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68berri · 2 years
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He Jiaying aka 何家英 (Chinese, b. 1957, Tianjin, China) - Dance Of Recreation, 2006  Chinese Brushwork: Ink, Color (+details)
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68berri · 2 years
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Skyward Sword Zelda! Lov her
🍇 https://href.li/?https://www.instagram.com/68berri/
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68berri · 3 years
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some links for halloween! i tried going for a darker vibe. this is semi inspired by twilight cause like…. twilight…. princess…. ahhahaha get it? :-|
🍇 https://www.instagram.com/68berri/
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68berri · 3 years
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oh snap just realized this post hit 100 notes! ty all! 🤎
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some silhouette poses with kan(ker sore)kuro!
#rb
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68berri · 3 years
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more like KATkuro!!!!! ahahahhahah!!!!! got his ass!!!!
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68berri · 3 years
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Hi! your art is absolutely sublime. It's a huge inspiration for me to improve and move past those feeling depressed about art days. I wanted to ask, if that okay, if you had any advice for artists wishing to move from hobby to pro. I feel I'm there with my art right now but I don't have a clue how to get 'noticed' so to speak. Or even how to start. Some days I feel all I'll be is a fan artist, which is fun, but would love to move on from that.
Hello Nonnie, Thank you very much for your ask! It really depends on what your idea of professional looks like I think. Are you looking to work freelance on commission for clients commercially? Is there a studio that you want to work at full time or are you wanting more of a independent experience? There are a few different paths open to you career wise. I can only speak to my experience which is in freelancing but I transitioned from hobbyist to professional slowly. I had been painting a while before I opened up small commissions, I still had a day job. I think time spent working on private commissions really helps you get to grips with the basics of working for hire as an artist. if you want to successfully freelance, I'd start there. It teaches you the importance of communication and compromise with your client (and how to not take feedback too personally haha). It forces you to to get a little more familiar with invoicing and contracts. It will also let you know if working to someone else's brief is for you or not - if the deadline life is for you. You can advertise your services wherever you use social media. Getting noticed? Eyeballs is a toughy. So much goes into the eyeball soup. You can always go the traditional sort of route, get yourself a portfolio together of your strongest work and submit to companies that interest you. Whether you're looking for something inhouse or applying for contracted work, it doesn't hurt to go straight to big eyeball. Sometimes if you're not taken on you can get a little feedback on your work that will help you move forward and maybe land the next one. About 90% of my commercial work has come from Artstation, if you haven't got one, I'd recommend it. Speaking of dabbling in the dark art of social media (especially if you're looking at more of an independent career) outside of me telling you you need to get your work out there on as many platforms as you're comfortable managing, get a dedicated website/portfolio and network, network, network! I think it ultimately success lies in the quality of your work and in it's youiness. Collecting eyeballs alone is not enough, you need to have something for them to enjoy looking at, to be stimulated by if you want them to stick around. It's taken me a while to get an audience together, I've been posting my art online now for (checks dA - gulp) 15 years. I started getting the kind of jobs I wanted only when I began to take improvement seriously and painted the kind of things I really wanted to in my personal pieces. If it's original artwork you want to sell, the same applies. Ultimately the only way to start is to start. It's scary at first and it doesn't happen immediately. There can be a lot of rejection along the way. Don't let it discourage you too much or compare your progress too intensely with others. Any artist you see suddenly blow up everywhere has probably been at it for years before hand, no-one is an overnight success in that way. It's about luck and timing lining up with your skill level. Of course, what works for one does not always work for another but I hope that isn't too vague and helps somewhat Nonnie! Good luck! <3
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68berri · 3 years
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some silhouette poses with kan(ker sore)kuro!
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68berri · 3 years
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Kankuro baybe 😩😩 i love his design more than anything. also i rendered the whole face and then realized i have to cover it up with the face markings 😀 oops.
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68berri · 3 years
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i call this one “i’m tired of my style and i wanna switch it up/i just started watching naruto and I like Kiba”
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68berri · 3 years
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i will always and forever support the fact that nintendo allowed byleth to have a full on mullet and will not take it for granted. i also couldn’t decide which shading set up i wanted to now you get them all
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68berri · 3 years
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my demon slayer oc Zaram! she is the oldest of her three sisters (that i will be drawing later) and she’s very stoic and ~cool~. i like the idea of a fur kimono type outfit so she’s from a cold area! her power is blizzards so when she fights she has the force of a blizzard following her sword 😛😛😛
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68berri · 3 years
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idea i had abt skin :-) does this count as body horror?
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68berri · 3 years
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testing out diff brushes and style techniques and whatnot :-)
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68berri · 3 years
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link in one of my fav armors in botw
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68berri · 3 years
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🕷🫐👁‍🗨
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68berri · 3 years
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long hair link!
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68berri · 3 years
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couple of pose references i’ve been doing a lot of! referenced mostly from 2000s fashion magazines and 80s pop stars :-) if anyone wants the pinterest board i made for all my references lmk! <333
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