#this one’s a bit…unfiltered bc i just wrote what came to mind

[padfootastic]

I'd love to hear your thoughts on the fight between Remus and Harry in DH. Because throughout the series we see Remus manipulating Harry by bringing up James, but for the first time, Harry brings up James in a situation that is the most relevant, and Remus goes BERSERK.

hello 💜💜 i’m so sorry for how long this has been lying in my inbox but i’ve got so much to say and not enough time for it 💀

i don’t think anything i say re this will come as a surprise to anyone who knows me lol i feel like that fight was such a good opportunity to show, in narrative, remus at fault without excusing his actions and the text still missed the mark. i’ve talked before about this, but remus always gets off scot free with no consequences or even reproach for any of his shitty actions and i think this comes under the same banner. iirc even hermione’s like ‘wtf harry’ because of his response, right?

but here, we see him acting shitty in a manner u absolutely cannot ignore. i mean, there’s a point to which ur willing to ignore a grown man’s agency and actions, right? and i feel like ‘abandoning ur wife and unborn kid in the middle of a whole war’ is waaaaaay past that point. we can talk all day about how he thought he was in the right, how he might’ve actually brought misfortune to them by virtue of who he was, but that still doesn’t excuse what tonks would’ve been going through, esp considering her own dad pulled a similar stunt.

you bring up such a great point re james. remus had absolutely no problems invoking his name when he wanted to guilt trip harry (i keep saying this but their conversation in poa horrifies me every time i think about it) but the moment he gets it back? it’s all ‘oh woe is me how dare u’. kinda makes me think remus never had to deal w the consequences of his actions (which like,,,am i wrong tho) bc all the misfortune he has, he attributes to his condition and never his own actions. he basically operates on an external locus of control and the people around him keep enabling it. (ofc a lot of this is conjecture + influenced by what i’ve seen in fandom bc we (i?) don’t actually know that much about him & his motivations from the text) and i think when he actually is held accountable, he’ll go straight on the defensive bc he doesn’t know how to handle it.

imo remus is super, super self destructive and not that capable at maintaining healthy relationships. for all that people go on and on about james and sirius being assholes and bullies, remus is actually so much more insidious in terms of being ‘toxic’. i really think harry was so right for doing what he did, not matter how much shit he gets for it, because someone has to. his friends won’t, people in authority aren’t, and he gets to go through life blaming everything except himself.

i feel like this is super unsympathetic to him lol but that scene in dh is actually one of my favs just because someone is finally saying something to Saint Remus and the fact that it’s harry, of all people? u go bby!!! it was also such a thoughtless action on remus’ part bc he’s telling this to a literal orphan who grew up abused and neglected. also!! the way it portrays him on the complete end of the spectrum as james (who we know is the ‘embodiment of bravery’ in the text bc of his actions therefore, remus is an absolute coward which, self professed but now proved further) which really makes u understand harry’s pov too, i think. because he idolised his dad, ykno? and he’s heard remus talk about their bond before, and we know harry’s judged people by comparing (and associating) them to his parents right? so it just makes remus come off even worse.

ultimately, i think it was just another selfish + narrow minded action in a long list that we can attribute to remus. can we explain them? sure. but does that justify it? i personally don’t think so, but others can obv disagree. remus wasn’t thinking of tonks or baby teddy or harry when he offered to accompany them, no matter how much he tried to spin it that way and i think that lying (to both others & himself) is v characteristic of his personality throughout the whole series. he’s a serial manipulator and no one’s safe from it, not even him.

(i’m reading this and it’s so rambly gosh. i hope some of it made sense?)

#remus lupin critical #re ted doing something similar #i read a fic where that was explored #and andromeda was so angry and so hurt that ted left them #and it really changed my whole opinion on such a minisucle plot point lol #and then got me thinking about the parallels between his actions and remus’ #something about people claiming to be selfless while actually being v v selfish #bc ultimately their actions didn’t (wouldn’t have?) help(ed) #but they would have eased their conscious #but fuck what the people who were left behind thought right? #and remus making harry godfather is another can of worms i haven’t even touched here lmao #that one bothers me ngl #only my love for teddy keeps it at bay lol #this one’s a bit…unfiltered bc i just wrote what came to mind #but yeah #differing opinions r always welcome ofc #we love discussions on here #pen’s asks

[bastardsofravenkroft-blog]

speak now tv for me on first listen:

in general:

i love the heavier and more unfiltered (?) guitar work, it suits speak now soooo well. hate whoever the backup singer dude is. their voice is not good with hers imo, its really throwing me off. i dont like how quiet her secondary/backup vocals/‘improvs’ are either. its hard to tell if i like the mix or not yet bc its just different yk

in specific:

i like all the vault tracks. theyre good. anyone who thought castles crumbling would be scream-y i have full rights to call you silly. i can see you was way more of a banger than i thought it would be.

fucking hate mine. i will not be listening to it i dont think. which is the first rerecord i absolutely cannot stand. remember when big wigs came up on you belong with me tv and said its a totally different song and thats me with mine. its awful

sparks fly - pretty good overall, doesnt quite match the heart of the og but i think thatll be a running theme unfortunately.

back to december - perfect. theres a sorta loud like horn or something after the first chorus but its fine. very good taysquared fans are FED.

speak now - perfect. solid. nothing to say bc its a pretty nothing song really but its great.

dear john - honestly was just okay until the middle really. then she really gets into i feel, and it fucking hits. the girl in the dress wrote you a song. and you shouldve known.

mean - i love it! sounds like how it did when they played it live. its fun

the story of us - meh. its not bad at all but its not like. magical either. i like the og better but this is still perfectly listenable

never grow up - three times as good as the original. listening to this was like hearing it for the first time at 14 when someone had one of the most prevalent thoughts in my head into one song.

enchanted - the model rerecord (kinda). this is what they should be. not all of them are going to be exact remakes, but this one is pretty damn close but still has its own personality. WIN.

better than revenge - BANGER. THE FUCKING BACKING VOCALS. i dont mind the lyric change, its hers to change, and i dont think thats much of anybody’s business. shes come to terms with the way she treated another woman when she was 18 and i personally wont shit on her for that. and she couldve intentionally made it shit so a lyric that still works well and illustrates the picture? yes please

innocent - better than the original. better. esp the bridge. no more words cause i will be crying. (also i didnt know for years this shit was about kanye and ngl that did sour it a bit but its MINE so I WILL NOT BE CARING. ty)

haunted - ehhhhh. this is one of my favorite ts songs literally ever bc i was born and raised to be an emo piece of shit, i love the second half, but im not sold on the first half. i hope this is one that mega grows on me, and im still so fucking disappointed not to have an acoustic rerecord :( hopefully itll be added later bc its so fucking good

last kiss - the two seconds of waiting for this to play were like every first day of school all over again. but like enchanted its stellar, she got into it from the beginning and i always forget what an amazing song this is until i listen to it again. i wrote this song out in full at least five times in the journal i had at the time. i really love this version just as much.

long live - so fucking faithful??? WHERE WAS THIS ENERGY FOR MINE??? UGGHHHHHHH anyways shes cute! i like. not super attached to this song anymore but i like this way more than the og even i think. a spruce up was what it needed for me i think

ours - its really really different, and i have no feelings really bc ive never really liked it lol. it flows better i think now, but its still a boring weee im in love song so eh

superman - i really didnt listen to this lmao, it didnt deserve to be on any version of speak now imo, esp now hearing the vault tracks, i wouldve liked foolish one more (timeless is more red to me, she was a bit too immature for when emma falls in love and castles crumbling to sound right, and the other songs were too pop for speak now really)

no matter what though, red and speak now will never be replaceable for me. i love these versions but listening to the originals as a young teenage girl and feel heard and seen in ways i never had been before and working through so many complicated things with the help of those songs is something the rerecords will never have.

also whoever said she could remove one of her best songs from arguably one of her best albums.

#music #archives #crimson speaks #taylor swift #speak now #speak now tv #speak now taylor’s version #if youre a swiftie and this pissed you off open a CIVIL DISCUSSION or keep it to yourself. im not dealing with toddlers over a ts post agai #also i didnt even read over this so who knows what it actually says #pinning so i dont lose it #crimson writes

[nightincider]

A Somewhat Skewed Guide to Listening to Taylor Swift

I wrote this for a friend a year ago who was interested in getting into Taylor Swift and had no idea where to start - this is by no means a formal review, but a casual personal overview on Taylor Swift that I thought would be amusing to post here. 

Warning: unfiltered, unedited rambling :’D 

Disclaimer: I confess I’m not familiar with 100% of her discography (I usually don’t listen to the bonus tracks/know all of her standalones)

Note: I will be going in chronological order of her discography even though that’s not how my journey through her stuff went

Taylor Swift (2006)

don’t listen to this if you actually hate country music bc this is defs more on the country side of her country-pop crossover (mandolins, banjos, thankfully no annoying vocal twang)

this album is a great insight to her roots as a songwriter but it’s best enjoyed if you already like her, it’s like peeking into the old diary of someone you admire

Picture to Burn - hilarious breakup song trash talking an ex about how his pickup truck is stupid (you think I’m kidding but I’m not), video is awesome and shows her band trashing his house. I once sang this at karaoke and my friend fucking died and she didn’t believe the lyrics were actually a T Swift song

Mary’s Song (Oh My My My) - a really pretty, sappy gem about a long term love

everything else I could take or leave tbh

Fearless (2008)

tbh I still don’t “get” this album bc it’s a bit immature for my tastes but I’m sure young teen me would have loved it if it came out then. But overall I feel like this album only disappoints me bc her later work is so much better. Otherwise it’s actually pretty great

Fearless - the title song for good reason, appropriate way to begin the album and starts off with the attitude of facing love with a, you guessed it, fearless outlook

Love Story - ok the Romeo & Juliet ref and the sappy lyrics are kinda cringeworthy but overlooking that it is probably one of her most well-written pop songs to date in terms of the melody, arrangement, catchiness etc and I will always have a soft spot in my heart for this

Breathe (feat. Colbie Caillat) - understated soft, sad pretty track

Forever and Always - I really love the melody in this one and the mentions of rain. This feels like the precursor to Mine (off Speak Now), except the relationship in the song didn’t actually work out

Change - notably NOT about relationships but about looking forward to positive changes and winning in life whatnot. It’s uplifting and I see it as the prequel to Long Live (from Speak Now)

everything else is not bad but doesn’t quite make my favs like this list. shoot me but I find Fifteen and You Belong With Me way overrated

 Speak Now (2010)

supposedly before writing this album Swift wanted to go with the concept “Enchanted” (which is one of the songs as well) but her label told her she needed to show she was maturing and not make an album that was basically Fearless 2.0 so she opted for the idea of “Speak Now”, which is total (sometimes brutal) honesty

This album does indeed speak her mind, in the sad, happy, and even embarrassing ways (coughs the title track is about her fantasizing about crashing her ex’s wedding and stealing him away and makes comments about how the bride’s gown looks like a pastry)

Before Red, Swift released a lot of singles w/ multiple versions, usually a US (read: more country) and international (read: more pop/rock) one.

IMO, the singles on Speak Now (Mine, Back to December, Story of Us) sound way, way better on the international edition. So please try to find those versions!

Mine - please check out the international version it’s miles better than the US version (more driving rhythm/urgency, better guitar riff, the US version is too laid back IMO)

Sparks Fly - a song about undeniable chemistry, the chorus is one of my favs

Back to December - slow, sad, and beautiful.  I almost cried over this. I prefer this to Dear John bc it’s not as brutal and more accessible (Dear John is great too but really hard to listen to that often). Again international version is better bc the mandolin part in the US version is annoying.

Mean - kind of childish but that’s why I love it, it’s the pop song equivalent of a kid sticking their tongue out at their bullies on the playground

The Story of Us - not as emotionally wrenching as a lot of the other breakup songs but probably the catchiest and I love the beat

Enchanted - love at first sight type song. I really like the song structure (especially how it builds up) and instrumentation, and the bridge stanza is my favorite

Better Than Revenge - T Swift doing Paramore 

Innocent - T Swift doing Evanescence, also I think that song was a jab back at Kanye West lmfao

Long Live - song about taking on the world, proving ppl wrong, having great adventures, I wish I could someday feel worthy of singing this song

the one dud IMO is Never Grow Up (it’s kinda boring plus I think she was too young to write well from the perspective of a parent).

Red (2012)

This was THE album that converted me to the cult of Swift and I hope it converts you too

I confess I only really noticed the beauty of Speak Now bc I went back and listened to it properly after I got tired of spinning Red during my commute

Fun fact: I only bothered to give this album a try after my white hipster bestie (whom I had a huge gross crush on at the time) rec’d it and I was like wtf at first but he was like no really give it a shot, so I did.

Red is every bit as honest as Speak Now but it’s not as bitter or playful it’s more sad and resigned and more nostalgic, wistful, you get it...

It’s painful for me to rec my favs from it bc I’d say the ENTIRE FUCKING ALBUM but I’ll. try. /grits teeth

State of Grace - those drums! that guitar! that whole “we’re on a journey and it’s beginning” feel…  this is her strongest album opening track to date (1989 totally bombed in that aspect, fuck Welcome to New York)

Red - I don’t know how a song has literally 2 unique melody lines but still manages to be so amazing. Unfair.

Treacherous - the whole excitement of falling in love with someone that you probably shouldn’t but presented in an unexpectedly tender way

All Too Well - by this point Swift has a trend of making song #5 the sad slow ballad (it’s a thing her fans have noticed). This song hits me hard on a personal level bc it reminds me of my 2.5 year relationship that ended and it’s incredibly well-written, from the lyrics reminiscing on the past to taking you back into that moment during the choruses, also the bridge just breaks me. This is probably the pinnacle of sad breakup songs and you cannot convince me otherwise

I Almost Do - All Too Well’s more timid but no less heartbreaking cousin

Holy Ground - this is kind of the banner song of the album despite not being the title track. While Red is meant to set the backdrop for this album’s themes, this song embodies the core of the album best IMO. And it has a danceable beat to boot.

Sad Beautiful Tragic - I used to skip this a lot after Holy Ground bc it’s a bit of a downer but it has an understated beauty

Starlight - want to see Swift write fanfiction? well here’s your chance. This song is about Ethel and Bobby Kennedy as teenagers. also embarrassing confession: I want to sing this at my own wedding if I ever get married someday. Best part is the piano line that evokes twinkling stars

I’m rather indifferent to the big pop singles in this album (I Knew You Were Trouble, 22, We Are Never Ever Getting Back Together. They’re good but, ultimately the best stuff is the album tracks)

1989 (2014)

the album that converted a lot of pop lovers to the cult of Swift

shows a lot of growth and experimentation since Red, but Red is still personally my favorite, this one’s a close second tho

Swift has said in interviews that Red was a devastating album to write but 1989 is more about moving on from that and focusing on herself and it’s overall both more optimistic (regarding life in general) and calculated and cynical (regarding romance)

1989 is the year Swift was born, btw. Coincidentally the album has 13 tracks not counting the bonus ones and 13 is Swift’s favorite number (she was also born on Dec 13)

I have this whole conspiracy theory level of analysis going on about how this is a sequel to Red and how those two albums are linked in a way that the others aren’t

let’s get it out of the way, Welcome to New York is the obvious dud. sorry to our mutual friends who love NY but the song kind of sucks in itself oops. Like it’s very uninspired and generic

for an actual good song about NY check out Vienna Teng’s Goodnight New York

Blank Space - overplayed but I love the idea of Swift parodying what her critics think of her

Out of the Woods - it’s a song about uncertainty in a relationship and the ending is left up to interpretation and I love the repetitive chorus bc it illustrates the feeling of being trapped in the woods and seeing trees flash by you. The bridge has a personal anecdote (the brakes/stitches mentioned are from a minor snowmobile accident).

All You Had to Do Was Stay - about a dream Swift had where all she could do is say “stay” in a high pitched voice to an ex and it embarrassed her lol. Typical pining song but something about those “stays” sound way more painful than comical in practice.

Shake It Off - a good pick-me-up for the slow days and the only big single of hers I haven’t gotten utterly sick of

I Wish You Would - reminds me a lot of HAIM, and it’s oddly one song that I almost never skip when it comes up on my commute shuffle despite having heard every song on this album too many times. understated but solid.

Wildest Dreams - Swift doing Lana Del Rey better than Lana Del Rey

How You Get the Girl - cute but all I can think of is her cat in the Diet Coke commercial that used this song

This Love - I feel like this is the song tying the album together, it’s the most vulnerable track and the one flame of hope amidst all the jadedness that pervades the album regarding romance. It’s kind of meta in some way like it describes not only T Swift the character in the album but also possibly T Swift the person? This song is very important to me.

I Know Places - kind of a darker sound (for her)

Clean - a song about moving on from a relationship, I’m already biased towards this bc Imogen Heap worked on it but it’s really beautiful, and I love when Heap’s harmonies come in.

New Romantics - the freakin song of our generation, the lyrics are so fucking real I can’t even

misc/standalones

Safe and Sound (feat. the Civil Wars) - from the Hunger Games OST, it’s pure folk goodness

Sweeter than Fiction - the happy ending we all want. has a bit of a beach-rock vibe to it with a very 80s production

Ronan - written for a child who died from cancer, it’s beautiful and sad

Thank you for reading if you’ve even made it this far and I hope I didn’t overwhelm you, happy listening! :D

#Taylor Swift #Taylor Swift Fearless #Taylor Swift Speak Now #Taylor Swift Red #Taylor Swift 1989