Opera on YouTube 3
Il Barbiere di Siviglia (The Barber of Seville)
Mario Lanfrachi studio film, 1965 (Sesto Bruscantini, Valeria Mariconda, Ugo Benelli; conducted by Alberto Zedda; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Hermann Prey, Teresa Berganza, Luigi Alva; conducted by Claudio Abbado; English subtitles)
New York City Opera, 1976 (Alan Titus, Beverly Sills, Henry Price; conducted by Sarah Caldwell; English subtitles)
Arena Sferisterio, 1980 (Leo Nucci, Marilyn Horne, Ernesto Palacio; conducted by Nicola Rescingo; no subtitles)
Teatro Real de Madrid, 2005 (Pietro Spagnoli, Maria Bayo, Juan Diego Flórez; conducted by Gianluigi Gelmetti; Arabic subtitles)
Teatro la Fenice, 2008 (Roberto Frontali, Rinat Shaham, Francesco Meli; conducted by Antonino Fogliani; Italian subtitles)
Royal Opera House, Covent Garden, 2009 (Pietro Spagnoli, Joyce DiDonato, Juan Diego Flórez; conducted by Antonio Pappano; English subtitles)
Vienna State Opera, 2019 (Rafael Fingerlos, Margarita Gritskova, Juan Diego Flórez; conducted by Evelino Pidó; English subtitles)
Arena di Verona, 2022 (Leo Nucci, Nino Machaidze, Dmitry Korchak; conducted by Daniel Oren; English subtitles)
Garsington Opera, 2023 (Johannes Kamler, Katie Bray, Andrew Stenson; conducted by Douglas Boyd; English subtitles)
Rigoletto
Wolfgang Nagel studio film, 1977 (Rolando Panerai, Franco Bonisolli, Margherita Rinaldi; conducted by Francesco Molinari-Pradelli; Japanese subtitles)
Metropolitan Opera, 1977 (Cornell MacNeil, Plácido Domingo, Ileana Cotrubas; conducted by James Levine; no subtitles)
Metropolitan Opera, 1981 (Cornell MacNeil, Luciano Pavarotti, Christiane Eda-Pierre; conducted by James Levine; no subtitles)
Jean-Pierre Ponnelle film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly, English subtitles)
English National Opera, 1982 (John Rawnsley, Arthur Davies, Marie McLaughlin; conducted by Mark Elder, sung in English)
La Monnaie, Brussels, 1999 (Anthony Michaels-Moore, Marcelo Álvarez, Elizabeth Futral; conducted by Vladimir Jurowski; no subtitles)
Arena di Verona, 2001 (Leo Nucci, Aquiles Machado, Inva Mula; conducted by Marcello Viotti; Italian subtitles)
Zürich Opera house, 2006 (Leo Nucci, Piotr Beczala, Elena Mosuc; conducted by Nello Santi; no subtitles)
Paris Opera, 2016 (Quinn Kelsey, Michael Fabiano, Olga Peretyatko; conducted by Nicola Luisotti; English subtitles)
Teatro Massimo, 2018 (George Petean, Ivan Ayon Rivas, Grazia Schiavo; conducted by Stefano Ranzani; English subtitles)
Così Fan Tutte
Vaclav Kaslik studio film, 1969 (Gundula Janowitz, Christa Ludwig, Luigi Alva, Hermann Prey; conducted by Karl Böhm; English subtitles)
Jean-Pierre Ponnelle studio film, 1988 (Edita Gruberova, Delores Ziegler, Luis Lima, Ferruccio Furlanetto; conducted by Nikolaus Harnoncourt; English subtitles) – Act I, Act II
Teatro alla Scala, 1989 (Daniela Dessì, Delores Ziegler, Josef Kundlak, Alessandro Corbelli; conducted by Riccardo Muti; Italian subtitles) – Act I, Act II
Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry; conducted by John Eliot Gardiner; English subtitles)
Vienna State Opera, 1996 (Barbara Frittoli, Angelika Kirschlager, Michael Schade, Bo Skovhus; conducted by Riccardo Muti; English and Italian subtitles)
Teatro Comunale di Ferrara, 2000 (Melanie Diener, Anna Caterina Antonacci, Charles Workman, Nicola Ulivieri; conducted by Claudio Abbado; no subtitles)
Zürich Opera House, 2000 (Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Widmer; conducted by Nikolaus Harnoncourt; no subtitles) – Act I, Act II
Opera Lyon, 2007 (Maria Bengtsson, Tove Dahlberg, Daniel Behle, Vito Priante; conducted by Stefano Montanari; French subtitles)
Salzburg Festival, 2009 (Miah Persson, Isabel Leonard, Topi Lehtipuu, Florian Boesch; conducted by Adam Fischer; English subtitles)
Zürich Opera House, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole; conducted by Frans Welser-Möst; English subtitles)
Aïda
San Francisco Opera, 1981 (Margaret Price, Luciano Pavarotti; conducted by Luis Garcia Navarro; no subtitles)
Metropolitan Opera, 1985 (Leontyne Price, James McCracken; conducted by James Levine; English subtitles) – Act I, Act II, Act III, Act IV
Teatro alla Scala, 1986 (Maria Chiara, Luciano Pavarotti; conducted by Lorin Maazel; English subtitles)
Metropolitan Opera, 1989 (Aprile Millo, Plácido Domingo; conducted by James Levine; English subtitles)
Teatro Comunale di Busseto, 2001 (Adina Aaron, Scott Piper; conducted by Massimiliano Stefaneli; Italian subtitles)
St. Margarethen Opera Festival, 2004 (Eszter Szümegi, Konstantin Andreev; conducted by Ernst Marzendorfer; English subtitles)
Metropolitan Opera, 2012 (Liudmyla Monastyrska, Roberto Alagna; conducted by Fabio Luisi; Russian subtitles)
Tbisili State Opera, 2017 (Maqvala Aspanidze, Franco Tenelli; conducted by Marco Boemi; Russian subtitles)
Teatro Colón, 2018 (Latonia Moore, Riccardo Massi; conducted by Carlos Vieu; Spanish subtitles)
Teatro la Fenice, 2019 (Roberta Mantegna, Francesco Meli; conducted by Riccardo Frizza; French subtitles)
14 notes
·
View notes
Chess Kings MBTI
Here are a few top thinking type men chess players by MBTI
NT
ENTJ Viswanathan Anand, Vladislav Artemiev, Laurent Fressinet, Daniel Naroditsky, David Navara, Nihal Sarin
INTJ David Anton Guijarro, Bai Jinshi, Leinier Dominguez, Robert Hungaski, Mircea Parligras, Kenneth Rogoff, Adam Tukhaev
ENTP Nodirbek Abdusattorov, Benjamin Bok, Daniil Dubov, Jan-Krzysztof Duda, Surya Shekhar Ganguly, Anish Giri, GN Gopal, Nils Grandelius, Vladimir Kramnik, Le Quang Liem, Peter Leko, Leon Luke Mendonca, Elshan Moradiabadi, Parimarjan Negi, Ni Hua, Ruslan Ponomariov, Teimour Radjabov, Kirill Shevchenko, Loek Van Wely, Nikita Vitiugov
INTP Michael Adams, Ferenc Berkes, Gillian Bwalya, Fabiano Caruana, Bogdan-Daniel Deac, Kamil Dragun, Brewington Hardaway, Brandon Jacobson, Denis Lazavik, Marc’Andria Maurizzi, Jergus Pechac, Vahap Sanal, Samuel Sevian, Dariusz Swiercz, Nikolas Theodorou, Veselin Topalov
ST
ESTJ Dmitry Andreikin, Maurice Ashley, Magnus Carlsen, Cristian Chirila, Jan Gustafsson, Aleksandar Indjic, Shakhriyar Mamedyarov, Karthikeyan Murali, Thai Dai Van Nguyen, Sam Shankland, Amin Tabatabaei
ISTJ Cemil Can (JJ) Ali Marandi, Sandipan Chanda, Lance Henderson de La Fuente, David Silva, Wesley So, Lucas Van Foreest
ESTP Bobby Fischer, Baadur Jobava, Garry Kasparov, Viktor Korchnoi, Igor-Alexandre Nataf, Hans Niemann, Praggnanandhaa Rameshbabu, Boris Spassky, Eugene Torre
ISTP Kirill Alekseenko, Juan Manuel Bellon Lopez, Bobby Cheng, Gukesh Dommaraju, Alexander Grischuk, Andrew Hong, Anatoly Karpov, Javokhir Sindarov, Andrew Tang, Maxime Vachier-Lagrave, Jorden Van Foreest, Wei Yi
8 notes
·
View notes
Congrats on watching the 2004 Faust! Bryn Terfel's Mephisto has to be one of the best acting efforts in any opera recording ever, to me. Mildly unusual take on the character, but just honestly 100% perfect in every scene. He's so ugly! And he's so disappointed! And he's evil! Performance of all time. And I agree the serenade/duel scene is fantastic.
Oh their Marguerite also has the rare combo of being super beautiful and sounding super good. I love her. Alagna Faust also not bad, I like how he's so small. And the cartwheel of course.
And the ballet dancers 😭😭😭 And how the devils come out to cheer / mock the patriotism during the soldiers' chorus. That's like borderline poignant.
Well this was really more of a comment than a question but I just love that recording.
(I like Keenlyside and I like Valentin but Keenlyside Valentin is meh to me)
(Degout Valentin is where it's at)
Okay I gotta admit: I actually thought Bryn Terfel's Mephistopheles was really hot. In a creepy and sweaty way, certainly, but also, really hot. Maybe I'm weird? (Or a Marthe kinnie.) He absolutely rocked that ballgown. And we are, at any rate, in complete agreement that he was AWESOME. THAT SOUL-PIERCING STARE. I honestly saw a lot of Marlowe's Mephistopheles in his take on the role--that very grim quality he brings to it, and the touches of melancholy at the beginning and end. Maybe the Marlowe vibes are a British thing? Really interesting contrast with Erwin Schrott's Mephistopheles, who brings a lot more of the traditional sass (and who also absolutely rocks the ballgown, of course). Terfel's version would never do the dork dance that Schrott does at the end of "Le veau d'or" (NB. I love the dork dance.) I also thought the 2004 had more homoeroticism than the 2019 and of course I'm always gonna be on board for that.
Angela Gheorghiu is pretty much always great, I agree. She was still married to Roberto Alagna when they did this and real-life couples don't always have chemistry in performance but they did here--obviously they are playing a disaster couple but you still need to have chemistry. I'm not a huge fan of Alagna's singing generally (too reedy and scoopy for me) but his acting and especially his physical acting was really good. (Another interesting contrast: Michael Fabiano in 2019 reads a lot younger than Alagna does in 2004 even though the relative ages at the time of the performances are not that far apart: 35 vs. 41. They were both younger than I am now! I guess Fabiano is just more baby-faced but their duets with their respective Marguerites read pretty differently.)
Also agreed about the soldiers' chorus--given the setting in Belle Epoque (and the fact that I wrote a giant term paper about it in high school) it gives the impression that the war they're coming back from is the Franco-Prussian (even though the localization is not that literal/specific) in which case, of course, they'd be coming back from getting pasted.
ANYWAY. YES. Love this production a lot, both versions. Oh, I also thought that although the DVD quality wasn't as clear (it predates HD I think, or at least HD being common), some of the scenes were filmed in a way that makes the narrative a little clearer -- the Walpurgisnacht ballet in particular. I thought the actual dancing was stronger in 2019 but the 2004 filming put you closer to it. (Also you got a better sense of Faust's reactions; in the 2019 you could hardly see him.)
5 notes
·
View notes