#scene: hlil of swords

[bthump]

Wait why is it that in the famous “bthump” page the panels are put together in a way that gives the illusion that guts and griffith are facing each other when griffith’s heart goes bthump. We know guts is fighting zodd at that moment he cant be having a staring contest with griffith he has his back to him anyway. I feel like if u show that page out of context to anyone they’ll assume the two are looking at each other. Or am i going crazy? I mean i usually wouldn’t read too much into such a thing but i feel like miura actively uses paneling to convey certain messages throughout the story. He still could’ve just had a silly moment there idk

Because Guts is what's making his heart go bthump!

I have a post about the paneling specifically here, actually, but I'll get into it again because I feel like that explanation could be more detailed lol.

So basically they're positioned like that, Guts on one side of the panel, Griffith on the other, as a parallel and contrast to the final panel immediately before that page:

Griffith is on the left, fetus is on the right. Fetus is Griffith's theory, or hope. I came here to test my heart and make sure I don't have feelings, and oops looks like I just failed that test while watching Guts fight a stronger opponent, notably similar circumstances to the first time I ever saw him. Hmm gotta be that fetus, surely these feelings aren't real.

This is a conclusive counterpoint to Griffith's argument, stemming from reality rather than Griffith's thoughts. It's the final page of the chapter so it has greater weight than Griffith's fetus theory. It's composed similarly, Griffith on the left and the other possible source of feelings on the right - but Guts right there, and the fetus is only Griffith's thoughts, so Guts has more weight in that sense too.

And that final "......... bthump" is the perfect capstone, because it's essentially saying that Guts is causing that heartbeat. The final word of this chapter is Griffith's heart beating when faced with Guts.

The panel is composed like this despite not reflecting how Griffith is viewing Guts in reality, imo to hammer home the point that Guts specifically is the source of feelings. It's not the excitement of the fight, it's not Zodd, it's not even concern for Guts' life necessarily, it's just Guts, and the raw intensity Guts exhibits in the middle of a fight, the same thing that drew Griffith to him when they first met. This panel especially emphasizes their gazes - Griffith is gazing at Guts, but Guts isn't gazing at Griffith - but this could also suggest that Griffith would like Guts to be looking at him like that, with that same intensity.

It also parallels the two of them, the way they each get one half of a face. In the context of Griffith's singularity as The Absolute, and Guts' own tempation towards becoming a monster that becomes especially pronounced during fights, and the constant emphasis on power dynamics and the two of them wanting to be equals throughout the story, this arguably suggests the potential for the two of them to still be equals in ways that actually matter, despite Griffith being a god now. Guts humanizes Griffith here by making his heart beat, Griffith monsterizes Guts by enraging him.

And to be perfectly honest, I don't think it's a coincidence that Guts looks particularly good in this panel either lol. Guts here is essentially what Griffith is imagining he looks like as he faces Zodd. And it's something Miura does regularly imo. Characters become more attractive when they're the objects of certain gazes. I have a long post about Griffith from Guts' perspective here, but Guts also gets this treatment from Griffith's perspective during the rescue. There are probably heterosexual examples too, but I don't recall them offhand because that's not what I'm reading Berserk for. That second one is arguably half heterosexual anyway lol.

So yeah, basically imo the reason is: to emphasize Guts as the cause of Griffith's feelings, to parallel them, and to add some homoeroticism.

Thanks for asking!

#ask #anonymous #a #b #scene: hlil of swords #theme: true light #theme: equality #theme: parallels #theme: fetus #theme: homoeroticism