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#once again it was an absolute delight to be able to collab w sleepie on this!
serenescribe · 2 months
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the once (and many) prince(s) Twisted Wonderland | 3.3k Summary: Silver is, has always been, and will always be, the crown prince of his kingdom. AO3 link: https://archiveofourown.org/works/54424864 Collaboration with @ohsleepie | Potential spoilers for elements of Chapter 7
Hi everyone! @ohsleepie and I are back at it again with another collaboration based on his wonderful "The Prince and his Physician" AU! This fic is meant to act as a companion story of sorts to the Malleus-focused "the prince's physician," this time focusing on Silver within the AU! Once again, this fic features incredibly beautiful and amazing art drawn by Sleepie; please check him out and follow him, if you haven't already!
I hope you all enjoy!
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The worst part of reincarnation, Silver thinks, is the constant cycle of relearning everything all over again.
Okay, perhaps it would be a bit of a stretch to call it the worst part. There are many negatives, many downsides, far too many to count, to being stuck in a loop of constantly dying and reincarnating. But this particular aspect is, in Silver’s honest opinion, one of the worst out of them all.
There is a bookshelf carved from expensive ebony that sits in his chambers, nestled against one side of the wall. There are several bookshelves in his room, but this is the only one that Silver ever uses, filled from top to bottom with centuries worth of journals — leather-bound books gilded with gold and silver, every detail immaculately painted and carved, the cover opening to expensive parchment made from calves. He tends to absentmindedly run a hand along the spines, eyes glazing over the muted leather colours, before plucking out a book, and reading it through.
Silver only lives a good seventeen years at best, always dying before crossing the pinnacle into adulthood. How much of those seventeen years consist of just… reading? There are, of course, his early years, where he is much too infantile to read and write. But he barely has a few years of reading simple children’s stories before the latest journal is pressed into his hands, and he is briefly explained about the details of his curse.
He pores over the words of those who came before him — the Silvers who came before him, his previous iterations, all dying to form the next one. Their handwriting ghost his own, not just similar but straight up identical, and if he stresses his brain hard enough, he can almost conjure up wispy, fading memories of putting a quill to paper, ink curling across the page in the same, sweeping cursive.
And yet, it is a necessity to read all of it, all over again. Because Silver remembers — but not enough.
His memories are shattered, like an ancient mirror that has been cracked right through the middle, fractured into thousands of tiny, individual pieces. It is akin to a kaleidoscope of lifetimes; when he gazes into this metaphorical mirror, a thousand Silvers stare back, each one reflecting his exact appearance, yet distinct and different in their own ways. And yet each piece is but a shard; Silver remembers only the smallest bits of each past life, the pieces coming together to form a jumbled jigsaw of sharp-edged recollections.
He has lived far too many lifetimes as Silver — the crown prince of his kingdom, the only living heir of their royal family. He has lived far too many lifetimes as a Silver — distinctly different with each rebirth, living a short number of years until the day he inevitably dies.
Silver is immortal, and yet he is not. He lives on as the royal, the prince, a beacon of hope—
But Silver the person changes, with each new looping cycle.
(And so he reads through their journals, no matter how much it exhausts him.)
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Many a time, his gaze wanders to his bedroom window.
As the sole heir to the royal family, Silver resides in the largest chambers of the castle, a sprawling set of multiple rooms, from a drawing room to receive guests, to his private bedroom where he slumbers at night. What this also means is that he is privy to the best views of everything within his kingdom, from the area stretching across the castle grounds, to the rest of the kingdom beyond tall and guarded stone walls.
There are many things for him to peer at, but today, he is gazing at the soldiers’ barracks again. They have their own section of the castle, tucked out of the way, but Silver can view them from the sanctity of his study, a room where he pens his thoughts in his journal and reads through old ones.
The emotion that dwells within him is nigh imperceptible, difficult to describe. It feels as though someone has tied a rope around his ribcage, double-knotting it and pulling it tight before tugging at it, and pulling him forward. There are twinges and pangs that cross his heart, a hollow cavern yawning as his soul collapses into itself.
He feels this as he stares out the window at the soldiers training in their courtyard. His eyes fixate on the swords in their hands, at the way they slash and thwack their weapons against straw-stuffed training dummies. Occasionally, he will spot the soldiers gathering together, jumping and yelling as two of them spar with wooden swords, all of them oblivious to his peeping.
He wants this. He longs for this. He—
“Your majesty?”
Silver blinks. It takes him a split second, pulling himself out of his thoughts, shoving away the deep desires that permeate his heart, but he quickly turns around, eyes fixating on the familiar figure in the doorway.
“Malleus,” Silver greets, shoulders relaxing as a smile slips onto his face. Of course it is Malleus; there are few who have his explicit permission to enter without needing to knock, and his physician is one of them. He waves his hand, ushering him in. “How long have you been standing there? Come on in, take a seat wherever you’d like. And what have I said about the formalities?”
Malleus is here for another check-up, and Silver gladly acquiesces. He can think of no other person he trusts more with his very life and soul than Malleus himself. He allows the man to lead him through familiar routines, magic permeating his body as he searches for something Silver cannot see, before shifting to more physical methods of testing Silver’s health.
Still, as Malleus works in a near-silence, preferring to focus and get his duties done before they can relax and spend some time together, Silver cannot help his thoughts from wandering off again. His desires are not new; he has seen them expressed across multiple journals, scrawled in identical, curling scripts across expensive parchment. The desire to pick up a weapon, to learn to fight and defend, to learn how to wield a blade like a true prince — that is what he so desires.
But he is frail, and the council insists that he stays in, that he can learn to fight once they break the curse. So never, Silver thinks bitterly, eyelids slipping shut as he feels cold claws brush against his forehead. Never in this lifetime, and not while I’m alive.
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Malleus is many things.
To the populace, he has many names, many signifiers, viewed in many different ways. He is a blessing and a curse, for his magic is by far the only thing that can cure their prince, but all of it comes at the cost of his very existence itself: A fae; a deplorable, wicked creature; a monster that is the very scum of the earth itself. The history of their kingdom is written in the blood of their ancestors, shed through grievous wounds inflicted by the sharp claws and gleaming maws of the fae that slaughtered them all.
To the nobles, the members of the council who govern over the kingdom in Silver’s stead, making decisions on his behest, Malleus is something they tolerate. They do not speak of what will happen after the curse is broken and Silver is cured, but Silver knows, from their whispers and sly glances, from the words penned by the others who came before him, that they wish for nothing more than to rid the world of the last of the wicked — not, and never, fair — fae.
Humans gaze upon Malleus with distrust, wariness, abject hatred.
But for Silver, Malleus is one simple thing alone.
To him, Malleus is his friend.
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There are two distinct points in the history of Silver’s incarnations: Before Malleus, and After Malleus.
The difference is like night and day. The journals of before are dismal and depressing, imbued with a bone-deep loneliness that carried all the way through into the parchment pages, stained in the very ink used to scrawl thoughts across the pages. The Silvers of that time tried — truly, they did — to cling to hope, to believe in what their people believed: that one day, their prince would be freed from the shackles of his horrific curse.
But with the passing decades, the many years, the many Silvers that lived and died, they all seemed to suffer from the same truth: there was no cure in sight.
And then there was Malleus.
The guards found a young fae child today, lurking in the borders between what remains of the valley and the kingdom, his own handwriting reads, the parchment yellowed with age, the ink long-since dried. This, Silver knows, is the first point at which Malleus is mentioned, though not yet by name, tucked away in a notebook he recognises by the distinct fern-green colour of its cover. Even now, as I write this, I still cannot believe the abysmal state he was in upon meeting him. No child, whether human or otherwise, should have that many injuries on their body, and though I have had a stern word with those who found him, I fear for his safety.
He shall remain with me for the time being.
Though Silver does not have favourite journals — for such a concept is lost on him when all the journals are such a drag to read, recounting the day-to-day experiences of his past selves, a depressing fog seeming to permeate every page of words — this one is perhaps the closest one to such a concept. Because this journal is different — he clings to every word, phantom feelings of a fierce protectiveness flaring within him, as though this particular incarnation has stirred somewhere deep within him and seized his soul.
It is so painfully obvious how much his past self had cared for Malleus — taking care of him, granting him such patience and endless kindness, spending time with him teaching him the human tongue, of how to read and write. There is a page filled with endless delight upon learning the fae’s name, ink smudged together where the page reads Malleus. Their activities did not end at the crude essentials; there are sweeping recounts of games played together, of crayon drawings and delicious platters of sweet treats — and Silver aches when he reads every word of it, possessed by a longing to return to those simpler times, when Malleus was not his physician, and was merely his friend.
And this care is made so apparent by the last few pages, the cursive made shaky by the cold, approaching winds of Death. To the next Silver, it reads, take care of Malleus. If there is any hope of breaking this curse that ails me, it lies within the powers of the fair folk. And yet, the rest of the page is filled with sentiments, rather than explaining how Malleus is the key to breaking the curse:
I wish this could last forever, these sweet days of playing together. For much of my life, I have been haunted by a bleak loneliness, isolated by my circumstances, and haunted by the weight of all our pasts. I have never had any companions my age, and I know from my readings that all of my predecessors shared the same lonely fate. To indulge in such fleeting luxuries, to have someone to speak to as though we were on the same level, intimately so— it is a happiness unlike anything I have ever felt before.
Blotchy circles stain the pages, the ink smeared in places.
Things may be different from now on. I understand that the council wishes for him to begin his work when the next cycle begins. And it is with that knowledge that I must remind the next Silver: Malleus may be our physician, and he may be tasked with breaking our curse—
But before that, before any of that, he is our friend.
Never forget that, for as long as we may live.
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“Thank you for joining me today.”
Wispy trails of steam rise from two cups of tea, sitting in elegant saucers. Before Silver, and in the middle of the round tea table, is a small spread of sweet delicacies: scones accompanied by small glass jars of jam; finger sandwiches, some filled with goat’s cheese and roasted pepper, others filled with cucumber and salmon; and a small, round cake, tiny enough that it’s perfect for just the two of them.
“Of course,” Malleus replies, his voice smooth as usual. He raises his head slightly, slitted-eyes roaming over the tea-time spread before them, before he dips his head. “I thank you for the invitation, your majesty.”
“We have been over this many times, Malleus,” Silver says, unable to hide the exhaustion that spills into his voice. “You need not refer to me by such formalities.”
He knows why Malleus does so, of course. The answer is written across several different journals — It is difficult for him to reacquaint himself with us in each new cycle, and I truly cannot blame him. How alienating must it be, to witness someone you grow close to, time and time again, look upon you with no familiarity in his eyes? There is another reason too, though one of mere speculation, for Malleus has never confessed the truth by his own tongue — Earlier today, I witnessed a council member chide Malleus for regarding me with such familiarity during our meeting. I do wonder if this may be another factor into those needless formalities.
Thankfully, Malleus always obliges whenever Silver asks this of him — though whether it is because Silver is his prince, or because Silver is his friend, he never knows. “Is there any occasion for this meeting, Prince Silver?” Malleus asks, as Silver beckons for him to help himself, unwilling to dig in first when the fae’s eyes are flickering over the food, glinting with hunger. I wonder if he has forgotten to eat again, Silver thinks. Malleus carries over a scone and a sandwich with his utensils, leaving the cake intact. “Not that I mind it, by any means; it is always a pleasure to spend time with you.”
“There is no special occasion,” Silver answers, finally reaching for the spread as Malleus cuts into his meal. “I… only wished to spend time with my friend.”
Their relationship is a strange, tenuous thing. There is undoubtedly a bond there, from the way that Silver always feels so safe and secure in Malleus’ presence, and the gentle way that Malleus treats him, always appearing whenever Silver calls for him. There are even some rare occasions where the facade of dutiful physician slips, a careful veneer crafted for the sake of survival in the court, and Silver relishes those times, watching as Malleus’ expression sours, the stinging barbs that spit from his mouth more endearing than his usual regal elegance.
But all the same, compared to the earlier journals after Malleus’ appearance, filled with much more warmth and life — even as he learnt his role, Malleus would still happily chat with those Silvers, accept his offers to play games, spend the night with him on many occasions — there is a gap between them now. Driven by age, driven by time, and driven by the eternal, scathing judgement of the many humans of this kingdom, who cycle in and out of life and death, but are all fuelled by the same spiteful hatred and prejudice, taking it out on the only fae they know.
Still, Silver tries his best. He knows Malleus does too.
He sees it in the way the fae’s shoulders relax, expression smoothing out at the edges. “In that case,” Malleus says, after a moment’s pause, “let us indulge. How have you been lately… Silver?”
It is a good day for the two of them, Silver reflects. They drink their cups of tea and drain the pot of its excess drink, and the tray of delicacies are filled with nothing but crumbs by the time they’re done.
Even the cake, a dessert regarded with conflicting feelings by Malleus, is finished by the end of it. For once, Malleus eats his slices with a small smile, both their forks scraping the bottom of the plate as they help themselves to their fill.
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Death no longer scares him, unlike everyone else. Death, in its own way, is a comfort, an inevitability: Silver knows he will reach his demise at the same time, at the same age. Very few people can ever be privy to such knowledge, going through their lives not knowing if they will pass on at age fifteen or fifty.
In that vein, what does it matter if Silver chooses to speed up the process?
He is not allowed proper access to weaponry. The council states that it is because there is no need for him to pick up a blade when he has guardsmen patrolling the halls around his room at all times, but Silver knows better. This is not the first time he has longed to die earlier than he usually does; he can count the other occasions on two of his hands, based on cryptic journal endings dated months earlier than they usually do.
To an extent, a part of him wonders what the point of it is. He will die, inevitably; why inflict such pain and suffering if he knows he’s going to come back? What is the point of it all?
The point, Silver tells himself, is that there isn’t one. He’ll always come back. He’ll always return — and so why should he languish and rot in his bed as his body slowly gives out on him? Why waste those months feeling his muscles weaken and his grasp on reality slip?
Why not do everyone the honour of ending it early, ending it now?
(The silver blade of the dagger, requested from some rookie soldier who knows no better than to deny this particular request from the prince, is cold against the flesh covering his heart.)
Silver is so, so tired. His life is stagnant, unchanging; he lives and he dies the same person, the same name, the same cursed prince of the same bloody kingdom, every childhood filled with days of reading the same handwritten journals signed with the same, stupid name.
When will he be allowed to rest? The weight of a legacy, the weight of his people’s hopes and dreams, drag him down, like impossibly heavy weights that are shackled to his limbs, pulling and pulling until he’s flat against the ground. He never asked for this — and god, it’s so selfish to even think of that, but it’s true.
Nobody ever thinks about him, Silver the person. They are only ever concerned with Silver the prince, Silver their saviour.
Except—
A memory flashes to mind, unbidden — of twisting, dark horns and raven-spun hair, and slitted green eyes that crinkle at the corners as he smiles at him.
(His hands tremble.)
Malleus.
The name fills him with an ache. If there is anything Silver can take comfort in as he straddles the line between life and death, it is simply that Malleus will always be there. Malleus is a constant throughline throughout Silver’s life, and while Silver may ebb and flow, weaving in and out of the many, many years of a fae’s long lifespan, Malleus will always be there.
And though the thought of that face, rendered a child once more in its shock and sadness, causes his chest to knot itself with hesitance and reluctance, Silver steadies himself.
The humans may come and go, live and die, but Malleus will always remain.
(And the blade plunges down.)
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