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#the same can not be said of keef and mick
ifeveristoday 3 years
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Darla's favorite modern group is Duran Duran because a whole group of pretty fuckbois that's why
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keith-the-hoe 3 years
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The Glimmer Hoes Master Plan| Crack Fanfic Mini Series
Episode One: [X]
Episode Two: [X]
Episode Three: American Tour
Episode Four: [X]
Episode Five: [X]
Warnings:
This story will contain violence, sex scenes and a shit ton of foul language. It may also cause you to lose a couple of brain cells and fall into a state of confusion. Do not read if you are under the age of 16. Read at your own risk. Or Keef will eat your grandma.
Cast:
Mick Jagger
Keith Richards
Charlie Watts
Ronnie Wood
Bill Wyman
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After the huge massacre in California, The Rolling Stones were on the run again. Keef was super ugly and devastated from his buddy, Mick, being brutally killed by the sus one. Who was going to sing for them? Charlie and Bill were sitting in the back seat with Mick's body next to them. Their van had broke down when they were out camping in the desert. So they elected Keef to push the van to the nearest town.
"Ah jeez..... Now who is going to be our whore front man?" Keef asked while he struggled to push the van over a speed bump.
"You do it" Billl said as he keep trying to get the body from touching him.
The Rolling Stones stopped by a mechanic shop that was also a coffee shop. California was burning hot. The sun was shining down on Keef so he took his clothes off. Bill and Charlie stepped out of the van and stood in front of the coffee shop.
"Hmm.... Some coffee wouldn't be so bad right now." Bill said to Charlie.
The only problem was, they didn't have any money on them. But Keef did so this whole sentence doesn't work at all. He took out a bunch of crumbled up dollar bills from his underpants. Penis money was what he always called it in case of emergencies. Bill didn't want to touch it so he told him to hold onto it. They walked into the coffee shop. There was no one in there but some weird guy with a big nose reading a news paper. They all sat down at the counter and waited for someone to attend them. A lady with a cheese ball outfit went up to them to take their order. Keef really wanted bananas. Bill and Charlie just ordered eggs and bacon like normies do at coffee shops. Keef kept spinning around his stool and noticed that the big nose whore was looking at them. He got sus so he just walked in the bathroom to take a piss. Or at least that what he made big nose whore think. Keef walked over to the mechanic shop to check on their van. Then he remembered that he left Mick in there. He went into a panic. Bill and Charlie had already taken him out of the van but didn't tell him. Keef searched the van but didn't see him in there. Charlie went outside to see what kind of shenanigans he's up to this time. Keef turned into a mad monkey.
"Jesus! Calm down you fooking dumb fuck of a monkey!" Charlie said. "If you're looking for whore Mick, we hid him behind the dumpster until the van gets fixed."
Keef just stared at him. He felt better now that he knew that his side hoe was okay. He walked around the mechanic shop and saw a bunch of car parts. He got a very good idea. He grabbed the parts, some oil cans, and his guitars. Told ya they might come in handy for later. Charlie stood there in confusion watching Keef once again do something stupid.
"Be hold!!" Keef yelled.
Charlie rolled his eyes at him. He seriously wondered why he's even in a shitty ass band with a very stupid monkey. Keith removed the tarp from his very fantastic creation.
"Wot in the actual fuck did you just make?" Charlie asked sounding annoyed.
Keef chuckled. "You dummy! It's Mick!" He said as he leaned on it only to knock it over. He has built a cyborg Mick as a replacement for the real Mick. Charlie was not amused. Bill came out of the coffee shop with the big nose whore holding a knife to his neck. He was pretty calm about it. Charlie panicked.
"Woah woah! Hey! easy there cowboy! Put the knife down! We can talk this through!" Keef said as he slowly walked up to them.
Charlie was examining the piece of junk. He was trying to figure out how it worked. Cyborg Mick smacked him hard in the head and did Jagger moves.
"Wot is that?" Bill asked as big nose whore held the knife closer to his neck. He remained calm.
Keef explained since they no longer had the real Mick, they could use a artificial one. He programmed it to be exactly like Mick. He even gave him a dick since Mick LOVES to be screwing around with random ass hoes. Charlie cut him off by yelling at him that Bill is being held hostage.
"Oh.... right.... that....." Keef said with a nervous chuckle.
He slowly approached them but big nose whore kept walking away. Keef threw a punch only to get his arm sliced by the knife.
"Owie! Damn! I need this arm to play guitar!! Son of a bitch!" He yelled as he threw a rock at Charlie.
"You play guitar?" Big Nose Whore asked. Bill used the opportunity to run to Charlie and jumped in his arms. Just imagine that though lol. Keef looked at them both confused but he ignored them. Cyborg Mick went up to Keef and big nose whore.
"Greetings, I am Mick Jagger, yes this Monkey whore plays guitar." He said.
Big Nose Whore put his knife away and began to laugh his ass off.
"Well why didn't you say so!? Bitch I play guitar as well!" He said.
Bill and Charlie rolled their eyes. Just what they needed, another dumbass. The van was up and running again. The Rolling Stones were relieved to finally have a working vehicle. Keef and big nose whore became besties and offered to give him a ride. The only thing he wanted to ride was- okay don't be nasty. He accepted the offer and hopped in the van. He sat next to Bill who was already annoyed by his presence. Cyborg Mick kept smacking Charlie in the head.
"Jesus! Keith get your damn sex robot under control!" He yelled.
Keith scratched his head trying to figure out why Cyborg Mick did that. He figured that he set it to fightey mode instead of normal Mick mode. He turned the switch which got Keith's balls kicked. He screamed in pain and Big Nose Whore just laughed at him. Charlie seriously wondered how he even ended up being stuck with a bunch of idiots. Bill also wondered the same thing. They also later learned that Big Nose Whore's name is Ronnie because of course it was. They also learned that he bites people. They had to find that one out the hard way. Keith began to discuss how they're going to be touring with a broken robot and a missing rhythm guitarist. Ronnie got a splendid idea. He drank orange juice. So really he didn't have a splendid idea. I know how to grammar properly.
"Assholes I can be your rhythm guitarist." He suggested.
Charlie said no. He was not about to deal with another dumbass that was going to kill his bestie. He just wanted to go home. Cyborg Mick yelled at Charlie to shut up and he doesn't get to make the decisions around here. A tear ran down his face. Cyborg Mick accepted Ronnie to be a part of the band.
"Sweet! So where are we headed?" He said with a wide smile.
Cyborg Mick started doing weird beeping sounds. Keef programmed him to be their GPS which he didn't even know he could do. They got directions to a small motel near a small town in San Francisco. They didn't question it and drove there.
"Ooooh motels are quite fun, they have all sorts of things to do there." Ronnie explained.
"I hate motels." Bill replied as he lit a cigarette.
"Oh shut it you! You love going there to screw every single girl you lay eyes on!" Keef yelled.
"I have a wife." Charlie said.
"Why screw girls when we can screw each other!" Ronnie replied.
The whole van turned into an argument about fucking people. Cyborg Mick just kept driving without saying a single work to them. He was super horny though, just like the real Mick. Only thing is, this one actually has a dick, unlike the real Mick. They parked in front of the lobby. The van went silent. The Rolling Stones all slowly looked at each other. Who was going to go in there and ask for rooms?
"Alright....." Keef said in a low voice. "In the count of three...... One-"
They all touch their noses as they yelled "NOT IT" even though Keith wasn't even at three. That meant that he had to go in there and ask for rooms.
"Ugh! Son of a bitch! Why do I have to do everything!? Jesus you all don't work for shit! The only thing you all are able to do is be a bunch of whores!" Keith said as he stepped out of the van. Then there was another problem. Who was going to share rooms? Bill and Charlie looked at each other. Guess they're sharing rooms. Keith stood in front of the lobby as the secretary checked for any available rooms. Turns out there was one room with a king sized bed and one with two singles. Keith sighed deeply and paid without any further questions. He walked over to the van to tell them about the rooms. Ronnie claimed the room with two singles. Cyborg Mick also claimed that room. That left with Bill, Charlie and Keith with the room with a king sized bed. This was going to be an awkward night. Bill and Charlie told Keith to fuck off. They didn't want a monkey to be sleeping in the same bed as them. Cyborg Mick put his arm around Keith.
"Me and you can share beds...." He said seductively.
Keith actually didn't mind sleeping in the same bed with Mick. He's his buddy and he's known him since they were in nappies. So he agreed to doing so. Bill hates them both so much that he is planning on doing some murdering. The Rolling Stones went to their room. Cyborg Mick went a little overboard and took Keith to bed with him. Ronnie just stood there eating Doritos that he found in the bathroom. Just another normal day for him.
"Oooh! Make sure to not scratch him up a bit with all of those metal bolts in there....." Ronnie suggested.
Keith just glared at him but then he got a stupendous idea. He removed his clothes. Ronnie was completely lost and wondered why he just did that. Cyborg Mick got turned on by such view.
"Wow! The Rolling Stones really are a wild band! I'm so glad I am a part of it!" Ronnie yelled in excitement. He looked around the room. There were a bunch of used rubbers stuck on them. Beautiful decorating. Cyborg Mick stretched his arm out and pulled Ronnie into bed. They all laid on top of each other and got really funky. Bill and Charlie, who were in a room over, were sitting on the bed watching the telly. Strange noises were coming from the room that Keith was staying in. Bill shook his head in disappointment.
"We haven't even been here for 2 seconds and they're already screwing around? Jesus can there be a-" Bill said as Charlie cut him off with a smack. Bill is a big hoe so the things he is complaining about are extremely irrelevant so he cannot be talking and that is on period 馃拝. They heard a loud boom outside where the pool was. Charlie was certain that Keith, Mick and Ronnie were up to no good so he went out to check. He saw a telly on the first floor. Turns out Led Zeppelin were also staying in those motels and were the ones who threw the telly out their window. Charlie hated them. He went back inside of his room only to see a naked Bill laying in bed with a bunch of rose petals and candles around him. He was genuinely confused.
"Hey babe..... Why don't you come over here and have some fun eh?" Bill said in a low voice.
Charlie just wanted to go home because according to him, he is happier there then when he is with the stones. Haha I'm using his words against him. He sighed and just went with the flow because Yolo. They really got into it up until they heard screaming from the other room. Bill and Charlie looked at each other.
"Oh wow, they seem to be having a very splendid and wild time...." Bill said.
Charlie rolled his eyes and decided to just ignore them. Keith bursted into the room. He was covered in blood. Bill and Charlie just stared at him with a scared look.
"I-its not wot it looks like....." Bill said with an awkward chuckle.
Keith was breathing heavily and couldn't gather his words. He just began to babble and making hand gestures and so on and so forth.
"Jesus! Use your words bitch!" Charlie yelled.
Keith finally calmed down. "That fucking robot piece of junk just tried to kill me!" He yelled.
Charlie looked at him from head to toe. He was seriously done with The Rolling Stones. He didn't even want to know why he was naked and covered in blood. Ronnie came running in also naked and covered in blood. Charlie just sighed in disappointment. Why is he in a band full of dumbasses.
"Why are you both naked and covered in blood?" Bill asked as he lit a cigarette.
Turns out Cyborg Mick was set in fightey mode instead of sexy time mode and had tried to kill them both by using chainsaws and cheeseballs. He managed to injure Ronnie which caused a whole bunch of blood splattering meaning that he is slowly dying. Charlie had to act fast because clearly these idiots are not going to do so. They all put their clothes back on but Keith couldn't find his pants. Too bad he deserves it. The Rolling Stones jumped in the van that had been vandalized by Led Zeppelin.
"Ughh those fucking hippie bastards!" Charlie yelled as he set the van to drive. Keith held Ronnie's hand. He didn't want to lose him. He has only known him for 5 hours. Ronnie didn't seem to have a problem about the fact that he got attacked by a Mick robot. He just kept smiling and bullied Charlie for having a unibrow.
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mwelxn 5 years
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Last week, ex-Guns N' Roses guitar slinger IZZY STRADLIN' gave PAUL ELLIOTT exclusive details of exactly what went down with his shock departure from the former Most Dangerous Band in The World. In part two this week, Izzy previews his Stones-influenced upcoming debut solo LP 'Ju Ju Hounds', and reveals that yes, he DID almostjoin forces with this week's K!cover stars The Black Crowes!... By Paul Elliott Kerrang! Magazine - Sept. 1992 "...And that goes for all you punks in the press / That want to start shit by printin' lies / Instead of the things we said / That means you, Andy Secherat Hit Parader, Circus magazine, Mick Wall at Kerrang!, Bob Guccione Jr at Spin..." - 'Get In The Ring', Guns N' Roses Although Mick Wall no longer works for Kerrang!, Axl Rose's anger at the publication has not abated. Guns N' Roses' outspoken frontman routinely bitches about Kerrang! when the band play in London, Presumably, the root of the problem was a feature of Wall's on the Rock In Rio festival in which he accused GN'R of aloofness. Kerrang!gave Guns N' Roses their first British magazine cover in 1987, but Rose chooses to remember only one comment from one journalist. And that, it seems, is the bunker mentality behind the Guns N' Roses/Kerrang!/'Get In The Fucking Ring' feud. Former GN'R guitarist Izzy Stradlin' is equally bemused by it all. "I just write songs," he shrugs, grinning. "I honestly don't know what that was about or what was said. Axl was mad at Kerrang!, right? There were so many things that pissed him off..." It's said that Bob Guccione Jr, editor of US rock periodical Spin, was baited by Rose on 'Get In The Ring' simply because Spinprinted the contract which Guns N' Roses attempted to force on all journalists interviewing the band. The contract sought to censor the press. "I didn't even know about this contract," Izzy protests, "so when I heard Axl was mad about it, I was going, 'What?'! "If I were a journalist I'd probably just tell somebody to shove it up their ass too, cos I guess that'd be like somebody telling a musician how to write a song. "I wasn't aware that Mick Wall was one of the guys in that song. The only one I knew about was Guccione. I was sitting back in Indiana watching MTV and I saw that thing about Axl challenging him to go fight, and Bob said, 'Okay'. And I didn't hear anything else about it! "Axl's real critical of himself, and his anger seems to propel him in a lotta ways. That song 'Get In The Ring', I really love a lot of the lyrics just cos they're really aggressive. Axl played guitar on that track as well, that was the first time I saw him play electric guitar, and he did pretty well. I was digging it cos it was good punk energy. But with all the names at the end I was thinking, shit! I wouldn't have slagged people off on my record." - Izzy's Record, his first since quitting Guns N' Roses, is titled 'Ju Ju Hounds' and is as cool a rock 'n' roll record as anyone has made in the last 10 years. Like The Black Crows', Izzy's music is simple, intuitive, soulful. Both he and the Crowes have covered reggae standards, but where the latter play a lot of blues, Izzy's more of a punk. Axl calls 'Ju Ju Hounds' "Izzy's Keith Richards thing", which is as good a description as any. Izzy's LP has the same lazy charm as Keef's 'Talk Is Cheap'. "I read what Axl said," nods Izzy. "I think Keith Richards is great, but I don't think he has any songs that play as fast as 'Pressure Drop' (Izzy's souped-up cover of the Toots and The Maytals classic, also recorded by The Clash). I wish he would - It'd be great to hear him do that. "I called Keith last week; he was in the studio. I'm gonna try and hook up with him in New York sometime. There's a part of me that wants to take a tape of my record along and play it for him, and there's another part that's going, 'Fuck it, I'll just say hi and listen to his record'." Izzy's such a big Stones fan, there's still disbelief in his voice when he speaks of his friendship with Keef and fellow Stone Ron Wood, who guested on 'Ju Ju Hounds'. "We got together with Woody in LA. We did an old song of his called 'Take A Look At The Guy'." - A Stones CD plays as Izzy talks. The album is 'Black And Blue', one of the Stones' most laid back and most underrated works, featuring classic heartbreakers 'Fool To Cry' and 'Memory Motel'. plus the reggae number 'Cherry Oh Baby', covered by UB40. "I got into reggae partly through the Stones," says Izzy. "I guess it just bled over from stuff like 'Black And Blue' - it's killer. The thing I love about reggae is that it's not technical music where things are perfect; it's very freeform, just a groove. You can lay on a beach or a couch and just absorb it It slows down your heartbeat too, those drum beats and the slow pulse of the bass. It's like a tranquilizer. " 'Pressure Drop' is in this great movie called 'The Harder They Come', starring Jimmy Cliff as a ghetto kid who goes big time with guns; he shoots his way to the top. It's really cool. "There's an energy about 'Pressure Drop' that I love, the rock-steady rhythm. It's very loose, but at the same time it gets the point across." - Guesting on 'Pressure Drop' and on 'Can't Hear 'Em' (a reggae number of Stradlin's which features on the 'Pressure Drop' EP released this week, a month before the LP) is reggae star Mikey Dread, who worked with The Clash on their 'Sandinista' LP. Izzy met Mikey through bassist Jimmy 'Two Fingers' Ashhurst. "Jimmy saw Mikey play in Chicago and got hold of him the next morning. It turned out he was in the hotel right across the street from the studio we were using. We were just gonna do one song dub, but we ended up recording four songs with Mikey, for him. Jimmy and I played bass and guitar on them. Mikey did his rap thing on 'Can't Hear 'Em' and I think he sang some backups on 'Pressure Drop'. His guitar player did a reggae rhythm, real quiet, just a plunky, straight-through thing." Was Mikey surprised that a former member of GN'R loves and can play reggae? "I don't know but it was a trip working with those guys. Mikey had worked with The Clash before, so he must've been familiar with our style." So he didn't think that the way you speeded up 'Pressure Drop' was sacrilegious? Izzy smiles, "His first comment was, 'Y'know, man, this was a big hit in England'. I'm supposed to look him up when I get to New York. He's gonna take us to some place to get us some suits made - they do 'em overnight." - The whole of the 'Pressure Drop' EP has a raw feel evocative of Guns N' Roses' debut EP 'Live Like A Suicide'. 'Came Unglued' is as fast and lean as the obscure GN'R tune 'Shadow Of Your Love', while 'Been A Fix' has the hangdog vocals and fuck-off riff of late '70s Stones (it's also reminiscent of Aerosmith's 'I Wanna Know Why'). "Basically, I just wanted to get back to what really gets me off, just a basic rock 'n' roll band, a couple guitars, drums and bass. Simple. "The album's better, I would think, it's more mixed. The EP's just got three slammers on it, and a reggae song. The album's got a couple of acoustic songs, a coupla slammers, some basic rock tunes and one reggae song too. "The title of the LP came by accident in the studio. I was singing a backing track to something, and when I played it back it sounded like I said, 'Ju ju hound'. It doesn't mean much really." - Before Izzy began recording his album and EP, his name was linked with The Black Crowes, who at the time had not announced a replacement for Jeff Cease. So was he offered the gig? "I don't think so," Izzy shrugs. "When I left LA after I split from GN'R, I went on a road trip to New Orleans. From there I called my brother and he told me I'd got a fax from Rich in The Black Crowes. I had no idea their guitar player had split. "I stopped by Rich's home and he said, 'Maybe we should get together and write some songs'. I said, 'Let me take my stuff back to Indiana and get my house in order'. I love The Black Crowes, but because it was immediately after GN'R, I don't think I was ready to make any quick moves. I thought I'd just go and ride trials for a while. "I just wasn't interested in playing guitar at that time. I don't think I touched a guitar for about a month. I was getting off on riding, but, it got cold, Winter came, and I was sitting in a room with a guitar in the corner and it's like, 'C'mon, play me'! Once I started playing again I thought, this is the one thing that seems to make sense. "I started putting a band together in January. I was sitting in Indiana thinking, fuck, man, how do I find musicians? I couldn't just run an ad in the local trade paper. You wanna find somebody you can relate to, and the guys I got are all seasoned, proven. "I hooked up with Jimmy in LA. I'd known him for years, when he was in The Broken Homes. Once we'd got a drummer, Charlie Quintana, we'd recorded these basic tracks, so I asked Jimmy what Rick Richards from the Georgia Satellites was doing. Jimmy told me the Satellites broke up. This is how outta touch I am! "Rick's playing is so natural. I'll just throw out a coupla chords and he'll bounce stuff of it. He knows how to make it work." - Album and EP feature a number of guest musicians, including backing singers the Waters Sisters, who lift the chorus of 'Can't Hear 'Em' in much the same way that the I-Threes sweeten classic Bob Marley tracks like 'Could You Be Loved'. Barbara and Joy Richardson do likewise on The Black Crowes' 'The Southern Harmony And Musical Companion'. "The Water Sisters did 'Knockin' On Heaven's Door' for GN'R. Man, they can sing," Izzy adds with a smile, "but I can't see us going out on tour like that. I think we'll keep it real simple." Izzy's keeping everything simple these days. Guns N' Roses are no longer The Most Dangerous Band In The World, but they'll never be free of the controversy and all that bullshit. Stradlin' is, and he's happier for it. Simply, he's happy just to be back playing rock 'n' roll. It's all he ever wanted to do anyway.
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