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ao3feed-puckurt · 1 year
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The Song of Distances
read it on the AO3 at https://ift.tt/nCZ9263
by LittLefirefLyDD
За минувшие несколько месяцев жизнь Курта, стоило в ней появиться Себастьяну, успела кардинально измениться - и, к несчастью, далеко не в лучшую сторону. Теперь лишённому поддержки юноше приходится жить с грузом тяжёлых утрат, а кроме того - принять последствия так нелегко давшегося ему решения остаться рядом со своим самопровозглашённым "любимым". Но, как часто бывает, чем больше прикладываешь усилий, тем глубже увязаешь. Чем больше тайн раскрывается, тем быстрее множатся новые вопросы.
Words: 38440, Chapters: 3/22, Language: Русский
Series: Part 2 of Whoever I sang for
Fandoms: Glee
Rating: Mature
Warnings: Creator Chose Not To Use Archive Warnings
Categories: M/M
Characters: Kurt Hummel, Sebastian Smythe, Blaine Anderson, Hunter Clarington, Tina Cohen-Chang, Mike Chang, Santana Lopez, Brittany S. Pierce, David Karofsky, Finn Hudson, Rachel Berry, Cassandra July, Lauren Zizes, Emma Pillsbury, Sebastian Smythe's Mother, Will Schuester, Other(s)
Relationships: Kurt Hummel/Sebastian Smythe, Blaine Anderson/Kurt Hummel
Additional Tags: Background Relationships, unrequited Hunter/Kurt, Alternate Universe, Flashbacks, Dreams and Nightmares, Hurt/Comfort, Drama & Romance, Prophetic Visions, mystical elements, supernatural powers, Minor Character Death, Slow Burn, Friends to Lovers, for klaine, Established Relationship, Unhealthy Relationships, for sekurt, Possessive Behavior, Toxic love, Secrets & Mysteries, Family Secrets, Angst, Friendship/Love, Psychic Abilities, Originally Posted on Ficbook.Net
read it on the AO3 at https://ift.tt/nCZ9263
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monitornahas · 2 years
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How to install hayes process in spss on mac
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HOW TO INSTALL HAYES PROCESS IN SPSS ON MAC SERIES
If an SPSS macro has been saved as a text file: Open the file, copy and paste the text into the syntax in which you wish to use the macro.If the macro has been saved in the same directory as other SPSS files in the open project, it can be included without including the file directory, as in: įor example, if a macro called “!screen” was saved on the “C drive” in the “My Documents” folder, you could include it by using the following command in SPSS syntax: Simply include the following command anywhere in the syntax file (SPSS deals with macros before running any other syntax, so it does not have to be in the beginning): sps file, a line of syntax must be executed in order to use the macro. Step 2: Including an SPSS Macro in a Session STATISTICS=STDDEV MINIMUM MAXIMUM MEAN MEDIAN SKEWNESS SESKEW KURTOSIS SEKURT Simply copy and paste the macro text into the SPSS syntax window when you wish to use it.Įxample of a macro for initial data screening: It is advisable to use an exclamation mark before the name, so the macro will be easier to locate in the syntax text. For example, if a macro contains the line “DEFINE !screen”, the macro name is !screen. A macro begins with the word “DEFINE.” The next word is the name of the macro.Macros are written in SPSS syntax, and should generally be saved as a file with a. Whether you have written a macro yourself, or are downloading it from the Internet, begin by saving it to an accessible directory.Saved in an accessible directory (preferably the directory which contains other SPSS files for the same project).In order to use an SPSS macro, the macro must be Raynald’s SPSS Tools site has a large collection. There are literally thousands of ready-made macros freely available online. SPSS macros are fairly easy to create if you have a fundamental understanding of SPSS syntax. For instance, macros can be used to conduct tests of mediation and moderation in regression, estimate path coefficients of other indirect effects, or to perform bootstrapping functions. There are many applications for using macros. While the time-saving potential of a well-designed macro is apparent here, it becomes even more attractive for more complex or frequent SPSS tasks (imagine the previous example, performed every day, using 100 sets of variables, and requiring subtle adjustments to multiple output statistics). This example involves only one simple application of SPSS macros, used for a relatively straightforward task, performed once-per-week. SPSS Point-and-click interface (GUI) : about 2 hours.These methods and estimates of time required are as follows: Assuming you need to run similar analyses for 12 sets of variables every week, these analyses could be performed using one of three methods. Your report provides descriptive statistics and regression models to examine the impacts of several marketing campaigns on company profits. Suppose you run weekly analyses for a marketing company.
HOW TO INSTALL HAYES PROCESS IN SPSS ON MAC SERIES
Macros can conduct a whole series of analyses, make adjustments to multiple output statistics, produce multiple charts with many combinations of variables, or any number of other tasks.Īfter a macro has been defined, written, and saved, it can be used by “Calling” it. The SPSS macro language is quite flexible. Similar to other programs, macros serve to “automate” a series of operations which would be much more time-consuming or complex to perform by issuing commands one step at a time. These mini programs are written in a combination of a special SPSS macro language and the familiar SPSS syntax language. An overview of what macros do and how they functionĪn SPSS macro functions as a “mini program” within the syntax of SPSS.
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lady-divine-writes · 2 years
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Kurtbastian one-shot - “Text-ual Healing” (Rated M)
Summary: A slight misunderstanding leads to a spectacular revelation. (1438 words)
Warning: implied past relationship angst with a certain curly-haired someone...
Read on AO3.
I fucking love you.
The words don't register with Kurt right away as he fumbles his phone, juggling his coffee in the same hand and adjusting the straps on his mask with the other. He'd gotten to NYADA with minutes to spare when his phone buzzed in his pocket. 
He'd lollygagged checking it because he knew it was Sebastian.
Kurt had left his boyfriend's bed, mouth, everything only a half-hour before. So, the man was texting him to gloat.
Remind Kurt why he was late to school today.
And why he was limping despite opting to bottom for the past six months. 
It had nothing to do with power and everything to do with intensity.
Duration.
Kurt glances at the words on his screen and fondly rolls his eyes.
"Oh, Sebastian. My eloquent boyfriend," he chuckles. "I fucking love... " Kurt's heart races as the words he'd scanned assemble in his brain, their meaning ticking loudly like the last ten seconds of a countdown.
Oh my God. Did Sebastian just tell him...?
Kurt swallows hard enough to hurt, but it doesn't break him from his stupor.
Why? Why would he do that? Why would he tell him he loves him for the first time like this? Through text message!? The bastard!
Though this is honestly very much on-brand for Sebastian: wait until after a night of epic sex, after he has sucked and fucked his boyfriend to the brink of insanity, let him go on his way to somewhere important, then mind-wipe him with an outrageous confession.
This way, Kurt would never forget it.
Are they at this point, though? Ignoring the ridiculousness of his timing and execution, are they at the I love you stage? 
Kurt thinks so. He has for a while, but that could be the hopeless romantic in him. The amount of time it took Kurt to go from, "This is just sex. I will never fall in love with Sebastian Smythe," to, "I can't believe I'm in love with Sebastian Smythe!" was embarrassingly short. Considering the relationship that preceded their nightly dinner dates and bed gymnastics, he was convinced his affliction would be one-sided for as long as this lasted.  
According to this message - apparently not.
Kurt should be jumping for joy, but he's terrified. He's been in love once before. It didn't turn out too well for him. That one relationship rolled him through the twelve-step program of relationship red flags: deception, gaslighting, jealousy, codependency, isolation... He doesn't believe Sebastian would do any of that to him, but is he ready to take the chance?
The clock in the lobby chirps loudly, and Kurt takes a much-needed breath. It's eight a.m. - ten minutes since Sebastian sent that text message. As Kurt stares at his reflection in his phone screen gone black, he becomes aware of several things.
One - he's late for class. He's missing a test. It's worth a quarter of his grade. 
Two - at some point, he'd dropped his coffee cup. It was mostly empty, but what was left has stained his suede Oxfords.
Well, Sebastian's suede Oxfords.
Three - he has stalled replying to Sebastian for a length of time that could be interpreted as Thank you, and not I love you, too.
And Sebastian deserves an I love you. He absolutely does.
The man has changed. He's put in the work. No longer the pernicious butthole from high school, he's matured into a man Kurt has been proud to call his.
Kurt has loved Sebastian for months now, too afraid to say the words out loud for fear they'd be the end of their relationship. The happiest, healthiest relationship he's had in a long time.
Maybe this could be a first step towards something new. Something exciting. Sebastian has already extended his hand. All that's left is for Kurt to take it.
Now seems like a good time.
Swiping his finger across the screen, Kurt brings his phone out of hibernation. He glances at Sebastian's text, gaze landing on it long enough to confirm it still exists. Kurt's heart skyrockets as he takes the plunge and types I fucking love you, too, Sebastian Smythe.
He tacks Sebastian's name on the end so that he'll know Kurt means this message for him without question.
Kurt presses send, then leans against a wall and waits. No reason to rush to class. He's too late to attend now anyway. He can beg for forgiveness later.
This is more important. 
Kurt's hands shake as he waits nervously for a reply. But Sebastian doesn't text back. He sends a voice message instead. Kurt presses play the second it pops on his screen, heart thrumming so hard it moves his entire body away from the wall with every beat. He expects a quippy response, something along the lines of: "Well, you don't have to get all mushy about it," in that boyish, shy voice Sebastian gets when the real him peeks through the cracks of that worn-out facade he wore through high school. Kurt contemplates running out the doors, jumping on the subway, and heading back to Sebastian's place for a PornHub ending to this Hallmark moment when the message starts playing and he hears: Wait... what?
The tone of Sebastian's voice, that comical confusion, makes Kurt's blood run cold. Did he not expect Kurt to say it back? Did he not think he felt that way? After six months of kisses and cuddles and movie marathons and naked confessions?
Or did he not...?
Oh dear God...
Kurt looks at Sebastian's text, double-checking that the message said what he thought it did. His racing heart slams against his ribcage then plummets to his stomach.
It doesn't say I fucking love you.
It says I love fucking you.
Kurt's world stops spinning. He knows it has because he can't breathe. He slides down the wall, landing on his butt on the cold floor.
Oh my God.
Oh my God, oh my God, oh my God...
OH MY GOD!!
Kurt starts frantically texting. Maybe he can get Sebastian to think it's a joke. A cruel, horrible, disgusting joke, but still. A joke. Sebastian would understand a joke, right? 
RIGHT!?
Not able to keep his thoughts in order, he gets halfway through a sentence before sending it and starting a new one, each more desperate than the ones before.
Wait!
Sebastian? 
I misspoke!
I mean, I miss typed!
I didn't...
It was a...
Grrr! He can't say joke. He can't. Dammit!
He's in the middle of typing, "Please, don't hate me!" when Sebastian interrupts with another voice message. Then another. And another. 
Two short, one long. 
Kurt's heart sinks further. 
Oh, God.
Please be, "It's okay."
Forget about it.
No big deal.
Water under the bridge.
I knew you were joking.
Don't be, "It's over."
Please?
Kurt selects the first message. It's five seconds long, and it's a chuckle. Good chuckle? Bad chuckle? It isn't long enough for Kurt to tell.
Kurt selects the second message, also five seconds long. It's a pause, then a single sniff. An angry sniff? Angry at Kurt for making their relationship more than it is? Or a sad sniff? Sad because Kurt screwed up, caught too many feelings, and now what they have is over? Again, it's not long enough to tell.
Kurt's finger hovers over the play button on the third message, but he can't get himself to press it. He doesn't want to hear it. At close to thirty seconds long, this is the one. This is the message that changes everything. He feels it - deep in his heart that hasn't started up yet.
He closes his eyes and sits there, waiting for fate to take over, waiting for something to happen.
Waiting for someone from admin to see him sitting on the floor and tell him to get up and leave.
Or waiting for his arm to get tired and gravity to do its thing.
He sits there, still as stone for what feels like an hour.
The door beside him opens. A breeze spirals in, slipping underneath the hem of Kurt's jacket and sending a shiver up his spine. His finger falls. It lands on the screen. With his eyes shut, Kurt isn't sure where exactly it lands, isn't sure his phone hasn't gone to sleep. Sebastian's hoarse voice comes from the speaker, and Kurt knows his finger hit its mark. Sebastian sniffles, on the verge of tears from the sounds of it. He stutters, stumbles over a word or two, laughs out loud. Then he says:
Kurt... I fucking love you, too.
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daftydraw · 4 years
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[Img descr: two pictures of actress Kimberly Williams-Paisley with a quote from ADITO about the OC character Charlotte Smythe that reads: 
“Kurt feels his heart fill with gratitude for this amazing woman, who loves and supports her children with every fiber of her being. Sebastian is lucky, so damn lucky to have a mother like her, and that’s definitely something Kurt wants to tell him.” ]
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[Img descr: two pictures of actor Josh Duhamel with a quote from ADITO about the OC character Greg Smythe that reads: 
“What can I say, Kurt? Family...you can’t pick ‘em,” Greg says. “I just hope that with the help of good men like your father, we can turn this country around and restore the damage that my father’s generation did, for the sake of our children- and your generation’s children,” he adds, “whether you choose to have any or not.”]
Tags: @vallyjean​, @kurtbastianfeels​, @ancynamonek​, @chronicle-art​ (If you would like to be added to the tags list moving forward please let us know :) )
[A Drop in the Ocean, @jwmelmoth​ & Daftydraw, coming NEXT WEEK!]
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qduckqduck · 5 years
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happy birthday peachy
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colfersfanru-blog · 4 years
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rainbow-souffle · 5 years
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Russion fic: https://ficbook.net/readfic/7707724
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thepatadonia · 7 years
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2017
i still ship kurtbastian
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russiandovakin · 7 years
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ao3feed-puckurt · 1 year
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The Song of Changes
read it on the AO3 at https://ift.tt/FZq9Tpk
by LittLefirefLyDD
Курт Хаммел - начинающий певец, работающий в одном из сан-францисских клубов. Он старается жить, как все нормальные люди: работать, развлекаться, устраивать личную жизнь, - игнорируя некоторые необычные элементы своего существования. Появление на одном из его выступлений Себастьяна Смайта оказывается судьбоносным.
Words: 260763, Chapters: 18/22, Language: Русский
Series: Part 1 of Whoever I sang for
Fandoms: Glee
Rating: Mature
Warnings: Creator Chose Not To Use Archive Warnings
Categories: M/M
Characters: Kurt Hummel, Sebastian Smythe, Blaine Anderson, Hunter Clarington, Kitty Wilde, Marley Rose, Sugar Motta, Artie Abrams, Unique Adams, Finn Hudson, Rachel Berry, Santana Lopez, Brittany S. Pierce, David Karofsky
Relationships: Kurt Hummel/Sebastian Smythe, Blaine Anderson/Kurt Hummel
Additional Tags: Background Relationships, Kitty/Marley, Artie/Sugar, Minor Rachel Berry/Finn Hudson, Unique/OMC, Minor Santana Lopez/Brittany S. Pierce, unrequited Hunter/Kurt, Alternate Universe, Hurt/Comfort, Drama & Romance, mystical elements, supernatural powers, Minor Character Death, Slow Burn, for klaine, Developing Relationship, Established Relationship, Unhealthy Relationships, for sekurt, Possessive Behavior, Toxic love, Secrets & Mysteries, Angst, Friendship/Love, Psychic Abilities, Originally Posted on Ficbook.Net
read it on the AO3 at https://ift.tt/FZq9Tpk
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hokalohnews · 6 years
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Hokaloh News Updated: Peluang Pelaburan Persaraan Melalui PRS (Private Retirement Scheme) - Hokaloh Berita
https://hokaloh.news/bisnes/peluang-pelaburan-persaraan-melalui-prs-private-retirement-scheme-hokaloh-berita/
Private Retirement Scheme (PRS) atau Skim Persaraan Swasta merupakan sebuah skim simpanan dan pelaburan jangka masa panjang secara sukarela yang ditubuhkan bagi menambah simpanan dana persaraan. Ia merupakan pilihan tambahan bagi rakyat Malaysia sama ada yang bekerja di sektor awam atau swasta juga bagi mereka yang bekerja sendiri.
Di Malaysia, badan yang melindungi kepentingan PRS dan mendidik orang ramai mengenainya  ialah Private Pension Administrator (PPA). PPA telah dilancarkan serentak dengan penubuhan PRS pada 18 Julai 2012.
PRS diwujudkan untuk memastikan setiap orang dewasa produktif yang masih muda dan generasi Malaysia akan datang mempunyai tabungan dan simpanan aset kewangan mencukupi menjelang persaraan mereka.
Ia mengikut model seperti KWSP yang mempunyai 2 akaun iaitu Sub Account A (70% caruman) dan Sub Account B (30% caruman). Caruman dalam PRS bersifat sukarela berbanding KWSP yang merupakan caruman wajib setiap bulan.
Setiap dana yang ditawarkan melalui PRS juga memberi pilihan kepada pelabur untuk melabur berdasarkan keperluan persaraan, matlamat kewangan dan toleransi risiko mereka sendiri. Berbanding KWSP, pencarum tidak mempunyai kebebasan untuk memilih jenis-jenis dana.
3 tetapan dana teras dalam PRS menawarkan campuran pakej yang menyediakan pertumbuhan, sederhana dan konservatif serta pulangan berdasarkan tahap kehidupan yang berkembang ke arah persaraan. Contoh pembahagian seperti berikut:
Kategori Dana Peruntukan Aset Pertumbuhan Maksimum 70 peratus dalam ekuiti; 30 peratus dalam debentur / pendapatan tetap dan kaedah pasaran wang Sederhana Maksimum 60 peratus dalam ekuiti; 40 peratus dalam debentur / pendapatan tetap dan kaedah pasaran wang Konservatif 80 peratus dalam kaedah pendapatan debentur / pendapatan tetap yang minimum iaitu 20 peratus mestilah dalam kaedah pasaran wang dan maksimum 20 peratus dalam ekuiti
Setakat ini terdapat 8 penyedia PRS yang telah diluluskan oleh Sekurtiti Malaysia iaitu:
Di antara kelebihan lain dana PRS adalah anda boleh memilih untuk menyumbang kepada satu (1) atau lebih Penyedia PRS. Di bawah setiap Penyedia PRS, anda boleh memilih untuk melabur dalam satu (1) dana atau lebih dengan menyumbang berdasarkan tetapan pilihan (pemilihan berdasarkan umur) atau memilih dana berdasarkan pilihan anda.
Selain daripada itu, bagi menggalakkan penyertaan warga belia (20 – 30 tahun) dalam caruman PRS, kerajaan telah meningkatkan insentif RM1,000 melalui Bajet 2017. Ini bermaksud untuk caruman minimum sebanyak RM1,000, anda akan mendapat RM1,000 daripada kerajaan sebagai rangsangan untuk memulakan simpanan persaraan anda.
Ingatlah bahawa membuat permulaan simpanan seawal yang akan memberikan kesan yang besar kepada jumlah simpanan untuk persaraan anda.
Sumber rujukan dan kredit gambar:  Private Pension Administrator Malaysia (PPA)
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#Bisnes #Akaun #Awam #Bajet #Julai #Jumlah #Kerajaan #Kewangan #Malaysia #Pasaran #Pelabur #Peruntukan #Pilihan #Rakyat #Wang #Warga
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lady-divine-writes · 3 years
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Hey, D. It's been a horrible few weeks, and I haven't read anything from you in so long. Do you have any funny Kurtbastian rolling around that you can post (no pressure)?
Hey, nonnie :) I'm sorry it's been horrible. Same for me. So this isn't the best I have to offer. But I hope it'll do until I get something else up <3
Under the Table
Summary: When Kurt bets his boyfriend that he can't drink him under the table, the outcome isn't exactly what he expects.
Read on AO3
"Mmmph... Kurt? Hurry up. I need to... gangway, Kurt!"
Kurt hops aside, clearing a path to the first stall for his lime-faced boyfriend. He stands guard in the open doorway, eyes glued to the mirror over the sink. He doesn't need to watch Sebastian drop to his knees and pay homage to the toilet. This bar is cleaner than most on the Lower East Side. Still, as with most public toilets, Kurt suspects much gonorrhea has been spread here. But the real tragedy?
Sebastian is ruining a gorgeous pair of Gucci jeans.
Hooooork!
Kurt stares sympathetically at his own reflection and sighs.
He looks incredible tonight. He really does. He went all out for this date (with the help of the Vogue in-house salon): highlights, a trim, a saltwater facial, a brand new shirt to go with the floral-print corduroys he borrowed from Elliott three years ago and conveniently forgot to return.
Sebastian looked incredible, too - in his tightest fitting pair of indigo jeans and the scarlet button-down Kurt had gotten him for Christmas. That was until roughly five minutes ago.
Pity.
Now, Kurt will have to burn that outfit the second they get home and soak Sebastian in ammonia to boot.
Hork! Hooork!
Kurt scrunches his nose, forehead creasing with disgust. Kurt had intended on getting Sebastian on his knees eventually, possibly even in a bathroom. But not like this.
Kurt needs to plan his sexual escapades better.
Hork! Hoooork!
He winces when Sebastian heaves harder, his whole body straining before relinquishing the remaining contents of his stomach into the bowl.
"You know, when I bet you you couldn't drink me under the table, I thought that at least we'd end in a tie."
Sebastian sniffles, then grotesquely spits. "S-sorry to disappoint you."
"A-ha. What about that b.s. you spewed back in high school about drinking Courvoisier like it was mother's milk?"
Sebastian snorts at Kurt's on-the-nose word selection. "Didn't I tell you?"
"Tell me what?"
"I'm lactose intolerant. Hork!"
Kurt steps away from the stall, needing to put some distance between himself and his retching boyfriend before he gets struck with a wave of second-hand nausea. Kurt loves Sebastian. He's not going to leave him to suffer the slings and arrows of too many tequila shots alone. But it would be nice if there was something else in this tiny lavatory for him to focus on besides Sebastian turning his stomach inside-out.
A particularly wet splat starts Kurt inching towards the door. "Jesus Christmas."
"Wh--what was that?" Sebastian groans, his voice sounding painfully raw.
"I said there-there... " Kurt lies, distracted by his phone vibrating in his pocket. He pulls it out, reads the message on the screen, then sighs with relief. "Thank God. That's your Uber. Come on. You can finish your projectile puking in the comfort of your own home."
The toilet flushes, accompanied by a loud creak as Sebastian latches onto the toilet paper dispenser for support. He falls back to one knee when it proves an unreliable assistant. "You called an Uber?"
"Yessir."
"But we drove here in your Navigator."
"Hence why I said your Uber," Kurt replies, helping Sebastian to his feet, several paper towels from a roll on the sink keeping their palms apart.
"You're leaving your SUV here?"
"No, no, no. I would never do that." Kurt holds Sebastian by the shoulders and leads him towards the door, careful to walk as far back as his arms will extend, in case Sebastian's stomach isn't empty yet. "I'm driving my baby home. I put my Navigator through so much in high school. I'm not putting it through this."
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qduckqduck · 4 years
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Магический пончик: "Кто-то, кого я знал" https://ficbook.net/readfic/9313764
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colfersfanru-blog · 4 years
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rainbow-souffle · 7 years
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