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#siren 3.05
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I don't want to dance with you anymore
You weren't even the reason I came here
And now I wish to stay
It will make me greedy
To believe that this will last forever
Or whatever comes close to it
To trust this will be more than 3.05 minutes
Maybe for a life time to exist
Once the touch gets comfortable
And the rhythm starts to build
Our bodies knows each other
And world sways with us
The clock strikes midnight
And I can hear the sirens calling
RUN BEFORE YOU GET HURT
RUN BEFORE THE DREAM TURNS INTO NIGHTMARE
RUN BEFORE YOUR REALITY COMES IN SPOTLIGHT
So I do,
Cause love is expensive and
I can't afford it
I just need a peaceful life
But I will leave my shoes on your door
Or scarf in your laundry
Cause if fate does exists
I would like to see you smile
And step on my feet few more hundered times
I hope my forever comes true.
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polymarinelove · 4 years
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SOME OF THE MERFAM IS DEAD AND THE BABY IS NOW AT RISK IM NOT OKAY
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magaprima · 4 years
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Lilith’s use of magic in Part 3
3.01
1- Body severing. Is able to take Nick/Lucifer’s tongue without any apparent blood/damage. Magically keeps it in a jar, still alive and moving. 
2- Half slumber spell. She appears to have cast something on Nick/Lucifer that keeps him subdued, unable to do much beyond lie there. 
3- Prayer hearing. I believe this is not specific to the crown, but is specific to any ancient being who is prayed to. Lilith still believes Zelda and the coven worship her when she goes for asylum, so presumably she carried on hearing their prayers even after Sabrina took the crown. 
4- Perception Manipulation. Makes the rotting food appear enticing and edible, even though it clearly isn’t for human consumption
5-  Soul Movement. Even when no longer Queen, she is able to send Jesse’s soul to the heavens with just a wave of her hand, suggesting this is a power she had pre-Queendom. 
6- Knowledge of Hell Law. Knows what’s required for a King or Queen to be challenged. Defends her own crown, off screen, and Sabrina’s, on screen
3.02
1- Item Conjuration. Summons the Book of the Beast without incantation and barely even a gesture
2- Fire teleportation. Another manipulation of the fire element and an extension of her pyrokinesis.
3- Teleportation (ordinary). Even though we don’t physically see it, she clearly arrives at Baxter High via teleportation, and to meet Sabrina after she failed to drag a soul
4- Follow Psychic Trails. Is able to pick up psychic scent of others and follow them and/or locate them using it
5- Memory Manipulation. Alters Lucy’s memory so she doesn’t remember the magic or, interestingly, most of her horrible ordeal (thoughtful gesture, Lilith?)
6- Soul torturing. Not sure if this is a power or a talent, but she says there won’t be much left of Jimmy once she’s threw with him. Similarly, I presume Lilith is also capable of dragging souls, especially considering she can send souls to Heaven
3.03
1- Teleportation again
2- Arcane Knowledge. Knows more about the Unholy Regalia than even most of the demons do
3- Curator of the Regalia. Is the one to put each item in it’s place, and when she does a surge of power is heard, so I feel there’s something in this, but we don’t know what yet
3.04
1- Knowledge of Hell Law again if the amount of legal documents she seems to be working on are any indication
2- Arcane Knowledge. Knows how Lucifer’s powers work and where they come from. Also knows how Sabrina’s own blood/birthright works. 
3- Confirmation that her powers are her own and not dependent on Lucifer as her own powers haven’t been drained 
3.05
1- Teleportation again
2- Collective teleportation. Implied that she brings the horde to the Grand Hall herself (especially as the Academy is guarded against such arrivals, so Lilith would have had to summoned them there herself)
3-  Arcane Knowledge. Knows about the bowl and the time loop as well as time magics in general
4- Portal opening. Opens the painting portal to the Place of Skulls with a simple spell
5- Curating the Regalia again
3.06 
1- Glamour. Appears to Mary as Adam. 
2- Channels ‘Christian’ power. Uses Mary’s ‘goodness’ as the key to a protection spell to hide herself from the Dark Lord (is broken by Mary giving away the ‘key’ with her verbal permission. But the fact remains, Lucifer had to get Mary to submit in order to be able to get to Lilith, so it was a powerful enough spell in theory)
3- Ritual of Separation. Lucifer specifically goes to Lilith for this spell. He could have gone to any witch, freed himself and then turned up to Lilith without warning and killed her. But no, he goes to her, because he needs her, implying she is the only witch powerful enough to do the spell successfully and smoothly
4- Acquires Rare Ingredients. Linked to the above, she can apparently get a hold of water from the River Styx at short notice. As well as Ambergris. That bath potentially smelled of whale fecal matter. Just saying
5- Siren song. Lilith uses her singing to hypnotise again, as she did with Sabrina in Part 1. She lulls the Dark Lord into an enchanted slumber. She makes the Dark Lord fall asleep with a freaking song
6- Enchanted Awakening. Something she’s done before, but this time does it with a mere click of the fingers, and is able to awaken only Blackwood and keep Lucifer asleep
7- Mark of Cain. Is someone capable of giving a Mark supposedly only given by the False God himself. Possibly suggests she has more power linked to her origins than she lets on. 
8- Conception. Ensures pregnancy with one single consummation. 
9- Satanic Miracle. Is able to carry the Dark Lord’s child. The fact Lucifer took a long time to find and select Diana, suggests not everyone is capable of carrying his child. Diana and Lilith in a special, yet unwanted, club. 
The fact the final two episodes don’t have Lilith doing any magic just shows how little spellcasting and magic happened in general in Part 3. Everyone was doing a lot less magic and I really felt disappointed by that. I loved the vibe of the spells in Part 1. 
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withanaccent · 4 years
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REVIEW: Siren – 3.05: “Mommy & Me”
REVIEW: Siren – 3.05: “Mommy & Me”
“I want my baby to learn about sea and land.”
If last week’s episode was welcoming the mer-baby into the world (both on land and in the sea), then “Mommy and Me” focused on acclimating both Ryn and her baby into the ways of actually raising the baby. But it ended a little differently then we thought.
“All of these babies would be eaten.”: Jarring quote aside, this episode was great to see the…
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SOUND ARCHIVE
Listen to the collage of sounds from Live Release, a listening convergence here: https://soundcloud.com/thelakeradio
LIVE STREAMING:
Join people from around the world for a global listening convergence - 4,5 hours of sonic reflections from 21 countries on the past months during a global pandemic. We consider listening to be a radical act of care, convergence and border crossing, intended to spark a sense of connectedness in a time of isolation, fear, and rising nationalism. From Egypt, Iran, Russia, Japan, Turkey, US, Argentina, Sweden, Denmark, Netherlands, Canada, Mexico, Chile, Greece, France, Finland, Norway, Belgium, Spain, Italy and Germany (21 countries in all!) Streamed live May 25th 2020 from 14:00 CET (Central European Time) until  21:00 pm CET (on loop) It will be aired on the Lake Radio: http://thelakeradio.com Later it will be stored here: https://soundcloud.com/thelakeradio/live-release-a-listening-convergence
CONTRIBUTORS (by recording or production date): 04032020, Hanna Wildow och Johan Wahlberg, voice by Sara Haylett-Utberg, Elektronmusikstudion EMS, Söder Mälarstrand 61, Gränseskogen nature reservoir (previous field recording), Stockholm, Sweden, Guldsmedshyttan, Sweden, ‘and–akt (breath/spirit act)’, 3:09 15032020, Victoria Keddie, East Broadway Subway station (day lockdown started), NYC, NY, USA, ‘Empty Escalator on East Broadway’, 1:02 27032020, Maria Lepistö, Bispebjerg Kirkegård, Copenhagen, Denmark, “To Boyeo, 3:23. 27032020, Rune Palving, Frederiksberg Centeret, København, Danmark, ‘Desolated Frederiksberg Centeret’,  2:47 01042020, Carry Fucile, Inside and outside my house, Baltimore, Maryland, USA, ‘Inside, outside, upside down’, 3:11 01042020, Erica Muniz, Nordvest, Copenhagen, Denmark, ‘Antiwar song’, 04:36 04042020, Sofie Kragh-Müller, Copenhagen, ‘Speech from the people’, 6:53 04042020, Ylang Ylang, Montreal, Canada, 2:09 06042020, Morten Poulsen, 6th of April 2020, recorded through my apartment window in Østerbro, Copenhagen, ‘party 6th of April 2020’, 7:26. 07042020, Maria Lepistö, Around my home at Tomgårdsvej 92 and down the street towards Netto (Tomgårdsvej 15), inside Netto, and inside my room, Copenhagen, Denmark, To Agne’, 6:12. 08042020, Solarcher, balcony in Rotterdam, Netherlands, 10 minutes. 10042020, Ebrahim Mousavi, Ramsar (my home), Rmsar, Mazandaran, Iran ‘Shabaneh’, 2:18 10042020, Rune Palving, Vejby, Nordsjælland, Danmark, ‘Short distance exile’, 4:37 10042020, Naghmeh saberi, 10 april 7pm, Shahmirzad, Semnan, Iran, ‘Walking arounds’, 00:32 11042020, Amir Mohammad Tajmehri, Iran, 2:39 12042020, Emily CD, on my front porch, outside of San Miguel de Allende, Mexico, ‘my son reading an instruction manual’, 2:07 13042020, Renato Ortiz Sandivari Chi, Valparazzo, Chile, 3:42 14042020, Ayako Kataoka, Pier Park Skatepark, St. Johns, Portland, OR. Natural reverb from the site and inside of a full pipe USA, 4:41 16042020, Kirstine Lindemann, before going to bed, My bedroom, Copenhagen N/Korsør, Denmark, ‘Each day’, The work consists of recordings of my breath and the date of the day recorded each night from the first day of the lock down until April 24th as a type of bodily audio diary, 2:07 17042020, Andreas Oxenvad, Birkerød, Danmark, 3.05 17042020, Kristoffer Raasted, Copenhagen, ‘detached opacity’, 9:15 19042020, Magda Lampropoulou, from my balcony Athens, Greece, ‘Greek Orthodox Resurrection’, 3:37 28042020, Alice Hamon, 9:36 am, Pots and pans honoring the health care workers, rue Belle de mai, Marseille, France 21042020, Deniz Erden, from my bedroom window, Eşref Efendi Street, Şişli, İstanbul, Turkey, ‘as it exists within us; blending into joy after sorrow.’,  2:01 21042020, Margarita del Carmen, Through the chimney of my home, Copenhagen, Denmark, ‘whistling territories’, 03:29 23042020,  Ylva Ranckel-Lutz, Coffee Time, Västervik, Ekenäs, Finland, 3:18 23042020, Mohammad golshani, My room with my guitar, Tehran, iran, ‘Her’, 0:38 25042020, Teresa Duggan, kitchen radio at home, Baltimore, USA,‘FM Radio Spin, 5:58 25042020, Jan-Maarten and slime mold Andi, inside a cupboard, Rijswijk, Netherlands, 02:24 26042020, Id m theft able, ‘kiss the smear off the window, 10:00 27042020, Junko & Sulan, The home studio, in the living room of the apartment located on Störtloppsvägen, Västertorp, Stockholm, Sweden, ‘Brass stream’, 3:13 27042020, Marcia Bassett, Brooklyn, New York (between 2703 and 2704), 02:44 27042020, Soheil Shinrangi, Tehran, Iran, ‘The vital sounds (For Fixed Media And Accordion)’, 06:30 28042020, Alice Hamon, 9:36 am, Belle de Mai Street, Pots and Pans Honoring the Health Care workers, 2:30 28042020, Amanda Brannin, Austin, Texas, USA, 4.48 28042020, Nazanin kianmehr, My room on my bed talking to my boyfriend, Kerman Iran, ‘Sleepy nazanin’, 00:14 29042020, Arash Pandi, Balcony of our apartment in Amager, mixed with other recordings,  Copenhagen, Denmark, ‘Life within a life’, 4:40. 29042020, Sanjey sureshkumar, sounds from in my apartement, Lofoten, Norway, ‘Sanjey out of my daily rhythm’, 5:17 29042020,  Tom Sonntag “sonn”, Recorded in my home (studio), Copenhagen, Denmark, "A soundVIEW", 5:34 30042020Chad Powers, 30th april 2020, Unionvill, Indiana, USA livingroom and surrounding countryside , “Between here and there”, 9:59 30042020, Arash Khani, in my room, Tehran-punak,  Iran, 3:16 30042020, Diana Duta and Julia Edyck , telematic collaboration from 2 apartments, Brussels, Belgium, ‘wave debris’, 10:00 30042020, Felicia Konrad, drying room in cellar, Malmo, SE, ‘Oracle’, 2:07 30042020, Anna Kölle and Lula Marzulli,  Studio DE, rooftop next to church IT, Casamassima/Italy, Berlin/Germany, ‘Springtime, Stringtime and Time’, 3:47 30042020, Teresa Columbus, Studio, Franklin Street, Baltimore, Maryland, USA, ‘Chipping at the way on the chips on her shoulders’, 1:49 01052020, Sasha and Sena, Barcelona, Spain and Hamburg, Germany,  "ASMR gifts", 6:13 01052020, Cecilie Jorck, Ollerup, Fyn and Rømø and Copenhagen, Denmark, ‘Time and Here’, 11:40 01052020, La Claud, Naples, Italy, ‘Weakness-praying for healing in Tibet’, 2:01. 01052020, Lera Salnisova, Russia, ‘acid track with Cardy B's "corona virus" samples’, 5:33. 01052020, Karen Werner, Through my apartment window on Bispengsgaten overlooking Bergen harbor, Bergen, Norway, ‘Ships, Ferries, Barges play their horns on May Day’, 1:41. 01052020, Morita Vargas, In my bedroom, Buenos Aires, Argentina, ‘Bajo el sol’,, 1:54. 01052020, Uri Duble Nation, home studio, Tokyo, ‘Summerland’, Japan, 8:01 01052020, MV Carbon, recorded in my backyard on the cement stairs, Queens, New York, USA, ‘Circling In’, 09:21
01052020, Masoud Ahabanpour and Mohammad Ghanbari, Iran, forst part of a new song, 01:30 02052020,  Victoria Shen, Great Meadows National Wildlife Refuge Concord, MA USA,  ‘Bog Animals + Plane’, 03:12 03052020, Alice Hamon, 8 pm, harbor, boat sirens honoring the health care workers, Marseille, France 3:20 03052020, Victor Valqui Vidal, Onomatopoeia poem, my apartment, Copenhagen, DK, 0:35 07052020, Martin Christoffer Lund, in front of my computer screen, Copenhagen, ‘sensing zoom’, 05:07 08052020, Cerpintxt/ Alaa Yussry and Youssef Hassan on bass, Cairo Egypt, ‘Les Perishables’, 7:39 09052020, Hasse Bruun, Nørrebro, Copenhagen, Denmark, ‘We are Spirit call’, 04:23 10052020, Alice Hamon, 3:31 pm, Parc Longchamps, Marseille, France, Birds Windy Day 1:00
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vipipiblog-blog · 6 years
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polymarinelove · 4 years
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can katrina be a double agent or something please
man, she had me for a hot minute
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