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#its always fucking europeans like i love u guys but u are so lucky to be safe from firearms.
carcinized · 2 years
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some of yall have never had any expereinces with how scary gun violence can be and it shows. maybe instead of laughing at those of us with trauma and poking fun at those who've died you should be grateful your country has fucking laws protecting you
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thedawningofthehour · 8 months
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for the dvd commentary thing - im not sure if it fits under 500 words or if u can even remember what u were thinking since u wrote it like last year , but the scene in arc 1 chapter 8 where draxum n donnie talk abt sun tzu n mythology n names ?
That is...yes, that's quite a bit longer, about 1300, but lucky for you I'm very narcissist and love talking about my shit. (and nobody else sent one in)
“You’ve read Sun Tzu.” Draxum is just looking at him, with a quirked eyebrow and a small smile on his face. For some reason, Donnie’s face flushes. “Well, yeah.” He looks down. “I’ve always loved reading, and it’s not that long. What, did you know him or something?” “He was a bit before my time.” Okay, he’s actually smiling now. It’s creepy. “But his work is quite illuminating.” “I’m surprised you’ve read it. He was a human, after all. A warring human. Aren’t you against that?” “Only fools believe they have nothing to learn from their opponents.” “So you’ll apply that to a two-thousand-year-old book, but not to modern humans?” Donnie tugs on his cuffs. “You know you missed, like, the entire point Sun Tzu was trying to make, right? His entire philosophy was that using violence is rarely the best way to get what you want and conflicts are better solved diplomatically.” “And he also said that when you do draw your bow, to draw your strongest arrow.” “Yes, but only if-” “Do you not think there have been attempts to address our conflict with the humans diplomatically?” Draxum says shortly. “You think you’ve seen the extent of this war. This has gone on much longer than you. Longer than me, even.”
So that took influence from a podcast I enjoy:
youtube
The whole thing is a fake talk show radio program from a fictional city with sort a sort of surreal-absurdist vibe going on. (one episode depicts a political debate that devolves into an argument over whether the crawdad people would vote for them and one candidate's treatment of the alligator king, for example) Also not the only reference to this podcast in this fic; this is where Tubby Dan's Barbecue and its various trials Bella mentions are from. He actually has a commercial later on in this episode.
I also have not been able to find the exact quote he uses. This guy might just be trolling me. But I figured, Donnie's fifteen, even if it is a fake quote that's the kind of mistake a fifteen-year-old would make.
“I’m just saying-” “No, you will listen to me on this occasion. Look around you, boy. Think of where we are, think of who we are.” “We’re a turtle and a goat-man in your lab. I can’t really look at much else.” The slap takes him by surprise. It doesn’t particularly hurt, but he feels quite confident by now in how far he can push Draxum before he uses physical force, and he hadn’t reached that point. “The Hidden City is under New York City,” Draxum says quietly. “You have more experience with the world above than I do, so let me ask. Does it feel like New York City?” Donnie shakes his head, his cheek still stinging. “Why do you think that is?” “I assumed it was because the Hidden City is a lot older? New York is only about three hundred years old, and almost everything up there was built in the last century,”
(noooo a typo)
(I literally just went back and edited a nearly year-old chapter right now, it's all fixed dw)
But for real, New York is an infant of a city. I know the Hidden City is under New York because the turtles live in New York, they've always lived in New York-but I wanted it to make sense why.
So my idea was that the Hidden City isn't so much under New York, but that New York was built on top of the Hidden City. They weren't even hidden at first-they just fucking lived there, cohabitating with the indigenous Lenape people, (or at the very least they left each other alone) and adapted when Europeans started their colonizing bullshit, gradually moving underground as more humans showed up and clashed with the Yokai, not understanding what they were. (The Lenape and the original colonizers didn't really know either, but there was an understanding of bro just don't ask questions that was gradually lost as more and more people settled there) Part of the reason it became 'gestures to all of New York' is because of the presence of the Yokai and all their nonsense. So basically-the chicken came before the egg, and the Hidden City is that chicken. Or one of them. You can decide whether they did the fucking or laid the egg.
“You are…correct in that observation, yes. The Hidden City is much older.” Draxum glances off to the side. “But think of what is here. Think of where it came from.” “Well, yes, the culture here is heavily East Asian. Even the name Yokai originated in Japan.” “Think about that. Why are so many Yokai from that area? New York is on the other side of this continent. It is not a simple journey.” “I assumed there was some portal.” “There was, but by design. Why did they come here?” “I’ve met Yokai that are definitely European.” “Very few. Think about why that is.” Donnie glances up. “Fewer Yokai in other parts of the world.” “We were actually more widespread in some areas. Why do you think you do not see our brothers and sisters from the Horn of Africa? The Maghreb? From the islands of the great Pacific? They existed, my boy. Ask me why they are not here.” Donnie is silent. Draxum looks over him, his eyes narrowed and cold. “The Hidden City is the last of its kind. There are no other communities like this elsewhere in the world, not anymore. So I will ask you again, boy. Why are there so many Yokai here from Asia? And why are the Yokai of the rest of the world not here?” Donnie remains silent. “Answer me, boy.” “I understand.” “I want you to say it.” “Humans killed them.” Donnie focuses on the ceiling. 
Another one of those 'try to make the lore of the fucking ninja turtles show realistic' decisions. I know the reason they're called Yokai and why there's so much East Asian influence is because they are Ninja and this is a show about Ninjas and the writers wanted to harp on that, but it doesn't really make sense from a lore perspective.
I mean, think of where New York is. Pre flying, pre Panama Canal, the Far East and New York couldn't have really been more far apart. To get from Japan to New York by ship, you had to sail across the Pacific, down the west coast of both north and south America, around Cape Horn, back up the east coast all the way from Argentina to the fucking northeastern tip of the United States. Or land in Washington and cross the entire continent on foot. (I know they have portals but that's not the point, okay?) Like, unless there was a really big, heavy traffic natural portal from the Hidden City to Japan it just doesn't make sense for that to be the primarily culture. Especially considering the Crying Titan, canonical father of all Yokai, is under New York. If there was going to be a higher concentration of Yokai in any peoples, it would be the native people of North America. Because that's where the goddamn empyrean is flowing.
But we see pretty much no obvious First Nations influence. We get some East Asian and some European, all under a heavily Americanized umbrella. I mean, yes, they did this because this is a show marketed to American children and that's what's recognizable to them, but still. I needed it to make sense.
And it gave me the perfect frame to hang a blood-soaked backdrop.
“So you do understand.” Donnie presses his lips together. “I don’t think all humans deserve to die for it.” “I don’t think so either.” He must look surprised, because Draxum looks down at him, amused. “What? Deserve is a rather heavy word. I’m not speaking of deserving. I’m speaking of survival. Humans and Yokai cannot coexist. One of us will destroy the other. I do not intend to allow my people to languish in the dark while the humans choke us out.”
This is really the cornerstone of Draxum's beliefs. Yes, he's acting out of hatred and anger, but I didn't want that to be his whole thing. That's not as compelling, and Draxum's intelligent enough to need a concrete reason. And I mean...from his perspective, relations with humans have always gone sour eventually. And his people end up paying the price for that in blood.
“What makes you so sure?” “It has been foretold.” “What, like a prophecy?” “Exactly. There is a prophecy that predicts-” “You haven’t read much Greek literature, have you?” Donnie shifts in his binds. “Oedipus? Cronos? Or are those guys too old for you too? Let’s see, we have the Mahabharata. Macbeth. Sun, Moon, and Talia. Have you read Harry Potter?” “What-” Draxum closes his eyes. “Child, what in the world are you talking about?” “Those are all stories of self-fulfilling prophecies. In every one of those stories, the actions taken to avoid the prophecy cause it to come to fruition. Cronos eats his kids because he was told one of them would overthrow him, but that just makes his kid angry enough to do it. Talia is foretold to be killed by a splinter of flax, so her father bans flax from the house. The first time she sees someone spinning flax, she doesn’t know what it is and pricks her finger due to her curiosity and inexperience.” “...Why would a splinter of flax kill her?” “I always assumed there was some context lost in the translation, because that part never really made sense. Anyway, the point is that trying to prevent the prophecy just made things worse. It likely never would have come true, if people had simply done nothing.”
I'd like to call back to Draxum's speech to the Shredder in the finale. He does his big dramatic betrayal because he realizes that the prophecy foretelling the destruction of the Yokai was not the humans, but Shredder himself.
But he conveniently leaves out his own role in that. Draxum brought the Shredder back. Even before factoring in the orb he gave Big Mama, pulling Karai from her hell dimension, even without the work he did recovering the cursed metal-like, even if the Foot got every piece of armor the could get their hands on without him, they still wouldn't have finished it because Splinter had the last piece. And there's no way Splinter would have allowed it to be taken. Even Draxum couldn't defeat him in combat. The only reason Splinter gave it up was to save his sons-the sons that were shown kicking the Foot's ass all episode. If it was just them, they couldn't have captured the turtles. No Draxum, no Shredder.
Which makes the entirety of Rise a self-fulfilling prophecy in itself. In trying to destroy what he thought was the greatest threat to his people, Draxum created the very thing that could end them.
“No, it would have been a regular prophecy, like Cassandra predicting the fall of Troy.” “So you do know your Greek literature!” Donnie almost smiles at that. “Potentially. But far more likely that the prophecy simply doesn’t come to pass, like the thousands of other prophecies that are forgotten. We only hear about the ones that come true, after all. And from a simply mathematical standpoint, some of them must come true.” “I understand what you’re trying to do, and I understand your point. But you are a child playing at war.”
Yeah, he doesn't have a good answer here. So he just dismisses Donnie's point. Reminds me of my own dad!
“Well, maybe you need a child’s point of view,” Donnie huffs, rolling his eyes. “Have you ever thought maybe you’re too far into this to see what you’re doing?” He expects Draxum to call him names again, but he’s quiet for an uncharacteristic amount of time. Donnie turns his head, seeing Draxum leaning against his desk, a very far-away look in his eyes. “I know I was,” he finally says, so softly Donnie almost doesn’t hear him. “But I realized my mistake. I pulled out of it before it was too late.” He turns back to Donnie. “That’s why you’re here.”
A callback to Cass telling Draxum that the armor would kill him. Because really, Draxum's plan was stupid. He barely knew anything about this armor, the Foot, why they were so willing to give him this power. Yet he didn't ask questions. He didn't do any research. He trusted the Foot-humans, who had no love for his people and no reason to help him. Yet he plunged in. He was so enamored with the dark armor's power, so obsessed and blinded by bloodlust that he didn't stop to think about any of this. Not until Cass basically slapped him across the face and told him to snap out of.
And then he realized. He'd almost died-and died horribly, feeding a leashless monster. That was how lost he was in his bid for power. He had a whole-ass personal crisis before deciding to take up kidnapping as a hobby.
Donnie raises an eyebrow. “Kidnapping me was the less extreme option.” “Correct.” “I mean, yes, kidnapping one turtle isn’t as bad as unleashing a literal demon, but like…you couldn’t have found some middle ground?” “You’re my strongest arrow,” he replies simply. And it feels like someone’s dumped ice water over him. “Don’t be angry. I tried to compromise with you. I would have let you keep your name and your family, but you’re the one who refused to meet me in the middle.” Donnie just looks off to the side. “Think about it.” Draxum approaches his table, reaching out and grasping Donnie’s shackled hand, fingers curling around him like a claw. “You’re going to help me protect Yokai and mutants alike. We will do great work together, and when I lead my people into the sun with you by my side, your name will go down in history.” He does a little smile at that, like it’s a pleasant thought. “You just have to tell me what you want that name to be.”
I was kind of hoping someone would catch onto this. At this point, Draxum is still considering Donnie (or rather, his fantasy son who doesn't have a name yet) to be an accessory to his power. Like yeah, he wants him to be revered and rewarded after the fighting is done, but when the history books are written he'd be a chapter in Draxum's book. The next time he mentions the whole 'lead our people into the sun' thing, he says they'll do it 'side-by-side' because he now considers Galois an equal, and as time goes on he will eventually see himself as the person meant to help Galois on his path and set him up as the true savior of the Yokai.
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leverage-ot3 · 4 years
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notable moments from The Stork Job
leverage 1.06
Joe: Where is he? What have you done with him?
Dana: Why haven't you returned our calls?
Joe: Did you think we'd just go away?
Dana: We’ve given you the money. What else do you want? (approaches Irena) What have you done with Luca?!
(thug grabs Dana and pushes her aside)
Joe: Dana!
(Joe goes to help Dana and is stopped by the thug. Joe punches the thug, who then beats him into the ground as Irena and Nicolas walk away. Thug leaves, and Dana crawls to his side)
yo can we take a moment to respect and love these parents??? like technically luca was just a kid they were going to adopt but these two were ready to THROW DOWN for him because even though they didn’t really know each other, he was going to be their kid if that’s the last thing they did
- - - - -
Dana: $120,000. We had to take a second mortgage out on the house.
Nate: Well, we can get the money back.
Dana: We don't want the money. All we want is Luca.
Nate: Right. (looks at picture of Luca)
we love to see the clients being noble as hell
- - - - -
Eliot: Are we seriously considering this, huh? Swiping a kid?
Nate: Yeah, well -- What happened to you?
Eliot (scrapes on his face): Well, how was I supposed to know it was a lesbian bar?
...I bet it was from something fucking stupid
eliot “distinctive” spencer would have known it was a lesbian bar
(edit: I heard that on the commentary for that episode CK got the injury from trying to play football while wearing cowboy boots and honestly what a chaotic fav)
- - - - -
Eliot: How do we even know this kid is an orphan?
Parker: See him pocketing those cookies? He’s hoarding food. That bag on the table -- he keeps his essentials light and portable. He knows he's gonna be taken away at any moment. And there, when she goes to touch him, he flinches. He’s expecting… for her to... Trust me. He’s an orphan.
parker’s Tragic Backstory™ is about to be told in 40 minutes, let’s go
- - - - -
Sophie: Hey, can we -- can we stop off in Paris on the way?
Nate: Uh... maybe on the way back.
Sophie: Cool
sophie loves paris and was so happy and excited im-
- - - - -
Parker: Yes. And she's with someone.
Eliot: That’s never stopped me before
parker, rolling her eyes: bruh
- - - - -
sophie being “princess magda of slovenia” rb if u agree
- - - - -
Nate: You know, just hurry up.
Hardison: It’s not so fun working in the crappy command center, is it? No, see, you're usually off doing your European spy thing. Well, welcome to my world.
(Computer shows facial recognition program working on picture Eliot sent. Hardison offers Sophie a bottle of pop)
Hardison: Orangescu?
even in a foreign country hardison manages to get something akin to orange soda
- - - - -
Sophie: Who was it? -- Dagmar from the car-rental place was a lovely girl, but listen, Irina’s a professional grifter. She's gonna see straight through your moves. She does this for a living. You know, gets people to like her and trust her, even to fall in love with her. She doesn't do this for sport.
Nate: Mm. Sounds like someone I know.
s a v a g e
- - - - -
Nicolas: Beautiful name for a beautiful lady. Tell me, Hardison, what brings you to Serbia?
Hardison: Oh, do my fangs and cape frighten you
hardison being Done™ with a skeevy guy hitting on parker and making jokes to ease the tension 🥰
- - - - -
parker says that sleeping is one of her hobbies and honestly bitch me too
- - - - -
Parker: It’s amazing how far Serbia’s come, but the scars must still be there. I mean, all the families who suffered during the war.
Nicolas: Yes, but history always has its casualties.
Parker: Yes, but those families and those children.
Nicolas: It’s tragic, yes. But the strong, the smart, the... the beautiful, they survive.
[Flashback]
(Joe, Dana and Luca on home move.)
Joe: Smile!
Dana: Smile.
(A young Parker swinging, cuts to Luca sitting in the car that will take him away, cuts to young Parker on a merry-go-round, cuts to Luca being driven away)
Woman: What’s wrong?
(a young Parker in a car holding her bunny, cuts to Nicolas driving the car that takes Luca away)
Nicolas: It’s time to go.
[American Embassy]
Nicolas: Not everyone is worth saving.
(Parker gropes behind her and grabs a fork from the table, stabbing Nicolas with it. Everyone in the room looks in their direction)
parker’s past is developed a lot in this episode and we love to see it + bby you can stab anyone you want
- - - - -
parker fucking yeeting out the window is me after I do anything remotely embarrassing
- - - - -
Eliot: I’m lucky to have you on such a short notice. (takes paper from man) Zhavaliti. Is that right? Zhavaliti? Thank you? See? Yeah? No? Welcome to the set.
Hardison: Fire in the hole!
(Hardison sets off explosion of flame behind them)
Eliot: Yeah, it's exciting, isn’t it?
Irena: yes.
Eliot: That guy's our special-effects guy. He ain't all there.
friendship means gently bullying each other
- - - - -
Parker (sits down near prop truck): This is ridiculous.
Hardison (sits down next to her with fake gun): Tell me about it. We’re supposed to believe these are real?
Parker: This is what he expects me to do, fetch scripts and water?
Hardison: No, it's a trust thing. He just needs to know that you’re gonna go along with the game plan.
Parker: Yeah, yeah. I get it; we're a team.
Hardison: A little more than a team. I’m just saying
this was such a big episode for parker and her opening up to the team (hardison in specific)
- - - - -
Hardison (picks up papers): Sophie, are you -- seriously, Sophie. It was supposed to be a two-page scene between Irina and a boy.
(Eliot grabs pages)
Sophie: That’s still the heart of it.
Eliot: "The heart of it"? There’s like 10 pages here! You have a stunt. You have special effects.
Parker: "Sister Magda crosses and gets a loaf of bread." Wait, who's sister Magda?
(Sophie rolls out dramatically wearing a nun’s costume while ethereal music is playing)
Hardison: Tell me you didn't see that coming.
(Eliot grabs the pages and walks away)
sophie: is dramatic
eliot: surprised pikachu face
hardison: ??? were you expecting something else
- - - - -
Sophie: Listen. All right, look, look -- look at all this. This is my world, okay? You need -- you need someone to, I don't know, crawl through an air duct, you call Parker. Bash her head in - Eliot. Internet porn -- Hardison. If you need someone to take over a movie, then...
Nate: yes, an -- an actor. Right
sOpHiE bRuH
poor hardison, he never gets enough credit
- - - - -
Nate: And... cut!
(everyone claps, Sophie sits up, smiling)
Eliot: She can't act.
Nate: She can act when it's an act.
Eliot (going to Sophie): Unbelievable.
Sophie Really?! Really?!
Eliot: Yeah, really. It was great.
eliot is such a supportive friend because literally his jaw dropped at her acting and literally the first thing he did when they said cut was rush over to her and compliment her
eliot is secretly a hype man disguised in many layers of gruff
- - - - -
Hardison: Just take it slow until she leads you to Luca.
Parker: I can't believe they sent you to babysit me.
Hardison: I’m here on my own
hardison cares about her so quickly I’m soft
- - - - -
parker’s haunted look and glassy eyes when she stumbles into the room with all the children? her heavy breathing? how she has to brace herself on a bed frame so that she doesn’t fall over? heartbreaking
- - - - -
[Harbor]
(van pulls to a stop and Parker and Hardison get out, Parker pacing nervously)
Parker: This isn't just an adoption scam.
Hardison: I know. I already called Nate.
Parker: These are arms dealers, and they're using the orphanage for cover.
Hardison: I already called Nate. Now, look, we can go over this with the others back at the hotel.
Parker: We have to bail.
Hardison: No. no, no, no. What about Luca and the others? We can't leave them like that.
Parker: Why not?
Hardison: You don't mean that.
Parker: You think this is the only crappy orphanage in this place? This is a country full of orphans, okay? We can't save them all.
Hardison: No, but we can save this one. Parker, we can -- we can save this one. Look, I know growing up was tough. I-I know that you -- you grew up in the system. It was -- it was bad. I know. It was, it was worse than bad, but that doesn't mean that all foster parents are monsters. Mine wasn't.
Parker: You grew up with your grandmother.
Hardison: We called her "nana," but she was our foster mom. She, uh... she -- she would cuss like a sailor. The old girl would tan your ass just as soon as look at you. But -- but she fed us, she bathed us, she put a roof over our head. And, oh, she would raise hell if you so much as looked at us crooked.
Parker: Yeah?
Hardison: Yeah.
Parker: Well, you were lucky. No. We’ll put these kids in the system, and odds are, they're gonna -- they're gonna... (trying not to cry) they're gonna turn out like me.
Hardison: I like how you turned out.
(Parker breathes hard, getting control of herself)
Hardison: Let’s go
this whole conversation was a lot meta wise but also this was one of the real defining moments in their relationship in s1. it’s also one of the first times parker starts to open up to the team for real, even if it’s only hardison
also, I personally will never get over the “I like how you turned out”
- - - - -
Hardison: I ran humpty and dumpty through the usual databases. Chechen separatists. Seriously bad dudes.
(Eliot chuckles)
Hardison: After reading their bios, I don't think I’m ever gonna sleep again.
Eliot: Never tell a Chechen his sister has a nice smile. Trust me
eliot is an idiot
- - - - -
Nate: Okay, let's go. (leads Luca forward)
Sophie (in Serbian): Everything’s going to be okay. Do you understand?
Eliot: Maybe this will help.
(Eliot leads Luca over to the Mortons)
Dana: Hi, Luca. Do you remember us?
(Luca smiles, Dana hugs him)
Dana: Thank you.
Joe: Thank you so much. Come on.
(The Mortons and Luca get in their car)
Eliot: I got to tell you, I had my doubts at first, this feels pretty good
and the eliot-being-soft-around-kids saga B E G I N S
- - - - -
parker trying her best to translate but just making the kids giggle
“men will sadden you” same
and what gets the kids up and going? Haagen-Dazs
- - - - -
fierce, determined parker beating up scumbags is my sexuality
+
parker isn’t violent a lot in terms of being anywhere close to the team’s fighter/hitter, but she fights so hard for the kids in this episode and it’s one of the only times we see her fight fight and that shows just how much she cares
- - - - -
Parker: Shh, shh, be quiet, they have armed guards at that door.
(door bursts open and a man falls through. Eliot stands in the doorway, looking angry)
Sophie: No, they don't
her team always has her back, even if they’re angry at her trying to go at it alone
- - - - -
parker spreading herself out to cover as much space as possible, bracing herself to get shot over and over with the hopes that at least none of the kids will im-
she’s so selfless sksjdnnsns
- - - - -
eliot being all gruff that things happened the way they did but smiling at the exploding building because they did it and the kids were safe
- - - - -
THE FUCKING PROP TRUCK PLAYING SPOOKY AND WEREWOLF NOISES AS THEY DRIVE AWAY JUST TO MOCK THEM
+
bonus: nate’s “anD CUT”
- - - - -
Parker: Hey, how did you know I’d be at the orphanage?
Nate: Thank Hardison for that. (follows Eliot)
Hardison: You know you could have gotten killed. Did -- did you even have an exit strategy?
Parker: I didn't really think that far ahead.
Hardison: You don't work alone anymore. You know that, right?
Parker: I know.
Hardison: We're a team…?
Parker: We're a little more than a team.
this important conversation but also HARDISONS SMILE
- - - - -
Parker: (gets on the van) Hey, Nate. I have to tell you something.
Nate: What is it?
Parker: We have to stop at Hagen Daaz.
Children: Hagen Daaz!!!
after all that they deserve like a billion pints of ice cream
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justfcrkicks · 5 years
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01. what’s your name/alias you go by ??
it’s not my real name but i go by cody online, usually.
02. what’s your age ??
nineteen, almost twenty. i feel 12 tho
03. what’s your zodiac sign ??
aries! i added the exclamation point bc we’re supposed to be assertive but i didn’t get the memo.
04. what’s your ethnicity ??
umm what ISN’T my ethnicity is a better question haha. but no i’m mostly italian/sicilian, lots of different other european countries too, and also part native american, but sadly the only person that even knew what tribe was my grandmother who never really shared those details with anyone before her passing.
05. what’s your nationality ??
i am a US citizen :)
06. what’s your favorite band and/or musical artist ??
i can never answer this because i like pretty much every genre of music and my “favorite” is constantly in flux but right now i’ve been listening to a lot of greta van fleet, eminem, harry styles, joyner lucas, tenacious d, and also one specific willie nelson song has been on a constant loop when i’m not listening to the other stuff.
07. what’s your dream job ??
i don’t really have one tbh. lots of people do and that’s awesome, but sometimes people don’t believe me when i say the only thing that matters is that i don’t hate the job and it earns me enough money to live comfortably, maybe own a small house, reasonably priced car, etc. 
08. what’s one place you would love to visit ??
alpha centauri
09. what’s your favorite tv show ??
another one of those things where i can’t pick a favorite. i’ve been enjoying arrow, riverdale, titans, the ranch, sabrina, supergirl, the flash, legacies, and legends of tomorrow lately though. i’m also a big fan of general hospital, the 100, izombie, lucifer, and stranger things.
10. what’s your favorite movie ??
um... tough one but i have always had a soft spot for Joe Dirt, or The New Guy. Also, I really liked Why Him with James Franco, Bryan Cranston, and Zoey Deutch. I mean, not the greatest movies ever but they’re what come to mind when asked, so... lol
11. what’s your favorite song ??
as of the past couple weeks? “cruel cruel world” by willie nelson, or “unshaken” by d’angelo. for weeks before that it was “lucky you” by eminem & joyner lucas. but i really, unironically love “only in america” by riff raff. the video is hilarious and it just puts me in a good mood.
12. what’s your favorite sport ??
is watching tv a sport? haha video games is a sport, right...?
13. what’s your favorite food ??
pizza. or cereal. i have difficulty picking favorites if you couldn’t tell.
14. what’s your favorite face claim to use ??
chris wood or paul wesley, usually. i’ve just used them a lot and gotten used to them. i tried to justify chris wood for john but he’s way too buff to be john and his skinny gifs don’t look nearly enough like john to make any sense.
15. what’s your least favorite face claim ??
andy ballsack biersack. emma roberts. those two bring up bad memories. dylan o’brien. idk why, i like him well enough as an actor. i’m not necessarily opposed to rping with any of them though
16. what’s your favorite canon character to play ??
i played kai parker for a while. that was fun.
17. what’s your sexuality ??
heterosexual. i legitimately cannot remember a time i wasn’t into girls. as a toddler i’d play with barbies to take the clothes off lmfao
18. what’s the last movie you saw in a cinema/theater ??
batman v superman i think. it’s been way too long.
19. what’s the worst injury you’ve ever had ??
i’ve had some bad ones. i broke my wrist/hand in a few different places, which wasn’t too bad. had a sprained/fractured ankle which didn’t heal for like a year. but the worst was when i got assassin’s creed brotherhood as a kid and laid on my stomach across the whole couch, propped up on my elbows for like 7 hours straight. my back was in a u shape the whole time and when i finally moved, that was the moment i realized i fucked up lol
20. what’s a random or interesting fact about you ??
um.... idk i’m boring but maybe that i have lost 120lbs 
21. do you listen to music while you write ??
sometimes. if i find a good playlist (i’m too lazy to make one) that’s not too distracting then sometimes i’ll use it for a while but other times i just like the silence.
22. are you a morning, day, evening, or night writer ??
night. no matter how hard i try my sleep schedule always gets turned upside down eventually to where i get up at like 6 pm and go to sleep at like 10 am, so i usually only write while the skies are dark lol
23. have you ever roleplayed intoxicated ??
nope. i’ve never had a drink or done drugs so that’d be a neat trick. lol
24. what language or languages do you speak ??
only english. i’m probably too dumb to learn another language tbh. though for a while after playing assassin’s creed 2 i’d say random italian sentences and call people “stronzo!”
25. how long have you roleplayed ??
i mean technically i’ve been rping since i was 8 on myspace, but i didn’t move on to legit rp until i was like 11 or 12, then i went to rp.me for a while, then finally got to tumblr around 2012-2013. 
26. favorite roleplay genre ??
i don’t really have one, but i was once in a scifi rp that changed my view on what groups can be, and i think it was my favorite experience ever. everyone was so close and friendly and that made the rp even more fun, so now a good scifi rp brings up those memories for me and makes me enjoy that genre even more.
27. one sound you hate & one you love ??
ok so the sound i hate is nails scratching cotton. not a chalkboard, oddly enough that’s tolerable to me, but nails scratching up against cotton... i have no idea why but it sends chills down my spine lmfao
i love the sound of a crackling fire though. or rain. or rain and a crackling fire. 
28. do you believe in ghosts ??
hell yes i do. pls don’t hurt me ghosts i believe in u
29. do you believe in aliens ??
do i think aliens exist? yes. do i think we’ve been visited by aliens, or that we’re even close enough for them to know we exist? not necessarily. but i do like the ancient alien theory that we were visited by aliens a long time ago and taught stuff. especially when you consider that so many cultures, even those that had no way of being in contact with each other are so similar, have similar thought processes, and progressed at similar rates.
30. do you believe in true love ??
yes & no. i believe that initial attractions can be very powerful in producing a “love at first sight” feeling, but no one is just meant to love another person. i believe you can grow to feel “true love” for anyone assuming the right circumstances.
31. do you hold grudges ??
i’d like to think i don’t but i know i do, at least in the back of my mind. sort of forgive but not forget, but also never 100% forgiving either? idk.
32. do you have any obsessions right now ??
red dead redemption 2. big shock, i know haha. i just can’t get over the ending, the characters, the music, the world, etc. 
33. do you drive & if so, have you ever been in a crash ??
nope & nope
34. do you like the smell of gasoline ??
nooooo it makes me feel sick, honestly.
35. do you prefer writing fluff, angst, or smut ??
all of the above! each has its merits, and writing too much of one thing can get old and make the others feel more appealing. smut gets old the quickest though imo, even though i’ve run a smut rp in the past haha
36. are you in a relationship ??
are you? lmao
37. grab the nearest book to you and turn to page 23, what is the 17the line ??
well it’s a comic/graphic novel so there’s not 17 lines on that page but the second to last line is “and edward nigma... did you know that when the riddler was first transferred to arkham, they had to keep moving him from cell to cell to keep him from being able to formulate an escape?” it’s Batman Volume 10: Epilogue by Snyder & Capullo.
38. put your playlist on shuffle and list the first four songs that pop up:
1. Santeria by Sublime 2. Money Trees by Kendrick Lamar 3. Heart Shaped Box by Nirvana 4. Ladders by Mac Miller
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