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#lobcorp spoilers
sinclairenthusiast · 4 months
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Drew the characters to celebrate me finally beating Lobcorp by my own means. Took many months and 193 hours worth of gameplay, but I had a lot of fun
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fantomeeee · 13 days
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chasecarver · 10 months
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hauntthenarrative · 10 months
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Haunting the Narrative Round 1
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Haunting the narrative means that the character’s absence heavily impacts the plot. They’re not present when their influence is most strongly felt, whether they’re alive or dead!
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cosmonova · 1 year
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horatioo · 3 months
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many people dont like the boxbot designs but i for one like them. a lot. i dont understand the boxbot hate. i mean look at malkuth
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you dont love malkuth? 🤖? [EXTREMELY LOUD SAWBLADE NOISE]??
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ciderrainbow · 1 year
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anyway back to bad art
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youngneil · 1 year
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shuuyasakazaki · 9 months
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ok
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cephalowaaa · 1 month
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malkuth
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sinclairenthusiast · 11 months
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girl we are so doomed
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aurora-veil · 10 months
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guys I had a fucking brain blast realization after spicebush yi sang's uptie story.
(canto iv and lobcorp spoilers below)
The narrator of the uptie stories is undeniably Carmen. let me explain.
1. The narrator has considerable knowledge over Lobotomy Corporation's facilities.
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While it could be chalked up to an omnipotent narrator, both the overly amicable nature of the discussion (as well as the fact that like everything in Limbus has been diegetic) makes me believe that the narrator is a real character talking, namely the woman herself.
2. The narrator has a unique style of speaking reflected in an Observation Log
I'm pretty sure everyone who's uptied an identity has had a little confusion as to why the narrator speaks the way they do, specifically with referring to Sinners as "the child." While I can't explain the reason I can bring a parallel to an Abnormality Log written by Sinclair:
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The usage of "that poor child" after being influenced by an Abnormality implies that the narrator is connected to Abnormalities. I wonder who we know who's like that.... I wonder who's been called "mother of all Abnormalities"
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Also this, which feels a BIT relevant
3. The narrator directly has a conversation with Spicebush Yi Sang
This one is pretty self-explanatory after Canto IV directly confirmed the theory (theory i think? I'm not incredibly well-versed on all of PM) that when somebody is Distorting/manifesting E.G.O. and they seem to talk to someone who's not there, they're actually talking to Carmen. Here, Yi Sang "gets a far look in his eyes" and starts talking to someone else, and the narrator responds. Like, come on
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So yeah I know I'm a super late to the party considering I found some reddit posts joking about this from like a week after launch, but I still wanted to put it on tumblr in case there are any limbheads who are interested
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chasecarver · 10 months
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meeresengel · 7 months
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i’m going mental
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azoosepted · 2 months
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the trenches have been dug, the mines have been placed, and the sky has clouded over. pray for me.
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strangefellows · 1 year
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Okay this is gonna be a long post but I figured why the hell not throw my absolute fucking lunatic conspiracy board Limbus Company theory out there, because I’ve had four people tell me it makes sense when I’ve brought it up to them, so! Here we go. Theory: I believe that Dante is Ayin (a main character of the first ProjMoon game, Lobotomy Corp, for those who don’t know). There’s a metric asston of evidence in just the first few chapters alone that keeps making me lie on the floor and scream, so let me document it! 
We’re going under a cut for length, let’s get started! Heavy spoilers for Lobotomy Corporation and Ruina under here, be warned.
The Song: First of all, just looking at the lyrics to In Hell We Live, Lament has me absolutely losing my fucking mind. We’re looking at insane lines like “I walked down a path / Leading to the past / Stole from the tree's hands / A regretter's friend / The forbidden fruit” and “If you wanted me to speak / If you wanted me to think / If you wanted me to carry on our dreams / Each loop we live through / The standards inside me / Thе line I drew for me / Lowers to the earth” and “Why'd you make my voice stutter? / Why do truths never matter? / Why'd you curse me with "you're a natural born genius"?” and “Replayed thoughts / Forget me not / I'm inside the empathic light / I bite off your skin / Exposing the angels on your ribs” and just...the repeated mention of loops. The song basically reads literally like Ayin himself singing it to Carmen. (The ending song also feels suspicious lyrically as well, but I can’t pin that down as easily.)
The Prologue: Not as much here, but I find it extremely suspicious that they didn’t show us a damn thing of Dante until after he loses his head and his memories. And honestly, Faust and Vergilius going ‘your name is Dante’ feels very blatantly like a goddamn lie. An amnesiac is gonna accept whatever you tell him is his name, man. Not to mention that he’s explicitly someone very important (Vergilius says so in ch3), and clearly knows something the bad guys desperately want. Which ties to my next point.
The Bad Guys: First of all, they want the Golden Boughs, which as apparently ‘pieces of L Corp’s Singularity’, are a very nice way to say they’re probably literally pieces of Carmen somehow. Branches sure look like the central nervous system, huh. Second, one of the trio in the intro refers to their boss as a ‘her’, says she wants to do something that’s ‘not illegal, but has never been done before’, and IIRC, calls her the Serpent. Now, looking at that serpent reference alongside Carmen’s existing parallels to WhiteNight, as well as Adam and his constant talk of the forbidden fruit...you see what I’m getting at here? Who tempted Adam in the first place?
The Inferno: Now, you see, even if the big bad is somehow Carmen in some way -- similarly to how the Voice led Argalia in Ruina, perhaps? -- that doesn’t necessarily mean Ayin is Dante. HOWEVER! Look back at the Inferno itself, the poem we’re working off extremely heavily. What is the purpose for Dante’s trip to hell? Beatrice. Dante’s dead girlfriend who’s become a divine being. Literally, Beatrice sent Virgil to guide Dante through hell and limbo and shit to bring him to her, roughly speaking. So, uh, looks at the whole dead now divine gf thing. Hm. Yeah. And where is our own trip to hell taking us? Through the ruins of Lobcorp, grabbing what are more or less pieces of Carmen, and I can’t remember if it’s said outright or not but there is a heavy ass chance this trip is ending at the main facility. Which, coming full circle...
The Clock: I will politely resist making a Hokma joke. But you have to admit it’s funny. In all seriousness, though, the fact that Dante’s power is resetting -- something that the entire gameplay of Lobotomy Corp and a major aspect of the plot was built around, resetting and looping and bringing the dead back to life -- is a major sus factor. In fact, I’m just waiting for someone to say ‘death is meaningless’ if I’m not just blanking on dialogue and someone’s said it already. Not to mention, the aspect of Dante feeling the pain of the injuries/deaths he’s rewinding gives me a lot to say about the (fairly canon) interpretation of Ayin martyring himself using the loops to punish himself for what he did. Suffering how the people he’s tied to suffered, so to speak. In fact -- I wouldn’t be surprised if the clock is/was Ayin’s EGO like the Library is Angela’s. How else would it be immediately to hand to slap on his neck, and what else could possibly have been able to legitimately replace his goddamn head on such short notice?
Manager: LOOK, THIS ONE IS TENUOUS BUT WHEN ADDED TO THE PILE-- the simple fact that Dante is deliberately given the title of manager feels important, when looked at through the lens of the rest of the evidence. There’s a line at the beginning of Chapter 1 when the children Sinners start fighting where Dante goes “Should I step in? Is this the part where I exercise my authority as the manager with dignity and grace? A faint memory urges me to do something." and it feels significant.
Random additional note: The Mirror Dungeons Wellcheers event has Dante say it ‘feels familiar’ -- does it? Does it now, Dante? 
While I’m still going through the game myself - middle of ch2 - I’ve had the whole story told to me, so I know what’s up, and though there’s probably more small bits I’m missing, the major beats here are definitely enough to support my theory for sure. It feels very right and fitting.
I’m just sitting here with several tinfoil hats and my ConspiracyBoard.gif going GUYS I SWEAR, THIS MAKES SENSE and losing it silently. I hope I’m right. I mean if I’m not right I’m making an AU fic anyway, but I hope I’m right. What do y’all think?
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