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I love this song sm like u don’t understand😫
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The Official 1997 Pulp Calendar (Part 1). Scanned by me.
📸: Paul Burgess and Caroline Hughes
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Pulp. Razzmatazz 1993.
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freakingoutthesquares · 5 months
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Pulp - Pencil Skirt (Live at Brixton Academy, 1995) - 4K Remastered
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freakingoutthesquares · 7 months
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freakingoutthesquares · 7 months
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So Nick Banks has a book out - the limited edition hardback copy is out now. I have a nice signed copy direct from the publisher.
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A paperback version is due out soon, with this nice pic on the back.
You can buy it here from Omnibus Press.
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freakingoutthesquares · 8 months
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Additions - found on Pinterest.
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Pulp 1995. Top left was used in the July 1995 edition of Select Magazine - can't find photographer's name at the moment.
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freakingoutthesquares · 9 months
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Pulp 1995. Top left was used in the July 1995 edition of Select Magazine - can't find photographer's name at the moment.
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freakingoutthesquares · 10 months
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UPDATE: Original photos by Barney Poole taken from his twitter [x] Pulp, Riverside, Newcastle. 1993
Above: Steve, Russell, Jarvis & Nick.
Below: Russell close up - nice jacket.
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Below: This goes with it...
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freakingoutthesquares · 10 months
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Pulp 1993 - Riverside, Newcastle.
Photos by Barney Poole - from his twitter [x]
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freakingoutthesquares · 10 months
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Pulp Cardiff 2023 - Photo montage for Glory Days.
Above: Russell - posted on twitter by Acrylic Afternoons [x]
Below: More photos on the Pulp Fan Group on Facebook, including these two by Wendy Wendy [x]
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Steve [x]
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freakingoutthesquares · 10 months
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1984 Dig vis Drill with Jarvis Cocker & Russell Senior in masks.
Nick Robinson Facebook [x]
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Jarvis & Russell as close up as I can get it.
I think it is Phil Mavrick in the dog collar and that certainly looks like Ogy McGrath dancing out front, also in a mask, and Nick Robinson himself on guitar.
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freakingoutthesquares · 10 months
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Russell Senior - Pulp Reunion 2011, Primavera Sound 2011
Flickr: Original photo Mike Winship, May 2011 [x]
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freakingoutthesquares · 10 months
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I am working on something...
Excerpt from unpublished 2015 interview by Stephen Bray.
Russell: I don’t know if I put this in the book - but there was - I was going through old setlists and there’s one time we were playing Bradford, and we were playing London the night after… and the setlist was more than half different between the two - just in case somebody from Bradford came to the London one and in actual fact three or four did— I remember a carload of people did. So it was really good to be able to, you know: There’s seventy people in the audience and those four people are getting a, kind of a, you know, a newer experience than just, “We’re trotting this stuff out,” so we’re all, kind of, into that kind of thing. I mean obviously that gets chipped away at the edges off. But… As I say, I don’t think we’ve ever played the same set twice… might have ended up by rotating ‘round… by changing a song each night you might have come back to something you played before - but I’m not aware of having played the same setlist twice.
Stephen: I would’ve thought by the time… sort of, the middle of ‘96 the sets would have been quite similar.
Russell: They were.
Stephen: Cos the first time I saw you at V96 and I think it was everything from Different Class apart from Bar Italia… and maybe…
Russell: Yeah. But it changed the night after.
Stephen: Right.
Russell: You know, even if it’s only one song [laughs]. I’m not saying it was a completely different new take, but that we still kept a sense of trying to, “OK, if you’ve seen us last night you’re going to get something new,” it might not be a lot at that stage but, [laughs] you know.
I have completed the transcript of the whole interview. Another Bar Italia forum member is doing an article for publication then the transcript will be released. There will be the full conversational transcript and an edited Q&A style interview.
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freakingoutthesquares · 10 months
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PULP. 'His -n- Hers' album photo.
The Worx Studios. King’s Cross. London.
Shot: October 5, 1993.
Contact for print sales : [email protected]
All Photos: ©Kevin Westenberg. All Rights Reserved.
From Kevin Westenberg's FB: HERE
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PULP. Cover shot for ‘His-n-Hers’ album. Finally got around to creating a master version of this photograph. Back in 1993 in the heat and general chaos of the moment, there would have been one print made as part of all the original photo print choices made by the band and management. At that time, there was no way to have known that this image would be the one chosen to be illustrated for the cover of their upcoming album. This hero version all came about because Jarvis contacted me to ask if it can be used as part of their background visuals for the current tour, which is a great honour. Looking forward to seeing the now reformed PULP play all the hits at Finsbury Park for the first time in 25 years this Saturday July 1, 2023. Will be a great moment to remember as opposed to the drunken 90’s! This time I’ll be clean and sober.
The backstory: In the spirit of those times during the London of the 1990’s, I felt compelled to post a hot shot from one of my early photo sessions with Pulp. The story goes that this particular shoot was mainly for press. Out of the blue some months later I was told one of the shots was going to be used as the cover for the ‘His-n-Hers’ album. To be an Illustrated version by Philip Castle. The album was released on 18 April 1994 by Island Records. It proved to be the band's breakthrough album, reaching number nine on the UK Albums Chart, and was nominated for the 1994 Mercury Music Prize. In 1998, Q Magazine readers voted it the seventieth greatest album of all time, while it was placed at number 110 in the book Virgin All-Time Top 1000 Albums. Of course when the photos were taken, we all had no idea what a brilliant success the album would be so it’s a tad embarrassing in hindsight how primitive my contribution was. Technically, it’s just above beginner lighting. Hard light which was all I knew back then. Fortunately most everyone was young then so it kind of worked. The other reality of every situation in those inkie days was that speed was the main driving force of success. Keep it moving at any cost! It was only when that process went wrong, and it did spectacularly, that everything eventually changed for the better. The PR firm Savage & Best were behind both this commission and my initial shoot for ‘Intro-The Gift Recordings’, released in October of 1993 right about the time of this shoot. Between them, the press and all the bands of the era we all made a great team somehow, which burned brightly for just a short period and then flamed out. R.I.P. Steve Mackey. Photo: ©Kevin Westenberg.
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freakingoutthesquares · 10 months
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Japanese Magazine, Crossbeat, 1995.
Photo 1993.
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freakingoutthesquares · 10 months
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Russell Senior, Sheffield, 1993.
Photographer Louise Rhodes.
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