oliver Sim, Romy Madley Croft, Jamie Smith travel in good, sober order. They toured their first album, in 2010, blinkingly, greenly, through a fog of personal tragedy. Two years later they got through a second-album tour mostly by partying wherever they went. (Moving from encore to after-show chasing the night, as the band phrase it in a new song, Replica.) When we meet, the release of album number three, I See You, is looming. For various reasons they expect to take this one around the world in steadier, less emotionally hectic fashion.
Arriving in central Vilnius at 10am, the trio alight from the tour bus and teeter over icy pavement, straight to their hotel rooms for some extra sleep. Im in the lobby waiting for them when they emerge, one by one, at midday. Sim (27 years old, bassist and co-vocalist) appears in a splendid fur-lapelled coat. His enormous green eyes lend him at once a striking handsomeness as well as the perpetual suggestion of worry. More so than Sim, Madley Croft (27, lead guitar and vocals) is dressed for her terrain: leather boots, hoodie, black-camo raincoat, a hat over her dark shoulder-length hair. A stitched image on the hat is faded and hard to distinguish and when I ask her what it is she answers in a soft, whistling voice: Three babies dancing. She says she found the hat in a skate shop somewhere. Smith (28, percussion and production) might have found his entire outfit in a Sports Direct somewhere. He comes down in Nike T-shirt, Adidas trackies, his copper curls sprouting over the strap of a backwards-turned cap.
Theres something drastic and strange about Smiths appearance that takes a moment for me to identify. Hes smiling. I find this hard to reconcile with our last encounter.
In the hotel lobby, the band and I reminisce about meeting last time, more than four years ago, when I shadowed them for a couple of days as they toured through Los Angeles. They were about to debut Coexist, their second album, high in the British and American charts. Their first album, xx, had won the Mercury prize in the UK and gone gold in the US. Its sound sexily gnomic lyrics sung huskily over precise and chilly synths was exerting a blatant influence on the music industry, imitators of the xx springing up all over the place. Now Baz Luhrmann was courting them for one of his soundtracks, and he showed up one night in Hollywood to buy rounds of drinks. The band went to after-parties backstage at the Ford theatre, by the pool at the Chateau Marmont, on the roof of a downtown hotel.
Watch the video for the xxs single On Hold.
I remember the experience for the hilarious difficulty of interviewing Smith, who was then emerging as the silent genius of the group, an unfeasibly talented engine-room operator who was responsible for so much of their musics distinctive and influential texture. At the time he betrayed none of the weight or assurance of someone with great and growing industry clout. Instead he seemed to trust that if he stayed quiet enough during our encounters I might forget he was there.
These days Smith tells stories, tells jokes. While he speaks he taps his fingers in time to some imagined and apparently buoyant interior music. If theres a reticence to him, still, it transmits as a cooler and more grown-up nonchalance. Life, is his deadpan explanation for the transformation. I went from being 23 to 28. It happens to everyone. Perhaps theres a little more to say. Under his solo stage name, Jamie xx has long tended a fertile sideline as a DJ and a producer of other artists work. In summer 2015 he released an album of his own, In Colour, that was enough of a hit to fuel a substantial world tour. He was nominated for the Mercury and Grammy awards. Its easy to see how much Jamies changed, says Madley Croft. Its obvious, because of his personal career hes more confident.
Sim and Madley Croft made guest appearances on their friends solo record. But this was very much Smiths project, one that had been building up for quite a while, and its gestation contributed directly to the years-long wait between the xxs second and third albums. The band started writing material for I See You as long ago as 2014. But the finish line, as Sim describes it, kept getting pushed further away into the future. He is diplomatic about the difficulty of Jamie just not being available. Even though he was really pushing himself, and not giving himself time off, getting face-time with him was tricky. Smith is apologetic. I was busy doing my thing. It was going well. I was happy in that way. But I was also anxious about finishing our [group] record. I definitely felt bad, coming and going. And I did understand that Romy and Oliver were really anxious to finish it. Because they didnt have They obviously had things going on. But they didnt have a creative outlet.
The band get ready to leave the hotel for an afternoon of rehearsals. Before we spill out into taxis I take Sim out of earshot of the other two, and ask: What about jealousy? We cant always rely on ourselves, as humans, to be perfectly delighted by our friends achievements. What did you and Romy really feel while Jamie was flying solo?
There were moments when I felt jealous of his time, Sim says.
And of his success?
Sim speaks carefully. I think of jealousy as: I dont want you to have this. And I felt proud of Jamie. I felt pleased for him that he had all of this going on. But, at the same time, I wanted this. Me and Romy wanted this. We wanted to be back up there, on stage, with a fire lit underneath us.
The trio strongly believe the hiatus has been beneficial to their music. I agree. After his secondment in a more dancefloor-orientated world, Smith has brought back with him to the xx a sense of pace and playfulness, obvious from the very first hands-in-the-air bars of the new record. Across its length the album has a brewed, stewy, experience-enriched quality, subtly but importantly different from the older stuff, which always had terrific clarity but which could lack human warmth.
From a bald commercial perspective the bands absence does not seem to have unduly alienated the fanbase. All tickets for seven nights at Londons Brixton Academy in March recently sold out. Still, there have been some surreal moments for Sim and Madley Croft during their semi-enforced sabbatical. They describe to me how bizarre it felt, trotting along to watch Smith play alone at Brixton, a spiritual home of sorts for the xx and a place they had played many times together. Only now two-thirds of the band were stood among the audience craning like everyone else to see over the next head.
Rehearsals are taking place at the venue for tonights show, a mid-sized arena on the outskirts of Vilnius. I ride there in a cab with Madley Croft, who has a digital camera and takes occasional pictures of the bleak winter landscape. Touring, she says, means seeing countries through the windows of cars. Tomorrow the band will fly to Japan. After that Australia, then Scandinavia, and eventually back for those Brixton dates and four other UK shows. They were on a killer tour the last time we met too. Then, they spoke to me about how strange an existence it was, their every need taken care of while they moseyed from encore to after-party. They made it sound cloying but also comforting, cocoon-ing, in Madley Crofts phrase. At the time I wondered what the effects might be, of the long tour finishing and all the machinery of the band falling away, leaving them to their own devices again.
It took an adjustment, Madley Croft says, of varying degrees for the three of them. She thinks Sim probably found it the hardest. Oliver, to me, is the natural performer of the band. I know he gets a lot of confidence from performing. And I sensed he might not be quite sure what his place was, for a while, when we were off stage. For herself, Madley Croft used the time away to address private matters shed ignored for some time. Stuff from the past. Losses Ive had. It all kind of hit me.
Smith, AKA Jamie xx, playing Londons Hyde Park last summer. Because of his personal career, hes more confident, says bandmate Photograph: RMV/Rex/Shutterstock
Wed touched lightly on this in Los Angeles her difficult backstory, intimately and pretty cruelly interwoven with the backstory of her band. She was only 11, in 2001, when her mother died. (This was a few years before she started writing music with Sim a friend from school in Putney, London as a form of escapism.) Her father died in early 2010 when she was 20. (By now, with Smith, another schoolfriend, the three were established as the xx. They were performing an early show in Paris when the news about Madley Crofts father reached them.) Towards the end of 2010 a close friend of hers, a cousin, died too. (The band had just won the Mercury and were becoming quite famous.) By the time I met them all in Los Angeles, Madley Croft was 22. Shed barely stopped touring or recording since her double bereavement in 2010, and I got the sense of a young woman putting a lot on hold.
The last few years have been, for me, about facing all of it, she explains. At the time I just went for it. Encore, after-party, encore, after-party. Its only on reflection I think how intense everything must have been, and how I just pushed it down. But everything comes up. Ive learned that everything comes up.
When we met before she was in the first months of a relationship with a designer, Hannah Marshall, who was then travelling with the band. They were sweet together, newly and sorely inked with matching tattoos patently in deep, even though Madley Croft seemed a little awkward in a public setting, as if she was getting used to her band-life and love-life intermingling. When we first got together Hannah was always so much better in social situations than me. I felt so shy. But through being with her I feel so much more at ease. Ive noticed thats happened in a different way with me than it has with the boys. And I know its because Ive been with someone.
The couple recently got engaged. It was the stability of the relationship, Madley Croft says, that gave her the grounding she needed to look squarely at her past. She went from pushing down thoughts about her parents to actually kind of craving going to therapy and dealing with it… Its an ongoing thing, she says. I feel like Ive dealt with a chunk. With a hell of a lot more than I ever did before. And the self-examination has borne creative fruit. Right in the middle of the xxs new album comes its tenderest and most nakedly spiritual track, Brave for You, a song that Madley Croft wrote about drawing strength from the memory of her parents.
We pull into the car park of the venue, sure weve got the right place because we can see the steaming figure of Sim, shivering in his coat, smoking a cigarette. Together he and Madley Croft clomp inside, shed their layers, and walk to the stage. She takes up her Les Paul guitar, he his Fender, and behind them on an elevated platform Smith finds his place among an array of mixers and synthesisers. Performing for an empty arena, they play a few old songs and a couple of newer ones, including Brave for You. Smith taps out a high rhythmic pulse. Sim waits for his moment to apply some bass. Madley Croft closes her eyes and sings: When Im scared/ I imagine you there/ Telling me to be brave
Madley Croft with her fiancee, designer Hannah Marshall. Photograph: David M Benett/Getty Images for Equipment
The rehearsal lasts a long time: hours. I perch with Smith in his mixing station and watch over his shoulder as the trio pick through 20-odd songs. Sometimes the noise, ringing off the exposed concrete of the arena, is tremendous. During uptempo songs Smith starts dancing, big-stepping in time like a cowboy at a line dance, thrashing his head like a metalhead in a mosh pit. Impossible to imagine, Madley Croft says, the old Jamie doing this.
Sim, frowning, the least at ease on stage today, unsticks a printed set list from the floor. He thinks back to the previous gig in Poland and says: Oh. I spoke in the wrong place last night. After a lifetime trying to maintain belief in the spontaneity of artist-to-audience banter, its a little shattering for me to learn that the xx arrange their chatty interludes in advance. But these guys are precision workers, broody perfectionists; and theyre rusty in their stagecraft after so long apart. When they rehearse a mid-gig spectacular of mashed-up songs, the music builds and builds, smoke machines gushing, some glorious climax imminent until at the clinching moment Smith slaps a button on his mixer and a deafening error-sound hums around the arena.
Everyone flinches. Argggh, shouts Smith. The mixer is unplugged and hauled away in machine-disgrace. The band take a break. Smith consults a roadie about a replacement. Sim drifts off stage. Madley Croft picks up her phone and taps out a message to someone.
Im starting to see that these three took very different paths away from their last album. Madley Croft into domestic stability and a worked-for interior peace. Smith into self-affirming solo work. Sims route took him where? He has always been the xxs most elliptical member, a charming if skittish, ambiguous interviewee. Unlike Madley Croft he has resisted overt statements about his sexuality. And the particulars of his family background, apparently as troubled as hers, remain much more opaque. When the New Yorker published a deep-digging profile of the band in 2014, the reporter was obliged to include a vague line about Sims early life, which was scarred by family dysfunction that he declines to discuss. Madley Croft has grown over time into openness, Smith into sureness. Sim seems still on his way somewhere.
Maybe theres a clue in the new music. I See You has a couple of tracks that come over as more direct and less cryptic than anything else in the bands back catalogue. A Violent Noise, for example, seems to be about partying too much, overdoing it (Youve been staying out late/ Trying your best to escape). In a subsequent track, Replica, chiefly written and sung by Sim, it sounds as if an unnamed parent is being addressed: Ive turned out just like you They all say I will become a replica/ [That] your mistakes were only chemical 25 and youre just like me Is it in my nature to be stuck on repeat?
Photograph: Suki Dhanda for the Observer
Away from the rehearsal I sit down with Sim and tell him the lyrics to Replica register, to me at least, as a kind of confession. A child of addiction, growing up to worry he has become an addict himself, wondering if the problem is unavoidable and hereditary or whether he can go down a different path. Does that sound accurate?
Sim, his large eyes open to their fullest extent, stares over my head for a while. Then he clears his throat and says: Um. Well. Thats kind of bang on, your reading.
He takes a breath. Yeah. Just kind of That was a big thing to deal with, over the past couple of years. Just kind of dealing with my relationship with using [drugs]. With drinking. And, um. And also my parents. Yeah. He says its a shock to realise that the private matters underlying this song have come over so plainly. This conversation is a bit of an eye-opener.
He started writing Replica, he says, a couple of years ago. Before I was taking any action. Or saying anything out loud. The bands 2012 tour had finished. The pace we were moving at stopped, suddenly. It was a pretty flaky existence Yknow, I left school thinking I wanted to live my life like a nomad, free-floating. Turns out I absolutely need some kind of structure. Living back in London again, structure-less, he thought of his drinking and drug-taking as blowing off steam. Later, I started to wonder if it was still charming to be the drunkest person in a room.
His decision to seek help took a while. A long, drawn-out decision. Smith was away gigging. Madley Croft was travelling the US with her girlfriend. I felt a bit lost. The schoolfriends all describe this period end of 2014, start of 2015 as the farthest apart theyd been from one another, geographically but emotionally too. As Madley Croft puts it: We werent in tune. Jamie was on tour. Oliver wasnt being entirely truthful with me about what he was going through. Walls were up.
When they did regather, Sim brought them the lyrics to Replica. Madley Croft recalls the moment. I thought: This is very real. Even though everything we do is real, this felt more transparent? It felt brave. And I loved that he let me in, to discuss it.
Sim makes it sound inevitable it should be writing, rather than talking, that helped bring down the walls between the band. Im a lot better and braver in songwriting than I am in conversation.
He says he has noticed, of course, how much his two friends have evolved in recent years. Theyve come on in leaps and bounds. He says he feels more sluggish in his own progress, a bit stunted People are like, So Jamies done his record and toured the world. What have you done? To be honest, Ive just been at home, figuring stuff out. He doesnt seem to realise that hes made the most progress of everyone. I ask him how long hes been sober.
Watch the video for the xxs Say Something Loving.
Eleven months, he says.
And?
And lifes been transitional, he says, smiling shyly. Quite a shift. Tonights show in Vilnius, for instance, the fifth of the current tour, will be the fifth show hes done in his career without drink. Its why I dont maybe feel so confident here. I dont have that support. I dont have my booze blanket. Everything feels more raw.
Are you happier?
Im. He stops and considers. Im Yes, I am happy. Im sort of adjusting to a different pace of life. But yeah, Im good. I feel anxious. About the next year [of touring], and being away from home. I wonder how its going to play out. But Im excited too. He might be about to experience the beginnings of a music career for a second time. I realise I was never entirely present before. Booze took away the nerves. But it also, like, definitely capped the highs. If hes sacrificed some self-confidence, he says, at least hes gained some self-understanding. Madley Croft agrees. I think hes getting to know himself. Who he is, as a 27-year-old, not as a performer on stage, but in life. Im really proud of him.
Soon enough their rehearsal resumes. Theres not long to go until the show now, and fans are beginning to appear in the snow outside. The band practise what will be the nights final run of songs. They try Intro, one of the first things they ever wrote together, as well as a new track, a happy-sad doozy called On Hold, which explores the ways in which life can seem to move at different speeds for different people. Transitioning from the old song to the new, Smith turns a dial on his mixer. Madley Croft steps forward and sings her half of the shared lyrics, Sim his. Then they sway, gently, by their mic stands.
At the end of the song the two guitarists lay down their instruments. Smith tidies his things. Madley Croft walks around taking a few photographs of the arena before it fills with people. Sim, before he leaves the stage, attaches a small light to his microphone stand. So that hell be able to find his way back to it, later, in the dark.
I See You is out now on Young Turks. The xx play UK shows from 4-17 March
from All Of Beer http://allofbeer.com/the-brave-new-world-of-the-xx-pops-brooding-perfectionists/
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