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lena-in-a-red-dress · 4 years

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Supercorp Goddess, have mercy of this hungry fandom... May we have another snippet of Lena and the Truth Seeker?

I’m starting to run out of material here, and I’m not sure where I was going with this. But here, enjoy what I have left! It picks up where we left off:

"And that's why you're here, Miss Luthor."

The Colonel opened her file, and began flipping through the pages.

"I've been reading up on your previous involvement with the DEO in the past year, and I've learned that you successfully synthesized kryptonite."

Lena kept her mouth shut.

"I'd like to talk about that."

"There's nothing to talk about. I surrendered all my synthetic material to the DEO in exchange for continued participation in the Worldkiller project. My notes and protocols were surrendered as well."

The Colonel nodded. "Trouble is, our top minds haven't been able to successfully recreate your results."

Only then did Lena smirk. "Well, that's hardly my fault, is it?"

Haley's face hardened minutely, and Lena quickly moved on.

"I don't have any further stores of green Kryptonite. It was either depleted battling Reign or bequeathed to the DEO per the terms of my agreement with Supergirl. You want it, take it up with her."

"You misunderstand me, Miss Luthor. I'm not interested in green kryptonite."

Realization poured over Lena in a flood of electricity. Every nerve stood on end, and her jaw tightened in reflex. But she held Haley's gaze, and refused to speak first.

"Says here the DEO ran into a sample of kryptonite that was black in color. It did cause Supergirl discomfort on contact, but I'm more interested in the effect it had on the young woman who held it in her bare hand.”

Lena regarded the Colonel with an even gaze. Haley smirked. “And before you claim you don’t know anything about this black kryptonite-- don’t bother. I know that you manufactured more so that Supergirl could send it home to her mother.”

“I wasn’t going to deny anything,” Lena returned easily. “The DEO has all my research on the harun’el, just like they do the green kryptonite.”

“How to make it, sure. And our people are doing their best to follow along. But I want to know your research on the… human applications.”

Lena didn’t need more than a look to make her decision.

“I have none.”

“And that’s where I stop believing you, Miss Luthor.”

Lena shrugged. “That’s the thing about science, Colonel. It’s not about what you believe. It’s about fact. And the fact is that I don’t have anything to share with you.”

That made Haley pause. The room fell quiet, and Lena suffered the Colonel’s gaze for as long as it took. When the Colonel pushed back from the table, she was too smug for Lena to feel any kind of victory.

“You’ve worked with the DEO before, Miss Luthor. You’re familiar with our protocols: we appreciate efficiency too much to beat around the bush.”

Lena didn’t bother to respond. The Colonel motioned to the guard standing watch at the door. The man opened the hatch, and a cart came rolling in. On it sat a tank of blue fluid, in which a distinctly alien life form floated.

“Allow me to be perfectly honest with you, Lena-- and please allow my candor to encourage reciprocity. This alien is what we call an interrogative aid. As soon as it makes contact with your skin, you will be compelled to reveal any hidden truths they may seek to hide.”

Lena swallowed. Her started to pound-- she could handle a repartee, but the illegal application of alien organisms was another matter entirely. Though Lena kept her features neutral, Haley seemed to sense her growing alarm.

“It may cause some discomfort, but only if you resist. I recommend you don’t-- I understand such efforts to be... futile.” The Colonel regarded her coolly. “I would rather not have to use it at all.”

Lena met Haley’s gaze with a determined glare of her own.

“Bite me.”

#wip challenge meme #lena vs the truth seeker #part 3

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tuseriesdetv · 3 years

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Guía de series: Estrenos y regresos de marzo 2021

Este mes, por variar un poco, os queremos dar suerte para encontrar alguna serie nueva que merezca la pena. Alguna parece destacar, pero es mejor no hacerse demasiadas ilusiones.

¡Feliz marzo!

Leyenda:

Verde: series nuevas.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

Calendario de series

1 de marzo: Debris (1T) en NBC

2 de marzo:

The Flash (7T) en The CW

New Amsterdam (3T) en NBC

PRU (1T) en BBC Three

3 de marzo: Murder Among the Mormons y Moxie en Netflix

5 de marzo:

Nevenka y Sentinelle en Netflix

Wynonna Earp (4bT y última) en Syfy

Raya and the Last Dragon en Disney+

Coming 2 America en Prime Video

7 de marzo: Good Girls (4T) en NBC

8 de marzo: Bombay Begums (1T completa) en Netflix

9 de marzo: Delilah (1T) en OWN

10 de marzo:

Bloods (1T completa) en Sky One

Caïd (1T completa) y Last Chance U: Basketball en Netflix

11 de marzo: Genera+ion (1T) en HBO Max

12 de marzo:

The One (1T completa), Paradise P.D. (3T completa), Love Alarm (2T completa) y Yes Day en Netflix

Cherry en Apple TV+

15 de marzo: The Lost Pirate Kingdom en Netflix

16 de marzo:

Mayans M.C. (3T) en FX

Waffles + Mochi (1T completa) en Netflix

17 de marzo: Under Suspicion: Uncovering the Wesphael Case y Operation Varsity Blues en Netflix

19 de marzo:

The Falcon and the Winter Soldier (1T) en Disney+

Sky Rojo (1T completa) y Country Comfort (1T completa) en Netflix

21 de marzo:

Genius: Aretha en NatGeo

Line of Duty (6T) en BBC One

22 de marzo: Breeders (2T) en FX

24 de marzo:

¿Quién mató a Sara? (1T completa) en Netflix

Genius: Aretha en NatGeo

25 de marzo:

Sulla Stessa Onda en Netflix

Superstore (series finale) en NBC

The Unicorn (2T finale) en CBS

26 de marzo:

The Mighty Ducks: Game Changers (1T) y Besos al aire (1T) en Disney+

Invincible (1T completa) y La templanza (1T completa) en Prime Video

The Irregulars (1T completa) y A Week Away en Netflix

Solar Opposites (2T completa) en Hulu

Libertad en Movistar+

Into the Dark (2T finale) en Hulu

27 de marzo: Tina en HBO

28 de marzo: City on a Hill (2T) en Showtime

31 de marzo: Godzilla V. Kong en HBO Max

Estrenos de series

Debris (NBC)

Un agente de la CIA (Jonathan Tucker; Kingdom, Westworld) y una agente del MI6 (Riann Steele; The Magicians, In the Flesh), de continentes distintos y mentalidades distintas, deberán trabajar juntos e investigar a contrarreloj los restos de una nave espacial alienígena destruida que tienen efectos misteriosos en las personas que los encuentran. Con Scroobius Pip (Taboo, The Letter for the King), Norbert Leo Butz (Bloodline, Fosse/Verdon), Gabrielle Ryan (Bonding, The Haves and the Have Nots) y Sebastian Roché (The Originals, Fringe).

Escrita y producida por J.H. Wyman (Fringe, Almost Human).

Estreno: 1 de marzo

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PRU (BBC Three)

Comedia centrada en cuatro adolescentes muy distintos que estudian en una Pupil Referral Unit, una escuela para alumnos en exclusión e intentan pasar el décimo curso entre caos, violencia, travesuras y faltas de asistencia. Protagonizada por Pia Somersby (Excluded), Jaye Ersavas, Michael Boahen, Kosar Ali (Rocks), Kerry Godliman (After Life, Adult Material), Tom Moutchi (Famalam) y Umit Ulgen (Doctor Strange).

Escrita por Alex Tenenbaum y Nathaniel Stevens y dirigida y producida por Teddy Nygh. Cuatro episodios.

Estreno: 2 de marzo

Bombay Begums (Netflix)

Cinco mujeres ambiciosas de la India dirigen sus destinos a través de los obstáculos que surgen tanto en sus vidas profesionales como en las personales mientras intentan liberarse de los grilletes de la sociedad. Protagonizada por Pooja Bhatt (Zakhm), Shahana Goswami (A Suitable Boy), Amruta Subhash (Sacred Games, Selection Day), Plabita Borthakur (Breathe: Into the Shadows) y Aadhya Anand (Utter 2016: One Hour To Daylight).

Creada y dirigida por Alankrita Shrivastava (Made in Heaven, Lipstick Under My Burkha). Seis episodios.

Estreno: 8 de marzo

Estreno en España: 8 de marzo en Netflix España

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Delilah (OWN)

Una abogada con principios y testaruda de Carolina del Norte (Maahra Hill) hace todo lo posible para criar sola a sus dos hijos, Maia (Kelly Jacobs) y Marcus (Braelyn Rankins), y también a su sobrino Dion (Khalil Johnson) y mantener fuertes los lazos con su familia, sus amigos y su fe mientras busca sin cesar justicia para los que más la necesitan cuando los ricos y poderosos harán cualquier cosa para detenerla. Con Jill Marie Jones (Girlfriends, Ash vs. Evil Dead), Susan Heyward (Orange Is the New Black, Powers), Ozioma Akagha (Runaways), LaMonica Garrett (Designated Survivor, Arrow), Lyriq Bent (She's Gotta Have It, Rookie Blue), Michel Curiel (Sistas), Nigel Gibbs (The Shield, Breaking Bad), Candace B. Harris (The Single Life), Joe Holt (The Walking Dead: World Beyond, Scandal), Saycon Sengbloh (Scandal, In the Dark), Amanda Tavarez (Cake), Joseph Callender, Leonard Harmon y Gray Hawks.

Drama creado y producido por Craig Wright (Greenleaf) y dirigido por Charles Randolph-Wright (Greenleaf) y Cheryl Dunye (Queen Sugar, David Makes Man). Produce Oprah Winfrey (Greenleaf, Queen Sugar).

Estreno: 9 de marzo

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Bloods (Sky One)

Comedia sobre dos paramédicos del servicio de ambulancias del sur de Londres que tendrán que lidiar con las llamadas y los momentos incómodos pero también con su propio compañero. Protagonizada por Samson Kayo (Timewasters, Truth Seekers) y Jane Harrocks (Absolutely Fabulous) junto a Julian Barratt (Truth Seekers, Flowers), Adrian Scarborough (Miranda, Gavin & Stacey), Aasiya Shah (Raised by Wolves, Unforgotten), Sam Campbell, Lucy Punch (A Series of Unfortunate Events, Motherland) y Kevin Garry (Famalam).

Creada por Kayo (Famalam, Sliced). Seis episodios.

Estreno: 10 de marzo

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Caïd (Netflix)

Un director de videoclips intenta grabar a Tony (Abdramane Diakite), el carismático e impredecible líder de una banda de narcotráfico que quiere triunfar en el mundo del rap. Este trabajo revela la cara oculta del tráfico de drogas y una sangrienta guerra entre bandas. Con Jean-Toussaint Bernard (The Tunnel, Missions), Mohamed Boudouth, Sébastien Houbani, Idir Azougli, Julien Meurice, Abdillah Assoumani y Romain Vissol.

Escrita por Nicolas Peufaillit (Les Revenants) y dirigida por Nicolas Lopez y Ange Basterga. Diez episodios de diez minutos de duración.

Estreno: 10 de marzo

Estreno en España: 10 de marzo en Netflix España

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Genera+ion (HBO Max)

Dramedia sobre un grupo de estudiantes de instituto cuya exploración de la sexualidad moderna pone a prueba creencias profundamente arraigadas sobre la vida, el amor y la familia en una comunidad conservadora. Protagonizada por Chloe East (Liv and Maddie, Kevin (Probably) Saves the World), Lukita Maxwell (Speechless), Nathan Stewart-Jarrett (Misfits, Utopia), Justice Smith (The Get Down, Pokémon: Detective Pikachu), Martha Plimpton (Raising Hope, The Real O'Neals), Alicia Coppola (Why Women Kill, Shameless), Nathanya Alexander (Nobodies, Ocean's 8), Uly Schlesinger (Divorce), Haley Sanchez, Nava Mau, Chase Sui Wonders (Betty), Mary Birdsong (Succession), Patricia De Leon (Mayans MC), Anthony Keyvan (Alexa & Katie), Diego Josef (Goliath), J. August Richards (Council of Dads), John Ross Bowie (Speechless), Marisela Zumbado (The Affair), Sydney Mae Diaz (High Fidelity) y Connor Chavez (Ballers).

Creada por Zelda Barnz, de 18 años, y su padre Daniel Barnz (Won't Back Down, Cake), que también dirige. Producida por Lena Dunham (Girls).

Estreno: 11 de marzo

Estreno en España: 11 de marzo en HBO España

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The One (Netflix)

Thriller psicológico en el que un test de ADN basta para encontrar a tu pareja ideal, la única persona de la que estás genéticamente predispuesto a enamorarte apasionadamente, sin tener en cuenta la sexualidad, la raza, la edad o la ubicación. MatchDNA, la empresa fundada por la ambiciosa e impulsiva CEO Rebecca (Hannah Ware; Boss, The First) y su mejor amigo James (Dimitri Leonidas, Riviera), que dejó su trabajo en el mejor momento de la compañía, llama la atención de Kate (Zoë Tapper; Liar, Nightflyers), una escéptica inspectora de la Policía Metropolitana. Completan el reparto Amir El-Masry (Industry, Jack Ryan), Stephen Campbell Moore (The Wrong Mans, War of the Worlds), Wilf Scolding (Game of Thrones), Diarmaid Murtagh (Vikings, Devils), Lois Chimimba (Trust Me, A Discovery of Witches), Eric Kofi-Abrefa (Humans, Harlots), Pallavi Sharda (Beecham House, Les Norton) y Gregg Chillin (A Discovery of Witches, Da Vinci's Demons).

Adaptación de la novela de John Marrs (2017). Creada, escrita y producida por Howard Overman (Misfits, Future Man). Ocho episodios.

Estreno: 12 de marzo

Estreno en España: 12 de marzo en Netflix España

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The Falcon and the Winter Soldier (Disney+)

Nuevo capítulo del universo Marvel en el que Falcon (Anthony Mackie; Altered Carbon, Detroit) y el Soldado de Invierno (Sebastian Stan; Once Upon a Time, Political Animals) protagonizan su propia serie con una aventura global que pone a prueba sus habilidades y su paciencia. Completan el reparto Emily VanCamp (Revenge, Brothers & Sisters), Daniel Brühl (Good Bye Lenin!, The Alienist), Wyatt Russell (Lodge 49, The Good Lord Bird), Desmond Chiam (Now Apocalypse, The Shannara Chronicles), Miki Ishikawa (The Terror, Hit), Noah Mills (The Enemy Within, The Brave), Carl Lumbly (Alias, Supergirl) y Danny Ramirez (On My Block, Assassination Nation).

Escrita por Malcolm Spellman (Empire, Truth Be Told), Josef Sawyer (SEAL Team), Michael Kastelein (Truth Be Told) y Derek Kolstad (John Wick, Die Hart) y dirigida por Kari Skogland (The Handmaid's Tale, The Loudest Voice). Seis episodios.

Estreno: 19 de marzo

Estreno: 19 de marzo en Disney+ España

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Country Comfort (Netflix)

Comedia multicámara en la que Bailey (Katharine McPhee; Smash, Scorpion), una joven sureña aspirante a cantante de country, pierde el control de su vida personal y toma un trabajo de niñera de los cinco hijos de un tosco vaquero (Eddie Cibrian; Take Two, CSI: Miami). Con Ricardo Hurtado (School of Rock, Malibu Rescue), Jamie Martin Mann, Pyper Braun, Shiloh Verrico (Lingua Franca, Crown Vic), Griffin McIntyre (Return of the Mac), Eric Balfour (Haven, Six Feet Under) y Janet Varney (You're the Worst, Stan Against Evil).

Creada por Caryn Lucas (The Nanny, Miss Congeniality) y dirigida por Kelly Park (Punky Brewster, Alexa & Katie). Diez episodios.

Estreno: 19 de marzo

Estreno en España: 19 de marzo en Netflix España

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Genius: Aretha (NatGeo)

La tercera temporada de Genius contará la vida de Aretha Franklin (Cynthia Erivo; Harriet, Bad Times at the El Royale). Conocida activista por los derechos civiles y un prodigio del gospel que aprendió por su cuenta a tocar el piano sin saber leer partituras, es una de los artistas con más discos venidos (más de 75 millones durante toda su carrera) y es considerada la reina del soul y la mejor cantante de los últimos 50 años. Completan el reparto Courtney B. Vance (American Crime Story, FlashForward), Malcolm Barrett (Timeless, Preacher), Patrice Covington, Rebecca Naomi Jones (Sex&Drugs&Rock&Roll), Kimberly Hébert Gregory (Vice Principals, Devious Maids), David Cross (Arrested Development, Unbreakable Kimmy Schmidt), Marque Richardson (Dear White People, True Blood), Pauletta Washington (She's Gotta Have It), Steven Norfleet (Watchmen, Good Girls), Omar J. Dorsey (Queen Sugar, When They See Us), Shaian Jordan, Antonique Smith (Luke Cage, Shots Fired), Tina Fears y T.I (Ant-Man, Boss).

Creada por Suzan-Lori Parks (The United States vs. Billie Holiday). Ocho episodios.

Estreno: 21 de marzo

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¿Quién mató a Sara? (Netflix)

Alejandro Guzmán (Manolo Cardona; Narcos, Covert Affairs) ha pasado dieciocho años en prisión porque fue acusado injustamente del asesinato de su hermana. Ahora que ha salido, quiere investigar el pasado, demostrar su inocencia, destapar todos los secretos de su familia, descubrir al culpable y vengarse. Con Ginés García Millán (Motivos personales, Periodistas), Carolina Miranda (Señora Acero), Claudia Ramírez (Lo imperdonable, Sin tu mirada), Eugenio Siller (¿Quién es quién?, Reina de corazones), Alejandro Nones (Cuna de lobos, La piloto), Ximena Lamadrid (On the Rocks), Leo Deluglio (Patito feo, La Doña), Andrés Baida (Control Z, Los elegidos), Ana Lucía Domínguez (Señora Acero, Las bandidas), Polo Morín (Gossip Girl: Acapulco, La reina soy yo), Luis Roberto Guzmán (Ingobernable, La mexicana y el güero), Fátima Molina (La Doña, Diablero) y Ela Velden (Gossip Girl: Acapulco, Diablero).

Escrita por José Ignacio Valenzuela (La familia de al lado, La hija pródiga) y dirigida por Bernardo de la Rosa (Control Z) y David Ruiz (La negociadora, La piloto).

Estreno: 24 de marzo

Estreno en España: 24 de marzo en Netflix España

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The Mighty Ducks: Game Changers (Disney+)

Continuación de la trilogía cinematográfica en la que volveremos a ver a Gordon Bombay (Emilio Estévez), un antiguo abogado defensor a quien obligaron a entrenar a un equipo de hockey en una condena de servicios a la comunidad. Esta vez, Alex (Lauren Graham; Gilmore Girls, Parenthood) ayuda a su hijo Evan (Brady Noon; Boardwalk Empire, Good Boys) a crear su propio equipo de hockey después de que le echaran de los Mighty Ducks. Les acompañarán Swayam Bhatia (Succession), Taegen Burns (The Right Stuff), Julee Cerda (Blindspot, Homeland), Bella Higginbotham (Troop Zero), Luke Islam, Kiefer O'Reilly (Home Before Dark, Legends of Tomorrow), Maxwell Simkins (The Sleepover, Bizaardvark), De'Jon Watts (The House with a Clock in Its Walls) y Dylan Playfair (Letterkenny, Some Assembly Required).

Creada por Steven Brill (The Mighty Ducks, Little Nicky), escrita por Josh Goldsmith (The King of Queens, What Women Want) y Cathy Yuspa (The King of Queens, What Women Want) y producida por Jordan Kerner (The Mighty Ducks, George of the Jungle). Diez episodios.

Estreno: 26 de marzo

Estreno: 26 de marzo en Disney+ España

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The Irregulars (Netflix)

Una banda de problemáticos adolescentes callejeros que resuelven los casos que luego se atribuye Sherlock Holmes (Henry Lloyd Hughes; Killing Eve, The Inbetweeners), un delincuente drogadicto, descubren una horripilante oscuridad que deberán derrotar. Protagonizada por Thaddea Graham (The Letter for the King, Curfew), Darci Shaw (The Bay, Judy), Jojo Macari (Harlots, Sex Education), McKell David (Snatch, Him), Sheila Atim (Harlots, The Feed), Mark Hugh-Williams, Harrison Osterfield, Clarke Peters (The Wire, Treme), Royce Pierreson (Line of Duty, The Witcher), Grant Crookes (Gentleman Jack, The Bay) y Ansu Kabia (World on Fire).

Escrita por Tom Bidwell (My Mad Fat Diary, Watership Down). Ocho episodios.

Estreno: 26 de marzo

Estreno en España: 26 de marzo en España

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#series tv #television

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lena-in-a-red-dress · 4 years

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Very curious about royal AU (DARK????) and Lena vs the truth seeker!

The royal AU is currently just an outline, so I’m going to give a snippet of Lena vs the Truth Seeker first. It’s something that was really rich and vibrant in my head for a hot minute, but then cooled off as soon as my attention jumped to something else. Here’s the first bit:

When a cadre of NCPD squad cars came squealing into the parking garage as she and Kara walked back to the car, Lena knew something was off. She has ears to the ground, and not one of them hinted at an active warrant. The uniforms of the officers who emerged with guns drawn confirmed it. The discrepancies were small, but Lena marked every one. She'd frozen for just a heartbeat before she felt Kara crowding against her in alarm. "Lena..." "It's fine," Lena told her. Kara grabbed her wrist, and met Lena's eyes with a fearful gaze. "Just stay quiet and do whatever they say-- don't interfere." She didn't know exactly who they were dealing with, but it wasn't NCPD. She led by example, stepping away from Kara on command. Lena followed their instructions to the letter: divesting her purse then taking five steps back before kneeling on the rough concrete and placing her hands behind her head. The officer who cuffed her wasn't as gentle as Detective Sawyer. The metal pinched her skin, and the hands that hauled her back to her feet wrenched her arms painfully, but she didn't say a word for fear it would spur Kara to action. Her heart began thudding in her chest the moment the car door slammed shut, sealing her inside. Danger screamed at her, but she couldn't do much about it with her hands locked behind her back and a metal grate between her and the driver. Her only hope was Kara Danvers, and the trust that she would contact Supergirl to tell her what happened, when Kara made her way to the precinct only to find she wasn't there. That hope dwindled to nothing when the car pulled into the DEO parking garage. Shit.

#wip challenge meme #lena vs the truth seeker #supercorp

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lena-in-a-red-dress · 4 years

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Lena vs the Truth Seeker? Sounds interesting. Please, Tell me more...

Lena vs the Truth Seeker is one of the ones where-- even though I have no idea where I intended to take it-- I actually have a good chunk of the beginning written. So here, have another little piece, picking up where the last one left off:

They drove down to the bottom level of the garage, and then through what seemed to be a solid wall to continue driving further down, down, down, each twist of the car's path further sealing the hopelessness of Lena's fate. They didn't bother with any form of processing. They marched her through unremarkable gray corridors and into an interrogation room. Before forcing her into a chair, they moved her manacled wrists to the front, and used a second pair of cuffs to tether her to the table. Then they left, and Lena was forced to wait. She waited, and waited and waited. A million indignations bubbled up in her mind, primed and ready for the next person to step through the door. For Alex, who she first expected to march in on some order from Supergirl, then as the hours passed, Lena hoped would come riding in to release her. When the door remained shut and out of reach, those scathing soliloquys evaporated. Hours ticked by with agonizing slowness, marked only by her deepening hunger and the increasing discomfort of her restraint. When the door finally opened, it wasn't Alex or Supergirl who entered. Instead it was a tall woman with strong features and an intense gaze. That gaze turned on Lena the moment she sat down on the far side of the table. Silence stretched between them for tenuous moments, until Lena decided she wasn't in the mood. "I'm not speaking to you without my lawyer." "Why?" The woman returned smoothly. "You're not under arrest." Lena didn't respond. "You're not even in custody. In fact, no one knows you're here." "And before you assume that you have 48 hours before we charge you, I feel obliged to remind you that the Patriot Act allows us to hold you indefinitely. In fact, we have no intention of charging you at all." The Patriot Act applied to threats of the nation. The prospect chilled Lena's blood, but she maintained her composure. The DEO may have the Patriot Act, but she had her name, and as such her absence wouldn't go unnoticed. They wouldn't risk holding her indefinitely or infringing too far on her personal liberty without running the risk of exposure. "And what exactly is Supergirl saying I did now?" A hungry light sparked in the Colonel's eyes. "The DEO has terminated its relationship with Supergirl."

Oh. That... wasn't good. Abruptly, Lena wondered how Director Danvers took that news. On its heels came a new chill of apprehension. She and Supergirl didn't agree on a lot of things, but at least Lena could trust that Supergirl had a line she would not cross-- somewhere between asking James to spy on her and unlawful imprisonment, there was a line where her moral code kicked in. Nothing about Colonel Haley suggested she had a similar line.

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