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#it feels choppy in the way that the ending of frontiers was choppy like things were obviously removed last-minute
mandorinart · 1 year
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sonic IDW 61 spoilers in the tags
#gotta agree with the general opinion ive been seeing that this past arc was quite disappointing#there were too many ideas being tossed around that couldnt fit into the pacing#the premise could have easily been as dire as say the stakes in frontiers for example#but the dire problems that arose were solved with 1-2 panels and made it seem like “oh jk we're good now”#ie. sonic got trapped in that warp trap but was freed like literally a page later i think#ive seen others point out the discontinuity of shadow using chaos control after getting overworked by the fake gems#he really pulled the I AM THE ULTIMATE PROTAGONIST buff to make it work huh#i think this arc should have been as long as the metal virus arc to really capture everything they wanted to do with it#instead we got unfinished/half-baked character “growth” from everyone#i wonder if they originally planned much more for this arc but had to cut it for some reason#it feels choppy in the way that the ending of frontiers was choppy like things were obviously removed last-minute#ranting in tags bc my thoughts are not organized enough to write a proper post lol#im glad this arc is over tho cus tbh i think IDW comics should focus on plotlines that dont “feel” like they belong in the mainline games#this arc was ambitious and suffered bc of lack of audience interaction which could be filled in by gameplay#the comics get their audience interaction from exploring character strengths and weaknesses#anyway yeah. glad this arc is over. looking forward to the new arcs#mandokusai
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bgpportfolio · 3 years
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Tales of Aeora 1.7
Note from the author: Since I have completed chapter 8, and it just needs a few more edits, and Part 1 is close to coming out -- I decided to go ahead and release chapter 7 as a sneak preview. Chapters 8 & 9 to be released soon, along with the rest of Tales of Aeora in a complete PDF!
Medeva spent her days among the sailors as they traveled closer to that tree Luna foretold years ago. She remembered, with sick nostalgia, the man who became Jason the Dread — but before, on the day of their wedding. She could almost feel the wisps of golden hair between her fingers when she held his cheek and kissed. Steady grasp on her lower back as she pulled her husband from his feet, closer to her lips, her own hair like thick fur held back in a bun with six, silver needles. On the island of Numitehm lived few people, even though the beach was overripe with ferns and seagrass, and the rest of the land grew crops beyond abundance. Most of the yield decomposed below the bushes in late summer, attracting fruit flies and gnats to the fields. Numitehm was Jason's home before he turned sixteen and married the sorceress, Medeva, who was four years his elder. He pined after her like a child, infected with an obsession to study her as if one of his notorious experiments. The smell of saltwater and constant bob of the Kraken reminded her of that island.
Every night she peeked out the porthole, half-expected to see his ships following them across the Seventh Sea. Although she never saw them, Medeva often thought she heard the blare of a horn over the roar of the wind and waves. This afternoon, however, she tried to relax while the sailors walked the deck, half-dressed, and chewed their herbs which enlivened them with Emilia's spirit — kept them company despite miles of empty, blue rolling, repetitiously, day and night.
Their captain, Hoffman, was supposed to govern the smugglers, but confined himself for several days to his cabin. The crew saw him rarely and, late into the night, whispered that he communed with a shadow behind his locked door. “He was a remarkable man once,” they claimed, “people from the First through the Seventh Sea knew his name — Hoffman the Enlightened Alchemist — but fallen from glory he sits in his room, explores the last frontiers of his mind.” Medeva heard about Hoffman through her adolescence, his name collected on more than one scrap of paper within her Book of Shadows. She re-read his legends and desired to speak with him, but he never came out of his cabin. The first mate, Stoll, said Hoffman was in deep meditation. “No one may disturb the Captain until his trance is over,” Stoll responded to Medeva’s inquiries, while Emilia was ever accessible.
Before dusk the crew would always light two, iron braziers and place them on one side of the quarterdeck. Emilia stood between the flames at sunset, saying a prayer in a language that Medeva didn’t recognize, while other members of the crew watched her in reverent silence. Medeva thought that was all there was to it but, the third time she watched this ceremony, she realized Emilia would retreat to the lower deck with several of her closest followers. So the next night, Medeva waited until it was late — when it was just her, the stars, and the moons — and she used a special key (one of those strange artifacts she’d stolen from the Society of Alchemists) to unlock the door to the lower deck.
She found herself in a narrow, dimly lit passage that stretched into a staircase leading deeper into the hull of the ship. There was a foul smell in the air that reminded her of a cistern. As she started down the steps, she heard the shuffling of creatures below her feet. For a moment she hesitated, until she heard the clacking of hooves and the low bleating of an animal. Medeva stepped on to the bottom of the staircase and saw that the lower deck was made up of several animal pens. Inside were a variety of livestock, mostly different boar and a few pekrem, that were being transported from the mainland of Kemet. A few of the pens were empty and, looking down at the floorboards, Medeva could see dried pools of blood beneath her feet. The pekrem stared intensely as she passed.
At the other end of the deck was a wooden, lattice-work hatch, at least nine-feet across, leading nowhere except a short fall into the dark, choppy waters below. There were spears on the walls surrounding the hatch (expertly crafted and decorated with large, colorful feathers), and a large porthole that allowed one to look out into the ocean that trailed behind the ship. Normally this would have brought Medeva comfort, because she could reassure herself that Jason wasn’t following them, but tonight all she could see were the three moons of Aeora, and the inky surface of the sea — and no one could have seen anything through that impenetrable shadow, but Medeva thought she could make out the tail of a serpent, in the distance, crawling its way back into the abyss…
The next day the Captain remained secluded in his cabin, and Emilia was also unusually absent. At mid-day Medeva (finally) spotted the priestess staring far-off into the distance at the bow of the ship, her eyes locked on the seemingly infinite, blue horizon as seawater sprayed around her in a fine mist. Medeva walked the upper deck to join her, and looked past the blanket of shifting sea water. “How come you didn’t say anything to the others?” Medeva asked. Emilia didn’t say anything to Medeva either, for a time, and when she did speak it was as if the words were coming out of a distant grotto.
“Do you ever have visions?”
“Yes. Occasionally,” Medeva admitted.
“Do they ever cause you fear? Show you things that none should know, except those who have passed on to eternal sleep?” Medeva had been given warnings, advice, and prophecies — but the secrets of the dead she’d never perceived.
“I’ve seen a storm,” Emilia continued, “surrounding cliffs overlooking a whirlpool. Sea foam sprays mountains with violent waves and turns their stone foundations to sand. Day becomes night under a breadth of lightning speckled storm clouds, a ship dances toward the center of a hungry maw. Sea serpent can’t resist the pull of spiraled waters, plunges deeper into jagged trenches than the lost shell, and algae, covered relics of Yis.” The sky where she looked was clear. Not a cloud obscured the evening as it aged into regular, waning light.
“Then shouldn’t we change course?” Medeva asked.
“No,” Emilia said and rubbed the gemstone spirals at her wrist. The sapphire and ruby glowed on either side of the dull emerald, twin flames flickering to the beat of thunder in an unseen storm. “This is what Helle has said must happen.”
R E A D // M O R E // @ // W O R L D O F A E O R A . C O M
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jolteonjordansh · 7 years
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Thoughts on Digimon Adventure tri.: “Coexistence”
Alright, I kept telling myself I was going to give a day to let my thoughts on “Symbiosis”/”Coexistence” (I'll go with Coexistence generally just to clarify) sink in, but I cannot get my mind to shift on anything else so let's just get to it. If I miss anything, I’ll make an additional thoughts post or something, but I feel like I’ve covered everything here for the most part. So, how did this go as we’re nearing the end of Digimon Adventure tri?
Oh boy, where do I even begin?
Let me lay this down straight: “Coexistence” isn't absolute garbage and is not the worst thing I've ever seen. I still think other series like Digimon Frontier are far worse than tri as a whole so far, but... “Coexistence” pretty much puts a lot of tri's flaws all in one big package.
The "padding" of this movie wasn't so unbearable that I wanted to shut the thing off, but I can certainly say that for 3/4ths of the movie, I was so bored. Not ready to die bored, but questioning "When the hell does all of the material this movie kept pressing so hard before release supposed to show up? Where's Kari's development? Where's Ophanimon Falldown Mode? Any answers to all of the plot threads you've left open? Are the Digimon going to regain their memories? The 02 cast? Anything?" There were cute moments here and there, but I felt that the payoff wasn't good enough to sit through so much of this. This isn't to say that the payoff wasn't good at all--I'll get to that towards the end. Let's get the bad stuff out of the way first. Other than the music anyway; that was as good as always.
The animation, while mostly okay, had some weird moments. I know it's happened throughout tri, but the size inconsistencies of the Digimon were especially obvious in “Coexistence”. Maybe I just never noticed it until now, but there were so many moments where I was thinking things like "Agumon isn't that small," or "Why did Patamon suddenly shrink from one frame to the next?" Also, there were a good number of stills used here for some reason. Why? I have no idea, but it looked bad. There was also this one shot of Piyomon flying that was really choppy, yet Patamon's flying animations looked as fluid as usual just a few seconds later. Are they trying to save all their budget for the last movie? Come on guys, this isn't “The Scuffle of Legends” for crying out loud. The animation was at least good where it was supposed to be, especially towards the end (the scene where the ground was falling apart were super quick and fluid? I'm not sure if it was just me, but it stuck out to me as looking really well-animated and flowing compared to the rest of the film).
There's sadly not much fighting to talk about animation-wise either. It looks good when it happens--I personally thought watching Alphamon and Jesmon duke it out was awesome. The Digimon from the DigiDestined, other than Tai and Matt who manage to bring together Omegamon, sadly don't get to do much. But hey, the animators learned to put all of the Digivolution animations together in one shot instead of making us watch ten minutes of Digivolution animations! I mean, I love watching them and all, but sometimes you have to cut to the chase, and this was one of those cases. I just found it funny that the one Ultimate Digivolution we hadn't seen, WereGarurumon, gets boxed. But I was sad to see MetalGarurumon's boxed. I mean, his pose and everything looked awesome so I would have really liked to see it in full! Hopefully, we'll get to see it in full in the next film. I mean, come on! I demand to see my metal puppy with some shiny awesome Digivolution animation! Omegamon also got a... sort of Digivolution animation, but it still looked neat! I just wish it was even flashier since, you know, this is a Mega/Ultra level Jogress Digivolution. It deserves to be insanely flashy!
I know I've been saying "towards the end" a lot in these thoughts so far, but...  that’s because, sadly, you don’t really need to watch the first three episodes except for like, some exposition about Meicoomon. You know what the rest is? Meiko wondering and whining and mulling over what to do with Meicoomon. Over. And over. And over. If you weren't tired of it the last couple of movies, you will be absolutely sick of it by the end of “Coexistence”. I cannot stress how I tried so hard to give Meiko a chance. I tried to look at things from a sympathetic viewpoint. So many times, I was ready to just give up on her character, but I came into this movie thinking, "Okay, I'm going to try one more time. This might be where Meiko gets interesting. Maybe after all of this 'development', it will actually pay off into something really great."
That didn't happen. We got the same kind of thing with Meiko as we did with the rest of tri. The self-doubt, the crying, the blush stickers, the "Why was I chosen!?" subplot which was already done so much better with Joe, the pity party, attempting to take responsibility for things only to rinse and repeat everything I just mentioned--anything you have seen of Meiko in the last four movies of tri, you will see here (except maybe blatant fanservice) but it is done for three full episodes. It was tiring, it was frustrating, and I just wanted to see the movie focus on something besides Meiko for five minutes. I mean, we get some nice bits with the DigiDestined like them reaching out to their parents as they're unable to go home--but of course, most of these are silent and the one that gets the most attention is Meiko's.
I hate to go on and on and on about Meiko as much as I am, as I understand some people like her. However, I wouldn't be going on as much about Meiko as I am if tri wasn't focusing on her so much in the first place. My biggest issue with all of this focus on Meiko is that these attempts to "develop" her and make her more likable are far too little, too late. These are things that we should have been seeing in “Determination” and “Confession” for us to understand and connect with Meiko as a character. Instead, they wasted time with her being unrealistically socially awkward and fanservice-y, and then being outright whiny and insufferable in “Confession”. And the writers expect us, more than half-way into this series, to truly invest in her and care. This might have been doable at this point if it was in small increments with balance with the rest of the DigiDestined rather than focusing so hard on her because the writers realized they were running out of time, but that's not what they did.
There were things they could have done to make her more likable and human throughout this series. There was the potential of her father being an abusive asshole father to at least explain how shy and scared and shut-in she was, except he... wasn't really that terrible. He was just a workaholic who asked Meiko to let Meicoomon be experimented on, and... that was about it. Suddenly he started caring about her in this film like he woke up one morning and said "Oh shit, I'm a bad father." It was more like a parody of the asshole dad than an actual use of the trope, with little execution applied. There's also this tick Meiko has of having a Tottori accent, which was only used a record time of once in “Determination” to show she had this quirk and for the cast to giggle about. Suddenly, after a phone call with her father and crying about Meicoomon again, Meiko starts speaking with this accent, likely forgetting her habit of speaking so formally around everyone. This is honestly a minor thing, but it did give more flavor to her character and had she grown more comfortable to use it more often around the DigiDestined cast, I would find her character to be more believable. She just shifts around from being uptight and formal to suddenly open and willing to cry her whole heart out to them. There's no gradual development. What was also weird to me is that, with all of flashbacks Meiko had, we don't really hear her using this accent she supposedly has in her childhood (at least as far as I could tell?), so yeah... we also have inconsistency issues! Yay!
I also simply cannot bring myself to like Meicoomon either. I get it, I'm supposed to sympathize for this poor Digimon who was basically born as an outcast and technically did nothing wrong. But... She barely has a personality other than "Mei! Mei! Mei!" and how am I supposed to care about a Digimon who serves as nothing more than a plot device and flipflops from being a cutesy kitty to a devastating killing machine? This was something Digital Monster X-Evolution did infinitely better with Dorumon. Now, we do at least finally get an explanation as to why Meicoomon freaks out so much without Meiko and why she's so uncontrollable in the first place. And... it's one of the dumbest asspulls this series has had.
Meicoomon was basically born from a fragment of Apocalymon's data. I've seen some people point out some things foreshadowing this, but they're super filmsy to me and nowhere near convincing enough for me to really follow as something the writers really thought through. It feels like some lazy excuse the writers came up with to try to connect Meiko and Meicoomon back to the original Adventure series in some way, when really it just makes their whole existence feel all the more hamfisted. I've tried to avoid the "blatant self-insert Mary Sue OC" label with Meiko as much as I could with how overused it's been applied to her by so many people who watch tri, but if anything made her fall under this label, it would be this. She has a Digimon formed from a fragment of the original Big Bad's data? Seriously? Let that sink in. Did that really sound like a good idea on paper to someone? If that's not enough, this is literally recycling the plot of Ryo and Monodramon from the Tamer games on the Wonderswan, where Monodramon Jogress Digivolved with the Big Bad Millenniummon and ultimately became his partner after being reborn, which led to the Ryo we know with his berserk Cyberdramon from Digimon Tamers. Hell, Battle of Adventurers did the whole "leftover fragment of Apocalymon" thing a lot better. It's just shameful how lazy this whole thing is put together when the writers have been building up the plot for, what, five movies over the course of three years? I guess this also explains how Meicoomon was the special snowflake who wasn't affected by the Reboot at all, but... whatever. I barely even care at this point. Meicoomon and Meiko are special snowflakes and that's just how the writers are going to treat them.
What makes this special treatment of Meiko all the more frustrating is when you look at the DigiDestined constantly comforting her and acting like she's been with them for years, saying things like "We're with you because we're all DigiDestined!" and were even willing to depart from their own moral compasses (referring to Tai's willingness to kill Meicoomon as Meiko wishes when he just said in the previous episode that he didn't want to kill a friend) when... they're completely ignoring the Adventure 02 cast. I get it, some people are tired about people questioning where they are, but when the writers have been waving teases at the audience like showing them being "killed off" in the beginning, Gennai taking on the Digimon Kaiser disguise, Kari and T.K. being concerned for their whereabouts a record one time and bringing back the freaking Dark Ocean (because, you know, that went so well in Adventure 02!), you have to question the cast's lack of concern. Adventure 02 has not been de-canonized, or these little things wouldn't exist. So I hate how the Adventure cast is constantly catering towards Meiko's needs when they've maybe known her for a couple of months at best, but don't even show a wink of concern for the Adventure 02 cast who they have probably known for years (I imagine they kept some contact over time) and both T.K. and Kari went through a whole series of adventures with them. It really does make it feel like the cast are written in a sort of bad self-insert fanfic whenever Meiko has any sort of presence as if the world revolves around her.
Once again, I get that a lot of my problems surround Meiko and Meicoomon, but the problem with this movie is how freaking heavily it focuses on them. A lot of this movie before the last episode is simple padding like the cast trying to get back to the real world, telling ghost stories and having other cutesy moments. I didn't hate all of these, but when we're getting so close to the end... I want this time being spent on the writers finally tying up loose ends. There's one movie left, and yet here they are continuing to add even more questions to the plot and not enough answers and then otherwise wasting time with things that do not answer these issues. I am not against filler--I was fine with most of “Determination”'s because it was the beginning of the series, things were still rolling in, and there were still increments of development happening here and there (Mimi's narcissism and Joe's questioning of his identity as a DigiDestined). But this late in the series, it's time to cut that down and focus on ending the story. Instead, “Coexistence” does a whole lot of nothing with terrible pacing issues, retreading on things we already know/are tired of hearing about, and just adding more instead of answering more. The writers have dug themselves in a big hole and bit off more than they could chew, and it is the most apparent in this movie.
So I must hate this movie then, right? Actually, no. Even though I think three of the four episodes are tough to sit through, with only cute moments to salvage them, the fourth episode was good and finally gave me what I was hoping for in this movie.
Because it's a minor thing, yes, Himekawa had some of her insanity breakdown. Not as much as I wanted, but I still ate up the nonsense she was saying and... she got a gun out of nowhere? What? When? How? I don't know, but it's hilarious. I swear, she's ready to kill someone who speaks a word to her. What's even weirder is that the guns she has changes between scenes. One moment, she as a BFG or some sort of grenade launcher, the next she had a handgun. What, did she find some Weapon Shop in a village somewhere? I have no idea where she's going or what she's going to do since she ended up in the Dark Ocean, but I hope if she shows up, she's just off the walls laughing like a maniac bonkers when we see her next. Insane Himekawa is the best Himekawa.
We also get a little bit of the OG!DigiDestined, like a shot with Nishijima's partner Bearmon. Dawwwwww!
But the best parts are when this movie finally decides to get to the focus I was personally waiting for in this movie--Kari Kamiya. While unfortunately it got nowhere near as much focus as I wanted (because apparently a certain other character really needed it more for some reason...), what we got was damn good. I love that Kari, with all of the times she's been possessed by Homeostasis, finally stood up to a fucking deity of worlds. She wasn't taking any of that shit, and she stood up for it. And I love that if tri has done anything, it's given Kari far more character than Adventure or Adventure 02 ever did. While she isn't forceful or rude, she does not take shit when people spew things she can't possibly bring herself to agree with. She has a firm ground, and she's willing to stand on it. Much like the scene where she talked some sense into Joe in "Determination", it was damn good to see.
And then there was her breakdown. Man, what a breakdown. While we all know Tai isn't really dead (if the Adventure 02 epilogue doesn't count to you, he's on the freaking poster of the next tri movie--he's not dead guys), there was no better way to break her. We've seen that Tai and Kari are close like in some bits of the Dark Masters arc in the original Digimon Adventure, so what else could they take from her but what's most important to her? And the way she just breaks is incredible to watch. Dead silence. Disbelief. Broken sentences. She is in such despair of Tai being gone that she just wants the rest of the world gone. While I wish Gatomon had been a little more involved, with the Dark Digivolution just sort of... happening, it was still a damn good lead-up. But man, is it a terrifying one.
While my personal favorite Dark Digivolution moments still go to Takato and Guilmon and Marcus and his Agumon, Gatomon to Ophanimon Falldown Mode and then Jogress Digivolving with Raguelmon to... whatever terrifying Evangelion experiment they combined into, was just horrifying, down to the body horror. It gives the whole "Coexistence" title double meaning (along with the whole coexistence of the Real and Digital Worlds), and just... seriously, look at that thing! If that's not a destroyer of worlds, I don't know what is! And it's basically a living embodiment of Kari's will and feelings after seeing her dear brother "die" before her eyes. Even after this whole thing happens, she's just a living shell just sitting there. You can really see just how broken she is after that.
While I still want to see more of Kari breaking, like how she'll deal with this whole situation and cope with her brother's "death" until he returns, it was still just good to see her develop in some way. And I will say, yeah, the cliffhanger is pretty dirty when the whole movie felt like a set-up for the last one while still doing a lot of nothing until the end. "Confession"'s cliffhanger, while absolutely painful, still felt more genuine than "Coexistence"'s just being there for the sake of set-up. And I think part of the reason it's so frustrating is because that... again, this movie didn't do a lot, so leaving it at that just when it was starting to finally get moving is aggravating.
This is still easily the weakest entry in the Digimon Adventure tri series though. And while it was frustrating at many moments, I would still call it... okay. I think it could have been even worse. The last episode did make it worth a watch, but the rest did make me want to bash my head into a wall at times. At this point, there's no way tri will be able to possibly tie all of its loose ends in a satisfying way. Hell, we may never even get an answer for things like the Digimon's memories or the Adventure 02 cast (though I certainly hope we do). But there is some good set-up here... So if we can at least get some answers, some awesome fights, and good character development and interaction, I am going to look forward to seeing Our Future, though with some optimistic skepticism. Here's hoping, to what little tri has left and how much going against it... that it pleasantly surprises us somehow.
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