#shin saekyeong | Explore Tumblr Posts and Blogs

strawberry1212 · 3 years

Text

The healthy masculinity of Seongyeom in Run On

“Masculinity” itself is a difficult concept, but in this post I intend on using the word less in association to a person’s gender, and more as a characteristic that both women and men can embody. For example, I think Mijoo has masculine characteristics such as assertiveness, and Seongyeom has more feminine characteristics such as doing nurturing acts of service towards those he cares about. I believe a well rounded person has both masculine and feminine qualities, and one set of qualities should not be prized over the other (as masculine qualities are routinely over-valued in our society). (This is a complicated topic, so any discussion on gender/gender expression is appreciated and I am willing to learn!)

The typical toxic masculinity

Seongyeom’s healthy masculinity stands out starkly in a Kdrama sea of toxic masculinity. I have made a list breaking down toxic masculinity tropes in Kdramas, but essentially Kdrama Male Leads (ML) draw their masculinity from dominance over others. This is usually in the form of being in a dominating position over the female lead (FL), such as being her boss, being above her in a high school social hierarchy, or she is under some contract to serve him. He also usually dominates society at large, being the son of an heir, a CEO, etc., some position where he benefits from the capitalist exploitation of others. The scenes that showcase the ML’s masculinity are when he asserts dominance over the FL through wrist grabs, backing her into a corner, etc., or when he flaunts his wealth (the typical scene in an upscale store, “we’ll buy everything from here to there”), and provides these Grand Romantic Gestures via his wealth (helicopter rides, renting out a whole restaurant just to talk to her, etc.). He knows what he wants, he goes after it, and he gets it, the “it” often being the objectified FL. As viewers we are supposed to swoon over the fantasy of being dominated by this rich, hot man.

Seongyeom’s healthy masculinity

Now enter Seongyeom. Seongyeom does not really seek to dominate anyone--instead his masculinity stems from his defense of those weaker, and his commitment to his values. He is strong because of his goodness, rather than the typical male lead being soft/good in spite of his masculinity.

The core plot point is his relationship to Woosik: although him beating up Woosik’s bullies is a display of more typical masculinity, his overall protection of Woosik was not in that act of violence, but in his persistence to be held accountable for that act of violence. In the toxic sports world where violence was not held accountable, Seongyeom’s protest was not to commit the act of violence, but to openly admit it and force others to hold the act of violence accountable. He repeatedly states that non-defensive violence is not ok no matter what, breaking with the traditional toxic masculinity that a guy fighting for the girl or some other “valiant” reason is therefore okay.

Seongyeom has a rare integrity, and his unshakeable commitment to this integrity is what impresses his masculinity upon the viewer. The hallmark moment of his protection of Woosik is again, not in beating up his bullies, but in boycotting the race, and coming forward about the violence and demanding to be held accountable. This action was peaceful, but incredibly courageous. He is protective (a typically masculine trait) of Woosik, but not through violence or abuse of power, but by having the courage and integrity to do the right thing.

When he protects/supports Mijoo, it is also not in a possessive way. I think a prime example is when Mijoo gets sick: it’s a classic Kdrama trope, girl gets sick from overworking, guy arrives to save her. Any other Kdrama would have him arrive just as she’s fainting and catch her. Using his wealth, he would get the VIP room of a hospital for her. But Run On is different. Mijoo is able to get to the hospital herself--she doesn’t need saving. However, he arrives to stay by her side supportively, and when the old ladies are annoying her, instead of using a combative method, he is his normal, gentle self, and charms them into being more quiet.

The drama’s handling of Seongyeom’s privilege

A cornerstone of toxic ML masculinity is his position of immense wealth and power. Interestingly, Seongyeom also comes from a background of wealth and power. However, rather than fetishizing it, as kdramas tend to do, Seongyeom is clearly separate from his family’s background. This is established from the fact that rather than simply being a CEO inheriting his family’s company, he has made a name for himself as a runner, having his own profession, with his own unique skills. The drama generally refrains from ostentatious displays of his wealth, and his actions for Mijoo are acts of service and time (bring her a glass to drink her soju out of, taking the driver job for her, moving close to her so she has to walk less, and overall being a kind, supportive little bean to her), rather than servicing his immense wealth to her .

More importantly, it is how the drama handles the emotional impacts of Seongyeom’s privilege. Usually wealthy, but lonely backgrounds are used as an opportunity to excuse the male lead’s disrespectful behavior, to explain away his shitty personality, and also as an opportunity for the cheerful and kind female lead to “heal” the male lead. I cannot stress how much this trope disgusts me, as this “broken man just needs the right, patient woman to fix him” narrative is the kind of mentality that keeps women in domestic violence relationships. It is so harmful, and also serves to put down other women (I need to prove I’m different from other women, I understand him, I can change him, I will succeed where other women who were too shallow to understand his scars have failed, etc.). Seongyeom is far from a jerk male lead, but he still has emotional difficulties from his upbringing, primarily that he is inexpressive. Jerk male leads are also inexpressive about their emotions, and usually heap verbal abuse upon the female lead, but it is just brushed off as a “quirk” that the girl must put up with because she knows, ultimately, through his Grand Romantic Gestures, that he loves her. In Run On, his inexpressiveness is instead treated as a real problem that he must work through. He journals his feelings to work through them, and undergoes difficult discussions with Mijoo about his tendency to put up walls. It is shown as part of his growth, rather than something Mijoo must just accept.

Mijoo is key to Seongyeom’s healthy masculinity, because so much of toxic masculinity is based off of the female lead’s passive, objectified state. The toxic trope of Power Imbalance cannot work because Mijoo is a financially independent, career-driven adult. The One-sided Pursuit trope also cannot work because Mijoo is always willing to put in her share of the effort in the formation of their relationship. She meets him halfway, and maintains open communication of their problems so that there is no space for weird toxic male jealousy/noble idiocy tropes, etc.

As I’m writing this I realize maybe why I like Seongyeom so much is not just because of his healthy masculinity, i.e. healthy ways of being protective, strong, etc., but also because of how in touch he is with femininity, and vice versa with Mijoo both being a blend of masculine and feminine qualities. I really love this drama so much, and I can’t wait for the episodes to come <3

#kdrama #kdramas #run on kdrama #jtbc run on #ki seon gyeom #oh mi joo #im siwan #shin saekyeong #feminism

259 notes · View notes

confessionsofafanatic · 6 years

Quote

Yoon Si Yoon: "You can reach your destination quickly, but if you make a detour, you'll see the beautiful scenery you never noticed. There will be uphills and downhills and you will realize later on, that they were beautiful and meaningful. I was also a student like you. Who went to school and worked part-time. Then I was suddenly cast on "High Kick". I didn't even know how to read a script, everything I did was terrible acting. But the sitcom got over 20 and 30%. I got to star in commercial and I made money. I got a new car and people started to treat me differently. On top of that, I was cast in Bread,Love and Dream. It got over 50% ratings. Do you think i was happy? No. I was scared. Because it wasn't my achievement. I was just extremely lucky. Thing was If i did anything more, I'd lose everything. So I started to hide. I avoided seeing the public. I completely hid myself and especially didn't do variety shows. Why? I was afraid of being revealed. But, meanwhile my co-workers, for example, Joo Won, Shin Saekyeong, Park Shin Hye and Choi Daniel, they continued the challenge even if they failed. They fought against the online haters and continued on their path as actors. When I was in the military, I regretted so much. I imagined how beautiful it must've been for them. I regretted that I avoided experiencing the ups and downs. Because I was scared. Now, I want to see the beautiful scenery of the uphills and downhills myself. That's why i decided to join 2D1N. It will be hard to go up and scary to go down. Still, i'll give it a try.

2 Days & 1 Night - Season 3 : Ewha Womans University, part 2

#2d1n #yoondonggu #yoon si yoon

40 notes · View notes