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#the way while transcribing i have to watch the shit 10 times to decipher the words. not funny
wejustvibing · 18 days
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It's just tapping into, again, why we're here. Just a bit of a creative part of my life that I don't really get to share too much over my main socials. So, a sneak peak into a different realm in my life.
- Lewis on indegoblack
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luminoustico · 5 years
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For End of the Year Writing Meme: All the questions sound super interesting so just use this as an opportunity to answer whatever questions interest you most
So funny story I put this in my drafts to complete in the quiet time of New Year’s Day, but then I forgot about it completely. BRACE YOURSELF.
A. If you could rec a piece of music to accompany one of your fics, what would you pick? Why?
Lies by Marina and the Diamonds, to accompany the latter half of Valse Melancolique. It’s a really good song to show Irene’s POV at that point, especially her reluctance to accept that the webs she’s spun are basically collapsing around her.
“I just want it to be perfect / To believe it’s all been worth the fight,” is the most relevant set of lyrics, IMO.
B. Who’s your favourite side-character from something you wrote?
I really enjoyed writing side characters like Rose and Finn, though Rose just edges it because I’ve been enjoying writing her in Don’t Complicate It. Finn runs a very close second.
C. Get any good comments on your stuff this year?
Sure! All comments are good comments, let’s be real. Unless they’re an obvious troll comment or those “update now!!!” kind of comments. Those aren’t so good.
D. Any drawings or pictures that had a big influence on your writing?
The artwork of the late 18th century and Roberto Ferri definitely influenced the tone of Valse Melancolique. Many scenes from certain stories were driven by a single image I had in my head as well.
E.  Who’s your favourite main character you’ve written?
Though I do enjoy delving into Ben/Kylo’s psyche, I enjoy writing Rey more – she’s more enclosed, and I love chipping away at characters to get to their truths.
G. Where do you think you grew the most this year?
Towards the end of the year, I began to realise that writing can actually be fun like it used to be. I’ve been so aware of the way the world is currently that I’ve been convincing myself that my writing must have a message, or it’s not ‘worthy’. I need to understand that I started writing not to pass on any morals or messages, but as a release and a way to find enjoyment in the constant buzz.
H.  How do you write? Paper, pen, computer? Music, no music?
All of those. I write on my phone, on my computer, on pen and paper. Music and no music, it depends. Most often I’m listening to a playlist/album which then stops and I cease writing an hour or so later realising I’ve been writing in silence.
I.  What’s your favourite work you did this year? Why?
I’m always tempted to answer this kind of question with my most recent story. But I’m going to be really honest and say that star among the stars is a personal favourite. And it’s not just because of the pegging.
J.  What are the best jokes you told this year? Any jokes you thought were funny that people didn’t catch? Vice-versa?
I’m completely blanking on this one.
K. Who have you killed this year? Why did they have to die?
Qui-Gon Jinn (to match with canon), Molly and Sherlock (hey it was a story based on Dangerous Liaisons, and I was reading classical Russian literature at the time of plotting) and Kylo Ren a bunch of times (metaphorically).  
L.  Which character did you most write about this year, and why do you like ‘em?
I wrote more about Rey. As mentioned before, it’s because I like chipping away at a character’s surface but also it’s because I really relate to her, especially in regards to her feelings of loneliness and her tendency to put on ‘a brave face’. Plus I really admire her compassion and her strength. I envy it.
M. Meta! Have any meta about a story you’re dying to throw out there?
Not particularly -- just headcanons and reasons behind why I write what I write. (I’ve never been very good with meta anyway.) I really like it when other people meta my fic, or pick up on something I didn’t! That is an AMAZING feeling. 
O. Do you believe in outlines? Show us one!
I do indeed! I love my outlines. For some projects, I’ve got whole folders with docs labelled Initial Ideas, Plot Summary, Chapter Outline, etc. etc. I’ve got my notes app on my phone stuffed up to the gills with mini-outlines. I frequently use my story structure template, which is technically more for screenplays, but the breaking down into acts thing helps my brain figure things out. 
P. What are your pet peeves in other people’s work?
When an author relies too much on UST and ruins the pacing. Like, an author drags out the first getting together because they believe that the anticipation is the only thing generating comments. If it’s right to have them bang, have them bang! The awkward morning after is a delicious opportunity for UST -- just a different kind. 9 times out of 10, your readers are there not for the smut because they’re invested in the story and like your writing.
Q. Quote three bits of writing you read this year. Can be your writing, or not.
Let’s mix it up.
“ “Why did you do that?” he demanded as they ducked into a side alley. “What part of ‘keep a low profile’ is difficult for you to understand?”
“I’m a good haggler,” Rey said through a full mouth. She didn’t have any idea what she was eating, and she didn’t care. It took so much effort to chew each bite instead of gulping it down whole. “He was trying to cheat us.”
“You didn’t haggle. You pushed.”
“I did not. Why would I knock him over in the middle of his stand?”
Kylo just stared. “You need a teacher,” he muttered. He watched her eat for a moment, his expression somewhere between thoughtful and disgusted, before taking a bite from one of his own skewers. Disgust won out. ” -- Symmetry and Black Tar by audreyii_fic. (Grumpy smuggler Kylo Ren, spunky scavenger Rey, canon divergence. Excellent.)
“ "Ben," Rey breathes once Kylo's mere inches away. It's the name Luke introduced him with, the only name she knows him by, and he's never bothered to correct her. Why hasn't he corrected her? The question flees from his mind as she closes her eyes and he leans down into the space between them, kissing her full on the lips. It's not gentle, he doesn't know how to be, but she opens for him the way the flowers she loves so much bloom in the sunlight. ” -- the surface of last scattering by diasterisms. (It’s the apocalypse, it’s exactly the right time to meet the love of your life, right? Read for utter devastation.) 
“ Rey could spend hours in the Falcon’s inner workings. She’d spent so much time in the belly of hollowed-out Star Destroyers, which were horrific remnants of old worlds, cold and grey. The Falcon is alive, speaking a strange language she’s just about half-deciphered. Sometimes, on days where she misses the connection most and dreams of a boy reaching across the stars to find her, it feels like the Falcon doesn’t want to speak to her. It shuts down. Sparks spit at her, and mechanisms develop odd faults.Today, a jet of steam blows directly in her face, not harmful, but almost like a snarl of 'go away'.
Rey climbs out of the hatch, fetching tools. She works with that fault first.
“I’m not thinking about him,” she promises to no-one but the ship she’s looking after. ” -- If I was born as a blackthorn tree, by me!
R. If you had to rewrite one of your stories from scratch, which one would it be? What would you do to it?
Going to cheat here and head back to 2017. I’d rewrite Two Stars Aligned. What I’d probably do is make it a post-TLJ fic, where Rey and Ben decide to run away after getting involved in a secret relationship, but get shot down by the First Order -- after landing in Giaca, they become embroiled in Game of Thrones style politics and the ruling families, while the Resistance and the First Order conduct searches for them. I’d cut out the weird Force shit and make the redemption arc thing more organic by giving the whole story room to bloody breathe. Two Stars Aligned is actually the reason why I now try to stick to oneshots for exchanges and any anthologies I get involved in.
S. What’s the sexiest thing you wrote this year?
Sexiest thing written in 2018... It’ll have to be the pegging in star among the stars.
T. Themes, motherfucker, do you have them? What are they?
Feminism. Females being allowed to be as fucked-up and broody as the men they love, and perhaps, even broodier. Make women afraid of commitment, 2k19.
U. Any stories that took an abrupt U-turn from where you thought they were going?
If I were a blackthorn tree took a pleasing turn away from the initial outline. The initial idea was lots of secret trysts and stuff like that, but I much prefer the quiet romance with a note of hope at the end that it turned out to be.
V. Which story was the most viscerally pleasing to write? Tell us your narrative kinks.
Huh. Hm. Don’t Complicate It is turning out to be kind of fun to write; when I’m not allowing myself to be crippled by the brain goblins that is (they’re strong lately). It’s a combo of writing a trope/kink I’ve been wanting to write for ages -- A/B/O -- and remembering that it’s okay to have fun with it.
W.  Who are your favourite writers?
@kylo-wouldnt-like-those-chips - @conchepcion (every time I think I’m out, she pulls me back in *shakes fist*) - @introspectivenavelgazer - @audreyii-fic - @kylorenvevo - ambiguously - @fettuccine-alfreylo and SO MANY MORE (this post is long enough already!!)
X.  What’s your least favourite work of this year?
My least favourite has to be In Cars. It was an ambitious idea, which I didn’t really fulfil, I feel. Curse of being a perfectionist. I want something to be amazing. World-changing! Tear-jerking! I want Vestal virgins to weep golden tears over my words, already delicately transcribed onto ancient parchment by monks. Obviously, that’s an impossible standard, but I can’t help being cross when I don’t reach it.
Y. Why did you write? For fun, for a friend, for acclaim?
During 2018? Mostly for acclaim. It made 2018 a very difficult year for writing, and just a difficult year in general. I’m trying to make sure I have fun during 2019 with this stuff. Striving for perfection is a punishing task that no-one can ever accomplish because perfection doesn’t exist. Contentment does, though. As does happiness. And those should be more important.
Z. If you could choose one work and immediately finish it, what would it be? How would you end it?
I’d finish Sanctum, my priest Kylo fic. I’m split between continuing or rewriting anyway (the rewrite would include relocating the action to the medieval era, around the time Luther wrote that damned essay and pinned it to the church door). But I do know the exact image I want to finish on, which will remain whether I end up rewriting or not. It involves a name, a scrap of material and a rather fetching colour scheme. 
Ooh. Cryptic.
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