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#like this one youtuber rn. very hot but part of the charm is probably that he's on the other side of the world
lepakonpaska · 5 months
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caution, gay joy and rambling in the tags ⚠️
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hand-painted-5tars · 5 years
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What is your typical order at your favorite fast-food restaurant? What are your top 5 favorite songs right now? What was/is your favorite subject at school? Do you have a favorite author or illustrator? 💜
OHHHH WOW hello! 
hmmmm, tbh i go with my family and i havent gone alone.... hehe but i prefer fried chicken and barbecue burgers bcs im not a fan of burgers... and i remove the lettuce bcs i dont like the lettuce... i often order coke if there isnt nestea. tbh i always have a weird time in fast food places bcs im not a fan of burgers, i prefer fried chicken or pizza, oh hot dogs are nice too!!
my top five RN....
oh my god a hard one... i will do the list of my top 5 listened songs RN.
Spring Day BTS
Get Cool Stray Kidz
Electric heart exo
What is love exo
We Young Chanyeol & Sehun
hm tbh rather than listening to this ones
I just type in youtube Exo soft playlist and play anything that comes up, i love soft music and ballads.
But a small thing, I make the coffee in the morning for breakfast and i always play exo´s The First Snow in the mornings, it makes my mornings nice.
Oh, i was a nerd at school, i love science and geography, Specially chemistry, i seriously loved chemistry, i loved the part of geography that focused entirely on earth and space rather than mapping. i love geology in all sides, tectonic plates, volcanoes, earth and minerals, as well as space and astronomy! 
But in my second year of high school we had to choose electives and i was supposed to be an engineer so i choose all maths and physics subjects and it got pretty ugly save for the geometric drawing classes. but i got into a design  elective and i loved it too! and thats how i got here
Regarding college, i loved basic 3D, character design, Audiovisual Narrative, Typography and visual Narrative (thats basically storyboarding)!
Hmmmm not really, i often just gather many many things, but so far i dont have a favourite one... Shinkai´s movies are wonderful taking into acc not only ilustration but story, characters, narrative, colors and music.
And authors im giving out the names of the authors of the best i´ve read in my last two years
@syncxpatewriting theres a sweet and wonderufl feeling here, just very warm and i just think they are probably one of my favourite, since I read a Hanahaki saga, i couldn´t stop reading. my favourite is reality check, ive read it like 3 times
bmot - just wonderful and amazing worldbuilding, without knowing a single thing of dragon age i was fully introduced into the world so naturally.
@jinkisbelly i arrived for very soft jongyus, and i remmeber crying over a very sad onkey just a few hours later, since then ive loved their way or writing!! its just so beautiful, i love the fantasy settings a lot here and the flexibility in writing amazing au settled in our world, i re read a very cute ghosty!jinki jongyu like 2 days ago and it made me so happy!!!
theres another author i love whom removed their works but i really loved them, it wrote a very very pretty minkey where kibum was an android, it was amazing
@keyspetite their way of writing jjong is so so so accurate so casual yet so comfortable to real, they write jjong in a very beautiful way, and the whole setting and ambience of the stories are just amazing, light in a way you want to read them again and again
@unnie-bee uhhh been eons since this was written but i still cannot get over phoenix and exodus, this are one of the best fics ive read,this fic basically pulled me into exo, more like dragged me. the whole ecomplexity of getting those 12 stories to blend so wonderfully has me awake at nights lol
u know what i will just post names of my favourite fic authors. you know, theres an option in AO3 to download fics as epubs, i often go into ao3, download many and keep my favourites, so im getting all of them from my fics saved on my ipad.
astroblemish the writer of a fic called cor mechanica. just Amaazing so creative, a fantasy sci-fi where there metal dragons conquered the world ;;
incroyableirreel the writer of a fic called cirtuit breaker, a heartwrecking androidxhuman AU where damn!!! made me cry at night.
NovemberMagpie writer of a Tied and Tangled. ok here the writing of an 18 y/o boy is so so so accurate and so charming, he thinks and behaves just like a boy of that age and its just wonderful.
ink-and-stars. the bane of my heart with So silver bright, and my daily cry Codename M.O.N.S.T.E.R. a hanahaki and dystopian sci-fi au respectively
koizoras author of Hard Bright Light Mechanical- i read this one just like 2 days ago and dang i loved this so so much. dystopian sci-fi 
And those are by now my favourite Authors, whose art isn´t print on paper by an editorial but whose art is still breathtaking and keeping us up at night and wrecking our hearts, making words come to life and turning pixels into whole worlds.
Probably noticed im into sci-fi and fantasy uhuhuh im starting to read a new one that sounds just wonderful like gold tonight!! im excited
and maybe i need to make a whole list of Ilustrators too huh
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boglog · 6 years
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Wholesome Questionare Tag Meme
Tagged by @80sglamcowboy Rules are: -Post the rules -Answer the questions given to you by the tagger -Write eleven questions of your own -Tag eleven people
This is long as Hell, friends and I apologise.
One inquisitive bitch has asked me:
1. Name one person (real or fictional) that you think you could 100% take on in a fight
Foaming mouth guy from Avatar. He’s got no stamina, barely any health, no skill. He’s unfocused and weak and my noodley nerd-ass could take him. (Though I am a little concerned he has rabies.)
2. What’s your favourite snack rn
Grilled cheese w veggies, mustard, and grilled tofu w a side of ketchup made by my roommate. It’s honestly the purest thing.
3. Which apocalypse do you think you’d do the best in? (i.e. Nuclear winter/ robot uprising/ Too many vampires, etc)
O man. I love apocalypse movies and I love survival horror (that one episode of the X Files where they’re trapped in a cabin, anybody?). I also genuinely love camping and I’m a bit of a medical hobbyist. I also watched an unreasonable amount of prepper videos on YouTube. That said, as mentioned above, I am a couch potato weekling. Furthermore, I don’t do well in conflict so if the world hierarchy collapses into a power vacuum where you have to Orange is the New Black-style intimidate ppl for supplies, I would melt and die quickly.
My best bet, it would seem, is an Arrival-esque alien apocalypse where the ones who have enough patience and sci fi knowledge to communicate w aliens are at the top of the food chain. And worst case scenario it’s better for my ego to die at the hands of an alien than a human.
Sci go apocalypses are just cleaner y'know ¯\_(ツ)_/¯

4. Best and worst fandom you’ve been in? Or have you somehow managed to avoid fandom completely?
Worst has to be Steven Universe. I regret not just moving on after I got bored. Ah well.
(I also think celebrity/real ppl fandoms are a dead end.)
My other fandoms all have various pros and cons and it’s hard to pick a favourite.
Adventure Time has great fanart, great meta and ppl have yet to descend into Homestuck-ian chaos. That said, they’re quiet af. People also fixate way too much on the fake fanfic AU Fionna and Cake. I have yet to read a really good Bonny/Marcy fic and that is a tragedy (a few have come close tho). Bottom line for AT tho is that it’s my go to wholesome cartoonist fandom. I like that it has depth but that it’s generally very simple and fun and that the fans are mostly shut in animation adults.
AtLA/LoK fandom’s biggest pro is that it’s huge and you literally never ran out of quality content. I’ve even made a few friends via this decade old franchise. It’s also enjoyably rich and complex. One of my favourite (now inactive) blogs was one that connected world building and little background Easter eggs to real Chinese history and culture. That wAs so cool!! I defs think as a Chinese person it allowed me to connect to non-western culture in a socially acceptable way.
The downsides tho are many: it can be overwhelmingly complicated (esp as someone who knows jack shit abt Chinese history), people take it too seriously, The Great Shipping Wars, it’s so big it’s a little lonely, the show itself has so many flaws upon greater inspection you wonder why you wasted your time on anything related to it, it’s an Asian themed story created by white dudes who make fun of their fans, the best parts of the show were written by other writers but those same white guys get k the credit. Also as w any fandom related to POC culture, racism happens. Anyways most of you know this already. IMO the best thing to have happened do the fandom is korrasami. Now it’s just abt Asian lesbians ruling the world.
(Though I also thoroughly enjoy the Family Rivalry part of the fandom. There are so mNy dysfunctional families to choose from!)
Rick and Morty is technically speaking my newest fandom. It’s got a lot of obvious cons (pickle Rick sexists, Szechuan sauce racists, asfhkkh incest) but one other con is just how pedantic and overly analytical people are abt the world building. I can’t breathe wo being corrected. RM has a misleadingly complicated high sci fi aesthetic that begets the kind of overanalysing my brand of overanalytical nerdiness can’t handle. Too many alternate universes. It’s just too complicated.
However one thing I like is that conversely I can overanalyse the writing and characters’ psychology/relationships (which I LOVE) and ppl take me very seriously. (At least they used to.) it’s kinda validating to have your 3k word essay on an old man’s bedroom and what that signifies for his depression get over 1k notes.
Rm also attracts the fun, super talented animation crowd so there’s boundless fanart and memes. I never knew I would like a gravity falls crossover retirement home AU btwn Rick and Stan so much but the art is objectively gorgeous?? So ??
I really dislike the lack of attention the female characters get from fandom bc they’re all really great? Female rep is limited but both canon and fic really do their 2-3 tokens justice. Also the jerry hatred is getting old (that male aggression… Like… Calm down, Jake) but it’s a refreshing departure drom when Megg from family guy was the butt of the joke.
Harry Potter, one of the pillars of nerd society, has both changed my life and irreconcilably annoyed me to death. (W no thanks to the racist creator herself!) One can’t underestimate how huge the hp fandom is which offers you as many reasons to love it as reasons not to. Harry Potter’s canon has complex world building that’s also charming enough not to take itself too seriously and much the same could b said of fanon. To a degree. Certain corners of the fanbase are fantastic shitposters and meme-ers and can draw you back in like a black hole. Casually enjoying Harry potter imo is where it’s at. The fanfic is probably one of the most impressively vast. Strangers at Drakesaugh, believe it or not, still updates and not only that, I still read it.
Not casually enjoying Harry potter is, um, yikes? HP and Hunger Games love to insert themselves appropriately in real life political traumas and honestly the dedication of the fandom can be overwhelming.
The HP fanart corner of deviantart circa 2010-12 and @flocc HP comics however are the best.
Meet the Robinsons, Ye Olde Fandom, still stands to this day. (Thanks in part to me ngl) As Iroh might say, they are a proud people. MTR is so bizarre and tiny it’s the only fandom I was able to read EVERY fic summary in existence (ones published on obscure sites excepted). The fandom has never ceased to surprise me for better or worse and mostly due to its age range. The original movie was intended for 8-12 yr olds and their (jaded) parents which means that now, ten years later, the fans are anywhere between 12 and 25. It has approximately 20 pieces of professional-grade fanart and fic and I am downright serious abt the quality and thoughtful complexity of this minority of fanart. Like I shit you not some of it’s almost too dark. However, tragically, one can’t talk abt obscure Disney fandoms wo also mentioning the incest ships (this is what happens when middleschoolers have to resort to cartoons to explore their sexuality in an anti sex ed world), the disorganised crossovers, and the blinding lack of imagination. Nonetheless, that a fandom of any kind could sprout from a 90 min cgi movie before the recession, based off an obscure but objectively fascinating children’s book, is still impressive. The fandoms smallness can in many wars work to everybody’s benefit: it’s a tightly knit community w little to no drama. And lots of memes (that I mostly make) to enjoy sincerely or ironically.
I’m also going to mention, very briefly, the Twin Peaks fandom, most of whom, even the die hards, are v casual when it comes to fan content (I need more fic damnit). Nonetheless it’s a decidedly cool art kid crowd for an art house show and I really enjoy befriending twin peaks watchers.
5. What’s one hot food that you prefer cold? (or, alternatively, one cold food you like hot)
Is it snobby to say I like food to be the temperature God intended?
Like I like cold pizza and salad-y pasta but I wouldn’t mind if everything were room temperature as long as the food itself was well made.
6. ya like jazz? What music do you enjoy listening to? Can you recommend any songs/ artists from that genre?
I think in some contexts I can like jazz. It’s very cosy and nostalgic, it can make you feel like a grand dame stepping out of your limo into your martini filled mansion as records pop around you and your fur carpeted living room. I also occasionally like jazz covers and alternate genres of jazz like electro swing etc.
Generally though I also think jazz is a little antiquated and a little all over the place. I lean more towards the ambiguous minimalism of mellow techno music like Jonna Lee, Grimes, Björk, early Lorde, Yasmine Hamdan, Austra, TRST, etc
I mean I don’t stick to just one genre (I imagine most ppl don’t). I like alternative (Tori Amos, Regina Spektor, Joanna Newsom) and some musicians who seem to completely exist outside of genre like iMonster and the Gorillaz. Not to mention straight up pop like broods, Ellie goulding, lady gaga and Lana del rey. (I mean technically Ldr isn’t pop but u get the ideer)
7. What binge worthy show do you like?
So many man. There are so many out there! Twin peaks, Transparent, Love, Grace and Frankie, Adventure Time, House of Cards, Bojack Horseman, Rick and Morty, Mad Men, Girls, Broad City, Black Mirror, Avatar TLA, 6Teen, Chowder, Over the Garden Wall, Flapjack, the first season of Downton Abbey, Game of Thrones, etc
The list goes on. I’m a TV fiend.
8. What’s an old meme that you miss and wish would be brought back?
Always liked the Gothic [x town or whatever] meme. It was like a text post version of the cursed images meme. Currently I’m really enjoying the song from another room meme and I hope even after it gets old it’ll make a comeback.
9. Tell me your aesthetic


O man. That’s a can of worms! Okay. Deep breath.
I like futurism, of all kinds. I like strong lines and clear shapes. I like colour blocking and minimalism and glass and holographic LED neons. I like white Japanese urban tiled buildings. I like aliens and ruins and cubes and white and colour blocking and black. I like technology and aliens and Comme des Garçons and Issey Miyake. Rooms that are empty but for one light and one window and one plant. Love that.
I like the midcentury cubism and Mod and 30’s futurism. Clear and strong industrial shapes and curves and post modernist abstractionism.
I also love nature, I love most every Björk and Iamamiwhoami music video. I love the mountains and the forests and the desert and the winter tundra and most of all I love the water. A vast expanse of sky and sea w so many colours and textures. I love the 2000s and funny blob shapes and y2k’s obsession w secondary colours and shiny round things. Love pink. I am a grown adult who will never tire of pink. (Though I don’t really like when people overdo pink.) I love cursed image family photos taken with flash in a suburb. I love the grime and the sanitary aesthetic of suburbs and hospitals and brutalist office spaces. The fluorescent lights of the institution but with purple carpeting!
I love 70s mod and I love colorful 80s brutalism I like it when houses are shaped weirdly and they have carpets and polished curved wooden countertops and spacious nothingness where everything looks clean and cosy and bizarrely ugly and it all looks like an art gallery w too many plants.
I also really love maximalism and wood and detail and fur and velvet and embroidery and silk and windows and wood carvings.
I love 70s kitsch like John waters movies and Shrimps designer fake fur CDG17 where they just piled on knickknack after knickknack onto white dresses w food long trains. Toys and novelty items and lamps shaped like a woman’s leg in a fishnet stocking. (See also: most Tim burton movies, wes Anderson, Carrie fishers house)
An overwhelming mishmash of wool patterns with clean cubic 70s architecture and so many plants and windows and wallpaper and candles and cobwebs. Also really like witchy mourning jewelry and essentially every house in Harry potter. Love the unfortunately racist boho/hippie aesthetic. Any house designed by bill kirsch is a masterpiece. Woven baskets on the ceiling piles of hats and art supplies everywhere. Stuff!! Everywhere! Hidden passageways reading nooks fireplaces the Pink Palace from Coraline!
Everything!!!
I’m a cartoonist who’s a nerd for design so I like when concepts are taken to the extreme in a humourously charming and clear-minded way. Whatever aesthetic someone chooses, they should go all out and really dedicate themselves to the highest form of that aesthetic. It has to be perfect without being sanitary of fake. It has to be alive yet beautiful, frozen in one perfect moment.
10. Favourite time of day and why?
Dusk. I think it’s a nostalgia thing. I loved the hours before bed time as well the hours before dinner when it was getting dark and the sun was reflecting freaky colours along the horizon while I ran around the grass. It’s cozy but it’s spacious and adventurous. So many things can happen at dusk!


11. You have the choice to live in any fictional universe - which one do you pick and why?
Harry Potter!!! You get the best of both worlds: magical, over-romanticised Victorian/medievalism, wish-fulfillment surrealism and wifi. It’s great. Likelihood of dying is so low, medicine is so advanced and even then ppls n°1 choice of lethal weapon (Avada Kedavra) is painless. Me and Luna could hang in her garden. I’d never have to pay for the subway again. I could live a nomadic life in a tent w infinite space. If you chose to live as a wizard amongst Muggles you’re basically god and you can cheat capitalism. Gravity is my bitch! And I’m not gna lie my dream house has always been a combination of The Burrow, the Lovegood house, and Shell Cottage.
My turn to pick your brain:
1 Favourite texture?
2 Favourite smell?
3 Favourite children’s book/children’s TV show? (I’m talking about the bizarre abstract ones for toddlers)
4 Best and worst prank you’ve ever pulled?
5 Weirdest beginning of a friendship?
6 When you’ve been in fandom for a while you start to notice you’ve a habit of staying in the same corners. What corner are you in? Are you part of the fluffy ship corner? The intense world building spec meta corner? The shitpost comic fanart corner? Etc
7 If you could invent a class that would be obligatory for all high schools across your country what would it be?
8 What’s the weirdest thing you’ve gotten at Halloween while trick or treating?
9 Weirdest family tradition of yours?
10 Describe your significant other (or your crush, or your dream partner or if you’re aromantic your fave person) through only TV references.
11 Favourite piece of dialogue in a movie?
I don’t know 11 ppl but nonetheless tagging: @that-guy-in-the-bowler-hat @skairheart @nochangenohope @eventheslightestrayofsunshine@autistic-jaredkleinman@phoenixkluke
…and YOU (if you were not mentioned above and so choose to accept this mission)
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'I completely lost it': the movie scenes that made our writers weep
New Post has been published on https://writingguideto.com/must-see/i-completely-lost-it-the-movie-scenes-that-made-our-writers-weep-2/
'I completely lost it': the movie scenes that made our writers weep
From Toy Story 2 to Under the Skin, writers pick the cinematic moments that made them cry and explain why. Spoilers ahead
Aunt Lucys trip, Paddington 2
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On the face of it, Paddington is a fairly broad kids film franchise about the hijinks of a CGI bear, and so probably shouldnt make a grown human cry hot, salty tears. But that description ignores the fact that Paddington is a really, really well-made kids film franchise about the hijinks of a CGI bear, one that completely gets the pathos of its central character, a little lost immigrant searching for something resembling a family. Both films ably tug at the heartstrings, but the second film got me sniffling as early as 15 minutes in when Paddington imagines giving his only living relative, Aunt Lucy, a tour around London, something that in reality is impossible as shes stuck thousands of miles away in darkest Peru. When at the end of the film spoiler alert Aunt Lucy arrives on the Brown familys doorstep and she and Paddington hug, I completely, unapologetically lost it. Lord knows what surprises Paddington 3 has planned for my tear ducts. GM
When She Loved Me, Toy Story 2
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Just before writing this, I put When She Loved Me from Toy Story 2 on YouTube once again, just to check. Yep. Just as always, I choke up, in the same abject, lip-wobbling, head-bowed way. It still has that terrible power.
When She Loved Me is the song written by Randy Newman and sung by the devastated toy cowgirl Jessie and in fact performed, beautifully, on the soundtrack by Canadian singer Sarah McLachlan. The song is Jessies way of telling Woody why she has grimly decided to submit to the airless world of the toy museum, because it is better than the inevitable heartbreak and delusion of loving a fickle human child. She reveals her anguish that her owner, Emily, has fallen out of love with her outgrown her, in fact. As Emily entered the world of adolescence, pop music and boys, Jessie was left under the bed and finally dumped.
When I first saw this scene and misled by the size disparity between toy and owner I thought it was a parable for a childs anxiety over being abandoned by the parent. But now that I am a parent I can see the truth which is completely the opposite way around. It is about the parents fear of being abandoned by the child: the terrible fear, actually the terrible certainty, that the kid one day wont want to play with you. They will grow up and want something else. This song is utterly devastating. It is modern cinemas equivalent of the Vesti La Giubba aria from Pagliacci the tragic clown smiling on the outside but crying on the inside. Im afraid to watch it too often. I dont want to break down over and over again. But I also want to preserve its power over me. PB
Ruths death, Fried Green Tomatoes
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In many respects, Fried Green Tomatoes is not a movie for the modern age. It is a story about racism in the deep south told largely by way of eliciting our sympathies for wealthy white characters; it is a story about a lesbian relationship that had to slide its lesbian relationship in unnoticed, by presenting it as a very close friendship fulfilled by food fights, poker games and heads leaning meaningfully on shoulders. But I am deeply fond of this 1991 Sunday afternoon classic. Ive seen it more times than is healthy, and so I know exactly what is coming and when, and yet am still unable to resist the inevitable guttural sobbing that comes with the death scene.
There are plenty of teasers for it, too: Buddy on the train tracks, even Mrs Threadgoode talking about the death of her adult son. Nothing, however, can prepare the viewer for Ruth asking Idgie to tell her the old story about the frozen lake thats now somewhere over in Georgia. It doesnt so much pull on heartstrings as play a full symphony on them, and its devastating. As Sipsey puts it, a lady always knows when to leave. RN
The rooftop dance, Eat Pray Love
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While I was repelled by the mere existence of the Eat Pray Love book, I found something strangely charming about its big-screen translation. It was a mixture of glossy food porn, glossy travel porn and glossy Julia Roberts emoting porn (she remains one of the best fake criers in Hollywood) all wrapped up in a rather unique tale of a woman trying to unshackle herself from the men in her life. But while that all provided mostly surface-level enjoyment, one scene cut deeper and the extent to which it cuts surprises me still.
As is often with the case with movie tears, these were tied to a real-world experience that had happened not long before I sat down to watch. I was dumped by a long-term boyfriend without much of an explanation and without any sort of warning. I was heartbroken and seeking some form of closure that was kept cruelly out of reach. I didnt understand why it had happened and it was the not knowing that felt harder than the break-up itself.
In the film, Roberts character has left her flighty husband and remains haunted by the heartbreak shes caused. On a rooftop in Delhi, a vision of him appears and they dance to Neil Youngs heart-grabbing Harvest Moon, the song that was supposed to accompany their first wedding dance. She reminds him that she did love him. He tells her he still loves and misses her. They cry and continue to dance. At the end, she tells him that it wont last forever, nothing does. Its a short scene but it hit me like a bus, it still does now. My tears are for the film but theyre also for something deeper: the sting of loving someone who stopped loving me and the ache of an ending I was never allowed in real life. BL
The thunderstorm, Click
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Adam Sandler can make me cry harder than hes ever made me laugh, the true test of a clown. Yes, even in the underappreciated comedy Click about a dad who finds a magical remote control in the Beyond section of Bed Bath & Beyond.
Sandlers workaholic architect fast-forwards through the worst parts of his day the dull weeknight frozen dinners with his family, the repetitive arguments, the gross times everyone gets knocked out by the flu in order to get to his next promotion so he can buy his kids whatever they want. His plan doesnt go well, of course. But whats shocking is how gut-rippingly painful it is to see Sandler hit play on his life only to realize hes skipped past everything that matters. His bodys been present, the bills have been paid, but his emotional engagements been staticky a trade-off too many of us can understand.
In the climax, old man Sandler sobs in a thunderstorm as he arrives at his daughters wedding only to learn shed rather her stepdad walk her down the aisle, and his son has grown up to mimic his job-first, family-second example. I rarely cry at unavoidable tragedies where no ones at fault. My weakness is characters regretting choices they cant rewind. Click isnt Ingmar Bergman Sandler gets a happy ending but I barely saw his relief through the rainstorm on my face. AN
The courtroom, Kramer vs Kramer
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By all accounts, Robert Bentons film Kramer vs Kramer skews heavily toward Dustin Hoffmans Ted, whose wife Joanna has left him and their six-year-old son Billy. Billy and Ted make french toast together, or argue about eating ice cream before dinner, or visit the nearby jungle gym. Were it not for Meryl Streep and the trenchant, intuitive way she humanizes a woman who, in the 70s, would have otherwise been made to seem mawkish and unstable Kramer vs Kramer might be just a schmaltzy panegyric on fatherhood.
But leave it to our greatest living actor to turn a film on its head with a single scene. You know the one: Joanna, during the custody hearing, is subjected to a string of sexist questions about her failure as a wife and a mother. When asked why shes seeking custody of Billy, she blinks three times, beginning the monologue Streep herself wrote in an effort to redeem her character, who she initially perceived to be an ogre, a princess, an ass.
Billys only seven years old. He needs me, she says, reciting the word need with a whispery uptick as she glances at her ex. Im not saying he doesnt need his father. But I really believe he needs me more. After catching her breath, she becomes more emphatic: I was his mommy for five and a half years. Since I was about Billys age when my parents got divorced, ergo, too young to understand or even care, Ive always been astonished and, by proxy, moved by how compassionately Streep plumbs the depths of Joannas truth. JN
The beach, Under the Skin
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Little focuses the mind more effectively on human distress than the arrival of your own kids; scenes in films which I might once have snoozed through now induce boggle-eyed terror OH MY GOD, DONT LEAVE THAT BABY NEAR THAT COFFEE TABLE, IT HASNT GOT A CORNER PROTECTOR! But nothing has topped at least, not yet the scene in Under the Skin where Scarlett Johansson murders a swimmer and drags him off to eat him.
Its not the murder thats so epically upsetting, though its gruesome enough: Johansson, playing an alien visitor permanently on the lookout for human nutrients, simply bangs him over the head with a large stone as he lies prone and exhausted on the beach. Its what goes on in the background that is so awful. A woman goes into the water to try and rescue her drowning dog, and her male partner instinctively rushes in after her, leaving their toddler alone high on the shore. Johanssons chum the only other adult on this lonely Scottish beach goes to help too.
With the speed of falling dominoes, a nice little day out unravels: the mother and father are swept away to who knows where, and the alien takes her chance to acquire their would-be rescuer as a food source. Meanwhile, the suddenly abandoned kid is shrieking in terror as the night closes in. Another, less astute film-maker, might cap the scene with the alien scooping the kid up and adding him to her dinner menu, but what Glazer contrives is absolutely horrifying. Johansson-alien simply ignores it, and leaves it alone. The film moves on, this incident consigned to the past.
I have to confess I was absolutely blindsided by the scene; mostly, I think, because of the its sheer unexpectedness. I think I was gripped by a kind of internal hysteria: shock, hyperventilation, a feeling the back of my head might explode. (I cant say I actually cried though I may have, but in the confusion I cant really remember.) I certainly had to hold on to the seat to stop myself bolting out of the cinema then and there. I am aware theres a some degree of self-indulgence here: the fact that my daughter was about the same age as the kid in the film undoubtedly super-sensitised my reactions. But everyone has their weak spot; this is very much mine. AP
The birth, Cheaper by the Dozen 2
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Cheaper by the Dozen 2, if you havent seen it you probably havent, why would you have? is the sequel to the remake of family comedy Cheaper by the Dozen, and Im sure it was made because Steve Martin, the star of the franchise, needed to pay his mortgage. The main gist of the movie is that Martin and his wife, played by Bonnie Hunt, have 12 children who get into various japes. Its asinine. But during a time in my life when I was making a lot of transatlantic flights, Cheaper By the Dozen 2 was always an option on the British Airways seatback televisions, and one day I found, because of the frequency of my flights, I had watched all of the other films.
What choice did I have? At the climactic scene, where the oldest daughter, played by Piper Perabo, gives birth, and then names the baby after her father because he has shown her that there is no way to be a perfect parent, but a million ways to be a really good one, I cried so much the man sitting next to me regarded me with what appeared to be real concern. There may have not been enough cocktail napkins on the whole plane to dry my tears. Was it the recycled air? Was it the two miniature bottles of white wine? Or was it that a joyful childbirth scene can warm the cockles of even the coldest of hearts? JHE
The accidental reunion, Manchester by the Sea
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Weve got a real talent for repression back in Massachusetts. Kenneth Lonergans searing Manchester by the Sea plays out a 15-minute drive from my childhood home and, true to life, the characters all struggle to articulate the perfect storms of emotion raging within them.
When Lee (Casey Affleck) has a chance encounter with his ex-wife Randi (Michelle Williams), the shared history between them is literally unspeakable. They sputter out fragments of sentences that act as a shorthand for vast reservoirs of guilt and self-loathing they cant bear to express, and because they know one another so intimately, they can intuit all the meaning they have to. Theyve both shoved a lot deep down inside just so they can look at themselves in the mirror, and when in the presence of the only other person on the planet who understands what theyve been through, some of it has to come out. Randi does most of the talking, inviting Lee to lunch so they can get some closure, and he ends the conversation by walking away. Shes ready to face her past and be fully present in the new life shes built for herself. Lee, a North Shore boy born and bred, feels more comfortable starting a bar fight as his form of therapy. CB
The hotel, Unrelated
youtube
Joanna Hoggs first film, Unrelated, has had something of a second life on account of being the debut of Tom Hiddleston, and set during a Tuscan summer, which means swimming pool, which means toplessness, and lots of it. Its nice to imagine the Loki-lovers streaming this masterpiece of English upper-middle-class excruciation. As its ending shows, specificity is no barrier to emotional oomph.
The story sees a woman in her early 40s, Anna (Kathryn Worth), holidaying with old friends and their teenage children. She finds she prefers the company of the kids, especially the charming Oakley (Hiddleston, then 26, playing eight years younger). The holiday implodes. Anna goes to stay at a grim airport hotel. Her friend visits, crossly wanting to know whats behind her behaviour. Anna explains that, quite recently, she thought she was pregnant but no, in fact, it was an early menopause. Shell never be able to have children. She sobs and bends double on the bed. It is shot in one take, from the middle distance, acted with a banal frankness which feels like eavesdropping.
When I saw it a decade back, it floored me: a twist I hadnt foreseen, a pain I could only imagine. A few years ago, I began consciously avoiding the film, fearful a similar fate awaited me. Now I can safely watch it again or, I thought I could, but Hogg is much too superb and mysterious a film-maker for that. It isnt simply the information which is terrible, it is the dreadful catharsis of its expression, coming after so much obfuscation. The stifle has gone; instead there is the most awful sadness. Buttoning up is often the bravest way. CS
Read more: http://www.theguardian.com/us
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'I completely lost it': the movie scenes that made our writers weep
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'I completely lost it': the movie scenes that made our writers weep
From Toy Story 2 to Under the Skin, writers pick the cinematic moments that made them cry and explain why. Spoilers ahead
Aunt Lucys trip, Paddington 2
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On the face of it, Paddington is a fairly broad kids film franchise about the hijinks of a CGI bear, and so probably shouldnt make a grown human cry hot, salty tears. But that description ignores the fact that Paddington is a really, really well-made kids film franchise about the hijinks of a CGI bear, one that completely gets the pathos of its central character, a little lost immigrant searching for something resembling a family. Both films ably tug at the heartstrings, but the second film got me sniffling as early as 15 minutes in when Paddington imagines giving his only living relative, Aunt Lucy, a tour around London, something that in reality is impossible as shes stuck thousands of miles away in darkest Peru. When at the end of the film spoiler alert Aunt Lucy arrives on the Brown familys doorstep and she and Paddington hug, I completely, unapologetically lost it. Lord knows what surprises Paddington 3 has planned for my tear ducts. GM
When She Loved Me, Toy Story 2
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Just before writing this, I put When She Loved Me from Toy Story 2 on YouTube once again, just to check. Yep. Just as always, I choke up, in the same abject, lip-wobbling, head-bowed way. It still has that terrible power.
When She Loved Me is the song written by Randy Newman and sung by the devastated toy cowgirl Jessie and in fact performed, beautifully, on the soundtrack by Canadian singer Sarah McLachlan. The song is Jessies way of telling Woody why she has grimly decided to submit to the airless world of the toy museum, because it is better than the inevitable heartbreak and delusion of loving a fickle human child. She reveals her anguish that her owner, Emily, has fallen out of love with her outgrown her, in fact. As Emily entered the world of adolescence, pop music and boys, Jessie was left under the bed and finally dumped.
When I first saw this scene and misled by the size disparity between toy and owner I thought it was a parable for a childs anxiety over being abandoned by the parent. But now that I am a parent I can see the truth which is completely the opposite way around. It is about the parents fear of being abandoned by the child: the terrible fear, actually the terrible certainty, that the kid one day wont want to play with you. They will grow up and want something else. This song is utterly devastating. It is modern cinemas equivalent of the Vesti La Giubba aria from Pagliacci the tragic clown smiling on the outside but crying on the inside. Im afraid to watch it too often. I dont want to break down over and over again. But I also want to preserve its power over me. PB
Ruths death, Fried Green Tomatoes
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In many respects, Fried Green Tomatoes is not a movie for the modern age. It is a story about racism in the deep south told largely by way of eliciting our sympathies for wealthy white characters; it is a story about a lesbian relationship that had to slide its lesbian relationship in unnoticed, by presenting it as a very close friendship fulfilled by food fights, poker games and heads leaning meaningfully on shoulders. But I am deeply fond of this 1991 Sunday afternoon classic. Ive seen it more times than is healthy, and so I know exactly what is coming and when, and yet am still unable to resist the inevitable guttural sobbing that comes with the death scene.
There are plenty of teasers for it, too: Buddy on the train tracks, even Mrs Threadgoode talking about the death of her adult son. Nothing, however, can prepare the viewer for Ruth asking Idgie to tell her the old story about the frozen lake thats now somewhere over in Georgia. It doesnt so much pull on heartstrings as play a full symphony on them, and its devastating. As Sipsey puts it, a lady always knows when to leave. RN
The rooftop dance, Eat Pray Love
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While I was repelled by the mere existence of the Eat Pray Love book, I found something strangely charming about its big-screen translation. It was a mixture of glossy food porn, glossy travel porn and glossy Julia Roberts emoting porn (she remains one of the best fake criers in Hollywood) all wrapped up in a rather unique tale of a woman trying to unshackle herself from the men in her life. But while that all provided mostly surface-level enjoyment, one scene cut deeper and the extent to which it cuts surprises me still.
As is often with the case with movie tears, these were tied to a real-world experience that had happened not long before I sat down to watch. I was dumped by a long-term boyfriend without much of an explanation and without any sort of warning. I was heartbroken and seeking some form of closure that was kept cruelly out of reach. I didnt understand why it had happened and it was the not knowing that felt harder than the break-up itself.
In the film, Roberts character has left her flighty husband and remains haunted by the heartbreak shes caused. On a rooftop in Delhi, a vision of him appears and they dance to Neil Youngs heart-grabbing Harvest Moon, the song that was supposed to accompany their first wedding dance. She reminds him that she did love him. He tells her he still loves and misses her. They cry and continue to dance. At the end, she tells him that it wont last forever, nothing does. Its a short scene but it hit me like a bus, it still does now. My tears are for the film but theyre also for something deeper: the sting of loving someone who stopped loving me and the ache of an ending I was never allowed in real life. BL
The thunderstorm, Click
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Adam Sandler can make me cry harder than hes ever made me laugh, the true test of a clown. Yes, even in the underappreciated comedy Click about a dad who finds a magical remote control in the Beyond section of Bed Bath & Beyond.
Sandlers workaholic architect fast-forwards through the worst parts of his day the dull weeknight frozen dinners with his family, the repetitive arguments, the gross times everyone gets knocked out by the flu in order to get to his next promotion so he can buy his kids whatever they want. His plan doesnt go well, of course. But whats shocking is how gut-rippingly painful it is to see Sandler hit play on his life only to realize hes skipped past everything that matters. His bodys been present, the bills have been paid, but his emotional engagements been staticky a trade-off too many of us can understand.
In the climax, old man Sandler sobs in a thunderstorm as he arrives at his daughters wedding only to learn shed rather her stepdad walk her down the aisle, and his son has grown up to mimic his job-first, family-second example. I rarely cry at unavoidable tragedies where no ones at fault. My weakness is characters regretting choices they cant rewind. Click isnt Ingmar Bergman Sandler gets a happy ending but I barely saw his relief through the rainstorm on my face. AN
The courtroom, Kramer vs Kramer
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By all accounts, Robert Bentons film Kramer vs Kramer skews heavily toward Dustin Hoffmans Ted, whose wife Joanna has left him and their six-year-old son Billy. Billy and Ted make french toast together, or argue about eating ice cream before dinner, or visit the nearby jungle gym. Were it not for Meryl Streep and the trenchant, intuitive way she humanizes a woman who, in the 70s, would have otherwise been made to seem mawkish and unstable Kramer vs Kramer might be just a schmaltzy panegyric on fatherhood.
But leave it to our greatest living actor to turn a film on its head with a single scene. You know the one: Joanna, during the custody hearing, is subjected to a string of sexist questions about her failure as a wife and a mother. When asked why shes seeking custody of Billy, she blinks three times, beginning the monologue Streep herself wrote in an effort to redeem her character, who she initially perceived to be an ogre, a princess, an ass.
Billys only seven years old. He needs me, she says, reciting the word need with a whispery uptick as she glances at her ex. Im not saying he doesnt need his father. But I really believe he needs me more. After catching her breath, she becomes more emphatic: I was his mommy for five and a half years. Since I was about Billys age when my parents got divorced, ergo, too young to understand or even care, Ive always been astonished and, by proxy, moved by how compassionately Streep plumbs the depths of Joannas truth. JN
The beach, Under the Skin
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Little focuses the mind more effectively on human distress than the arrival of your own kids; scenes in films which I might once have snoozed through now induce boggle-eyed terror OH MY GOD, DONT LEAVE THAT BABY NEAR THAT COFFEE TABLE, IT HASNT GOT A CORNER PROTECTOR! But nothing has topped at least, not yet the scene in Under the Skin where Scarlett Johansson murders a swimmer and drags him off to eat him.
Its not the murder thats so epically upsetting, though its gruesome enough: Johansson, playing an alien visitor permanently on the lookout for human nutrients, simply bangs him over the head with a large stone as he lies prone and exhausted on the beach. Its what goes on in the background that is so awful. A woman goes into the water to try and rescue her drowning dog, and her male partner instinctively rushes in after her, leaving their toddler alone high on the shore. Johanssons chum the only other adult on this lonely Scottish beach goes to help too.
With the speed of falling dominoes, a nice little day out unravels: the mother and father are swept away to who knows where, and the alien takes her chance to acquire their would-be rescuer as a food source. Meanwhile, the suddenly abandoned kid is shrieking in terror as the night closes in. Another, less astute film-maker, might cap the scene with the alien scooping the kid up and adding him to her dinner menu, but what Glazer contrives is absolutely horrifying. Johansson-alien simply ignores it, and leaves it alone. The film moves on, this incident consigned to the past.
I have to confess I was absolutely blindsided by the scene; mostly, I think, because of the its sheer unexpectedness. I think I was gripped by a kind of internal hysteria: shock, hyperventilation, a feeling the back of my head might explode. (I cant say I actually cried though I may have, but in the confusion I cant really remember.) I certainly had to hold on to the seat to stop myself bolting out of the cinema then and there. I am aware theres a some degree of self-indulgence here: the fact that my daughter was about the same age as the kid in the film undoubtedly super-sensitised my reactions. But everyone has their weak spot; this is very much mine. AP
The birth, Cheaper by the Dozen 2
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Cheaper by the Dozen 2, if you havent seen it you probably havent, why would you have? is the sequel to the remake of family comedy Cheaper by the Dozen, and Im sure it was made because Steve Martin, the star of the franchise, needed to pay his mortgage. The main gist of the movie is that Martin and his wife, played by Bonnie Hunt, have 12 children who get into various japes. Its asinine. But during a time in my life when I was making a lot of transatlantic flights, Cheaper By the Dozen 2 was always an option on the British Airways seatback televisions, and one day I found, because of the frequency of my flights, I had watched all of the other films.
What choice did I have? At the climactic scene, where the oldest daughter, played by Piper Perabo, gives birth, and then names the baby after her father because he has shown her that there is no way to be a perfect parent, but a million ways to be a really good one, I cried so much the man sitting next to me regarded me with what appeared to be real concern. There may have not been enough cocktail napkins on the whole plane to dry my tears. Was it the recycled air? Was it the two miniature bottles of white wine? Or was it that a joyful childbirth scene can warm the cockles of even the coldest of hearts? JHE
The accidental reunion, Manchester by the Sea
youtube
Weve got a real talent for repression back in Massachusetts. Kenneth Lonergans searing Manchester by the Sea plays out a 15-minute drive from my childhood home and, true to life, the characters all struggle to articulate the perfect storms of emotion raging within them.
When Lee (Casey Affleck) has a chance encounter with his ex-wife Randi (Michelle Williams), the shared history between them is literally unspeakable. They sputter out fragments of sentences that act as a shorthand for vast reservoirs of guilt and self-loathing they cant bear to express, and because they know one another so intimately, they can intuit all the meaning they have to. Theyve both shoved a lot deep down inside just so they can look at themselves in the mirror, and when in the presence of the only other person on the planet who understands what theyve been through, some of it has to come out. Randi does most of the talking, inviting Lee to lunch so they can get some closure, and he ends the conversation by walking away. Shes ready to face her past and be fully present in the new life shes built for herself. Lee, a North Shore boy born and bred, feels more comfortable starting a bar fight as his form of therapy. CB
The hotel, Unrelated
youtube
Joanna Hoggs first film, Unrelated, has had something of a second life on account of being the debut of Tom Hiddleston, and set during a Tuscan summer, which means swimming pool, which means toplessness, and lots of it. Its nice to imagine the Loki-lovers streaming this masterpiece of English upper-middle-class excruciation. As its ending shows, specificity is no barrier to emotional oomph.
The story sees a woman in her early 40s, Anna (Kathryn Worth), holidaying with old friends and their teenage children. She finds she prefers the company of the kids, especially the charming Oakley (Hiddleston, then 26, playing eight years younger). The holiday implodes. Anna goes to stay at a grim airport hotel. Her friend visits, crossly wanting to know whats behind her behaviour. Anna explains that, quite recently, she thought she was pregnant but no, in fact, it was an early menopause. Shell never be able to have children. She sobs and bends double on the bed. It is shot in one take, from the middle distance, acted with a banal frankness which feels like eavesdropping.
When I saw it a decade back, it floored me: a twist I hadnt foreseen, a pain I could only imagine. A few years ago, I began consciously avoiding the film, fearful a similar fate awaited me. Now I can safely watch it again or, I thought I could, but Hogg is much too superb and mysterious a film-maker for that. It isnt simply the information which is terrible, it is the dreadful catharsis of its expression, coming after so much obfuscation. The stifle has gone; instead there is the most awful sadness. Buttoning up is often the bravest way. CS
Read more: http://www.theguardian.com/us
0 notes