#why does no one ever address how hard it must be to be a nonbender??? like that would frustrate the shit out of me??!

[grendelsmilf]

bryke book 1: wow we really like asamis character. she's directly involved in this nonbending revolution as both the daughter of a criminal funding this terrorist organization and a non-bender herself.... let's make her drive the conflict between mako and korra, and force her into being part of a silly love triangle that she's already too mature for and clearly would want no part in! then we'll have her father almost murder her and then never bring that up again. yeah we love asami she's great bryke book 2: now that the equalist movement is over (with no loose ends to tie up or anything of the sort) we don't really have use for asami. especially considering she's a nonbender...... bryke book 3: we're going to reintroduce airbending to our narrative! now we can make all these nonbenders airbenders and it will be so interesting watching their reaction to having bending! like bumi, who now must struggle with his inferiority complex as the only nonbender in his family, and learn to control his airbending without trying to overstep on tenzins boundaries as an airbending master while also finally being able to participate in that culture! asami, as an industrialist who relies on technology to make up for her lack of bending, has nothing interesting to grapple with this season! we'll just let her hang out in the background, occasionally do some backflips and save the day with her engineering savvy. her company??? where?? don't worry about all that! she's just the hot nonbender bff to the avatar! bryke book 4: yeah we love asami. she's the love of korras life obviously. here's this new character WU, he's annoying so it's funny

#the lok discourse #fanwank for ts #asami sato #listen.... asami as an airbender would've been so good #i know i'm not the first person to think of this #but think about it #it was the one element korra struggled with #if instead of teaching opal airbending she could've taught asami airbending???? #and asamis even less spiritual than korra #it would've been such a compelling arc #without it having to be the forefront of her character #why does no one ever address how hard it must be to be a nonbender??? like that would frustrate the shit out of me??! #and asami was directly tied to the avatar of her era #for basically her entire life #it could've been grand #grand i say #o #o.tv

[lokgifsandmusings]

Definitive Ranking of Book 1 Episodes, #12/12

12. 1x12 Endgame

Amon stands and lets Korra expose him for drama, Asami and Hiroshi are just like Kevin Bacon, let’s hide in an empty room from the bloodbender, people weren’t all that into justice anyway, and Aang brings the funk.

What? It hasn’t been over 4 months since I last did one of these...get out of here!

For those who don’t know, I’ve been going back and rewatching each LoK episode, then definitively ranking the entire season with a series of metas, starting from “worst” to “best.” Wait, no quotes because it’s DEFINITIVE.

I began with the beautiful, heart stopping, breathtaking, life-changing shitshow that was Book 2, because its flaws in some ways became the show’s greatest strength, so it felt very worth the dive. Then I went to Book 4 probably because that’s the time period that interests me a ton, and it was a solid season, but one that sort of felt like it needed some polish. Book 3 is damn near perfect in my opinion, and the one I want to end on for that reason.

So yup, we’re in Book 1! And here’s the thing: rewatching this show, the first season is the one that gives you the least back. It’s not particularly deep or nuanced. And that’s fine! It did a good job expanding the world building, the aesthetics were beyond on-point, and I’ll stand by the characterizations as pretty dang compelling, even if Mako never landed for me until Book 3.

At the same time, had this been the one season mini-series it almost was...I just don’t see still talking about it. And yes, I say that knowing the end game (you see what I did there?) would have been a bit different. But it doesn’t really change that the greatest success of Book 1 was its set up and potential. So, I guess it’s not a shock that the episode at the bottom of this list is its finale. Which is best depicted here:

Yeah, it sounds harsh for something that was ~fine~, but each time I rewatch it, it gets even less fine. However, there’s also been a lot on this already. If you haven’t already, read @got-your-back-always-will’s piece on why it was so damn disappointing. Or you could read my words where I call it a narrative beer fart (I think I use this term a lot, to be fair), point out the leaps in logic and reasonable action necessary for it everything to occur, and then talk about kind of shitty, sexist, ableist implications. Hell, even my photo recap touches on this.

Yes, it was all unintentional, but just imagine a character as intersectional as Korra being sent off with her depression having been magically healed by a male character (yes I know Aang is her, but imagery matters and she was passively sitting while he did his thing) and then hooking up with the guy who treated another woman as something stuck to his shoe.

And I mean, add to that the way the main plotline just FIZZLED. Oh man, people aren’t oppressed anymore because the guy who wanted to help them was actually a bender? WHAT. Everything Amon and the Equalists were set-up to be, and it just ends with a crowd shrugging and looking sad.

Like...this ending isn’t the worst thing that’s been on TV. It’s just formulaic and feels not well-planned, which is kind of weird because wasn’t this the only season that *had* been fully scripted? I really don’t want to pile on as if it’s the most toxic thing ever (not by a long shot), but would this have actually been satisfying to anyone?

I feel like I’m going to just end repeating myself, and I really don’t want to pile on. So instead, I think it’s important to zoom out and look at what the season was supposed to be accomplishing as a whole.

Korra is the opposite of Aang. Not in a moral sense, but in the sense that Bryke’s process in creating her was literally, “instead of a spiritual, not-super-physical, reluctant male hero who was not happy about his role, what if we had a girl who was super into it, non-spiritual, and kind of a hockey-kid type?”. They talk about this on podcasts and stuff. Aang’s narrative was about how he needed to embrace his role since the world needed him. We’ve seen this before (though Aang and ATLA was very unique, don’t get me wrong) with stories like Harry Potter, or LOTR, or the Star Wars OT, and so on.

That kind of arc is sort of best summed up by this quote from our pal Dumbledore:

“It is a curious thing, Harry, but perhaps those who are best suited to power are those who have never sought it. Those who, like you, have leadership thrust upon them, and take up the mantle because they must, and find to their own surprise that they wear it well.”

But when you have a character that WANTS to be the hero, what do you do? You write a world that doesn’t want *them*. You write a struggle in their quest to find a place for themselves when the role they’re so ready to take on doesn’t really make sense anymore.

This is the point of the Equalists. Benders are the privileged minority, extorting the oppressed masses in the nonbenders. The Avatar in some ways represents the ultimate bender (with her inherent abilities), and is now in a world skeptical, scared, and teaming for revolution.

Specifically against her and her power structure. There’s the spiritual aspect to her role, but she was out-of-touch with it in the first season, while also facing a very here-and-now kind of problem.

The conclusion that Korra needed to reach as a character, and where she gets at the end of Book 2 actually (and then spends Books 3 and 4 fine-tuning that role while also going through a very powerful healing arc) is one where she stakes her OWN claim in the world. She defines her role in a way that’s significant to her and the meaning in her heroism comes from her assertion of that agency, and the way she basically screams for her right to exist into being. The world will find it *does* need her, and here’s why, damnit.

Book 1 didn’t get there at all. Fuck, it didn’t even address things like how Korra’s actions out of bravado were because of her horrible fear of appearing weak. That fear...it’s only something she got over after her healing arc, when she learned that being afraid isn’t a weakness, and she can recontextualize that fear and find a kind of strength in it. Now, it’s possible that whenever it was decided that Book 1 would be 1 of 4 seasons, they made sure to keep room for Korra’s character growth. Except...in 2x01 she’s rather backdialed, so it’s a difficult case to make.

Then, remember how her solution had been (more or less) to punch things? Which is why @projectvoicebend has been referred to as “biting satire” thanks to their exaggerated depiction of that? But in Endgame, she literally saves the day with brute force. Not that Amon *shouldn’t* have been knocked out of a window, but this is rather bizarre messaging.

She unlocked airbending in a time of desperation, and used it aggressively to get rid of the threat. Like...okay. But, we didn’t need to see an entire season to buy this kind of thing happening. Hell, if she had been de-bended in 1x04 and someone else was threatened, I could still see this happening.

Was the implication that it’s the power of love? Had it been Bolin or Tenzin there, just sucks for them? I kind of find that hard to swallow, too. Really, they just needed Amon to be unmasked, and this is the way they contrived Korra to do it. It wasn’t exactly a huge character moment as much as it was leveling up in a video game.

Now, I do think overall it’s good that Korra didn’t find a place for herself in the world at the end of the first season. That was hard-earned, and even creating the new spiritual age wasn’t the endpoint of that theme since people were resistant to change—of losing control. However, could there have at least been an indication that REFORM WAS GOING TO HAPPEN? Yeah, the revolutionaries aren’t exactly blameless here seeing as they bombed an entire city, but Endgame literally reset the tensions in Republic City. Well, until Shiro recapped the creation of an entire democracy for us in 2 sentences.

It was like...the set box that Bryke had created at the beginning of the season needed to stay perfectly intact. And it wasn’t organic at all for Korra to be the person upholding that, because she is inherently such a transgressive character. This is why I’ve called it a round peg in a square hole, and this is why had *that* been the ending to the series, my own reaction would have been as dejected as the people who realized Amon painted a scar on his face.

Hell, what does this even mean on a thematic level? Desperation breeds education? Never idolize anyone who promises simple solutions to your problems? Reincarnation has its uses if you’re in enough pain?

Really, this show is supposed to be about Korra’s growth and trajectory, and...I just am struggling to see much of anything here.

Frankly, it gets worse the longer I think about it too. Equalists are like, bad and junk. Bombing cities and brutalizing your enemies (while evoking genocidal language with that whole ‘impurity’ thing) is not good, mmkay? But from another entirely valid angle, isn’t part of what Amon stood for really about disarmament? Should they have been so cartoonishly evhul that they suddenly needed to de-bend the pacifistic airbender children?

The only thing that kind of worked in this plotline was Asami and Hiroshi. And yeah, I know I’m the ultimate Asami fangirl so it’s going to read biased, but I’m serious: she was the only nonbender we really heard from about this. She was the one who had the same pain that her father had (her mother’s death at the hands of bending gangs), and experienced the same type of oppression he did, and still resoundly rejected violence. I’m not sure what she saw as a pathway to reform, but she could tell that Hiroshi’s actions weren’t coming from a place of empathy any longer, even if it might have begun like that.

Rewatching everything today when nazi punching discourse is disturbingly not theoretical, there is something a little frustrating about how simplified even this conflict was made. I’m not saying the Equalists are fascists at all, but can we at least try and position ourselves in the nonbender perspective, when there’s a lot of valid grievances, and Amon is just doing exactly what Aang did to Yakone (initially, back when he was targeting just triad members)? That’s worth a conversation! Sure, we got Asami standing up to Tarrlok in 1x08, sure, but her drive to take down her father was so clearly personal thanks to the years of deception, that the nonbender oppression sort of got swallowed in it all.

I still think it worked better than anything else, especially how Asami was not able to bring herself to harm her father the way he was willing to do. It’s tragic, and I don’t even begrudge Bolin swooping in for the save for that reason, even though the whole passive-woman/active-man thing is what I’m bitching about for Korra. But it’s different. Right?

I also found Tarrlok and Amon’s ending perfectly fine (and VERY jarring for a Y7 show) given that it was another exploration into abuse, the cycle of violence, and a kind of poetic self-fulfilling prophecy. But that’s more for 1x11.

God, you know what it is? Bryke never figured out what they wanted to say with Book 1. They had great worldbuilding ideas, and the tensions set up were quite compelling. It just lacked a *point* beyond “this might be cool to explore.” It was, and then the time came to tie it up, so it splatted.

In the end, they’re just damn lucky that Korra had something to say of her own.

Book 2 ranking/essays found here

Book 4 ranking/essays found here

#book 1 ranking #lok meta #korra #korra 1x12 #endgame