"In March I'll be rested, caught up and human."
– Sylvia Plath, from a letter to "Aurelia Plath" written c. February 1953
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i have seen the protagonists– the central roots of the
house– godless sometimes,
often a fever i don’t know how to soothe, even
my hands bald its nails;
still incapable to pull daffodils
out from backbones.
it is what i wished to scatter– O sweet, sweet infestation–
of bare people; bare,
yet flowery.
—admer balingan, excerpt from Name Your Fist After Tenderness, "The Liar Protagonists"
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i wanted to see the world in a clearer view
than the water i remember from my mother’s eyes.
it glistened, and i once thought that the world was right there;
the beauty was there because the water
came from my mother.
wasn’t that a clear picture of the world?
fluids leaking from a compassionate body, often wordless,
and the gods have always spoken on her behalf.
i heard her silence, of course–
it was quiet needles frolicking like sleepless children also lulled
by blades,
—admer balingan, excerpt from bury my leaves in your ears, "mother"
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tell the city to stay quiet,
like a serene sky after a war.
let the room be occupied with soft-spoken
flowers, soundless trees, introverted neighbors—
almost like statues;
free of long, long, long speeches.
—admer balingan, excerpt from fish deprived, "from the dead to the living".
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besides,
sunset stands next to our bones.
the night
lingers on our fingertips, and
we are so, so used to what fades before our
eyes, and to the darkness that comes
after it.
—admer balingan, excerpt from fish deprived, "kiss against the tide".
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what curse does this back carry?
it's as if a kingdom had crumbled like
a tender age, fruits then become
wrinkled– like a Vendor deep-burnt to the sun–
another face was born, yet still marked
with old generation,
—admer balingan, excerpt from metamorphosis, "kingdom eyes".
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i am not sure, i just walk directionless –
all bare –
and bones vividly scatter outside the skin
without a birthplace.
or who owns them?
i don't know, where the ground is,
or a body with two large eyes,
and feet– well-connected – one.
i float, perhaps.
what is this? air? dream? nightmare? clouds?
—admer balingan, excerpt from name your fist after tenderness, "shiny slates".
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and i wish, sometimes, the birds carry my voice to you
by pecking at your windows–
loud, successive, almost raging–
until your windows leak, and
get broken. until the glasses rattle to the
foot of your bed, to your bedsheets, to your
blanket, to your eyes.
i wish, sometimes, you won't hate the
birds for waking you up.
—admer balingan, excerpt from fish deprived, "hear the birds pecking at your windows".
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i want to be like that –
largely a morning person
or nocturnal roses compelled
to survive fogs, molten guns
and stay wide awake
with vivid eyes, eager
not to miss the bullets
that burst into twilights.
—admer balingan, excerpt from name your fist after tenderness, "twilight bullets".
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i do not long for the sun to dry me;
i have discarded it in front of your god– with my hands
wide open, bold-faced– see?
nothing.
the child there is dead now; nobody glows gold from there–
warm-blooded– and baby fingers
climb up like edible flowers.
i have no names for them; they look unbaptized, faceless
when they cling to my body
like beggars wringing for miracles
out of me.
—admer balingan, excerpt from beggars of god.
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This poem is stained with my absence, it refuses to write itself.
— Fray Narte
Photo screencapped from: The Secret Of Roan Inish (1994) // Dir. John Sayles
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i’ve then got an excuse to rescue my teeth– the shiniest ones out of corrosion.
this is my right to exit from young tragedies and enter again with
a prosthetic tooth; an alternative for voice echoing backwards.
—admer balingan, excerpt from birthright.
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i want no leaves from you, falling heavy
as soulless eyes,
devoid of human– standing before me as
though a proud god
with tongue moist and pampering–
forgive me, i don’t soften terribly with this adulation.
—admer balingan, excerpt from forest boy.
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"for a while. i'm breathing clean, and anibong is home tiptoeing on my hair, on my skin, softly. lovingly. for a while, i sink into this sweet fleeting reverie that blurs all the bitter recollection of mornings."
— admer balingan, excerpt from metamorphosis, "daydreams on my desk"
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... the roof just becomes a landfill for god-wasted
human whose skin, desacralized.
whose heart, a popped tire.
and flowers grow ill, flowerless, unanimated;
miracles don't grow shiny teeth, face, sense;
and become a shrine,
a boy– white porcelain–
so, so beautiful to touch.
— admer, excerpt from metamorphosis, "dreamscape"
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"I inherited the sting of my mother's wounds — her madness and propensity for hurting. But not quite her bravery nor her capacity to carry such wounding weights."
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"inside this chest, mostly— angels sing of unquiet sorrows,"
— admer balingan, excerpt from metamorphosis, "Sweet Elvie"
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