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#so you can see John pop in for a moment because he believed Mikoto was about to get attacked but once John realized it was Mahiru he relaxe
amugoffandoms · 2 months
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Woo!! It's time! It's time for the gift exchange!! (@milgram-valentines-exchange) Happy Valentine's Day to @mrcrazyvillainvillainn!! I had such a fun time writing your gift!! Truly gotta let Mahiru and Mikoto be silly and happy! I really hope you enjoy!! I've never written a ship fic for any of the prisoners, so I guess we ball?? (Also, let me know if you want the art without the titles!!) JIAWODJIAOW Anyways, here we go! Please enjoy...
do i dare love you? (i have always loved you)
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Is this selfish? This isn’t too much, is it? I just love you so much. How long would this dream go on? I guess we can just say that this feeling is happiness~ Do you really think you know what love is? You don’t have to keep it in and hide it away. "I love you", the reason why I'm here This is how "I" will love "you"! --- "To be honest, Mikoto Kayano didn't know what to expect." "Mahiru Shiina fixes the flowers in a bouquet and hands it off to the customer." (Mikoto Kayano and Mahiru Shiina love each other in the smallest of moments.)
To be honest, Mikoto Kayano didn't know what to expect. Getting a mysterious call out of the blue? Well, ah… That’s sure to scare him.
No, no, everything’s fine. No need to resort to anything crazy. 
Mikoto exhales and splashes some water on his face. Turning off the sink, he looks up at the mirror and flashes himself a smile. 
…ah, okay, that was a little embarrassing. Mikoto laughs to himself as he walks out of the bathroom and back to his desk.
He drums his pen against his desk as he moves his mouse around to turn his computer back on. Placing his head on his hand, he scrolls through emails and emails.
It’s just the same emails. “Fix that.” “I liked the original design better; can you do it again?” “The deadline moved. Make sure your designs are ready for–”
Ping!
Mikoto blinks and glances over at his phone. 
New Message: make sure to come soon! 
Right, yeah. Mikoto has to head back home soon. Okay, he should really get a start on his work so he can head home early!
Sitting straight, Mikoto pulls up some designs on his computer and grabs the small stack of papers. 
With one more glance at the ideas given, Mikoto starts designing.
Mikoto leans back in his chair and slumps back. The design… is done! This is where Mikoto pretends to hear a soft achievement noise. Ding!
Anyways, Mikoto exhales and looks at the papers on his desk. The design is nice! One of his finest designs, actually. He flips through the papers and nods to himself, happy with the result. 
In the corner of his eye, he notices his boss and quickly waves him down. The second his boss looks at him with a small smile, Mikoto realizes his desk is an absolute mess. 
Ack–! Why did he leave his energy drink can here? Oh, these papers need to be in a folder–
Right after Mikoto finishes rearranging his desk, his boss finally makes it to his desk.
“Chief! I finished the design you wanted me to make!” Mikoto hands the stack of designs with a small smile. His boss blinks, clearly surprised at how fast Mikoto finished the designs. He flips through the small stack, checking each design.
 
His serious expression seriously doesn’t tell me anything… Mikoto internally groans.
“Good job, Kayano.” His boss places the stack underneath his arm. “These will probably suffice for our client. Do you have other designs that need to be completed?” “Ah, um–” Mikoto looks around at his desk. He doesn’t think he does. “...No…?’
“Oh?” His boss asks, surprised for some reason. Hey, Mikoto knows how to finish his work if it isn’t being constantly changed! “Ah… Alright then… I guess you…” His boss looks around the office. “...Actually, it looks like everyone is preoccupied.”
Mikoto shifts uncomfortably in his seat. Please don’t give him more work. Please don’t give him more work. 
His boss lifts his wrist and looks at his watch. “Hm… It’s seven. Earlier than I would like to let anyone out.” 
Oh, please. Please. Please-!!
His boss sighs. “Alright, Kayano. You may head home early today. I’m only doing this because you’ve got most of your work under control and I unfortunately don’t want to bother your coworkers with giving you their work.” You would anyway, but you seem to be in good spirits today…? “Thank you, Chief!” Mikoto smiles. “Don’t expect this often from me. Have a good night.” His boss turns right around and walks away, going over to a different cubicle. Mikoto watches as his boss walks away and pumps his fist.
Woo! I’m free! Mikoto grins to himself as he packs his stuff into his bag. Standing up, he shuts his computer off and looks around.  To be honest, he feels really bad for his coworkers… 
But, he promised to get home as soon as he could. Mikoto glances at his phone, specifically that one notification.
make sure to come soon!
He doesn’t want to break his promise. So, with a quiet exhale, he walks to the elevator and clicks the button to go down. The elevator doors open.
He walks in.
“…oh, I forgot to press the button to the lobby–” Mikoto mumbles as he quickly clicks the button down.
Mikoto hears the key click in the lock and turns the doorknob. As he walks into his apartment, the lights are all out.
“I could’ve sworn I left the lights on…?” Mikoto mumbles as he takes the key out of the lock and shrugs off his coat. He slowly walks through his apartment, fumbling for the lights. 
His hands land on the switch and Mikoto flips the lights on–
Arms wrap around Mikoto’s neck. Something makes Mikoto twitch. “Surprise~!”
Mikoto jumps. 
Mahiru laughs above him as Mikoto lies on the ground, dazed. “Ma– Mappi???” Someone relaxes.
“Hehe~ Did I scare you?” Mahiru giggles, absolutely beaming. “A… a little, yeah!” Mikoto dusts himself off. “I think I hit my head… Ow…”
Mahiru’s laughter immediately stops. “Ah– did I hurt you? Hey, let me see–”  Mahiru quickly kneels on the floor and scoots next to Mikoto. “No, no. I’m okay, I promise– Please don’t worry!” Mikoto gives a weak smile. “Let me just look, okay?” Mahiru says, with a soft voice filled with concern. (Her voice is always soft, but these moments, they're just a little bit more comforting. Maybe it’s Mikoto being too detail-oriented recently, but he’s decided to notice the smaller things.)
Mikoto swallows. “Okay.”
She looks at the back of Mikoto’s head, checking for any bumps or bruises.  The moment is silent as Mahiru looks all over Mikoto’s head for anything and Mikoto sits there, quiet.
To be honest, he doesn’t want to say anything. He doesn’t want to ruin it. It’s… those small moments, right? When you know someone loves you. Those are the moments you want to hold in your hands because they’re so fuzzy and warm. 
“I love you,” Mikoto whispers. 
There’s a pause. Mahiru stops checking his hair. Her hands are still. She’s not moving. 
Did he ruin it? Maybe he should apologize and–
“I love you, too,” Mahiru whispers back.
And, they’re back to silence.
Mahiru scoots back in front of him. “You’re okay. Nothing too bad, okay?” 
She says it with a voice that makes him know she cares: a warm, loving voice. It makes him want to cry just because she loves him. 
And, he loves her. And, he'll make sure she knows that.
“Okay,” Mahiru says, her voice oddly strained. Is… is she about to cry? “Um… Okay, I made some food for you. I– I know you don’t usually like big gestures and I really shouldn’t push myself, but… I think you deserve it, okay?”  “Okay.” Mikoto nods. He stands up and gives a hand to Mahiru, who takes it with a small giggle. “Hehe, this feels like a fairy tale~” She hums.
“Hey, can I…?” “Eh? Do what?” Mahiru asks, with a tilted head. “I mean, whatever it is, I don’t mind~”  
Mikoto places a small kiss on Mahiru’s cheek.  “Ah–!! Hey–! Oh–” She’s red, blushing from ear to ear. 
Mikoto laughs. “That was payback.” “Oh, you-!!” Mahiru has an angry look, but her smile says otherwise. “Fine, fine! That’s fair. Okay, come on, let’s eat~ I don’t want our food to be cold!” Mahiru grabs Mikoto’s hand in hers, trying to drag him over to the table.
Her hands are warm.  Mahiru quickly pauses as she looks at Mikoto and their hands. “Is everything okay…?” Mikoto nods.
“Everything’s perfect.”
Mahiru Shiina fixes the flowers in a bouquet and hands it off to the customer. “Have a good afternoon~” She grins.
As the shopkeeper’s bell rings to show the customer has left, Mahiru sighs and melts into the counter.  “Shiina…? Are you alright?” One of her coworkers asks as they walk over. Mahiru mumbles something into the counter.  “Uh…” They laugh. “Okay, I’m guessing you’re not okay. Um…”
Mahiru keeps her head on the counter as she hears her coworker’s footsteps slowly disappear.
Mahiru sighs. She’s really tired… She wasn’t able to get any sleep last night. She doesn’t even know why. She just couldn’t sleep. A lady like her should be getting her beauty sleep! 
Oh, well… She’ll just have to brave the storm! 
Mahiru quickly lifts her head up and instantly gets hit with a fit of dizziness. 
Ah, that was a bad idea…
As Mahiru quickly blinks away the dizziness, she notices her boss and coworker walking over. 
“I wasn’t doing anything–! I mean, I was doing something, I promise!” Mahiru awkwardly laughs as she waves her hands around defensively. Her boss shakes her head. “Mahiru, you can head home. We don’t expect that many people today, and you seem tired. I can cover whatever is left of your shift.” “Ah, but–” “I’ll pay you for your full shift, alright? Just head home.” “Okay.” Mahiru hesitantly nods and takes off her apron as she heads to the break room to grab her stuff. 
When Mahiru returns with her belongings, her coworker hands her a small bouquet with lilyturf, dahlias, forget-me-nots, and red lilies. 
“I know you’ve enjoyed taking these kinds of flowers home recently, so here you are!” As Mahiru opens her mouth to speak, her coworker continues, “And, don’t worry about the charge. I already paid for it.” Mahiru blinks, taking the bouquet and looking at it. “Ah… Oh. Thank you.” Mahiru smiles at the flowers.
“Of course! Now, rest well!”
Mahiru smiles at her coworker before leaving the store, the shopkeeper’s bell ringing behind her.
Mahiru hums as she enters her apartment and quickly walks over to her table near the couch, grabbing water from the kitchen. She places her bag on the floor next to the couch.
Sitting on the couch, she pours some water into a glass vase. Then, she places her bouquet in the vase.
Mahiru looks at the bouquet for a few moments, admiring each flower.
When she yawns, she finally lowers her head on a pillow and slowly…
Closes…
Her eyes…
There’s a smell of food cooking in the air.  She feels warm.
Mahiru slowly blinks the sleepiness from her eyes and looks around. 
…why is there a blanket on her…?  Is someone cooking?
Confused, she pushes herself upright and glances at the kitchen.
Mikoto.
Mikoto is cooking.
“Huh…?” Mahiru blurts out, sleepy and confused. Mikoto looks over at Mahiru. “Oh, hey! You’re awake! Sorry, I tried calling you, but you were asleep. Um, so I let myself in with the spare key!” 
Mahiru glances at her bag on the floor and quickly picks it up. Opening it, she searches for her phone. When she finally finds it, she turns it on and sees the notifications flood her lock screen.
3 Missed Calls
10 New Messages:
hey, mappi ^^!!
i’m off from work so i’m coming to visit!
Ah wait you might be at work
Go back to work!!
i think your door is locked??
hello?
mappi??
i’m letting myself in, ok?
oh dear where’s your key
found it!! Coming in now :D
Mahiru rambles as she stares at the notifications, “Ah– I didn’t realize you were calling. I’m so sorry, please forgive me–”
“Hey, hey. It’s all good!” Mikoto smiles. “You were tired, so I let you sleep. I grabbed a blanket from your closet. Hope that’s okay!”
Mahiru nods and sits there for a moment, not sure what to do.
She glances over at the table, spotting the bouquet. She looks at Mikoto, who has a smile on his face as he tries to cook some soup. 
She knows why she likes getting these flowers.
They remind her of Mikoto.
They remind her of how much she loves him.
She loves him.
“Hey, let me help you, okay~?” Mahiru sings as she hops up and skips over to the kitchen. “No, I’m okay. I can cook, see?” Mahiru looks at the small pot Mikoto is using to cook soup. 
It’s… hm… not the best soup…?
“Just let me help you, alright?” “Alright, alright.” Mikoto, stepping back, raises his hands. “Show me what you want to do.”
Mahiru quickly slides in front of Mikoto and glances at the pot. "Can you wrap your arms around me?"
"Eh–?" Mikoto coughs in shock. "Yeah, yeah– Um…" 
Mikoto quickly wraps her arms around Mahiru and looks over her shoulder as he tries to stir.
“Mhm~” Mahiru hums. “You’re stirring a little too harshly. Relax, okay?”  “Alright.” Mikoto slowly stirs the soup.  “Still too tense. Okay, hold on.” Mahiru places her hands on his. “Okay, now… We’ll do this together, okay?” 
Mikoto is quiet. Mahiru takes that as his yes.
Mahiru, with Mikoto’s hands in hers, slowly stirs the soup. She murmurs some small compliments.
Mahiru lets go of his hands and smiles. “See, you’re doing it now!”  Mikoto breathes a sigh of relief. “Is it better? Honestly, I really couldn’t tell the difference.” “Hmm… Well, I guess there really isn’t.” Mahiru shrugs. “But, I think the amount of quiet, slow care you put into something will show itself." She's made herself learn that love can be soft and strong. Ever since her last boyfriend and she broke up on... amicable terms, she's tried being better. For love, and for who she loves. “I see.” “...I know it really doesn’t make sense. I’m sorry.” Mahiru shakes her head and slides out from in front of Mikoto.
“No, no. It makes sense, I promise.” Mikoto looks over at Mahiru with a smile. “It shows that you care.”
Mahiru smiles back.
After a few moments with Mahiru helping Mikoto cook, they finally eat together at the table. 
“Mappi?” Mikoto fidgets with his spoon. “Hmm?” Mahiru hums, food in her mouth. “Thank you.”
Mahiru blinks and just nods. “Y-yeah, of course…!”
Ah– That was so embarrassing…! Not at all lady-like! I should’ve just…!!
“I really don’t cook often, so that was really helpful. Haha…” Mikoto rubs his neck with a smile. “I mean, I do cook! It’s just… noodles and stuff.” “Well, now you know how to cook one more thing!” Mahiru smiles.
“Yeah.” Mikoto looks at Mahiru with a loving smile on his face.
His smile is so sweet. He even tries to do stuff he’s never done before for me! Ack… My heart can’t take it–!!
I love you.
Mikoto stares at Mahiru before laughing. 
“E-eh?? What did I do??” “Nothing, nothing. I love you, too.” Mikoto grins.
…she said that out loud…
Mahiru is instantly embarrassed. She feels warm again, but she’s not wearing a blanket. “Oh… Ah–”  “Hey, hey. It’s okay. It’s sort of cute, I think…?” Mikoto rubs his neck. “Ah– If you say so…!!”
The two of them continue eating when Mikoto suddenly speaks up again. “Hey, did you mean to make you help me feel like one of those scenes from a movie…?” “E-eh?? No, no, wait– Ah. I really didn’t, I swear!!” Mahiru frantically shakes her head. Mikoto blinks, seeming to realize Mahiru is a little panicked. “Hey, no! I thought it was sweet–!”
Mahiru awkwardly laughs. “I’m glad you do… Um… Maybe I was subconsciously inspired by something…?”
“That’s okay.” Mikoto shrugs. “Everything you do is sweet.”
Mahiru beams. 
“If it’s for you, I’ll make sure it’s worth everything.”
#mug writes#mug draws#milgram#milgram project#mikoto kayano#kayano mikoto#mahiru shiina#shiina mahiru#milgram fanfic#milgramvalentine's2024#milgram valentine's exchange#we're going to have some afterward notes so let's see uhh#the notes are more detailed on ao3 so you can also check int out there lol#i wanted to have small references to what their crimes were#so you can see John pop in for a moment because he believed Mikoto was about to get attacked but once John realized it was Mahiru he relaxe#I wanted Mahiru and her boyfriend to break up amicably because their relationship is really crucial to Mahiru's character#I think actually beans' break-up fic they wrote was REALLY good and was what I was thinking about when I wrote that#I wanna say that Mahiru and Mikoto are both trying to get better at the things they messed up at#They should go to therapy actually /j#I wrote this before Mikoto's interrogation came out so that marriage question came flying back at me#he probably hasn't accumulated a “track record” yet to make his own business but i'd say mahiru might get him to quit early and go work#elsewhere because of how much his job is putting him through#Mahiru checking Mikoto's hair was supposed to be Mahiru carrying Mikoto to the couch but I didn't know how to write it without making it#awkward so I'm sorry wome#Looking back on it I think I realized that the lines that end both sides of the fic kinda...#go straight back to MILGRAM but trying to be better?#Everything's perfect - Mikoto said his life was fine; that he had done nothing wrong (An unconscious lie)#Here you have Mikoto actually believing he's doing okay; that he's fine and everything is okay#And while work is a hassle at least there's some aspect of his life that he connects to#If it's for you I'll make sure it's worth everything. - Mahiru wants to love perfectly she wants to love because it's the reason she elives
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A Who-Swung-It Mystery: The Case of the Switch-Hitter (1/3)
1 / 2 / 3
Despite the humorous title, I want to be serious for a second. I am not a licensed psychologist/psychiatrist/licensed social worker/etc., and I am certainly not an expert on dissociative identity disorder (DID). My knowledge of this disorder comes from the research I have done to try and understand it. I am trying to be as respectful as possible towards the subject matter, and I sincerely apologize if I show a lack of understanding and will do my best to correct it. I want to focus on switching, since we don't really have much information on Mikoto's childhood that led to him developing this disorder and I do not want to speculate. I only say childhood and not adulthood because the literature I found suggests that it is rather rare for this already rare disorder to form past the age of ten. Mikoto could be one of those special cases, but we'll have to wait and see.
Now, before you begin violently shaking me over the length of this post, just know that I am sorry about it. I want to argue that Mikoto’s DID is a red herring. Despite his claims otherwise, John did not directly kill anyone, Mikoto did. Through the voice dramas and the music videos, we get to see both Mikoto and John's individual perspectives and personalities. From what we've seen in MeMe and Double and then heard during John Doe and Neoplasm, I think I figured out what happened the night of the murder.
Fun fact before the post cut: in Japanese, the kanji for baseball are combine the kanji for field and ball (野球) and is read as ‘Kakyu’. The number nine in Japanese is read as ‘kyu’ or ‘ku’ and our baseball-loving prisoner, Mikoto, is prisoner number nine.
Okay, now you can begin violently shaking me.
Milgram's Very Own Dr. Jekyll and Mr. Hyde: Subverting the Evil Alter Trope
Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde is a tale that lives in infamy, and here in the West, it is synonymous with dual personalities. Published in 1886, the story is meant to be an allegory regarding good and evil. Pop culture osmosis usually has it right that Dr. Jekyll accidentally created Mr. Hyde in a lab accident, but here's the thing, it's more of a happy accident than a “Well, the risk I took was calculated but man, I’m bad at math,” one. Dr. Jekyll is a respectable, older gentleman who meant to erase his "shameful urges" (the story never explains what they are exactly, just that they go against the Victorian moral code) and accidentally created Mr. Hyde. As Mr. Hyde, Jekyll is a younger, shorter man whose only identifying feature is that everyone immediately hates him. That is not a joke. People who ran into Hyde can’t really describe him other than having the gut instinct to avoid him. But more importantly, I need you to know that Dr. Jekyll had spent most of the story voluntarily transforming himself into Mr. Hyde so he could give into those shameful urges and then used his wealth as Dr. Jekyll to sweep any trouble that arose back under the rug.
Besides being physically different, the main difference between Jekyll and Hyde is that Hyde lacks Jekyll's morals and inhibitions. Jekyll delights in the freedom he can experience as Hyde, until as Hyde, he beats a man to death with a cane. A few months before the murder, Jekyll had started to realize that he did not have as much control over Hyde as he previously thought and went two months without drinking the transformation tonic. As Jekyll puts it, in a moment of weakness, (yes, it reads like an allegory about substance abuse) Jekyll takes the tonic, transforms into Hyde, and since Hyde is pissed over being locked up for so long, he exercised his frustrations on a rich man's head.
Historically, the nineteenth century is when psychologists started arguing over the existence of multiple personalities, and the public back then was as fascinated with it as it is now. And I can't believe that we're nearing The Strange Case of Dr. Jekyll and Mr. Hyde's 150th anniversary, and the evil alternate personality trope is still going strong! I swear to you, it seems like DID is only ever brought up in conjunction with stories involving a murder(s), and the resolution is always, the evil alter committed it. I only know one example (Primal Fear (1996)) where the evil alter didn't do it, but that was because of the twist ending!
Besides wanting the novelty of the core having killed someone rather than the 'evil' alter, I think it would fit in with Milgram's dedication to emphasizing that each prisoner is an individual with their good points and bad. No one is 100% good, or bad, or anything else (Jackalope is 100% chaotic neutral, but he is a mythical creature, not a human, so shh). They have dominant traits that may influence their actions, but as in reality, things aren't black and white. It would make sense for Mikoto and John to reflect this. Mikoto is not 100% good and John is not 100% evil. They both have good and bad traits.
I think that the first trial shows it much better than the second, but Mikoto's main problem is how he constantly denies that anything is troubling him. Es calls him out on it explicitly during Neoplasm. Mikoto’s response is, “Usually, if you just laugh and pretend, things work out in the end,” explaining that the pretending helps him cope. It may not be the healthiest coping mechanism, but it is what he does. The most recent example of this not actually helping anyone is during Mikoto’s 2023 birthday timeline conversation. Mikoto questions himself to see if John really does exist and then he angrily blames John, only for John to front long enough to yell that he did it to save them. John disappears and Mikoto tells himself that that was useless, and that he’s tired and should stop thinking so hard about it. John has repeated quite a few times during Neoplasm and in that timeline conversation that he did it because Mikoto couldn’t handle it. The implication is that it is referring to the stress that built up and led to the murder. I agree with John that Mikoto’s decision to continue putting his head in the sand and to bottle up all his stress would have led to a breakdown. Everyone has a limit, and it is clear that Mikoto was rapidly approaching his. I don't disagree with that at all. What I disagree with is John's claim that he is solely responsible for the murder, because his existence does not make him purely evil and Mikoto's purely good. To think so is to play right into the black-and-white dichotomy of morality and play directly into Yamanaka's hands.
Despite his more sadistic tendencies, John does have some positive traits. We know he cares deeply for Mikoto and wants to protect him, even if his actions aren't acceptable. In Neoplasm, we’ve even heard John express some pride over being a college graduate, something Mikoto has previously downplayed when asked questions by Amane. We’ve seen in timeline conversations that Mikoto is capable of expressing annoyance and exasperation (with Fuuta) as well as anger (at John in the above timeline conversation). John can be cruel and aggressive, but he is active in asserting himself. Meanwhile, Mikoto is considerate to others to the point of his own detriment and is rather passive when it comes to conflict. Just because Mikoto seems to have more desirable character traits than John doesn’t make Mikoto incapable of committing a violent act.
Now, onto the murder, what could lead to Mikoto killing somebody?
"Communism was just a red herring." - Clue (1985)
I firmly believe that John is full of shit. Despite the number of destroyed mannequins, there is only one murder victim: the blond fellow we see at the beginning of MeMe. And just like in the cult classic, Clue (1985), I think the motive was blackmail.
Remember Mikoto's glitched line from the second voice trailer? "DESTROY EVERYTHING! EVERYTHING! EVERYTHING!" I don't know if this is just an accepted fan theory or if it had been confirmed, but it is believed that the lines from the second voice trailer happen before the murder takes place. If it had taken place after the murder occurred, then everything would most likely reference the evidence of the murder. But this takes place before the murder happened. Sure, it could be John's need for one of those rage rooms, but if I'm being honest, I think it was blackmail that could have gotten Mikoto fired from his job. Despite the amount of stress his current job causes him, Mikoto has stated over and over again that he worked very hard to get into the best company in the advertising business, and in his Trial Two interrogation questions, he has stated that he will not leave his current job because he believes that his efforts will eventually be rewarded. Mikoto is fine with being uncomfortable if he believes it will lead to future benefit (AKA, no pain, no gain).
From what I understand about Japan's work culture, getting fired puts a black stain on your record and makes it extremely difficult to find a new job. Getting fired by a top-tier advertising agency isn't just losing his dream job, but possibly destroying any chance of Mikoto gaining any opportunity or prestige for the rest of his career. All his hard work will be for naught. There are plenty of real-world instances where someone lost their job or lost their college acceptance because of poor behavior on the individual's part. If the blond victim had evidence of Mikoto acting badly, regardless of whether it was Mikoto or John fronting, Mikoto's boss could fire him, ruining his chances of ever being rewarded for his hard work. People have certainly killed for less in the real world.
Personally, I lean towards the blackmail being something John did, although this comes from Mikoto's line from Undercover: "Don't lie about me / what did I do?" If Mikoto cannot remember anything from when John fronts and he is aware of his forgetful spells, then not only would Mikoto question whether the blackmail had been doctored but also he'd wonder if there is a hint of truth to it. Remember Mikoto's words to Fuuta, "You're a uni student, right? You can't act like that once you start working properly," as if the angry behavior from Fuuta is only normal until a certain age. Perhaps Mikoto took part in some bad behavior in the past. More likely than not, it’s John in the blackmail. T1Q11 answer states, "Yes, I am [someone who takes others into consideration]. I'm a working adult. Communicating makes work easier." It's almost ironic how his boss constantly texting him and inconsideration causes Mikoto problems, and because he is the new guy and subordinate, Mikoto can't exactly tell his boss to fuck off.
His T1Q10 answer better lays out his beef with Fuuta's behavior: "I don't think I've ever gotten angry before. Isn't it kind of disgraceful to get angry?" Now, Mikoto is a very go-along-to-get-along kind of guy and Fuuta is not. He could be telling the truth that he has never gone into a blind rage (that Mikoto remembers), but to say he has never felt anger is most likely a lie.
Here is how I think the murder went down. At the beginning of MeMe, we see Mikoto waiting in a dark, secluded area near the train tracks. His hair is mostly covered by the beanie and we cannot make out his expression whatsoever, so there is no clue to tell us who is fronting between Mikoto and John. Mikoto does not appear to have a bat on his person or around him, and it seems like he is holding his phone. The blond victim could have just been a stranger walking by, but I think that he was an old friend of Mikoto's from high school or college and was supposed to meet with him. As peers who are supposed to be working adults, Mikoto is under the impression that whatever this is, they can just talk it out. This is all just one big misunderstanding.
Maybe the blond victim even brought the bat for an intimidation factor. Maybe Mikoto brought it just in case. I lean towards the former because you would notice misplacing your own baseball bat (they can get really expensive) is hard to not notice, and the whole thing is easier to deny if you don't even own the murder weapon in the first place. Whatever the case, the blond reveals his blackmail and demands payment or else it's getting sent to Mikoto's boss. Mikoto sees nothing but red, screams at his old friend to destroy all of the blackmail, take the bat, and then swings. The first blow hits the victim's lower back, just like how it hit Es in Undercover, and it is enough to render the victim's legs useless, forcing him to try and crawl away rather than run. Mikoto raises the bat well over his head and brings it down again, killing the victim.
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With no one around but his now deceased victim, the red haze lifts and Mikoto realizes what he just did, prompting the first trial glitched line, which is believed to take place after the murder, "My life... it wasn't supposed to be this way." The heartbreak is too much to bear. John takes over and is the one to bury the body, dispose of the evidence, and clean Mikoto up. When Mikoto wakes up the next day, he can disregard it as a bad dream: "All I did was dream / And that's what you found GUILTY?"
Pretty words, but empty ones, I know. Where's my proof? I'm glad you asked. :)
Switch-Hitting
Let's start out with the murder weapon: the baseball bat.
In baseball, a switch-hitter is someone who can bat left- and right-handed. Switch-hitters are prized by coaches, because batters have a higher chance of hitting the ball when they swing opposite of the pitcher; meaning a left-handed batter has a better chance of hitting a ball thrown by a right-handed pitcher than the right-handed batter against that same pitcher. There can be switch-pitchers (someone who can throw left- and right-handed), but because Mikoto's murder weapon seems to be the baseball bat, I'm going to focus on the way he swings the bat. As previously stated, during the third chorus of Undercover, we see Mikoto's silhouette bludgeon Es with a baseball bat.
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Now, it has been a while since I've played baseball and softball, but I do still own a bat and I believe that that is a left-handed swing. A left-handed batter would have their left hand positioned above the right hand and the bat would have been held over their left shoulder. When they swing, they step in and turn towards their right to complete the swing. That is what Mikoto is doing in this picture. I tried to mimic the swing, but I am a right handed batter, so it feels awkward when I do it. Right-handed batters are more common that left-handed hitters, and in Double, we see Mikoto/John bat both ways, making him a switch-hitter. In the US, a switch-hitter has to pick one side to hit from during the time he is at bat, meaning that say he batted right, then swung and missed twice (two strikes, one more and he's out), he can’t switch to bat left. He can switch to bat left the next time he is up at bat, but he cannot switch positions once he steps up to the plate. I can’t find much on Japan’s rules about switch-hitting, but there’s a ton of articles about a high school player who kept switching positions for every pitch during the same at bat (pissing off the Americans in the comments section). Now, I can’t speak for professional baseball in Japan, but I guess switching positions during the same at bat is allowed at the level Mikoto played (high school). I do feel confident in stating that the Mikoto featured in Undercover has a left-handed swing. But Gimme, what does that have to do with switch-hitting? Switch-hitting involves batting both ways.
If you continue to closely watch the opening of MeMe, while Mikoto holds the bat in his left hand, but when he readies himself for the overhead swing, Mikoto has his right hand over his left, something a right-handed batter would do. I actually made a list of when we see Mikoto swing the bat, and it seems that when Mikoto swings the bat normally (like how he would in a game), he usually bats left-handed. I could only find one instance of Mikoto holding the bat right-handed as though he were up to bat.
Left-Handed Batting:
at 3:04 in Undercover
at 0:30 in MeMe
at 0:58 in Double
at 1:29 in Double
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Right-Handed Batting:
at 1:26 in Double
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Buuuut, when we see Mikoto swing the bat abnormally, he uses his right hand to guide the swing as if he were batting right-handed. His right hand is above his left (which is normal positioning for a right-handed swing) when he does the overhead swing in MeMe at 0:37, and when he swings the bat one handed during Double, it is with his right-hand.
Your dominant hand isn't what determines your batting stance. Generally, it's a good indicator, but it's not set in stone thanks to cross-handedness. Cross-handedness is when you use your dominant hand for certain activities and your non-dominant hand for others. But if it matters, Mikoto is right-handed. Most of his actions in both songs involve his right-hand. If you watch MeMe, the only time Mikoto uses his left hand is to move the camera at the beginning and end of the song, and then to pick up the Death tarot card at the very end of the song. In Double, the only time he uses his left hand is when he swings the bat. Also, his shoulder bag is on his left shoulder in both MeMe and Double, and generally, purses and shoulder bags rests on your non-dominant side to give your dominant hand easy access.
Like I said, Mikoto being right-handed doesn't necessarily translate to him batting right-handed. Now, I'm no baseball expert, but I don't think his left-handed swings are all that good. They look 'jerky' to me. We don't see Mikoto complete a right-handed swing; we only see him hold the bat as if he is waiting for a pitch and the positioning seems natural. And there is something that I want to point out. You can train yourself to become a switch-hitter. I am not kidding when I say that switch-hitters are coveted. I think it would be in-character of Mikoto to naturally bat right-handed but try to teach himself how to bat left-handed so that he can become a switch-hitter. He is someone who knows what they want and creates a ten-step plan to get it, (see his "I wanted this job so I chose this art college with this degree"). He also believes in hard work being rewarded, so if he successfully trains himself to become a switch-hitter, his coach will reward him with more playing time (in this case, move him up the batting list). Mikoto is also self-effacing, so when he puts himself down, it needs to be questioned. Are his claims about not being good at baseball an example of his low self-esteem affects his perception of himself, or was he just plain bad because he was batting from the wrong side? He could just plain suck at baseball, but his abnormal, right-handed swings are smooth and controlled. It makes me think he bats right naturally, and that his left-handed swings are him practicing to get better at switch-hitting.
Unlike Mikoto, John is not patient. He would not bother with a swing he is not comfortable with. We saw that in John Doe as they are quick to taunt Es and lash out at them and Kotoko. John did not try to retreat and figure out a strategy to best Kotoko, an experienced fighter, he just went for it. I can only assume he wised up during his fight with Kotoko and that's why she couldn't knock him out a second time. This impulsive, fiery temper reappears in Neoplasm, when John mock Es for chaining Mikoto and for the name they gave him, and then as Es stalls during John's prodding of what will happen to Mikoto, John begins shouting at Es to answer him. I would probably split the two this way: while Mikoto is proactive with his willingness to think ahead and shortchange himself for the chance of being rewarded in the future, John is reactive and his impulsiveness leads to short-term thinking that can screw over Mikoto.
Here's Mikoto in Neoplasm: "I wonder if it's like... some kind of sleepwalking...? After all, I've been losing sleep more and more often recently... Man... It's really troublesome, isn't it?...Usually, if you just laugh and pretend, things work out in the end, right? I'm pretty good at that. Making things work out to the best of my abilities." At this point, he can no longer deny that nothing is wrong, and Mikoto is now forced to seriously consider just what is going on when he has these forgetful spells and falls asleep. Something is wrong, and he is trying to follow his usual protocol of smiling and quietly figuring out how to make things turn out for the best. Except it is not working in Milgram, triggering John's appearance in Neoplasm.
John is surprised by Es's acceptance of the situation, and even says, "I'd just think it's a lie someone came up with to get away with murder." As he and Es continue to talk, John asks Es why they think he was born and confirms that his role is to protect Mikoto from harm. Es is the one to bring up the murder, and suddenly, the chatty John is giving short, vague responses, reiterating that he is the murderer, not Mikoto. Here's some of it, "Yeah, it's me. I killed them off... They annoyed me [so I killed them]... Just someone [a stranger] who was walking around nearby... Can't remember [how many I killed]." When Es demands to know how John can be so calm, John changes the subject to find out what will happen to Mikoto. When Es cannot give him a satisfactory answer, John repeats again and again that Mikoto is innocent and that he, John, is at fault, so please forgive Mikoto. I think John would admit to every wrongdoing of Mikoto's if that meant Mikoto's burden would be lifted. It's why I don't trust him. Not only is his confession too vague to be considered admissible, but as Mikoto’s protector, he also has a reason to take the fall. John is not an evil alter, but he is taking advantage of the trope to get Mikoto the Innocent verdict. An Innocent verdict, in John’s mind, will erase most of Mikoto’s current stress. It is too short term, and relies to heavily on Mikoto’s habit of denial. If Mikoto is found Innocent, there is a chance that he may continue to pull his head out of the sand to figure out what is going on so he can learn how to manage or suppress it so his everyday life won't be impacted.
Oh, and one more thing before I end this first part.
That Wasn't Mikoto at the End of Neoplasm, which is why Double differs from MeMe.
John is playing up the idea that he is an evil alter to get Mikoto out of trouble, and the weird behavior shown by 'Mikoto' at the end of Neoplasm is just John attempting to manipulate us. Do you guys remember at the end of John Doe when Mikoto is back in control and is confused and then horrified as to why he’s hurting and why Es is now covered in bruises? From what I’ve read, that confusion is a common sign of personalities having been switched, and so is the memory loss he has experienced. Now compare that to the end of Neoplasm, when John ‘leaves’ and Mikoto comes back and immediately starts guessing what kind of dog Es owns? And how weird that is because Mikoto had started the interview clearly worried over what is going on with him when he is ‘asleep’? I don’t think Mikoto actually came back. I think that that’s John taking advantage of Es being startled by the bell and pretending to be Mikoto and trying to emphasize how harmless Mikoto. Mikoto is just a little guy. How can someone so friendly be a monster?
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